TC ELECTRONIC M-3000 STUDIO REVERB PROCESSOR

Η τεχνολογία VSS3-reverb που έχει ενσωματωθεί στο Μ3000 αποτελεί πλέον μέτρο σύγκρισης στη μουσική βιομηχανία. Το Μ3000 περιλαμβάνει μερικά από τα πιο εύχρηστα, ποιοτικά και ευέλικτα reverbs για μουσική και ταινίες στην αγορά. Συνδυάζοντας τον απόλυτο έλεγχο στα early reflections με τη διαφάνεια και τις τέλειες αρμονικές στον ήχο του βάθους, η τέχνη του reverberation ανεβαίνει σε νέα επίπεδα.
Με διπλή μηχανή που επιτρέπει στη ταυτόχρονη χρήση 2 reverbs ή εφέ, βραβευμένο user interface, 600 factory presets και πολλαπλές εισόδους και εξόδους, το Μ3000 είναι μια από τις καλύτερες επιλογές για επαγγελματικού επιπέδου reverb.

Technical Specification  
 Digital Inputs and Outputs 
Connectors  XLR (AES/EBU)
RCA Phono (S/PDIF)
Optical (Toslink, ADAT)
Formats  AES/EBU (24 bit), S/PDIF (24 bit), EIAJ CP-340, IEC 958,
EIAJ Optical (Toslink), ADAT Lite pipe
Output Dither  HPF TPDF dither 8-24 bit
Word Clock Input  RCA Phono, 75 ohm, 0.6 to 10 Vpp
Sample Rates  44.1 kHz, 48 kHz
Processing Delay  0.2 ms @ 48 kHz
Frequency Response DIO  20 Hz to 23,9 kHz +0,01/-0,1 dB @ 48 kHz
 Analog Inputs 
Connectors  XLR balanced (pin 2 hot)
Impedance  20 kohm
Max. Input Level  +22 dBu (balanced)
Min. Input Level (for 0 dBFS)  -10 dBu
Sensitivity  @ 12 dB headroom: -22 dBu to +10 dBu
A to D Conversion  24 bit (1 bit, 128 times oversampling
A to D Delay  0.8 ms @ 48 kHz
Dynamic Range  >103 dB (Unweighted), >106 dB (A)
THD  -95 dB (0,0018 %) @ 1kHz
-6 dBFS (FS @ +16 dBu)
Frequency Response  10 Hz to 20 kHz: +0/-0.2 dB
Crosstalk  100 dB (unweighted), >104 dB(A)
THD  -86 dB (0.005%) @ 1 kHz
-6 dBFS (FS @ +16 dBu)
Frequency Response  10 Hz to 20 kHz: +0/-0.5 dB
Crosstalk 

Νέα έκδοση S Compressor gate/expander 2 εισόδων κύκλωμα "autodynamic" είσοδοι - έξοδοι XLR κατάλληλος για γενική χρήση.

Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.

dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.

• Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
• New gate timing algorithms ensure the smoothest release characteristics
• Program-adaptive expander/gates
• Great sounding dynamics control for any type of program material
• Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
• Stereo or dual-mono operation
• Balanced inputs and outputs on 1/4" TRS and XLR connectors
• Side Chain insert
• Classic dbx® "Auto" mode

DPR-504 Νoise gate τεσσάρων καναλιών

Νέα έκδοση S ηλεκτρονικού crossover 3 δρόμων με επιλεγόμενη συχνότητα cross, ρυθμιζόμενο input & output level, κλίση αποκοπής 24dB ανά οκτάβα, L & R είσοδοι & balanced έξοδοι με XLR.

More sound to your amps and speakers

The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.

The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs.

XLR balanced ins and outs

Mode switches for mono 4-way or stereo 2-way/3-way operation

Low frequency summed (subwoofer) output

x10 range switch on both channels

40Hz high pass (low cut) filter both channels

Phase reverse switch on all outputs

Individual level controls on all outputs

24dB per octave Linkwitz-Riley filters (the professional standard)

Stereo/Mono status LEDs indicate the selected mode

dbx® 2 year parts and labor as standard

CSA NRTL/C approved

CE compliant

DBX IEQ15   

Γραφικό equalizer 2x15 περιοχών, με ενσωματωμένα
anti-feedback AFS, type V noise reduction, peak stop
limiter. XLR, ??? και euroblock είσοδοι &  έξοδοι 

The ARX EC-2 is a flexible yet affordable 24 dB per octave Phase Correct active crossovers.
It has 2 modes of operation; as either Stereo 2 way or a Mono 3 way units, with a switch on
the back panel selecting either mode.

Features
Ultra low noise circuitry
Totally phase aligned at crossover point
Switchable Dual Channel 2 way or Single Channel 3 way
Unique 'semi-fixed' crossover point
24dB per octave (Fourth Order) Linkwitz-Riley filters
Separate Summed Mono Output
Balanced Inputs and Outputs
Built in High Pass filters
Intuitive, 'user friendly' layout
Flawless performance in any audio environment

Tamper-Proof Crossover Points
The crossover points are determined internally by the value of 4 resistors per channel; changing
the resistor value changes the crossover point. This 'semi fixed' method avoids the pitfalls of
externally adjusted crossover points, making the crossover points tamper-proof once they are set.
Idle fingers can't fiddle with the crossover points and create havoc with the system!
As a handy guide, a list of common crossover points and their corresponding resistor values are
printed inside the unit's lid, and also set out in the Owner's Manual.
On the front panel are level controls for Low and High in dual channel 2 way mode, and Low, Mid
and High in single channel 3 way mode, with corresponding Outputs on the rear panel.

Balanced Inputs and Outputs
EC-2 has Balanced Inputs and Outputs, on XLR connectors.
The EC-2 also has an additional summed Mono Low output, for applications that need a Mono Low
feed (e.g. Left and Right full-range plus a single Sub Bass speaker).
High Pass Filter
There is also a preset 30 Hz HighPass filter to remove unwanted subsonics which can damage speakers
and waste amplifier power.
In addition, each output has up to +6 dB of gain available, to compensate for amplifiers and speakers of
differing sensitivities.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240VAC, and is connected to the unit via a standard
IEC connector, with built-in fuse and voltage change switch.
Uncompromising Audio Quality
Innovative circuit design is pointless unless it delivers stunning sound quality, and here the EC-2 excels.
It has been designed for uncompromising audio quality, and to achieve this, Linkwitz Riley 24dB (Fourth
Order) state variable filters are used throughout, ensuring a smooth Phase Correct transition through the
crossover region.
From Stage Monitors to Studio Monitors, from Front of House to the Front room of your House, the ARX
EC-2 is a crossover that is suited to any application that requires flawless, transparent sound.
You'll never compromise on Quality when you choose ARX

T E C H N I C A L S P E C I F I C A T I O N S

Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 21 dB
CMRR >45 dB, 20 Hz-20 KHz
Output Impedance Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 21dB
Frequency Response 30Hz-20KHz +or- 0.5dB
Note: 30 Hz is a function of the High Pass filter
Signal to Noise ratio (Controls at Unity) -90 dB Unweighted, -93 dB 'A' weighted
Distortion 004% THD,0dB,1KHz
Dynamic Range 111 dB
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions 19“W x 13/4“H x 6“D, 482 x 44 x 155mm
Input Connector type XLR
Output Connector type XLR
Crossover point frequencies are changed internally by varying the value of 4 resistors
per channel.

Front Panel Controls
Low and High Output controls for 2 way mode
Low, Mid and High Output controls for 3 way mode
Marker panels for labelling crossover assigns
2 way/ 3 way status LEDs
Rear Panel
Balanced XLR Inputs and Outputs
Additional summed mono Low output
2 way / 3 way mode switch