LEXICON PCM-96 Surround Digital professional surroundprocessor

LEXICON PCM96S, professional surroundprocessor, new and legendary reverb and effectalgorithm, up to 24bit/96khz, firewire audio streaming for six channels, "hardware plug-in" for Mac VST and audio unit software, 2200 presets and 768 user-programs, three AES/EBU in/out (XLR) OLED Display, compact flash card slot, HiQnet compatible, Midi IN/OUT/THRU, dual ethernet/firewire, wordclock in, .1U, 19“           FEATURES

• DAW automation 
• FireWire streaming 
• Unrivalled collection of new and legendary Lexicon reverbs and effects 
• Connectivity options include six channels XLR analog, six channels XLR AES/EBU digital I/O
  
• MIDI, Wordclock, Ethernet and Firewire.

About the DI6s
It's a fact of audio life that a lot of equipment that has to be connected to
professional audio systems isn't impedance or level compatible.
Interfaces Unlimited
Tape/cassette/DVD/CD decks, audio for video, drum machines, synthesizers,
bass guitars, computers; at some stage all these need linking up to Balanced
inputs, whether the application is Live sound, Studio or Broadcast.
To solve these problems, we've developed the DI-6s:

Six active D.I. (Direct Injection) boxes,
plus a 6 into 1 Line Mixer,
plus a 1 to 6 Splitter,
All of this in a compact, all steel 1 RU package.

A Pro Audio Toolbox
This unique and flexible audio toolbox allows Six independent unbalanced
audio sources to easily and quietly interface with Balanced pro audio systems,
either to individual channels or summed down to one Master output.
But that's not all. By pressing a single switch on the rear panel the DI6s will
change from being Direct Boxes and a Mixer to being a 6 way Splitter (line
distribution amplifier). Now it will split an incoming signal to 6 individual outputs
or zones.
On the front panel, each channel has 2 IN/OUT jacks, a level control from infinity
(off) through 0dB to +15dB gain, and a Clip indicator LED.The Master section has
a Master volume control and status LEDs indicating whether the unit is in DI or
Splitter mode. In addition, as on all ARX single rack unit equipment, each channel
has a numbered marker panel ('scribble strip') you can write on for easy confirmation
of channel assigns.
Balanced Outputs
On the rear, each channel has an XLR Balanced output, with associated Ground lift
switch and status LED, to isolate the chassis and electronic grounds.
The Master section has both Balanced XLR and Unbalanced Jack outputs. In addition
there is a Balanced XLR input with a switch to put the unit in either DI or Splitter mode.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to the
unit via a removable power lead and standard 3 pin IEC connector, with built-in fuse and
voltage change switch.
With so many handy functions, plus a true 'user friendly' layout, it's no wonder people call
the DI-6s 'A total Audio Patching System in 1 RU!'
You'll never compromise on Quality when you choose ARX

Features
Unique Pro Audio problem solver
Six Direct boxes, Splitter and Line Mixer in one unit
Multi mode unit: Six in, Six out; Six in, One out; One in, Six out
Individual Output Ground lift switches
Up to +15dB Gain available per channel
Balanced XLR Outputs; High Impedance Jack Ins and Outs
Flawless performance in any audio environment

T E C H N I C A L S P E C I F I C A T I O N S

Channels 1 - 6
High Z Input Impedance 2.2 Meg Ohm
Max Channel Gain 15dB
Clip LED Illuminates 1dB prior to clip
Direct Output Impedance 300 ohms Balanced
Max Input Level +20dB
Max Output Level +21dB
Signal to Noise -96dB(unity gain)
Frequency Response 20Hz to 20KHz, ±0.5dB
Distortion < 0.004%, 1KHz, +4dB
Output Connector 3 pin XLR
Master Section
Output Impedance 300 Ohms Balanced
Max Output Level +21dB
Signal to Noise -90dB (unity gain)
Frequency Response 10Hz to 20KHz, ±0.5dB
Distortion < 0.004%, 1KHz, +4dB
Output Connector 3 pin XLR
Splitter Section
Maximum Level + 20dB
Input Impedance 20 KOhms, Balanced
Input Connector XLR
Frequency Response 10Hz?20KHz ±0.5dB
AC Power 100-120, 220-240 V AC, 8 VA
Size 19?W x 6?D x 1??H, 482 x 155 x 44mm
Weight 2.2 Kg (5 lbs)

Front Panel Controls
Hi Impedance (Hi Z) insulated jack Input and Output
connectors
Level control with up to +15dB of Gain available
Clip LED indicator
Marker panels for labelling DI assigns
Master Level controls
Rear Panel
Balanced XLR Outputs
Individual Audio Ground Lift switches and status LEDs
XLR and jack Master Outputs
XLR Input for splitter
Splitter/DI + Mixer mode switch
AC input connector, with voltage switch and fuse. 

The DPR-504 is a 4-channel noise gate.

Each channel features:
A parametric key filter with key filter listening.
Simultaneous key level and threshold metering with average and
peak metering.
A gate status LED.
A RELEASE/HOLD control (hold tracks proportionally with release
times).
Attack switchable auto/fast (auto tracks signal dynamics for optimum
setting).
Link (links two channels together).
Key source allows external triggers.

The Range switch selects between 7OdB and 2OdB gating depth to
provide alternative release profiles.
The unit features electronically balanced inputs and outputs. 

Features
Four Independent Compressor Channels
Channels 1 and 2, 3 and 4 are stereo linkable
7 LED Gain Reduction metering
Balanced XLR Inputs and Outputs
Sidechain Insert points
Intuitive, user friendly layout
Flawless performance
 
The sheer amount of effects and signal processors necessary for today's standards
of audio production puts a great strain on the available space in equipment racks,
both in the studio and on the road.So, ARX would like to introduce the ARX Quadcomp.
An all-new upgrade of the classic award-winning ARX Quadcomp?, the very first four
channel 1 RU compressor.You?ll notice that we haven?t strayed very far from our
original design concept. The Quadcomp  is still four variable ratio Compressor/ Limiters
neatly housed in a compact all steel 1 RU package. However, all new low noise/low
distortion circuitry, better metering plus XLR inputs and outputs put the Quadcomp
in a class of its own.
More Control, Less Space
On the front panel, each channel has the 'industry standard' individual controls for Threshold,
Compression Ratio and Output, plus a new 7 LED Gain Reduction display for accurate visual
indication of the amount of gain reduction being applied to the program, and an IN/OUT
hardwire bypass switch.In addition to this, each channel has a blank numbered panel to write
on for easy confirmation of compressor assigns.
Precision Circuitry
Internally, each compressor uses Class A VCAs and true 2 pole averaging RMS/DC converters
for low distortion and accuracy, plus program dependent attack and release time, which
automatically determines optimum compressor response.
Balanced Inputs and Outputs
The rear panel has true differential Balanced XLR Inputs and Outputs for each compressor.
Each compressor has a TRS jack Sidechain access insert point, for frequency sensitive
compression, De-essing, etc. in conjunction with an external equalizer (such as the ARX EQ260).
Compressor pairs 1 and 2, 3 and 4 also have rear panel mounted Stereo Link switches for accurate
stereo tracking. When switched IN, the first channel becomes the master and controls all the functions
of the second except Output gain.
Universal AC Power
AC power range is switchable 100 to 120V, or 220 to 240V, and is connected to the unit via
a standard IEC connector, with built-in fuse and voltage switch.
Whatever the application ? Channel insert, Bus insert, Master Outputs, Monitor outputs,
Crossover outputs, the Quadcomp II?s unique High Density design, precision Low Noise circuitry
and clean uncluttered layout make it a truly useful audio tool for all applications.

T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance
Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 20dB
CMRR >50dB, 20 Hz?20 KHz
Output Impedance
Balanced 300 ohms Unbalanced 150 ohms
Output Level (Max) + 20 dB
Frequency Response 20Hz-20KHz ±0.5dB
Signal to Noise ratio
-93 dB Unweighted, -98 dB ?A? weighted
Distortion .015% THD @ 0dB,1KHz
Dynamic Range 108 dB
Attack and Release Times Program dependent
Metering
7 LED display: ?1, 2, 3, 6, 12, 18, ?24 dB
Sidechain Insert Impedance 10 Kohm
Power Requirements
100/120 V AC or 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions
19“W x 1?“H x 6“D, 482 x 44 x 155mm
Input Connector type Balanced XLR
Output Connector type Balanced XLR
Sidechain Insert Connector TRS Jack

Front Panel Controls
Hardwire bypass IN/OUT switch
Threshold, Ratio and Output Gain controls
7 LED Gain Reduction display
Marker panel for labelling compressor assigns
Stereo link status LEDs
Rear Panel Connectors
Input and Output balanced XLR connectors
TipRingSleeve Sidechain insert connectors
Channels 1 and 2, 3 and 4 Stereo link switches
IEC AC mains connector with inbuilt fuse and
voltage change

The ARX EC-2 is a flexible yet affordable 24 dB per octave Phase Correct active crossovers.
It has 2 modes of operation; as either Stereo 2 way or a Mono 3 way units, with a switch on
the back panel selecting either mode.

Features
Ultra low noise circuitry
Totally phase aligned at crossover point
Switchable Dual Channel 2 way or Single Channel 3 way
Unique 'semi-fixed' crossover point
24dB per octave (Fourth Order) Linkwitz-Riley filters
Separate Summed Mono Output
Balanced Inputs and Outputs
Built in High Pass filters
Intuitive, 'user friendly' layout
Flawless performance in any audio environment

Tamper-Proof Crossover Points
The crossover points are determined internally by the value of 4 resistors per channel; changing
the resistor value changes the crossover point. This 'semi fixed' method avoids the pitfalls of
externally adjusted crossover points, making the crossover points tamper-proof once they are set.
Idle fingers can't fiddle with the crossover points and create havoc with the system!
As a handy guide, a list of common crossover points and their corresponding resistor values are
printed inside the unit's lid, and also set out in the Owner's Manual.
On the front panel are level controls for Low and High in dual channel 2 way mode, and Low, Mid
and High in single channel 3 way mode, with corresponding Outputs on the rear panel.

Balanced Inputs and Outputs
EC-2 has Balanced Inputs and Outputs, on XLR connectors.
The EC-2 also has an additional summed Mono Low output, for applications that need a Mono Low
feed (e.g. Left and Right full-range plus a single Sub Bass speaker).
High Pass Filter
There is also a preset 30 Hz HighPass filter to remove unwanted subsonics which can damage speakers
and waste amplifier power.
In addition, each output has up to +6 dB of gain available, to compensate for amplifiers and speakers of
differing sensitivities.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240VAC, and is connected to the unit via a standard
IEC connector, with built-in fuse and voltage change switch.
Uncompromising Audio Quality
Innovative circuit design is pointless unless it delivers stunning sound quality, and here the EC-2 excels.
It has been designed for uncompromising audio quality, and to achieve this, Linkwitz Riley 24dB (Fourth
Order) state variable filters are used throughout, ensuring a smooth Phase Correct transition through the
crossover region.
From Stage Monitors to Studio Monitors, from Front of House to the Front room of your House, the ARX
EC-2 is a crossover that is suited to any application that requires flawless, transparent sound.
You'll never compromise on Quality when you choose ARX

T E C H N I C A L S P E C I F I C A T I O N S

Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 21 dB
CMRR >45 dB, 20 Hz-20 KHz
Output Impedance Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 21dB
Frequency Response 30Hz-20KHz +or- 0.5dB
Note: 30 Hz is a function of the High Pass filter
Signal to Noise ratio (Controls at Unity) -90 dB Unweighted, -93 dB 'A' weighted
Distortion 004% THD,0dB,1KHz
Dynamic Range 111 dB
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions 19“W x 13/4“H x 6“D, 482 x 44 x 155mm
Input Connector type XLR
Output Connector type XLR
Crossover point frequencies are changed internally by varying the value of 4 resistors
per channel.

Front Panel Controls
Low and High Output controls for 2 way mode
Low, Mid and High Output controls for 3 way mode
Marker panels for labelling crossover assigns
2 way/ 3 way status LEDs
Rear Panel
Balanced XLR Inputs and Outputs
Additional summed mono Low output
2 way / 3 way mode switch