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- Cardioid Polar Pattern
- Specialized for Bass Guitar/Drum
- Response Maintained to 20 Hz
- Very Low THD
- Built-In Windscreen
- Built-In Swivel Mount
The AKG D112 MKII Pro Dynamic Bass Microphone is a descendant of AKG\'s D112 and earlier D12 dynamic microphone, and is widely known for its ability to handle high-level signals from bass drums and bass guitars in the studio. The microphone has been designed with a low resonance frequency and can handle very high transient signals with low distortion. It has a large dynamic range with a high signal-to-noise ratio and the capacity to input high sound levels without distorting. High frequency response has been tailored to keep both bass drum and bass guitar clearly distinguishable in the mix. A built-in windscreen makes the D112 also suitable for high SPL instruments such as the trombone and tuba.
Cardioid-pattern microphoneBuilt-in swivel mountResponse tailored for bass guitar and bass drum pickup, both in the studio and on-stageResponse maintained down to 20 HzBuilt-in windscreen
General Specifications
Capsule Dynamic microphone capsule
Polar Pattern Cardioid
Audio frequency bandwidth 20 - 17000 Hz
Max. SPL for 0.5 % THD > 160 dB (calculated)
Electrical impedance 210 Ohms
Recommended load impedance ≥ 2000 Ohms
Sensitivity 1.8 mV/Pa (-55 dBV)
Temperature Range -10 °C to +60 °C (14 °F - 140 °F)
Dimensions
Length 115 mm (4.53 in.)
Height 126 mm (4.96 in.)
Diameter 70 mm
Net Weight mic only 300 g (10.6 oz.)
Audio Output
Type Balanced XLR
Gender Male
Contacts 3-pin
Application
Pro Studio Yes
Project Studio Yes
Live Instrument Yes
Instrument
Drums / Percussion Yes
Guitar Amps / Bass Amps Yes
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The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.
The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.
Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.
A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments. |
OVERVIEW
Cardioid dynamic kick drum mic with swivel mount and cable.
The PGA52 is a professional quality kick drum microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.
Additional design highlights include a swivel joint featuring a quick-release latch similar to bicycle component-locking technology for extremely quick and easy positioning.
FEATURES
- Mountable microphone featuring swivel joint with quick-release latch for kick drum
- Dynamic cartridge (does not require phantom power) with cardioid polar pattern
- Tailored cartridge design for low-frequency clarity, including on bass amps
- Includes PGA52, zipper pouch and user guide
- XLR to XLR mic cable included
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The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile“.
The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.
The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.
An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.
Musical instruments, Live applications.
Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
Patented AKG Varimotion diaphragm
Custom built capsule mounting
Spring steel wire-mesh cap
Rugged all-metal body withstands typical tough handling on stage
Type Cardioid
Polar pattern 75 to 20,000 Hz
Sensitivity 4 mV/Pa (-48 dBV)
Max. SPL 144/156 dB SPL (for 1%/3 % THD)
Equivalent noise level 18 dB-A
Impedance =1000 ohms
Connector 3-pin XLR
Finish dark stage blue
Dimensions length 104 mm (4.1 in.) height (incl. stand adapter): 79 mm (3.1 in.) max. dia.: 44 mm (1.7 in.)
Net weight 245 g (8.6 oz.)
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NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.
Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.
Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
- Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
- Compact design reduces stage clutters
- Hardened steel mesh grille resists wear and abuse
- Neodymium magnet for high signal-to-noise ratio output
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Frequency response: 50 to 16,000 Hz
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- Especially for tom and snare recording
- Polar pattern: cardioid
- Frequency range: 40 - 18,000 Hz
- Impedance: 350 Ω
- Robust metal chassis
- Incl. special tom holder
- Bag included
- Dimensions: 63 x 41 mm
- Weight: 125 g
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