Content | 99 Editable Presets: Exceptionally Easy Programming
Just select one of its 99 top-quality preset effects and you're ready to go. The
three most critical parameters for all effect programs are adjustable via rotary
panel controls. When you create a sound, press the Store button to register it
in the REV100 memory.
True Stereo Reverb
The REV100 actually has stereo inputs and outputs.
Superior Sound Quality
16-bit A/C and D/A converters and a 44.1 kHz sampling rate. The result is full
20 Hz to 20 kHz frequency response with exceptionally low noise and distortion.
Advanced MIDI Features
You can select effect programs via MIDI rather than the panel controls. You can
also use MIDI control change commands to actually change effect parameters |
iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?
With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.
The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.
? Advanced Feedback Suppression (AFS?)
? Type V? Noise Reduction
? PeakStopPlus? Limiting
? 2/3-octave Constant Q frequency bands
? Switchable boost/cut ranges of ±6 or ±15dB
? 18 dB per octave 40Hz low-cut filter
? ±12dB input gain range
? XLR, TRS and Euroblock Inputs and Outputs
? Internal Toroidal Transformer
? Frequency Response of 10Hz to 22kHz
? Dynamic range of greater than 113dB
? User Power Up Features
? Relay Bypass for Power Failure System Protection
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Innovation
The ARX AFTERBURNER? is a unique Multi Mode compressor/limiter designed for use in any professional audio dynamics control application. Multiple Modes The Afterburner can be set up and used in three different ways: In Two channel mode, it performs as two independent compressor/limiters, with 'industry standard' variable Threshold, Ratio and Output gain. In stereo mode, our New Adaptive Stereo Link circuitry provides increased stereo imaging accuracy when linking both channels as a stereo pair. A single front panel switch puts the Afterburner into its alternative Mono mode, setting it up as a Single channel, Dual Band compressor/limiter, with separate dynamics control of both Low and High frequencies, opening up a whole new range of gain control techniques. Enhance Switch In any mode, the Afterburner features an 'Enhance' switch, which provides frequency restoration to preserve the spectral balance of the audio signal, compensating for the sagging Low and High frequency response of compressed program material. Think of it as a 'smart' loudness control. Features Switchable Modes - Stereo; Dual Channel Single band; or Single Channel Dual Band (Low and High) Low and High frequency compression in Single Channel mode 'Enhance' switch restores spectral balance of compressed signal New Hard/Soft knee compression switch New Adaptive Stereo Link circuit for accurate stereo imaging New Above/Below Threshold LEDs enable at-a-glance compression confirmation Balanced XLR and Jack Inputs and Outputs Sidechain Insert points Intuitive user-friendly layout Flawless performance New Above/Below Threshold LEDs enable at-a-glance compression confirmation New Hard or Soft knee compression option New LED metering provides accurate Level status, with separate Gain Reduction metering in easy to read 'wide scale' meters. There is also comprehensive LED indication of all operating functions and status in any mode. Balanced Inputs and Outputs On the rear panel, each channel has true differential Balanced inputs and outputs, on both XLR and TRS jack connectors. As well, each channel has a TRS jack Sidechain access insert point, for applications such as De-essing (when used with an external equalizer such as the ARX Multi Q or EQ 260).Other features include a true Hardwire bypass switch for each channel, and passive RFI filters on the inputs. Universal AC Power AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to the unit via a removable power lead and standard 3 pin IEC connector, with built-in fuse and voltage change switch. With its smooth compression, intuitive user friendly layout, high density precision circuitry, and extensive user-variable operating parameters, the unique ARX Afterburner is equally at home in Studio, Installation, Broadcast and Sound Reinforcement environments. It can provide great sounding dynamics control effects that are not available with any other device. T E C H N I C A L S P E C I F I C A T I O N S Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms Input Headroom + 22 dB CMRR >60 dB, 20 Hz-20 KHz Output Impedance Balanced 300 ohms, Unbalanced 150 ohms Output Level (Max) + 22 dB Frequency Response 20Hz to 20KHz ±0.2dB Signal to Noise ratio -93 dB Unweighted, -99 dB 'A' weighted Distortion .02% THD @ 0dB,1KHz Dynamic Range 115 dB Sidechain Insert Impedance 10 Kohm Filter Section Filter Type Phase corrected 6dB/octave Summed Filter Response ±0.2dB through crossover region Dividing Frequency 250 Hz Enhance Section Low Enhance 50 Hz, High Enhance 10 KHz Power Requirements 100/120 V AC, 220/240 V AC Weight 5 lbs/2.2 Kg Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm Input/OutputConnector type XLR, Balanced Jack Sidechain Insert Connector TRS Jack
Front Panel Controls Hardwire bypass IN/OUT switch Threshold, Ratio and Output Gain controls Above/Below Threshold LEDs 12 segment LED Output Level display Numbered marker panel for labelling compressor assigns 7 segment LED Gain Reduction display Enhance switch and status LED Adaptive Stereo link switch and status LED Dual/Single channel mode switch and status LEDs Rear Panel Connectors Balanced Inputs and Outputs, on both XLR and TRS jack connectors. In Single channel (Mono) mode, use Channel 1 Inputs and Outputs only Sidechain Insert TRS connector on each channel AC input connector, with voltage switch and fuse. |
With 12 inputs and 6 outputs and Ethernet control the dbx ZonePro? 1260 and 1261
are the newest members of the ZonePro? family providing a complete suite of signal
processing and control for Commercial Audio applications.
Designed to offer superior system sonic performance and flexibility, the 1260/1261 deliver
the highest quality tools available. Even the input and outputs connectors were chosen for
their standard usage and reliability. The ZonePro products offer Euroblock connectors for
balanced signals and RCA connectors for interfacing with consumer equipment often used
in commercial applications; there is also a simple analog input buss that allows inputs to be
sent from one unit to the next for unit and job scalability. The 1260 and 1261 provide every
necessary processing tool, from the input processing like gain control and EQ available on all
inputs to highly sophisticated and specific functions such as selectable paging microphone
processing including Gating, De-Essing, Auto Gain Control, Compression and Feedback
Suppression. The heart of the ZonePro products is the Routing module that provides of course
Primary Source Selection but also Source Ducking for Paging and Priority Override. The outputs
also offer a wealth of processing designed for commercial applications like our patent-pending
AutoWarmth? function that was co-developed with JBL to provide natural low frequency extension
at any signal level. Each output also offers EQ, Bandpass and Crossover filters, Limiting and Delay
for system optimization. With the ZonePro? every tool is at your disposal to maximize the response
of your system.
Beyond processing, the ZonePro? products offer multiple forms of control to further extend the
versatility of your system. From easy-to-use wall panel Zone Controllers for standard end-user
functions like source select and volume control to advanced system control including a built-in
Real Time Clock that can provide programmable system changes throughout the day or week.
For system setup and monitoring the ZonePro Designer software provides an intuitive interface
and a speedy setup Wizard for configuring and editing all system parameters. The addition of
Ethernet control means that not only will it work with standard network equipment, but it can also
be accessed from remote dialup locations or from wireless access points.
The ZonePro? 1260 and 1261 will take your Commercial Audio system to the next level with advanced
processing, versatility and control.
? Advanced Feedback Suppression (AFS?)
? Autowarmth?
? Auto Gain Control
? Compression
? Limiting
? Noise Gating
? Notch Filtering
? Bandpass and Crossover Filters
? Parametric EQ
? Security Lockout
? Wall Panel Control
? RS-232 Control
? IEC, UL and CSA Approvals
ZonePro? 1260/1261 Specifications
ANALOG INPUT
Number of Inputs:
12 Total (2) Switchable mic or line, (8) RCA, and (1)
S/PDIF
Connectors:
Euroblock (Line and Mic) RCA (Source)
Type:
Impedance (Euroblock):
> 50kΩ Balanced, >25kΩ Unbalanced, RF Filtered
Impedance (RCA):
>25kΩ Unbalanced, RF Filtered
Max input line level:
+20dBu Mic/Line, +12dBu RCA
CMRR:
> 40dB, typically >55db @ 1kHz
Mic Pre gain:30 to 60dB
Mic EIN:
> 118dB, 22Hz-22kHz, 150Ω Source Impedance
Mic Phantom Power:
15V
ANALOG OUTPUTS
Number of Outputs 6
Connectors: Euroblock
Type:
Electronically balanced, RF filtered
Impedance:
120 ohms balanced, 60ohm unbalanced
Max Output Level: +20dBu
A/D PERFORMANCE
Type:
dbx Type IV? conversion system
Dynamic Range line:
>113 dB, A-weighted, >110 dB unweighted
Type IV dynamic range:
>119 dB, A-weighted, 22kHz BW
>117 dB, A-weighted, 22kHz BW
Sample Rate: 48kHz
D/A PERFORMANCE
Dynamic Range:
112 dB A-weighted, 109dB unweighted
SYSTEM PERFORMANCE
Dynamic Range:
>110 dB A-weighted, >107dB unweighted
THD+N:
0.003% typical at +4dBu, 1kHz, 0dB gain
Frequency Response:
20Hz - 20kHz, +/-0.5dB
Interchannel Crosstalk:
>80dB typical
Crosstalk input to output:
>80dB
Propagation Delay
0.6 msec
POWER REQUIREMENTS
Operating Voltage:
100-240 VAC, 50/60Hz
Power Consumption:
27 Watts
Physical:
Weight:
6.8 lbs.(3.1 kg) Shipping weight 8.8 lbs. (4.0 kg)
Dimensions:
1.75? H x 5.75? D x 19? W |
The latest addition to the 10 Series product line, the dbx® 1074 QuadGate™, is the perfect companion to the 1066 and 1046. The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel. The 1074, like the rest of the products in dbx 10 Series, is based on the legendary dbx V2 VCA and offers XLR inputs and outputs, and 1/4” side-chain input. In addition to an external key input per channel, the 1074 also has an internal filter that can be independently activated and controlled on a channel-per-channel basis. This filter allows the 1074 to not only clean up tracks, but gives you frequency selective control on each gate, to open exactly when you want it to. These features combined, make the 1074 an absolute must for those who require quad gating on applications including: Gating dry and percussive sounds such as snare drum and kick drum,gating sounds that have longer decay times such as cymbals and Pianos, gating hum or buzz from live instruments or recorded tracks or eliminating Headphone leakage into microphones. Gating instrument microphones to eliminate amplifier bleed.
From the company that has been redefining the standard of signal processing for more than 30 years, dbx® Professional Products comes a bulletproof product that caters to the scrutinizing needs of those who require the precision noise gating capabilities. Once again, the engineering staff at dbx® Professional Products have taken technology that has been over three decades in the making and have created a product that is flexible, versatile and rock solid in construction design. The 1074ʼs independent channel design with key filtering capabilities make it the perfect tool for countless applications.
- Four independent channels of gating
- Independent key filtering
- Independent Threshold and Release controls
- Differentially balanced gold-plated XLR and 1/4" inputs and outputs
- True RMS level detection
- Stereo Coupling mode
- Switchable +4dBu or -10dBv operation per channel
Input Connectors | XLR (Pin 2 and tip hot) | Input Type | Electronically balanced/unbalanced, RF filtered | Input Impedance | Balanced > 50 kOhm, unbalanced >25 kOhm | Max Input | > +22 dBu balanced or unbalanced | CMRR | 40dB: Typically >55 dB at 1 kHz | Key Input | Electronically balanced/unbalanced, RF fitered Balanced 50kOhm, unbalanced > 25 kOhm | Output Connectors | XLR (Pin 2 hot) | Output Type | Servo-balanced/unbalanced, RF filtered | Output Impedance | Balanced 60 Ohm, unbalanced 30 Ohm | Max Output | > +22 dBm balanced, > +20 dBm unbalanced | Bandwidth | 20 Hz to 20 kHz, +0/-0.5 dB | Frequency Response | 0.35 Hz to 200 kHz, +0/-3 dB | Noise | | Dynamic Range | > 115 dB, unweighted | THD+Noise | 0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain), | Interchannel Crosstalk | | Stereo Coupling | True RMS Power Summing | Operating Voltage | 100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz | Power Consumption | 30 Watts | Fuse | 100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T | Power Connector | IEC receptacle | Unit Weight | 6.9 lbs. | Shipping Weight | 9.3 lbs. |
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1215 Dual 15-Band Graphic Equalizer
The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.
- Switchable boost/cut ranges of ±6 or ±15 dB
- Electronically balanced/unbalanced inputs
- Servo balanced/unbalanced inputs
- RF filtered inputs and outputs
- XLR, Barrier Strip, and 1/4" TRS connectors
- -12dB/+12dB input gain range
- 18dB/octave 40Hz Bessel low-cut filter
- Chassis/signal ground lift capability
- Internal power supply transformer
- Power-off hardwire relay bypass with 2-second power-up delay
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