The compact SERIES 102i audio/MIDI interface is perfect for guitarists, songwriters and owners of small studios. It provides up to ten audio inputs and two audio outputs to a Mac or Windows computer or an iOS device, for recording and playback at up to 192 kHz / 24 bit and with the superb audio performance one […]
The compact SERIES 102i audio/MIDI interface is perfect for guitarists, songwriters and owners of small studios. It provides up to ten audio inputs and two audio outputs to a Mac or Windows computer or an iOS device, for recording and playback at up to 192 kHz / 24 bit and with the superb audio performance one expects from Tascam. Controllable with included custom software, this versatile USB interface is equipped with a powerful DSP input and output mixer with built-in digital reverb, compressor, phase invert and four-band EQ for each channel. Having this processor included internally eliminates all latency issues and takes the load off the computer allowing it to process the audio more efficiently. A new USB driver offers very high stability, ensuring reliable performance throughout all phases of your projects.
The two analogue mic/line/instrument combo inputs are fitted with Tascam’s transparent, natural-sounding, low-noise Ultra-HDDA mic preamps and individually switchable phantom power (+48 volt). A maximum of ten inputs (four at 192 kHz) are available when using the multi-channel optical port which can accept up to eight channels of audio input from an ADAT- or S/MUX-compatible device. The SERIES 102i also offers dual headphone outputs with dedicated level control and two balanced 6.3-mm line outputs for versatile monitoring. And you can connect your favorite MIDI devices to the rear-panel MIDI input and output to use them with your recording software.
The angled tabletop design gives easy access to all front-panel controls. You can quickly adjust the monitor output level with a large front-panel Monitor knob, and use the handy Monitor Balance control to mix live input with computer playback for zero-latency overdubs
Provides up to ten audio inputs and two audio outputs to a Windows or Mac computer or iOS device
Audio resolution up to 192 kHz / 24 bit
USB Audio Compliance 2.0 for iOS connection
Hardware features
Two analogue mic/line inputs on XLR/TRS balanced combo connectors
The compact SERIES 102i audio/MIDI interface is perfect for guitarists, songwriters and owners of small studios. It provides up to ten audio inputs and two audio outputs to a Mac or Windows computer or an iOS device, for recording and playback at up to 192 kHz / 24 bit and with the superb audio performance one expects from Tascam. Controllable with included custom software, this versatile USB interface is equipped with a powerful DSP input and output mixer with built-in digital reverb, compressor, phase invert and four-band EQ for each channel. Having this processor included internally eliminates all latency issues and takes the load off the computer allowing it to process the audio more efficiently. A new USB driver offers very high stability, ensuring reliable performance throughout all phases of your projects.
The two analogue mic/line/instrument combo inputs are fitted with Tascam’s transparent, natural-sounding, low-noise Ultra-HDDA mic preamps and individually switchable phantom power (+48 volt). A maximum of ten inputs (four at 192 kHz) are available when using the multi-channel optical port which can accept up to eight channels of audio input from an ADAT- or S/MUX-compatible device. The SERIES 102i also offers dual headphone outputs with dedicated level control and two balanced 6.3-mm line outputs for versatile monitoring. And you can connect your favorite MIDI devices to the rear-panel MIDI input and output to use them with your recording software.
The angled tabletop design gives easy access to all front-panel controls. You can quickly adjust the monitor output level with a large front-panel Monitor knob, and use the handy Monitor Balance control to mix live input with computer playback for zero-latency overdubs
Provides up to ten audio inputs and two audio outputs to a Windows or Mac computer or iOS device
Audio resolution up to 192 kHz / 24 bit
USB Audio Compliance 2.0 for iOS connection
Hardware features
Two analogue mic/line inputs on XLR/TRS balanced combo connectors
High-quality audio input circuits for low-noise recording
Individually switchable 48-Volt phantom power on XLR inputs
Each TRS input can be switched to instrument-level for direct recording of guitar or bass
Gain controls, signal and peak indicators on each analogue input
Optical multi-channel audio input for expansion by a maximum of eight additional inputs
ideally suited for use with the Tascam SERIES 8p Dyna microphone preamplifier
S/MUX format with support for high sampling rates (ADAT-compatible)
8 inputs at 44.1/48 kHz
4 inputs at 88.2/96 kHz
2 inputs at 176.4/192 kHz
Two monitor/line outputs (balanced TRS) with level control
Direct monitor option for low-latency monitoring
Monitor mix control for adjusting the level balance between signals from external devices and signals from the computer
Two 6.3-mm standard headphones outputs with level control (18 mW per channel)
MIDI input, MIDI output
Power supply by dedicated PS-P1220E AC adapter (included)
Rugged all-metal chassis
Software features
In-house developed driver for Windows devices ensures stable operation with low latency
Built-in DSP with mixer, routing and effects accessible through dedicated settings panel
Compressor and 4-band EQ with low-cut filter on each input channel
Phase invert, Bypass, Solo, channel Link and Mute buttons on each input channel
Four Aux sends, switchable pre/post (Aux 1 used for internal reverb)
Reverb effect with five presets and adjustable pre delay, reverb time, diffusion and return level (Reverb can be used up to 96 kHz only)
Master section with Stereo fader, Aux Master controls and Mute button
Comfortable routing of output channels
Bundled with Cubase LE (64-bit Windows application), compatible with Cubasis LE
Bundled with iZotope Neutron 3 Elements, AmpliTube and T-Racks plug-in effects
Automatic update function available for software, driver and firmware updates
Compatible with major DAW software (Pro Tools, Live, Cubase, Studio One, GarageBand etc.)
Windows
Windows 11 (version 23H2)
Windows 11 (version 22H2)
Windows 11 (version 22H1)
Windows 10 (version 22H2)
Windows 10 (November 2021, version 21H2)
Windows 10 (May 2021, version 21H1)
Windows 8.1
Windows 7
Mac
macOS Sonoma (14.0)
macOS Ventura (13.0)
macOS Monterey (12.0)
macOS Big Sur (11.0)
macOS Catalina (10.15)
macOS Mojave (10.14)
macOS High Sierra (10.13)
macOS Sierra (10.12)
iOS
iOS 17 / iPadOS 17
iOS 16 / iPadOS 16
iOS 15 / iPadOS 15
iOS 14 / iPadOS 14
iOS 13 / iPadOS 13
iOS 12
iOS 11
iOS 10
UA-20: Audio Capture USB Audio/MIDI Interface
Features
The UA-20 is the standard model to Edirol's rapidly expanding UA series of USB Audio Capture devices. The unit can accept input from Mic, Line and even guitar level signals. The audio is converted at 24-bit quality and is transferred to your computer via industry standard low latency WDM, ASIO, MME drivers for compatibility with all major sequencing platforms, the input signal may be also monitored directly in hardware. Outputs include analogue, digital and headphone. The built-in MIDI in and out utilize Edirol's Fast Processing Technology for super accurate MIDI timing with any sequencing software on Mac or PC platforms and can be used with both OMS or FreeMIDI drivers on the Apple Macintosh. The UA-20 requires no external power supply and is ideal for use by mobile laptop or Powerbook users. The unit ships with drivers for Windows XP, 2000, Me, 98, MacOS X, and Mac OS 9.x, 8.5 and may also be used with the native USB audio drivers that are included with both Mac & PC.
Audio and MIDI in a compact unit.
Fully equipped with I/O jacks.
Great tool for creating music.
Edirol's FPT Technology.
Record1 pair of stereoPlayback1 pair of stereoSignal ProcessingPC interface24 bitSampling RateDigital output44.1 kHzNominal Input Level-45 – -10 dBuInput ImpedanceLINE22 k ohmsGUITAR470 k ohmsMIC22 k ohmsNominal Output Level-10 dBuOutput Impedance1 k ohmsResidual Noise LevelMaster Out-105 dBu or less
(input terminated with 1 k ohm, Master Volume = max.,
Input Monitor = off, IHF-A, typ.)InterfaceUSB
Digital output (Optical Type , conforms to S/P DIF)ConnectorsInput Jack (1/4 inch phone type) x 2
Digital Out Connector (Optical type)
Headphones Jack (Stereo miniature phone type)
Master Out Jack (RCA phono type)
MIDI ConnectorsOthersPower SupplySupplied from the computerCurrent Draw170 mAAccessoriesOwnerʼs Manual
USB cable
CD-ROMSize and WeightWidth149 mm5-7/8 inchesDepth111 mm4-3/8 inchesHeight43 mm1-11/16 inchesWeight0.2 kg0 lbs. 8 oz.
The UA-1G is a compact 1 x 1 USB Audio Interface that offers excellent-quality sound via multiple connection options and a simple, user-friendly design.
Stereo input and output at 24-bit/96kHz audio quality
High-end A/D and D/A converters for accurate recording and playback
Large Input Level knob for easy control while recording
1/4" jack with Hi-Z option for recording electric guitar or bass
Electret condenser mic input
RCA phono type and optical-digital audio I/O
Headphone output
USB powered – no AC adapter required
SONAR LE for music recording, editing, and publishing on PC
Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support
Number of Audio Record/Playback Channels
Record: 1 pair of stereo
Play: 1 pair of stereo
REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting)
REC SOURCE switch = DIGITAL: Recording only
Digital output: 32/44.1/48/96 kHz
Digital input: 32/44.1/48/96 kHz
AD/DA Conversion: 32/44.1/48/96 kHz
* ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
Nominal Input Level
Line input jacks: -10 to +4 dBu
Guiter input jakcs: -30 to -16dBu
Mic input jack: -40 to -26 dBu
Nominal Output Level
Line output jacks: -10 dBu
Interface
USB Digital input (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Digital output (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
* conforms to IEC60958 consumer format.
USB Connector (B type)
Line Input jacks (L, R) (RCA phono type)
Line Output jacks (L, R) (RCA phono type)
Guiter/Mic Input jack: (1/4 inch phone type)
Mic Input jack (Plug-in powered miniature phone type)
Digital Intput connector (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
Headphones jack (Stereo miniature phone type)
Digital Output connector (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Power Supply
Supplied from the computer
Current Draw
200 mA
Accessories
Ownerʼs Manual, UA-1G CD-ROM, SONAR LE CD-ROM
Size and Weight
Width
160 mm
6-5/16 inches
Depth
58 mm
2-5/16 inches
Height
28 mm
1-1/8 inches
Weight
165 g
0 lbs. 6 oz.
he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.
As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.
The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.
A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.
U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.
Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
“Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
Expandable — add additional interfaces for more I/O as your needs grow.
Separate TRS main outs with front panel volume control.
Stereo 24-bit 96kHz S/PDIF in/out.
Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
100% compatible with all host-based effects processing in today's popular audio programs.
Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
Plug-and-play operation with your Mac or PC via FireWire or USB2.
Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
Front panel headphone jack with volume control.
Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
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