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Whether youʼre at the top of the charts – or just a dreamer with a microphone, VoiceLive Play gives you hundreds of song & artist presets to choose from, helping you create amazing vocals. Plug in your MP3 player and sing along with your favorite tracks or create instant HIT effects for your own songs.
200+ song & artist inspired presets
Plug in your MP3 player to the AUX input and sing along using Vocal Cancel feature
RoomSense – embedded mics set auto key for harmonies
Sound Like The Pros
Producers spend more time on perfecting vocals than any other instrument, and the number of layered vocal tracks on a studio recording often run well into the double-digits. Now the same care for creating vocals live or at home is available to everyone.
VoiceLive Play gives singers the opportunity to experience the sound they know and love from their favorite songs with ease. Featuring automatic backing harmonies, vocal double tracking, pristine EQ and compression, lush reverbs, hard-tuned robo-voice – all the the goose-bumps-on-your-arm effects that make todayʼs Billboard hit vocals "pop”.
Pick a Genre, any Genre
Operating and navigating VoiceLive Play is a breeze. The GENRE button allows you to easily browse hundreds of presets. Choose a style that suits you and VoiceLive Play will list the presets that fit your preference. If youʼve never used effects before, youʼll quickly learn how to find the sound youʼre looking for with GENRES.
Download More & Make Your Favorites
If hundreds of presets wasnʼt enough, youʼll be able to download new and exciting artist presets each month for free via VoiceSupport.
Should you want to create your own presets, VoiceLive Play offers the simple and intuitive onboard controls to do so. In addition, you can mark any preset as a FAVORITE, creating a personal genre of choice effects for super-fast access.
Control
200+ Song & Artist Inspired Presets
Preset Up/Down and HIT Footswitch
Graphics LCD Display
Bump-Protected Mic Level
Dual-Colour Backlit Buttons
Dedicated Effect Block On/Offs
Size
Height: 1.8 inches (45 mm)
Width: 7.9 inches (200 mm)
Depth: 6.1 inches (156 mm)
Weight
Weight: 2.1 lb. (0.95 kg)
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| More sound to your amps and speakers
The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.
The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs.
XLR balanced ins and outs
Mode switches for mono 4-way or stereo 2-way/3-way operation
Low frequency summed (subwoofer) output
x10 range switch on both channels
40Hz high pass (low cut) filter both channels
Phase reverse switch on all outputs
Individual level controls on all outputs
24dB per octave Linkwitz-Riley filters (the professional standard)
Stereo/Mono status LEDs indicate the selected mode
dbx® 2 year parts and labor as standard
CSA NRTL/C approved
CE compliant
| Input Connectors |
XLR |
| Input Type |
Electronically balanced/unbalanced, RF filtered |
| Input Impedance |
Balanced >50k ohm, unbalanced >25k ohm |
| Max Input |
>+22dBu balanced or unbalanced |
| CMRR |
>40dB, typically >55dB at 1kHz |
| Output Connectors |
XLR |
| Output Type |
Impedance-balanaced/unbalanced, RF filtered |
| Output Impedance |
Balanced 200 ohm, unbalanced 100 ohm |
| Max Output |
>+21dBu balanced/unbalanced into 2k ohms or greater |
| Bandwidth |
20Hz to 20kHz, +/-0.5dB |
| Frequency Response |
90 kHz, +0/-3 dB |
| Signal to Noise Ratio |
Ref: +4 dBu, 22 kHz measurement bandwidth |
| Signal-to-Noise (Stereo Mode) |
>94dB (Low Output), >93dB (Mid Output), >90dB (High Output) |
| Signal-to-Noise (Mono Mode) |
>94dB (Low Output, Low/Mid Output); >92dB (High/Mid Output); >88dB (High Output) |
| Dynamic Range |
> 106 dB, unweighted, any output |
| THD+Noise |
| Interchannel Crosstalk |
| Crossover Frequencies (Stereo Mode) |
Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High 450Hz to 9.6kHz (x10 setting) |
| Crossover Frequencies (Mono Mode) |
Low/Low-Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low-Mid/High-Mid: 450 Hz to 9.6 kHz; High-Mid/High: 450 Hz to 9.6 kHz |
| Crossover Filter Type |
Linkwitz-Riley, 24 dB/octave, state-variable |
| Low cut Switch |
Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel. |
| Phase Invert Switch |
Inverts the phase at the output, one switch per output. |
| x1 / x10 Switch |
Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel. |
| Mode Switch |
Selects stereo/mono and 2/3/4-way operation |
| LF Sum Switch |
Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode. |
| Indicators |
Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output) |
| Operating Voltage |
100-120 VAC 50/60Hz; 120 VAC 60Hz 230 VAC 50/60Hz |
| Operating Temperature |
32°F to 113°F (0°C to 45°C) |
| Power Consumption |
15W |
| Power Connector |
IEC receptacle |
| Dimensions |
1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm) |
| Unit Weight |
4.0 lbs. (1.8 kg) |
| Shipping Weight |
5.8 lbs. (2.6 kg) |
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The Ruby '63 features dual-engine processing combined with UAD audio-modeling expertise for an extremely authentic emulation of the classic '60s British tube amp sound. Cabinet/mic emulations can be bypassed for simply adding overdrive or tonal flavor to your sounds. With treble booster, preamp boost, and speaker swaps, the Ruby '63 is equipped to produce album-ready tones with the flip of a switch.
Drawing from the custom mic and speaker pairings of UAD's award-winning OX Amp Top Box, the Ruby '63 provides immediate access to inspiring studio tones. Six unique modeled speaker/mic combos are available to either take on the go or spice up your DAW recording, providing a huge range of sounds.
The Ruby '63 features three different types of modeled boost circuits arranged as channels, each with their own distinct voice. The Brilliant channel, based on a '63 top-boost amplifier, adds extra tube for more gain and treble. The Normal channel, based on a '61 non-top-boost amplifier, features more headroom and lower overall gain than Brilliant and works well with other pedals. The Vibrato channel is based on a '63 top-boost amplifier and features its own unique sound and set of inputs. Vibrato can produce tremolo-type tones and attain even slower rates than the original amp.
The Ruby '63 features two classic boosts, right onboard. This includes the '60's Dallas Rangemaster germanium treble preamp booster (linked to the Brilliant channel), and the preamp section of a '70s Maestro EP-3 tape delay (linked to the Normal channel). Just flip the Boost switch to achieve searing guitar tones.
Want to just control all of the Ruby '63 features without having to bend over and adjust knobs? UAD has you covered with a handy Bluetooth pairing function that allows you to alter any available parameter directly from your favorite mobile device through the UAFX Mobile app. Customize features, explore presets, or even download new tones, models, and artist presets all with a few taps. You can even get deep and customize your footswitches for a wide array of functions.
With two footswitches, six knobs, and three flip switches, the Ruby '63 contains a bevy of control for those who want maximum sonic flexibility. Input gain, output gain, high-frequency cut, bass response, treble response, and boost amount all get dedicated rotary knobs, so any amp sound can be quickly dialed in. Speaker type, amp storage, and channel type all get three-position switches for extra flexibility. The dual footswitches default to on/off and preset switching, while further footswitch modes are available with the UAFX Control app.
The Ruby '63 provides users with an elegant and efficient I/O arrangement to enable plenty of options right out of the box. One mono input and one mono output are provided for basic use, while a secondary input and output are also provided for stereo linking. A multitude of connection combinations are possible, from sending stereo outs to an interface or stage PA, to sending separate outs to different amps and effects loops—even more options are unlocked when using multiple Ruby '63 pedals in tandem. The 4-Cable mode, compatible only with UAFX amp pedals, allows the addition of another switchable channel to any real guitar amplifier with an effects loop, allowing you to switch between your guitar amp's built-in preamp section and the sounds in your pedals.
Featuring the timeless design and rugged craftmanship that UA has become known for, the Ruby '63 pedal is built to last decades. Whether taken on the road or used in the studio, this pedal can be relied upon to deliver quality sound on demand.
| Built upon award-winning UAFX dual-engine processing and three legendary limiters plus an iconic tube preamp, the Max Preamp and Dual Compressor Pedal from Universal Audio provides the classic compression colors of the Teletronix LA-2A opto-compressor, the UA 1176 FET compressor, and the Dyna Comp as well as the all the grit and character of UA's classic 610 tube microphone preamp. With the powerful dual-FX engine found on all UAFX pedals, you can stack and mix compressors for a wider array of tones and textures, and each stack gets its own dedicated footswitch.
Six knobs give you control over attack, ratio (a pedal exclusive parameter), release, preamp gain, compression level, and output volume, and three switches let you select between compressor models for each stack and the stack you are editing. Stereo 1/4" I/O permits either classic mono or immersive stereo processing, including support for the classic 4-cable method. And with the UAFX Control app, you can tweak EQ settings, unlock serial or parallel operation, and add a sidechain bass filter, all over wireless Bluetooth.Universal Audio Max Preamp and Dual Compressor Pedal |
Size
Height: 5.4 inches (140 mm)
Width: 3.5 inches (90 mm)
Depth: 2.3 inches (60 mm)
Weight
Weight: 0.92 lb. (0.42 kg)
Construction
Two part dies cast metal
Rubberized base
Connections
Analog Inputs
Connectors, balanced: Mic.: XLR
Mic Input Level @ 0 dBFS: -42dBu to +1dBu
EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
Mic input SNR: >104 dB
Guitar Input impedance: 1 MOhm
Guitar Input Level @ 0 dBFS: -7 dBU to 17 dBu
Guitar Input SNR: >115dB
Analog Outputs
Output Impedance, Bal./Unbal.: 200/100 Ohm
Output Full Scale: +1 dBu
Dynamic Range: >104 dB, 20 Hz to 20 kHz
Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz
Control
USB for firmware and control
Mic Control using TC-Helicon MP-75
Details
Power
Power Supply (Supplied): 12V .4A
Power Consumption: 5.6W
Safety
EMC – Complies with EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B
Safety – certified to IEC 65, EN 60065, UL6500 and CSA IEC 65, EN 60065, UL6500 and CSA
Operating Requirements
Operating Temperature: 32°F to 122°F (0°C to 50°C)
Storage Temperature: -22°F to 167°F (-30°C to 70°C)
Humidity: Max. 90 % non-condensing
Included with VoiceTone H1
Region specific power supply
USB cable
User guide
1 year warranty parts and labor
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- Antares Auto-Tune Evo real-time pitch correction with enhanced tracking and correction capabilities
- Antares Microphone Modeling simulates a variety of high-end studio microphones with variable proximity effect
- Analog tube modeling effect
- Variable-knee compression
- Downward-expanding gate processor
- Variable frequency de-esser
- Flexible 2-band parametric EQ
- Automatic mono or stereo doubletracking
- User-programmable settings
- Dynamic MIDI control
- XLR microphone input with phantom power
- 1/4” balanced line input and output
- S/PDIF digital output
- 1/4" footswitch input
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