RCF M-18 DIGITAL MIXER

Discontinued

500.00 incl. GR VAT

Out of stock

CompareAdd to wishlist Submit Better Price
• 18 Input channels, 6 buses • 8 Mic inputs – 2 of which are combo jacks • 10 Line inputs, 2 of them with Hi-Z • 6 Balanced 6.3 mm jack outputs • Stereo main out XLR • 19 Simultaneously usable effects • 3 Different EQ types on the input channels • 11 Integrated […]

 

Read more

• 18 Input channels, 6 buses
• 8 Mic inputs – 2 of which are combo jacks
• 10 Line inputs, 2 of them with Hi-Z
• 6 Balanced 6.3 mm jack outputs
• Stereo main out XLR
• 19 Simultaneously usable effects
• 3 Different EQ types on the input channels
• 11 Integrated realistic amp simulations for guitar and bass (Overloud and Markbass)
• Internal audio player/recorder
• Headphone jack can be used for personal monitoring
• MIDI in/out
• Dual footswitch input
• Integrated Wi-Fi dual-band router (2.4 and 5 GHz) with 2 integrated antennas and an additionally supplied external antenna with WPA2 encryption
• Ethernet port
• USB 2.0 port for recording and playback (WAV, MP3, AIFF)
• MixRemote app available free of charge for iOS and Android
• WLAN remote operation via iPad (not included)
• System requirements: iPad from version 2, iOS version from 8.1, app “MixRemote” (available free of charge from the App Store)
• Corresponding rack mount kit: Article Nr 393409; matching protectors: Article Nr 393435; corresponding bag: Article Nr 393372 (none are not included)
Weight 2.50 kg

Reviews

There are no reviews yet.

Be the first to review “RCF M-18 DIGITAL MIXER”

Your email address will not be published. Required fields are marked *

Quick Comparison

RCF M-18 DIGITAL MIXER removeALLEN AND HEATH GLD 112 Digital Mixer removeSOUNDCRAFT SI PERFORMER 2 removeSOUNDCRAFT SI PERFORMER 1 Digital Sound Mixer removeYAMAHA CL1 16 channel digital mixer removeYAMAHA CL5 32 channel digital mixer remove
NameRCF M-18 DIGITAL MIXER removeALLEN AND HEATH GLD 112 Digital Mixer removeSOUNDCRAFT SI PERFORMER 2 removeSOUNDCRAFT SI PERFORMER 1 Digital Sound Mixer removeYAMAHA CL1 16 channel digital mixer removeYAMAHA CL5 32 channel digital mixer remove
Image
SKU17140073144.197SI PERFORMER 2SI PERFORMER 1CL-1CL-5
Rating
Price 500.00 incl. GR VAT 5,111.00 incl. GR VAT 5,472.18 incl. GR VAT 5,081.00 incl. GR VAT 13,590.10 incl. GR VAT 24,989.72 incl. GR VAT
Stock

Out of stock

Available on backorder

Available on backorder

Available on backorder

Available on backorder

Available on backorder

AvailabilityOut of stockAvailable on backorderAvailable on backorderAvailable on backorderAvailable on backorderAvailable on backorder
Add to cart

Read more

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
Content• 18 Input channels, 6 buses • 8 Mic inputs - 2 of which are combo jacks • 10 Line inputs, 2 of them with Hi-Z • 6 Balanced 6.3 mm jack outputs • Stereo main out XLR • 19 Simultaneously usable effects • 3 Different EQ types on the input channels • 11 Integrated realistic amp simulations for guitar and bass (Overloud and Markbass) • Internal audio player/recorder • Headphone jack can be used for personal monitoring • MIDI in/out • Dual footswitch input • Integrated Wi-Fi dual-band router (2.4 and 5 GHz) with 2 integrated antennas and an additionally supplied external antenna with WPA2 encryption • Ethernet port • USB 2.0 port for recording and playback (WAV, MP3, AIFF) • MixRemote app available free of charge for iOS and Android • WLAN remote operation via iPad (not included) • System requirements: iPad from version 2, iOS version from 8.1, app "MixRemote" (available free of charge from the App Store) • Corresponding rack mount kit: Article Nr 393409; matching protectors: Article Nr 393435; corresponding bag: Article Nr 393372 (none are not included)

GLD-112 is a larger version of the popular GLD-80 mixer, with an extra bank of 8 control strips, increasing the channel count to 28 fader strips in 4 layers.

GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard 32 input GLD system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).

GLD-112 provides 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.

GLD-112 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag ʽn drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 28 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixerʽs local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.

GLD-112 connects to a range of plug ʽn play I/O racks to ʽbuildʼ 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m CAT5 runs using A&Hʼs dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems.

GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heathʼs ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLDʼs extensive soft-patching.

The GLD Remote app provides wireless control for GLD-112, giving the engineer the freedom to walk the room or stage and control the sound right where it is needed. GLD-112 and GLD Remote can work together to provide simultaneous control of independent functions, for example one engineer using the console to mix FoH sound and another using the iPad to mix monitors on stage.

  • Compact digital mixer with scalable, remote I/O
  • Systems from 4 to 44 mics
  • Easy to use, quick to access, analogue style interface
  • dSNAKE Cat5 digital snake—up to 120m cable length
  • 8.4 inch colour touchscreen for graphical view and setup
  • 28 faders, 4 layers, 112 channel strips in a freely customizable layout
  • 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
  • 8 stereo RackFX engines* with dedicated ʽshortʼ returns with 4-band PEQ
  • Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
  • Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
  • LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
  • 16 DCAs / mute groups
  • Built-in Talkback, RTA and Signal Generator
  • I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
  • MIDI In/Out and Ethernet Network port
  • AviomTM Pro16 compatible Monitor port on main AudioRack
  • High end 1dB step recallable mic/line preamps
  • User definable channel names and colours
  • Engineerʼs mono Wedge and stereo IEM strips
  • Input, output and insert soft patchbays
  • Quick copy, paste and reset of mixes and parameters
  • Libraries, Scenes and Show memories with USB transfer
  • Get started quickly with Template Shows
  • 14 assignable SoftKeys for scene recall, DCA mutes and more

Si Performer 2 Highlights

Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer

2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.

Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!

1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.

TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.

Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!

DMX interface - control sound and light from the same device.

BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.

Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.

Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.

D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.

Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.

Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.

Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.

Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.






Key Features

  •  24 mono mic inputs
  •  8 line inputs
  •  80 channels to mix
  •  2 ViSi Connect™ option card slots for 128 x 96 input/output paths
  •  Pre/Post selection per input per bus
  •  Freely assignable faders and patching
  •  Soundcraft FaderGlow™
  •  Colour backlit LCD screens per fader
  •  GEQ on every bus
  •  20 sub-group / aux busses
  •  4 FX busses
  •  8 Matrix busses
  •  LRC Mix busses
  •  LCR panning
  •  4 Stereo Lexicon Effects engines
  •  Delay on inputs and outputs
  •  8 Mute Groups
  •  8 VCA Groups
  •  AES in and out
  •  DMX interface and control - control sound and light simultaneously
  •  Freely assignable insert loops
  •  Harman HiQnet integration
  •  Colour touch screen interface

Si Performer 1 Highlights
•     

Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer
•     

2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.
•     

Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
•     

1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
•     

TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
•     

Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
•     

DMX interface - control sound and light from the same device.


    

BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
•     

Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.
•     

Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.
•     

D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
•     

Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
•     

Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
•     

Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.
•     

Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.
    
    

Key Features

  •  16 mono mic inputs
  •  8 line inputs
  •  80 channels to mix
  •  2 ViSi Connect™ option card slots for 128 x 96 input/output paths
  •  Pre/Post selection per input per bus
  •  Freely assignable faders and patching
  •  Soundcraft FaderGlow™
  •  Colour backlit LCD screens per fader
  •  GEQ on every bus
  •  20 sub-group / aux busses
  •  4 FX busses
  •  8 Matrix busses
  •  LRC Mix busses
  •  LCR panning
  •  4 Stereo Lexicon Effects engines
  •  Delay on inputs and outputs
  •  8 Mute Groups
  •  8 VCA Groups
  •  AES in and out
  •  DMX interface and control -control sound and light simultaneously
  •  Freely assignable insert loops
  •  Harman HiQnet integration
  •  Colour touch screen interface
  •  Comes with removable side cheeks

Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.

  • Input channels: 48 mono, 8 stereo.
  • Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section .
  • Meter bridge optional.
 

General specifications

Sampling frequency rate Internal 44.1kHz / 48kHz
External 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
Signal delay Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz
Total harmonic distortion Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.
Frequency response +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT
Dynamic range 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.
Crosstalk -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min.
Power requirements US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz
Power consumption 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W
Dimensions W 648mm (25 5/8in)
H 299mm (11 3/4in)
D 667mm (26 1/4in)
Net weight 24kg (52.9lb)
Others Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃

With a three-section fader layout for efficient hands-on control, the CL5 is the ideal choice for a diverse spectrum of live sound systems.
  • Input channels: 72 mono, 8 stereo.
  • Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
  • Stainless steel stay for iPad support.
  • Built-in meter bridge.
  General specifications
Sampling frequency rate Internal 44.1kHz / 48kHz
External 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
Signal delay Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz
Total harmonic distortion Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.
Frequency response +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT
Dynamic range 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.
Crosstalk -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min.
Power requirements US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz
Power consumption 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W
Dimensions W 1053mm (41 1/2in)
H 299mm (11 3/4in)
D 667mm (26 1/4in)
Net weight 36kg (79.4lb)
Others Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃
 
Weight2.50 kg21.00 kg10.00 kg10.00 kg24.00 kg36.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.50 kg
Weight 21.00 kg
Weight 10.00 kg
Weight 10.00 kg
Weight 24.00 kg
Weight 36.00 kg