| Content | Ui12 packs a complete digital mixing system into a compact, road-rugged stagebox format, with built-in Wi-fi and the ability to be controlled by any connected device via a standard web browser - no Apps, no OS limitations, no constraints on how or where you mix. Tablet/PC/Smartphone Controlled Digital Mixer Integrated Wi-Fi Cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices Use up to 10 control devices (tablets, phones, PCs) simultaneously Legendary Harman Signal Processing from dbx, Digitech, and Lexicon Fully recallable and remote-controlled mic preamps 4-band Parametric EQ, High-Pass Filter, Compressor, De-esser and Noise Gate on input channels 31-band Graphic EQ, Noise Gate and Compressor on all outputs Real-Time Frequency Analyser (RTA) on inputs and outputs 3 dedicated Lexicon FX effects processors: Reverb, Delay and Chorus Subgroups, Mute Groups, View Groups, and more mixer controls Show/Snapshot recall with channel safes and security lockout |
Si Performer 1 Highlights
•
Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer
•
2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.
•
Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
•
1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
•
TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
•
Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
•
DMX interface - control sound and light from the same device.
•
BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
•
Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.
•
Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.
•
D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
•
Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
•
Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
•
Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.
•
Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.
Key Features
• 16 mono mic inputs
• 8 line inputs
• 80 channels to mix
• 2 ViSi Connect™ option card slots for 128 x 96 input/output paths
• Pre/Post selection per input per bus
• Freely assignable faders and patching
• Soundcraft FaderGlow™
• Colour backlit LCD screens per fader
• GEQ on every bus
• 20 sub-group / aux busses
• 4 FX busses
• 8 Matrix busses
• LRC Mix busses
• LCR panning
• 4 Stereo Lexicon Effects engines
• Delay on inputs and outputs
• 8 Mute Groups
• 8 VCA Groups
• AES in and out
• DMX interface and control -control sound and light simultaneously
• Freely assignable insert loops
• Harman HiQnet integration
• Colour touch screen interface
• Comes with removable side cheeks |
GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).
At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.
- Compact digital mixer with scalable, remote I/O
- Systems from 4 to 44 mics
- Easy to use, quick to access, analogue style interface
- dSNAKE Cat5 digital snake—up to 120m cable length
- 8.4 inch colour touchscreen for graphical view and setup
- 20 faders, 4 layers, 80 channel strips in a freely customizable layout
- 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
- 8 stereo RackFX engines with dedicated ʽshortʼ returns with 4-band PEQ
- Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
- Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
- LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
- 16 DCAs / mute groups
- Built-in Talkback, RTA and Signal Generator
- I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
- MIDI In/Out and Ethernet Network port
- AviomTM Pro16 compliant Monitor port on main AudioRack
- High end 1dB step recallable mic/line preamps
- User definable channel names and colours
- Engineerʼs mono Wedge and stereo IEM strips
- Input, output and insert soft patchbays
- Quick copy, paste and reset of mixes and parameters
- Libraries, Scenes and Show memories with USB transfer
- Get started quickly with Template Shows
- Dimensions: (W x D x H) 730 x 577 x 159mm
- Weight: 16kg
|
|
Si Performer 3 Highlights
| | • |
Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer
| | • |
2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.
| | • |
Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
| | • |
1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
| | • |
TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
| | • |
Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
| | • |
DMX interface - control sound and light from the same device.
| |
•
|
BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
| | • |
Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.
| | • |
Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.
| | • |
D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
| | • |
Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
| | • |
Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
| | • |
Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.
| | • |
Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.
|
|
|
|
|
Key Features
• 32 mono mic inputs
• 8 line inputs
• 80 channels to mix
• 2 ViSi Connect™ option card slots for 128 x 96 input/output paths
• Pre/Post selection per input per bus
• Freely assignable faders and patching
• Soundcraft FaderGlow™
• Colour backlit LCD screens per fader
• GEQ on every bus
• 20 sub-group / aux busses
• 4 FX busses
• 8 Matrix busses
• LRC Mix busses
• LCR panning
• 4 Stereo Lexicon Effects engines
• Delay on inputs and outputs
• 8 Mute Groups
• 8 VCA Groups
• AES in and out
• DMX interface and control - control sound and light simultaneously
• Freely assignable insert loops
• Harman HiQnet integration
• Colour touch screen interface
|
The X32 Compact 40-Channel, 25-Bus Digital Mixing Console from Behringer provides a wealth of features in a compact design, ideal for professional live and recording applications. The mixer features 16 fully programmable MIDAS-designed mic preamps. The Main LCR (left, center, right) channels, 16 mix busses, and 6 independent matrix mix busses all have 6-band parametric EQs and integrated dynamics processing for excellent sonic tailoring capabilities.
The mixer has 16 analog XLR outputs, as well as 6 balanced line-level 1/4" Aux inputs and outputs, and two 1/4" headphone jacks. The talkback section allows you to communicate with the integrated mic or an external mic. The mixer also has a pair of AES50 ports that feature Klark Teknik SuperMAC networking capability for use with 48-channel digital snakes for ultra-low jitter and latency. The system also has an integrated expansion port that ships with a 32 x 32 XUF FireWire/USB audio card installed.
The built-in Virtual FX offers 8 true-stereo FX slots that deliver high-end simulations of popular processors, such as Lexicon 480L and PCM70, EMT250 and Quantec QRS, etc. The integrated high-power 40-bit floating-point DSP system delivers "unlimited" dynamic range, no internal overload, and near-zero latency between inputs and outputs for top-quality performance. The mixer also has 6 mute groups and 8 DCA groups.
The intuitive interface offers ease-of-use with a dedicated channel strip section that has direct-access controls. There is also a high-resolution 7" color TFT display with associated controls and individual RGB backlit graphic LCDs on every channel. The unit has 17 motorized 100mm faders for extensive user-definable control.
The system has a USB flash connector to provide file storage for uncompressed recordings, show presets, and system updates. There are also connections that support the P-16 personal monitoring system, AES/EBU stereo digital outputs, and MIDI. Adjustable line delays are available on all of the physical inputs and outputs.
Other features of the X32 Compact include networked remote control or show setups with the included remote editor software via USB and Ethernet ports. You can even conveniently handle the scene management duties of complex productions. All of these features are packed into a compact and durable enclosure to ensure a long life of professional use.
Free Control Software Applications
Behringer iPad and iPhone apps for professional remote operation are free downloads on the Apple App Store. All of the X32's features can be managed concurrently from various locations and instances of the XiQ, XiControl, and XControl apps.
Versatile and Expandable
The X32 Compact can act as the nucleus of a flexible and expandable audio system. The built-in 32 x 32 USB recording interface, 8 stereo effects engines, zero-latency monitoring and 100% total recall deliver the tools to handle a wide variety of projects.
| Number of Analog Input Channels |
40 |
| Number of Mic Preamps |
16 |
| Max I/O Capacity |
150 x Input / 160 x Output (with Optional Hardware) |
| Mix Routing |
1 x Main LRC
16 x Bus
6 x Matrix
8 x Aux Send
8 x FX Return |
| Presets |
100 x Scene |
| Display |
Main Display:
7" / 177.8 mm LCD Touchscreen
Channel Display:
LCD (Backlit) |
| Display Resolution/Color |
Main Display:
800 x 480 / 6-Bit Color
Channel Display:
128 x 64 / RGB Color |
| Meters |
3 x 24-Segment LED |
Signal Processing
| Internal Effects |
8 x Stereo
16 x Mono |
Digital Audio
| Sample Rates |
44.1 / 48 kHz |
| Bit Depth |
AD/DA Conversion:
24-Bit |
| DSP |
40-Bit Floating Point |
| Converter Dynamic Range |
A/D:
109 dB
D/A:
108 dB |
| Latency |
0.8 ms (Console Input to Main Output)
1.1 ms (Stagebox Input to Stagebox Output) |
Performance
| Frequency Response |
10 Hz to 22 kHz |
| Max Input Level |
1/4" TRS Input:
+16 dBu
Mic Input:
+23 dBu |
| Output Level |
1/4" TRS Output:
+4 dBu (Nominal)
+16 dBu (Max)
Headphone Output:
+25 dBm (Stereo)
XLR Output:
+4 dBu (Nominal)
+21 dBu (Max) |
| Analog Dynamic Range |
Input to Output:
106 dB |
| I/O Impedance |
1/4" Input:
40 Kilohms (Balanced)
20 Kilohms (Unbalanced)
Headphone Output:
40 Ohms
Mic Input:
5 Kilohms (Unbalanced)
10 Kilohms (Balanced)
XLR Output:
75 Ohms (Balanced/Unbalanced)
1/4" TRS Output:
300 Ohms (Balanced)
150 Ohms (Unbalanced) |
| Crosstalk |
Adjacent Channels:
100 dB at 1 kHz |
| CMRR |
> 70 dB at +20 dB Gain
> 80 dB at +40 dB Gain |
| EIN |
-128 dBu (Input Shorted) |
| Noise Floor |
-87 dBu A-Weighted |
| THD+N |
< 0.006% at +20 dB Gain (A-Weighted) |
Connectivity
| Analog Inputs |
1 x XLR Talkback Input
16 x XLR Balanced Mic/Line Input
6 x 1/4" TRS Aux Input
1 x 2RCA Line/Aux Input |
| Analog Outputs |
2 x 1/4" TRS Balanced Monitor Output
2 x 1/4" TRS Headphone Output
6 x 1/4" TRS Aux Output
1 x 2RCA Aux/Line Output
8 x XLR Balanced Line Output |
| Phantom Power |
+48 V (Selectable on Individual Inputs) |
| Digital I/O |
1 x RJ45 (Control)
1 x RJ45 Ultranet (Control)
1 x XLR AES3 Output
2 x etherCON AES50/SuperMAC |
| MIDI I/O |
1 x MIDI 5-Pin In
1 x MIDI 5-Pin Out |
| USB |
1 x USB Type-A (USB 2.0, Audio Playback, External Memory) |
| Expansion Ports |
1 x 32 x 32 I/O Card |
Power
| AC Input Power |
100 to 240 VAC, 50 / 60 Hz |
| Power Consumption |
120 W |
Physical
| Dimensions |
8.5 x 24.6 x 20" / 215 x 625 x 510 mm |
| Weight |
33.9 lb / 15.4 kg |
|
The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.
Technical Specifications
| Internal processing | 32bit (Accumulator=58bit) | | Sampling frequency rate | Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%) | | Signal delay | Less than 2.5ms (INPUT to OMNI OUT @48kHz) | Total harmonic distortion
Input Gain=Min. | CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz | | Frequency response | CH INPUT to OMNI OUT
0, +0.5, -1.5dB 20Hz to 20kHz | Dynamic range
(Maximum level to noise level) | 110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT) | | Hum & noise level | -128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise | | Crosstalk(@1kHz) Input Gain=Min | -80dB, Adjacent input channels
-80dB, Input to output | | Power requirements | 110V-240V, 50/60Hz | | Power consumption | LS9-32: 170W, LS9-16: 95W | | Dimensions | LS9-32: 884(W) x 220(H) x 500(D)mm
LS9-16: 480(W) x 220(H) x 500(D)mm | | Weight | LS9-32: 19.4kg, LS9-16: 12.0kg |
Analog Input Characteristics
|
Input terminal
|
Actual load impedance
|
For use with nominal
|
Input level
|
Connector
|
|
GAIN
|
Sensitivity
|
Nominal
|
Max. before clip
| |
INPUT 1-n
|
-62dB
+10dB
|
3kohms
|
50-600 ohm Mics & 600ohm Lines
|
-82dBu
|
-62dBu
|
-42dBu
|
XLR3-31 type
| |
-10dBu
|
+10dBu
|
+30dBu
|
Analog Output Characteristics
|
Output terminal
|
Actual source impedance
|
For use with nominal
|
GAIN SW
|
Output level
|
Connector
| |
Nominal
|
Max. before clip
| |
OMNI OUT 1-n
|
75ohms
|
600ohm Lines
|
+24dB
+18dB
|
+4dBu
-2dBu
|
+24dBu
+18dBu
|
XLR-3-32 type
| |
PHONES OUT
|
15ohms
|
8ohm Phones
|
-
|
75mW
|
150mW
|
ST Phone jack
| |
40ohm Phones
|
-
|
65mW
|
150mW
|
Digital Output Characteristics
| Terminal | Format | Data length | Level | Connector | | 2TR IN DIGITAL | COAXIAL | IEC60958 | 24bit | 0.5Vpp/
75ohms | RCA pin jack | | 2TR OUT DIGITAL | COAXIAL | IEC60958
(Consumer Use) | 24bit | 0.5Vpp/
75ohms | RCA pin jack |
Control I / O Characteristics
|
Terminal
|
Format
|
Level
|
Connector
| |
NETWORK (Ethernet)
|
100Base-T
|
-
|
RJ45
| |
MIDI
|
IN
|
MIDI
|
-
|
DIN-5pin
| |
OUT
|
MIDI
|
-
|
DIN-5pin
| |
WORD CLOCK
|
IN
|
-
|
TTL/75ohms, Terminated
|
BNC
| |
OUT
|
-
|
TTL/75ohms
|
BNC
| |
REMOTE
|
-
|
RS422
|
D-sub 9pin(male)
| |
LAMP
|
-
|
0V-12V
|
XLR-4-31 type
| |
USB HOST
|
USB1.1
|
USB
|
A type USB Connector
| |
Reviews
There are no reviews yet.