Omni-directional, flat frequency, measurement microphone.
Omni-directional, flat frequency, measurement microphone.
DBX Driverack RTA-M Real Time Analyzer Microphone
13%
€135.00 incl. GR VAT
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| DBX Driverack RTA-M Real Time Analyzer Microphone remove | OMNITRONIC MIC MM-1C Condenser Precise measuring microphone with flat frequency response remove | AKG C414-XLS - Large Diaphragm Condenser Microphone with Five P remove | SHURE MX-393C - Cardioid Boundary Microphone remove | SHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz remove | Shure DMK57-52 - Drum Mic Kit remove | |||||||||||||||||||||||||||||||
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| Name | DBX Driverack RTA-M Real Time Analyzer Microphone remove | OMNITRONIC MIC MM-1C Condenser Precise measuring microphone with flat frequency response remove | AKG C414-XLS - Large Diaphragm Condenser Microphone with Five P remove | SHURE MX-393C - Cardioid Boundary Microphone remove | SHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz remove | Shure DMK57-52 - Drum Mic Kit remove | ||||||||||||||||||||||||||||||
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| SKU | DBX DRIVERACK RTA-M | 13030919 | C414-XLS | MX393C | KSM137/SL | DMK57-52 | ||||||||||||||||||||||||||||||
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| Price | €135.00 incl. GR VAT | €52.07 incl. GR VAT | €1,116.00 incl. GR VAT | €281.00 incl. GR VAT | €396.80 incl. GR VAT | €627.00 incl. GR VAT | ||||||||||||||||||||||||||||||
| Stock | In stock | Available on backorder | Available on backorder | Only 1 left in stock (can be backordered) | Available on backorder | Only 1 left in stock (can be backordered) | ||||||||||||||||||||||||||||||
| Availability | In stock | Available on backorder | Available on backorder | Only 1 left in stock (can be backordered) | Available on backorder | Only 1 left in stock (can be backordered) | ||||||||||||||||||||||||||||||
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| Description | ||||||||||||||||||||||||||||||||||||
| Content | Omni-directional, flat frequency, measurement microphone. |
| The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices. The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns. The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds. On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A. The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter. The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty. Features High sensitivity and extremely low self noise Five switchable polar patterns for placement and application flexibility Two-color LEDs provide quick visual indication of selected polar pattern and output overload Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen High sound pressure level capability and wide dynamic range Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors Specifications Type: 1" large diaphragm pressure gradient microphone Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight Frequency Range: 20 to 20,000 Hz Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB) Preattenuation Pad: -6, -12,-18 dB, switchable Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Power Requirements: 48 V phantom power to DIN/IEC Connector: 3-pin XLR Dimensions: 2" x 1.5" x 6.3“ Net Weight: 10.6 oz Shipping Weight: 5 lbs (2.27 kg) |
MX393C - Condenser Boundary Microphone, Built-in Preamp, 12-ft Tini "QG" ? to XLR Cable, Programmable Switch and LED Indicator |
The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Features
Performance Characteristics
APPLICATIONS Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application. Suggested Applications
Acoustic Guitar |
The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.
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| Weight | 0.50 kg | 0.1 kg | 2.27 kg | 0.40 kg | 0.50 kg | 2.00 kg | ||||||||||||||||||||||||||||||
| Dimensions | N/A | N/A | N/A | N/A | N/A | N/A | ||||||||||||||||||||||||||||||
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