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With Apogee?s award winning Trak2, you can have everything you need for a high-quality digital session - in one compact single-unit rack space. A superb mic pre; incredible A/D any digital interface you need; Trak2 is the best sounding, most flexible digital interface available...anywhere.
A superb mic preamp... At the front of the Trak2 is a discrete microphone preamplifier which stacks up favorably against the best-known mic pres available. Accessible via rear panel XLRs or the front-panel universal XLR/TRS connectors, the sound of this preamp will have you wanting to use it on every session, analog or digital. The preamp also accepts hi-Z instrument inputs at the front panel, for maximum versatility. Just plug an input into the front panel and it?s selected automatically. An insert point is included to provide an analog output or to allow the insertion of analog processors into the Trak2 signal path.
...An incredible A/D From the analog stage, the signal passes to the very latest in A/D conversion technology from Apogee?s award-winning engineering design team. The 2-channel, 24-bit A/D operates at 44.1, 48, 88.2 and 96 kHz with a dynamic range in excess of 117 dB and an overall level of quality exceeding that of systems costing several times the price. The A/D also includes Apogee?s renowned Soft Limit process, which maximizes recording level without overs; and the return of Apogee?s unique Soft Saturate system, which simulates analog tape compression. Either feature can be switched in and out on one or both channels.
Maximum Interface Versatility Two Apogee Multimedia Bus (AMBus) slots are provided in addition to the built-in AES-S/PDIF output, enabling the Trak2 to connect to a wide variety of industry standard interfaces including Digidesign?s Pro Tools, ADAT, TDIF, SDIF-II, SSL HiWay, and others, with new cards being added all the time. Many cards support Apogee Bit-Splitting, which enables you to use standard 44.1/48, 16-bit recorders to store 20-, 24-bit, and even 96 kHz signals. The Trak2 features the latest version of the Apogee Ultra-Low Jitter Clock, used to lock the unit to incoming digital or video signals and virtually remove jitter. Also included is the latest incarnation of Apogee?s industry-standard UV22 system for digital word-length reduction, UV22 HR (High Resolution), which takes a high-resolution digital signal and reduces the word-length to 16 or 20 bits for CD or DVD-V mastering and Internet applications while maintaining 24-bit detail.
Add a D/A The Trak2 includes a special slot for an optional 2-channel or 8-channel D/A card with specifications matching those of the A/D section, turning the Trak2 into a complete digital audio conversion system with two A/D channels and up to 8 D/A. Hear the Apogee Difference You?ve never encountered anything like the Trak2 from Apogee Digital. With the sweetest-sounding mic preamp you?ve ever heard, superb 24-bit, 96kHz A/D and optional D/A conversion, interfacing with almost any digital system including a direct connection to Pro Tools... the possibilities are endless. Try the Trak2 at your authorized dealer today... and hear The Apogee Difference.
- Superb two-channel microphone preamplifier with ±90dB gain, phantom power, front-panel universal input socket, high-impedance direct instrument input, analog out ...and an incredible sound. - Two channels of Apogee?s true 24-bit, 96 kHz A/D conversion with 117 dB dynamic range. - Full 8-channel digital architecture including 8-channel format conversion and routing. - AES/EBU and S/PDIF out plus two AMBus card slots to interface with Pro Tools, ADAT, TDIF, SDIF-II, etc. - Apogee ¨Soft Limit¨ helps you record at a higher level without overs; Soft Saturate? gives you the sound of analog tape compression! - Apogee?s enhanced UV22HR? translates 24-bit signals to 20 or 16 bits while maintaining high-resolution detail. INPUTS: * 2 Mic Preamp inputs via front panel Combi connectors or rear panel XLR connectors * 2 analog line inputs/insert returns OUTPUTS: * 2 analog line outputs/insert sends * AES/EBU S/PDIF output |
The Apogee X-Digi-Mix expansion card allows for direct connectivity between Pro Tools Mix systems and the Rosetta 200 or Rosetta 800. The X-Digi-Mix card provides superior quality conversion to Pro-Tools Mix users without the need for an additional interface, and effectively extending the life of their Mix systems for years to come.
Features: * Standard Digidesign peripheral connector for interfacing directly to Mix Core or Farm cards. * Superclock (FSx256) output for convenient integration into existing Pro Tools configurations. * With necessary Pro Tools hardware expansion, multiple Rosetta-800s may be connected into a system. * Rosetta 800 may be used alongside an Apogee AD-8000 or Trak 2 outfitted with an AMBUS-Digi8+ card as well as any other Pro Tools Mix-compatible hardware. * Multiple slaved Rosetta 800s may lock to Word Clock or directly to the Digi-mix card for low jitter synchronization of the Pro-Tools system.
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Input MADI: 1 x BNC, 1 x optical
Output MADI: 1 x BNC, 1 x optical
Input ADAT optical: 8 x TOSLINK, 24-Bit, Bitclock PLL
Output ADAT optical: 8 x TOSLINK, 24-Bit
Input word clock: BNC, Signal Adaptation Circuit (functional from 1.2 Vpp input signal), switchable termination
Output word clock: BNC, low-impedance driver stage, 4 Vpp into 75 Ohms, short-circuit-proof
MIDI input and output: via two 5-pin DIN jacks
Sync sources: MADI, ADAT optical, word clock, internal
Varipitch: by input signal or word clock
Sample rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, variable (Sync/word clock)
Sample rate range: MADI: 32 kHz - 96 kHz, word clock: 27 kHz-105 kHz, ADAT: 33 kHz - 57 kHz
Jitter: Internal clock
Jitter suppression on external clock: circa 30 dB (2.4 kHz)
Jitter sensitivity: all PLLs operate even at 100 ns Jitter without problems
Power supply: internal switching mode ps, 100 V-240 V AC, 50-60 Hz, 10 Watts
Dimensions: 483 x 44 x 200 mm
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- Stereo D/A Converter
- Supports up to 24-Bit/96 kHz Resolution
- Dante-Enabled Ethernet Input
- Balanced Analog XLR Outputs
- Adjustable Output Level
- 3.5mm Stereo Headphone Output
- 14-Gauge Steel Enclosure
- Sync and Power Indicators
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Digital Audio Bliss
DACmini™ is not just a USB DAC. DACmini is one of the world's highest-performing digital audio devices. Its precision-engineered audiophile circuitry is designed to elevate your system's sound quality to a new level. Featuring 192kHz/24-bit performance over SPDIF and 96kHz/24-bit, driverless performance over USB, an analog input, and both headphone and line-level outputs, DACmini is an extremely flexible device that can upgrade the performance of any audio system. It easily connects to such sources as a Mac desktop or laptop (including Mac mini), Windows desktop or laptop, music server, iPod/iPhone, Apple TV, Airport Express, Xbox 360, PlayStation 3, and Squeezebox, providing a variety of ways to create an audiophile playback system.
The Versatile Audio Hub
DACmini is designed to be the centerpiece of your digital audio system. It returns the warmth to your digital audio without being obtrusive. Customers describe DACmini's sound as having "Transparent highs, tight bass, and clarity in the mid-range only found in products well above the £1000 price range." DACmini is also a versatile home audio hub, featuring a line-level input for your portable music player, an S/PDIF input for your digital sources, and a Class-A Headphone Amplifier that can drive virtually any headphones with lowest distortion. Placed near your computer monitor, it becomes the center of your desktop audio system.
Perfect Partner
DACmini is styled to stack perfectly with an Apple Mac mini, making for an exceptional small-footprint music server. Improving upon our successful portable DACport and featuring the amazing CEntrance USB audio technology, DACmini is a perfect way to listen to High Definition music at home.
Key Features
Driverless USB implementation featuring full 24/96 resolution
Virtually unmeasurable jitter, for amazing clarity and definition
Exceptional noise immunity via a galvanically-isolated design
Headphone amplifier offers clarity, soundstage and no listening fatigue
Machined aluminum chassis looks great on a desktop or equipment shelf
Specifications
Resolution - 24-bit (Also supports 16-bit)
Sample Rate - USB: Up to 96kHz, S/PDIF: Up to 192 kHz
Interface - USB1.1 or 2.0, driverless
Local clock - 10 ppm precision, unmeasurable jitter
Compatibility - Any computer running Mac, PC, or Linux
Analog Specs
Nominal Output level - +6.0dBV (RCA outputs)
Frequency Response - 20Hz...40kHz; +0.0dB / -0.1dB (Line or Digital inputs)
S/N Ratio: (A-wght) - 144dB (Line inputs); 113dB (Digital inputs)
THD+N - 0.00022% (Line inputs); 0.001% (Digital inputs)
Crosstalk - -128dB (Line inputs); 118dB (Digital inputs)
Output Impedance - 25 Ohms (Line output); 1 Ohm (Headphone output)
Output Power - 1.5W (total), drives 32...600 Ohm headphones
Max Output level* - +13.5dBV (32 Ohms load), +18.6dBV (300 Ohms load), +19.0dBV (600 Ohms load)
* Listening to IEMs or other high sensitivity headphones at maximum level may damage your hearing.
General Specs
Audio Output - Gold-plated RCA line-out, stereo 1/4" headphone out
Headphone Amp - Direct Class-A, no caps in the signal path
External Power - +9...+19V DC, wide choice of external power supplies
Internal power - Ground-isolated, ±15V, super-clean, dual analog rails
Unit Dimensions - 164 mm x 164 mm x 42 mm
Shipping weight - 1.7 kg
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A/D converter card for ISA 428. Technical Info: THD+N: -110 dB (A-weighted) with -4dBfs input signal at .997kHz Crystal oscillator accuracy: +/- 15 ppm Clock Jitter 44.1kHz-192kHz: |
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