ART DIO AtoD CONVERTER

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DIO – A/D Converter Overview Designed to help ease the transition to the digital world, the DIO offers high resolution stereo 24-bit A/D-D/A conversion at switchable sample rates from 44.1 to 96kHz. In external sync mode, the DIO?s intelligent synchronization allows for automatic sync with outboard equipment at sample rates from 22kHz to 100kHz. The […]

 

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DIO – A/D Converter Overview

Designed to help ease the transition to the digital world, the DIO offers high resolution stereo
24-bit A/D-D/A conversion at switchable sample rates from 44.1 to 96kHz. In external sync
mode, the DIO?s intelligent synchronization allows for automatic sync with outboard equipment
at sample rates from 22kHz to 100kHz.
The DIO can be used in a wide variety of applications including recording, project, and home studios.
Let the DIO be the interface for your ?classic? analog signal processing gear in an all-digital production
environment. It?s the perfect interface for any digital workstation or computer based recording system
and gets the A/D-D/A conversion process out of the noisy digital environment.
You can use the DIO as your instrument?s direct-to-digital interface, thanks to its high input impedance.
Upgrade the A/D-D/As on your DAT machine or any older digital I/O equipment with the DIO?s high resolution
converters. Get the most out of your dynamic range on new samples and overdubs. You can even
loop thru the DIO to add ?analog? warmth and musicality to an existing digital track.
The latest refinements in ART?s award winning tube pre-amp design are integrated on the front end,
before the A/D converter, for analog gain and dynamic range control. At the clean setting, the tube
circuitry is virtually bypassed and the A/D sees a ?straight wire with gain? signal. As you increase
the control the signal goes from ultra clean and transparent, thru silky, to smooth, to warm, to fat.
At this end the tube becomes the dominant gain element, enhancing lower and mid level signals
and soft limiting peaks and overshoots before they hit the A/D.
This stereo unit provides superior audio conversion in the same compact package as ART?s famous
TubeMP, and like the TubeMP, the DIO?s performance exceeds that of units costing many times its
price. It?s unique combination of features and flexibility will make it a must-have in any audio toolkit.

DIO – A/D Converter Features:

SWITCHABLE 44.1, 48, 88.2, AND 96kHz SAMPLE RATES
INTELLIGENT SYNC COVERS A WIDE EXTERNAL RANGE
1/4? STEREO ANALOG INPUTS AND OUTPUTS
VARIABLE INPUT GAIN
HAND-SELECTED DUAL TRIODE TUBE
TOTALLY VARIABLE TUBE CHARACTER FROM TRANSPARENT TO WARM

Weight 0.70 kg

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Quick Comparison

ART DIO AtoD CONVERTER removeTASCAM LA-40MKIII 4ch Balanced/Unbalanced Line CONVERTER removeAPOGEE X-DIGI-MIX EXPANSION CARD removeAPOGEE ROSETTA 200-2 CH. 24bit-192kHz AD-DA CONVERTER removeFOSTEX HP-A3 32-bit D/A Converter removeCENTRANCE CN-DACMINI 24/192 Audiophile quality DAC preamp and Class A headphone amp remove
NameART DIO AtoD CONVERTER removeTASCAM LA-40MKIII 4ch Balanced/Unbalanced Line CONVERTER removeAPOGEE X-DIGI-MIX EXPANSION CARD removeAPOGEE ROSETTA 200-2 CH. 24bit-192kHz AD-DA CONVERTER removeFOSTEX HP-A3 32-bit D/A Converter removeCENTRANCE CN-DACMINI 24/192 Audiophile quality DAC preamp and Class A headphone amp remove
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DIO - A/D Converter Overview

Designed to help ease the transition to the digital world, the DIO offers high resolution stereo
24-bit A/D-D/A conversion at switchable sample rates from 44.1 to 96kHz. In external sync
mode, the DIO?s intelligent synchronization allows for automatic sync with outboard equipment
at sample rates from 22kHz to 100kHz.
The DIO can be used in a wide variety of applications including recording, project, and home studios.
Let the DIO be the interface for your ?classic? analog signal processing gear in an all-digital production
environment. It?s the perfect interface for any digital workstation or computer based recording system
and gets the A/D-D/A conversion process out of the noisy digital environment.
You can use the DIO as your instrument?s direct-to-digital interface, thanks to its high input impedance.
Upgrade the A/D-D/As on your DAT machine or any older digital I/O equipment with the DIO?s high resolution
converters. Get the most out of your dynamic range on new samples and overdubs. You can even
loop thru the DIO to add ?analog? warmth and musicality to an existing digital track.
The latest refinements in ART?s award winning tube pre-amp design are integrated on the front end,
before the A/D converter, for analog gain and dynamic range control. At the clean setting, the tube
circuitry is virtually bypassed and the A/D sees a ?straight wire with gain? signal. As you increase
the control the signal goes from ultra clean and transparent, thru silky, to smooth, to warm, to fat.
At this end the tube becomes the dominant gain element, enhancing lower and mid level signals
and soft limiting peaks and overshoots before they hit the A/D.
This stereo unit provides superior audio conversion in the same compact package as ART?s famous
TubeMP, and like the TubeMP, the DIO?s performance exceeds that of units costing many times its
price. It?s unique combination of features and flexibility will make it a must-have in any audio toolkit.

DIO - A/D Converter Features:

SWITCHABLE 44.1, 48, 88.2, AND 96kHz SAMPLE RATES
INTELLIGENT SYNC COVERS A WIDE EXTERNAL RANGE
1/4? STEREO ANALOG INPUTS AND OUTPUTS
VARIABLE INPUT GAIN
HAND-SELECTED DUAL TRIODE TUBE
TOTALLY VARIABLE TUBE CHARACTER FROM TRANSPARENT TO WARM

The Tascam LA-40 MKIII has been primarily designed to provide matching capabilities between professional equipment and semi-professional or consumer equipment. It consists of four RCA inputs and outputs (–10 dBV, unbalanced) as well as four XLR inputs and outputs (+4 dBu/–20 dBu, balanced) which enable the user to connect for instance four tracks of a multitrack recorder (ins and outs) to a balanced mixer ensuring optimum level and impedance matching. Also, a switch matrix allows channels to be linked, utilizing the converter as a distribution amplifier for splitting signals to multiple recorders, or for multizone sound routing applications.

Switches on the bottom panel allow to select a nominal level of +4 dBu or –20 dBu for each channel and ±12 dB trim pots on the front panel make perfect level matching easy. LEDs on the front panel indicate signal presence for each channel. The LA-40 MKIII has also ground lift switches for each channel and a combined master switch to avoid ground loops.
Main Features

    * 4 channels with unbalanced RCA inputs and balanced XLR outputs
    * 4 channels with balanced XLR inputs and unbalanced RCA outputs
    * XLR nominal level selectable between +4 dBu and –20 dBu
    * Trim pots for each channel on front panel (±12 dB)
    * Signal LED for each channel

    * Ground lift switches for each channel and master switch
    * Distribution amplifier functionality: One mono input signal can be routed to all four output channels, or one stereo input signal can be routed to two channels each (RCA to XLR and XLR to RCA)
    * Internal power supply, no AC adapter needed
    * 1 U rack-mountable chassis

Specifications
Inputs and outputs (unbalanced to balanced)
Inputs         4 RCA jacks (unbalanced)
  Input impedance         23 kOhm (when all INPUT LINK switches are OFF)
5.7 kOhm (when all INPUT LINK switches are ON)
  Nominal input level         –10 dBV, ±1 dB
  Maximum input level         +4.8 dBV
  Indicator detection level         –36 dBV or more (OUTPUT LEVEL switch set to +4 dB or –20 dB)
Outputs         4 XLR-type connectors (balanced, Pin 1 = ground, Pin 2 = hot, Pin 3 = cold)
  Output impedance         94 Ohm
  Nominal load impedance         10 kOhm
  Minimum load impedance         600 Ohm
  Nominal output level         +4 dBu, ±1 dB (OUTPUT LEVEL switch set to +4 dB)
–20 dBu, ±1 dB (OUTPUT LEVEL switch set to –20 dB)
  Maximum output level         +23 dBu
Inputs and Outputs (balanced to unbalanced)
Inputs         4 XLR-type connectors (balanced, Pin 1 = ground, Pin 2 = hot, Pin 3 = cold)
  Input impedance         54 kOhm (when all INPUT LINK switches are OFF)
13.5 kOhm (when all INPUT LINK switches are ON)
  Nominal input level         +4 dBu, ±1 dB (INPUT LEVEL switch set to +4 dB)
–20 dBu, ±1 dB (INPUT LEVEL switch set to –20 dB)
  Maximum input level         +30 dBu (INPUT LEVEL switch set to +4 dB)
+8 dBu (INPUT LEVEL switch set to –20 dB)
  Indicator detection level         –22 dBV or more (INPUT LEVEL switch set to +4 dB)
–46 dBV or more (INPUT LEVEL switch set to –20 dB)
Outputs         4 RCA jacks (unbalanced)
  Output impedance         200 Ohm
  Nominal load impedance         10 kOhm
  Minimum load impedance         1 kOhm
  Nominal output level         –10 dBV, ±1 dB
  Maximum output level         +18 dBV
Audio performance
TRIM range         ±12 dB
S/N ratio (at nominal levels)         90 dB(A) (20 kHz LPF)
87 dB(A) (20 Hz HPF and 20 kHz LPF)
Total harmonic distortion
(1 kHz, at nominal levels)         0.005 % or less
Frequency response (at nominal levels)         20 Hz – 100 kHz, ±3 dB
Crosstalk
(1 kHz, nominal levels, 600 Ohm load)         –90 dB
Other specifications
Power requirements         100–240 V AC, 50/60 Hz
Power consumption         6 W
Dimensions (W x H x D)         483 mm x 44 mm x 280 mm
Weight         3 kg

The Apogee X-Digi-Mix expansion card allows for direct connectivity between
Pro Tools Mix systems and the Rosetta 200 or Rosetta 800. The X-Digi-Mix
card provides superior quality conversion to Pro-Tools Mix users without the
need for an additional interface, and effectively extending the life of their Mix
systems for years to come.

Features:
* Standard Digidesign peripheral connector for interfacing directly to Mix Core
  or Farm cards.
* Superclock (FSx256) output for convenient integration into existing Pro Tools
  configurations.
* With necessary Pro Tools hardware expansion, multiple Rosetta-800s may be
  connected into a system.
* Rosetta 800 may be used alongside an Apogee AD-8000 or Trak 2 outfitted with
  an AMBUS-Digi8+ card as well as any other Pro Tools Mix-compatible hardware.
* Multiple slaved Rosetta 800s may lock to Word Clock or directly to the Digi-mix 
  card for low jitter synchronization of the Pro-Tools system.

The Rosetta 200, Apogees successor to the PSX-100 and Rosetta AD namesake,
delivers the quality of the popular Rosetta 800, in a 2-channel AD/DA solution. Like
the Rosetta 800, the 200 features premium Apogee A/D and D/A conversion, 192k
sampling rates (standard), optional Pro Tools HD, Mix and FireWire expansion cards
and core Apogee technologies such as UV22HR, and SoftLimit. And while the
Rosetta 200 shares much of its feature set with its cousin, it throws in some irresistible
extras such as the new, CODA, Audio Finishing Module, full channel metering, and
MIDI and S/PDIF input and output. Flexibility and features galore make the Rosetta 200
an outstanding option for professional and project studios, mastering engineers, and
audio archivists.

Features:
Channels of premium 24-bit AD/DA conversion
Sample rates up to 192kHz with Apogee's "Intelliclock"
2 channels of AES, S/PDIF (coax & optical), and ADAT/SMUX I/O MIDI I/O
Optional FireWire expansion card for compatibility with OS X, and
Windows XP (X-FireWire card)
Optional expansion card for direct connection to Pro Tools HD & Mix systems
(X-HD card, X-Digi-Mix card)
“Soft Limit" for maximum digital level without overs
CODA: The Aptomizer Level Normalizer, Sample Rate Conversion (SRC), and
Apogees UV22HR for superior dither to 16-bit
Full channel metering

The new Fostex HP-A3 is the perfect DAC for Computer Audio. This high quality unit features 32bit D/A Conversion with an integrated headphone amplifier exclusively designed to get the most from and PC audio set-up.

Why settle for 'built-in' D/A conversion when you can drastically improve the quality of your audio with a Fostex HP-A3?

 

  • 32bit D/A Converter
  • USB Bus power without using unwanted AC adapter
  • Works with up to 24bit/96kHz audio source
  • High quality analog headphone amp to drive any type of headphones
  • Equipped with high-grade AKM 32bit DAC AK4390
    • USB Bus power without using unwanted AC adapter
    • Works with up to 24bit/96kHz audio source
    • Exclusive PLL power supply is built in to reproduce the stable electrical supply
    • High quality analog headphone amp to drive any type of headphones
    • Equipped with hgih-grade AKM 32bit(*) DAC AK4390
    • Condensers and OP amp designed exclusively for audio products
    • USB / Digital (Optical) input selector
    • Headphones / RCA (Analog) output selector
    • Doubles as D/D converter from USB digital audio to Optical
    • An USB/AC adapter from the shelf can be used for use as an Optical / Analog converter

    Note: When using the USB input, the sampling frequency is fixed at 96kHz.  Audio file with Fs 32k/44.1k/48kHz will be reproduced by upsampling to 96kHz and the S/PDIF Out is also fixed at 96kHz.

    Input
    USB port sampling frequency 16bit-24bit/96kHz
    Interface: USB full speed
    Digital Connector: optical, square
    Format: S/PDIF (32kHz - 96kHz)

    Output
    Phones Connector: Stereo phone
    Max Output: 100mW (32-ohm loaded)
    THD: less than 0.01% at 1kHz, 32-ohm loaded, 100mW
    Frequency response: 20Hz / 20kHz +-0.3dB (32ohm loaded, 100mW)
    Analog Connector: RCA Pin
    Reference output level -10dBV
    THD: less than 0.01% at 1kHz
    Frequency response: 20Hz / 20kHz +-0.3dB
    Digital Connector: Optical, square
    Format S/PDIF (32kHz - 96kHz)

    General
    Power: DC5V (via USB port)
    Power Consumption: 2.5W
    Accessories: 1 x USB cable (1.0m), 4 x rubber foot, manual
    Dimensions: 108mm(W) x 36mm(H) x 140mm(D)
    Weight: approx. 450g

     


    Digital Audio Bliss

    DACmini™ is not just a USB DAC. DACmini is one of the world's highest-performing digital audio devices. Its precision-engineered audiophile circuitry is designed to elevate your system's sound quality to a new level. Featuring 192kHz/24-bit performance over SPDIF and 96kHz/24-bit, driverless performance over USB, an analog input, and both headphone and line-level outputs, DACmini is an extremely flexible device that can upgrade the performance of any audio system. It easily connects to such sources as a Mac desktop or laptop (including Mac mini), Windows desktop or laptop, music server, iPod/iPhone, Apple TV, Airport Express, Xbox 360, PlayStation 3, and Squeezebox, providing a variety of ways to create an audiophile playback system.
     
    The Versatile Audio Hub

    DACmini is designed to be the centerpiece of your digital audio system. It returns the warmth to your digital audio without being obtrusive. Customers describe DACmini's sound as having "Transparent highs, tight bass, and clarity in the mid-range only found in products well above the £1000 price range." DACmini is also a versatile home audio hub, featuring a line-level input for your portable music player, an S/PDIF input for your digital sources, and a Class-A Headphone Amplifier that can drive virtually any headphones with lowest distortion. Placed near your computer monitor, it becomes the center of your desktop audio system.
     
    Perfect Partner

    DACmini is styled to stack perfectly with an Apple Mac mini, making for an exceptional small-footprint music server. Improving upon our successful portable DACport and featuring the amazing CEntrance USB audio technology, DACmini is a perfect way to listen to High Definition music at home.
     
    Key Features


    Driverless USB implementation featuring full 24/96 resolution
    Virtually unmeasurable jitter, for amazing clarity and definition
    Exceptional noise immunity via a galvanically-isolated design
    Headphone amplifier offers clarity, soundstage and no listening fatigue
    Machined aluminum chassis looks great on a desktop or equipment shelf

    Specifications


    Resolution - 24-bit (Also supports 16-bit)
    Sample Rate - USB: Up to 96kHz, S/PDIF: Up to 192 kHz    
    Interface - USB1.1 or 2.0, driverless
    Local clock - 10 ppm precision, unmeasurable jitter
    Compatibility - Any computer running Mac, PC, or Linux

    Analog Specs
        

    Nominal Output level - +6.0dBV (RCA outputs)    
    Frequency Response - 20Hz...40kHz; +0.0dB / -0.1dB (Line or Digital inputs)
    S/N Ratio: (A-wght) - 144dB (Line inputs); 113dB (Digital inputs)
    THD+N - 0.00022% (Line inputs); 0.001% (Digital inputs)    
    Crosstalk - -128dB (Line inputs); 118dB (Digital inputs)    
    Output Impedance - 25 Ohms (Line output); 1 Ohm (Headphone output)  
    Output Power - 1.5W (total), drives 32...600 Ohm headphones   
    Max Output level* - +13.5dBV (32 Ohms load),  +18.6dBV (300 Ohms load),  +19.0dBV (600 Ohms load)

    * Listening to IEMs or other high sensitivity headphones at maximum level may damage your hearing.

    General Specs
        

    Audio Output - Gold-plated RCA line-out, stereo 1/4" headphone out
    Headphone Amp - Direct Class-A, no caps in the signal path   
    External Power - +9...+19V DC, wide choice of external power supplies  
    Internal power - Ground-isolated, ±15V, super-clean, dual analog rails  
    Unit Dimensions - 164 mm x 164 mm x 42 mm  
    Shipping weight - 1.7 kg

    Weight0.70 kg3.00 kg2.30 kg2.00 kg0.50 kg1.20 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 0.70 kg
    Weight 3.00 kg
    Weight 2.30 kg
    Weight 2.00 kg
    Weight 0.50 kg
    Weight 1.20 kg