FOCUSRITE REDNET X2P Audio Interface 2×2 Dante table type

1,450.79 incl. GR VAT

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RedNet X2P is a compact, portable and robust 2×2 Dante audio interface featuring two Red Evolution mic pres, stereo line out and a stereo headphone amplifier. RedNet X2P allows you to effortless add a high quality Dante audio interface by integrating power, audio, clock and remote control over a single Ethernet cable simply use a […]

 

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RedNet X2P is a compact, portable and robust 2×2 Dante audio interface featuring two Red Evolution mic pres, stereo line out and a stereo headphone amplifier. RedNet X2P allows you to effortless add a high quality Dante audio interface by integrating power, audio, clock and remote control over a single Ethernet cable simply use a power over Ethernet switch or PoE injector. A local input mixer allows \’more me\’ monitoring control, while a control lockout mode ensures settings can not be changed when used remotely.

Rear panel XLR outputs offer level-controlled analogue outputs of up to 24dBu, while a front panel 1/4″ connector provides a high-powered headphone output capable of driving both high and low impedance headphones. A pair of combination XLR/1/4″ inputs allow the connection of mic, line or instrument level signals to the mic pres, which include Focusrite\’s acclaimed Air mode which emulates the sound of our classic input transformers. The top panel features an array of controls: output level for headphone and line outputs, mic pre controls of gain, high-pass filter, Air, phase invert, phantom power and stereo linking; as well as the crossfader for controlling the balance of mic pre inputs and network receiver channels which to be sent to the headphone or line outputs.

Weight 1.45 kg

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FOCUSRITE REDNET X2P Audio Interface 2x2 Dante table type removeMOTU 8 Pre USB - 16 x 12 FireWire audio interface removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeYAMAHA GO 44 MOBILE FIREWIRE AUDIO INTERFACE removeESI U-46XL USB Sound Card removeAPOGEE Ensemble Multi-Channel, 24bit/192kHz Audio Interface remove
NameFOCUSRITE REDNET X2P Audio Interface 2x2 Dante table type removeMOTU 8 Pre USB - 16 x 12 FireWire audio interface removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeYAMAHA GO 44 MOBILE FIREWIRE AUDIO INTERFACE removeESI U-46XL USB Sound Card removeAPOGEE Ensemble Multi-Channel, 24bit/192kHz Audio Interface remove
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Description
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RedNet X2P is a compact, portable and robust 2x2 Dante audio interface featuring two Red Evolution mic pres, stereo line out and a stereo headphone amplifier. RedNet X2P allows you to effortless add a high quality Dante audio interface by integrating power, audio, clock and remote control over a single Ethernet cable simply use a power over Ethernet switch or PoE injector. A local input mixer allows \'more me\' monitoring control, while a control lockout mode ensures settings can not be changed when used remotely.

Rear panel XLR outputs offer level-controlled analogue outputs of up to 24dBu, while a front panel 1/4" connector provides a high-powered headphone output capable of driving both high and low impedance headphones. A pair of combination XLR/1/4" inputs allow the connection of mic, line or instrument level signals to the mic pres, which include Focusrite\'s acclaimed Air mode which emulates the sound of our classic input transformers. The top panel features an array of controls: output level for headphone and line outputs, mic pre controls of gain, high-pass filter, Air, phase invert, phantom power and stereo linking; as well as the crossfader for controlling the balance of mic pre inputs and network receiver channels which to be sent to the headphone or line outputs.

Turn your computer into a powerful digital audio workstation with eight mic inputs. Or add eight high-quality mic/instrument inputs to your current system.

The 8pre FireWire audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I/O. Expand your system by connecting additional 8pres or other MOTU FireWire audio interfaces.

The 8pre as your primary audio interface

Use the included CueMix™ software to mix all 16 inputs from your computer. Eight channels of ADAT optical I/O make the 8pre an ideal companion for a digital mixer. Two ADAT lightpipe connections work together to support a full 8 channels of optical digital I/O at any sample rate up to 96kHz.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Then monitor all of these live inputs via the 8preʼs main outs or headphone jack — with virtually no monitoring latency and no processor drain on your computer. You can even create separate monitor mixes for the main outs and headphones. Control everything, including talk-back and listen-back, from the included CueMix Console™ software, just like a large studio console.

The 8pre includes a 16-channel MIDI interface. Simply plug in your FireWire cable, and both MIDI and audio are ready to go. Connect any MIDI device, such as a controller keyboard, synth module, automated control surface or drum machine. Timing is sample-accurate with supporting software.

The 8pre provides cross-platform compatibility with Mac OS X 10.3 or higher, Windows XP and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac OS, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

The 8pre as a microphone preamp expansion interface

The 8pre is really two products in one. When it is not connected to a computer via FireWire, the 8pre functions as an eight-channel analog to digital (optical) converter. Connect the 8pre to your MOTU 828, 896, Traveler or even another 8pre via the optical "lightpipe” connection to add eight high-quality microphone pre-amps to your system. Since the connection is digital, 100% pristine sound is maintained, down to the very last sample.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

The 8pre is the perfect way to instantly add eight more mic inputs to any audio interface or digital mixer with optical I/O. If you have a MOTU interface with on-board CueMix DSP mixing, such as the 828mkII, 896HD or Traveler, the 8pre inputs appear directly in the host interface's CueMix mixer to becomes a transparent extension of your system, operating together with your primary interface as a single, integrated unit — even when the host interface is not connected to a computer and is instead operating as a stand-alone mixer.

If you have a 2408mk3, digital mixer or other audio device that supports 96kHz optical and also has two optical inputs, the 8pre connects to it via both optical ports to provide a full eight channels of analog to optical conversion at the 88.2 or 96kHz sample rates.

  • Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
  • CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
  • 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
  • Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
  • Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
  • Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
  • CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
  • Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
  • “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
  • Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
  • Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
  • Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
  • Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
  • Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
  • Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
  • Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
  • Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
  • Expandable — add additional interfaces for more I/O as your needs grow.
  • Separate TRS main outs with front panel volume control.
  • Stereo 24-bit 96kHz S/PDIF in/out.
  • Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today's popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Plug-and-play operation with your Mac or PC via FireWire or USB2.
  • Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
  • Front panel headphone jack with volume control.
  • Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
  • Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.

The Yamaha GO44 is a mobile audio solution that features high quality line
inputs/outputs and worldclass MIDI and audio recording software enabling
professional quality recording to a computer in a very compact package that
can be carried and used virtually anyway.
The Yamaha GO44 boasts up to 24-bit/192kHz resolution on the analog inputs/
outputs - the best in its class - and 24-bit/96kHz on the digital I/O. This pro-level
quality makes the Yamaha GO44 perfect for any type of recording, and allows
you to capture the full details and nuances of the original source - from the
breathiness of a vocal to the delicate finger slides of an acoustic guitar performance.

The Yamaha GO44 features 4-in/4-out multi-channel audio, with two analog phone
jack terminals for both input and output, and special S/P DIF coaxial terminals for
two-channel digital in/out. This device is simple and easy to use, yet provides high-quality
recording capability - perfect not only for those who want to create music, but also
for those who want an audio playback system for their computer that delivers
outstanding sound quality.

The digital outputs on the Yamaha GO44 are compatible with the AC-3 and DTS
surround sound formats. Simply connect a surround compatible amplifier/speaker
setup, and enjoy the powerful sonic experience of surround sound.

Yamaha GO44 Features:
FireWire audio interface
Durable aluminum die cast body
Simple, small and light weight
2 x Balanced Line inputs / outputs
Headphones output on Front Panel
1 MIDI In /1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible

he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.

As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.

The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.

A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.

U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.

8 channels of premium 24-bit 192K AD/DA conversion
4 digitally controlled 75db microphone preamps
2 fully balanced inserts on mic pre channels
4 Hi-Z instrument inputs capable of handling high level instruments
2 individual, controllable and assignable high level headphone outputs
2, 6 or 8 channel monitor outputs
8 channels of ADAT I/O
FireWire 400 I/O, compatible with OS X Core Audio (no driver required)
2 channels of SPDIF I/O
“Soft Limit” for maximum digital input level without overs
“UV22HR” for superior dither of 24 bit resolution down to 16-bit
Advanced, dual-stage "Intelliclock”
Complete integration and control with Appleʼs Logic Pro Software
Compatibility with any CoreAudio software applications
Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro
Weight1.45 kg4.00 kg2.00 kg1.50 kg1.36 kg3.00 kgDimensionsN/AN/AN/AN/AN/AN/AAdditional information
Weight 1.45 kg
Weight 4.00 kg
Weight 2.00 kg
Weight 1.50 kg
Weight 1.36 kg
Weight 3.00 kg

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