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The M1250B condenser microphone has a fully integrated preamp and detachable cable providing immunity from RF interference caused by cell phones and GSM devices. The M1250B is equipped with a cardioid capsule and is available with hypercardioid, omni or shotgun capsules allowing flexibility for use in live, studio and broadcast applications.
The M1250B is designed to mic acoustic instruments, overhead stages, podiums, conferences and presentations. In addition to the stock cardioid model in black, the M1250B is also available with different polar patterns and colors.
MODEL VARIATIONS:
M1250BW - With cardioid capsule (white)
M1250BHC - With hypercardioid capsule (black)
M1250BWHC - With hypercardioid capsule (white)
M1250BO -With omnidirectional capsule (black)
M1250BWO - With omnidirectional capsule (white)
M1250BS - With supercardioid (shotgun) capsule
VARIATIONS WITH THE MICROBOOM:
MB5050: 50 inch Microboom with M1250B microphone
MB5050HC: 50 inch Microboom with M1250B microphone
MB8450: 84 inch Microboom with M1250B microphone
MB8450HC 84 inch Microboom with M1250BHC microphone
VARIATIONS WITH THE MICROPOD:
MICROPOD6: 6 inch gooseneck with M1250B microphone
MICROPOD6HC: 6 inch gooseneck with M1250BHC microphone
MICROPOD12: 12 inch gooseneck with M1250B microphone
MICROPD12HC: 12 inch gooseneck with M1250BHC microphone
MICROPOD18: 18 inch gooseneck with M1250B microphone
MICROPD18HC: 18 inch gooseneck with M1250BHC microphone
| Type | Condenser |
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| Polar Pattern | Cardioid, Hypercardioid, Omni-Directional, Supercardioid | | Frequency Response | 50Hz - 19kHz | | Impedance | 150 Ohms | | Sensitivity | @1k 10 mV/Pa (C) / 10 mV/Pa (HC) / 11 mV/Pa (O) |
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C 568 B
Compact, short shotgun microphone
Integrated, switchable bass cut filter minimizes mechanical noise
Operates on phantom power
High directivity and wide frequency response in a relatively short shotgun make this
microphone a perfect tool for theater, sound reinforcement, and film/TV applications.
Due to its compact and lightweight design, the C 568 B is ideal for camera mount
applications. Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz
the acoustic interference tube introduces increasing directivity. A switchable 12 dB/
octave 120 Hz bass cut filter effectively suppresses rumble and wind noise. The rugged,
all-metal body contains the built-in preamp. Phantom powering (9?52 V) required; foam
windscreen and stand adapter included.
SPECIFICATIONS:
Polar pattern hypercardioid/directional
Frequency range 20 to 20,000 Hz
Sensitivity 11 mV/Pa (-39 dBV)
Max. SPL 128 dB
Equivalent noise level (CCIR 468-3) 29 dB
Equivalent noise level 18 dB-A
Signal/noise ratio 76 dB
Bass filter 12 dB/octave at 120 Hz
Impedance 600 ohms
Recommended load impedance >2000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption | Technical specifications
| Polar pattern |
cardioid |
| Frequency range |
50 to 20,000 Hz |
| Sensitivity |
20 mV/Pa (?34 dBV) |
| Max. SPL |
125 dB (k=1 %) |
| Equivalent noise level |
21 dB-A |
| Signal/noise ratio (A-weighted) |
73 dB |
| Impedance |
600 ohms |
| Recommended load impedance |
>2000 ohms |
| Supply voltage |
9 to 52 V phantom power, requires DPA adapter (supplied with most Installation Modules) |
| Current consumption |
|
| Connector |
Discreet Acoustics Modular standard |
| Finish |
matte dark gray |
| Dimensions |
13.5 x 20 mm dia. (0.5 dia. x 0.8 in.) |
| Net weight |
5 g (0.17 oz.) |
| Shipping weight |
88 g (3.1 oz.) |
| Accessories (included) |
W 30 |
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The Stereo wonder. The new NT4, a visually striking microphone that solves
the age-old problem of stereo recording by eliminating the need to purchase
matched pairs and the associated complex set-up bars and adaptors to get
professional results. With a fixed 90 Deg. X/Y configuration and perfectly
matched stereo condenser capsules, the NT4 lets you record any source with
immaculate stereo detail.
The NT4 has a 128 dB dynamic range, 143 dBA SPL and low self-noise. Offering
selectable battery or phantom power operation with power indicator light, the NT4
is ideally suited to both studio and location recording.
The NT4 comes supplied in a custom carry case with a windshield, XLR to mini-jack
and dual XLR cables for portable DAT or professional balanced input connection.
SPECIFICATIONS:
Acoustic principle:
Stereo Microphone. 90° XY placement. Each side comprises an
externally polarised single diaphragm condenser transducer
Directional pattern: Cardioid per capsule
Frequency range: 20Hz - 20kHz
Output impedance: 200? per side
Signal noise ratio din iec 651: 78dB
Equvalent noise:128 dB
Power supply voltage:
P48 (38V?52V), P24 (20V-26V), P12 (10.8V-13.2V), 9V battery
Current consumption: 4 mA, 2 mA, 2.8 mA, 2.4mA
Weight without battery: 480g
Weight with battery: 2.3kg
| The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-
condenser microphone design.Intended for recording acoustic instruments,
drum overheads, cymbals and live performances, the compact externally
polarized mic employs a .5? capsule, an active J-FET impedance converter
with bipolar output buffer.
Finished in durable satin nickel, the NT5 is intended for either single or stereo
X/Y mic set-ups. The NT5 matched pairs comesupplied in a custom carry case
with windshields and mounts.
SPECIFICATIONS:
Acoustic principle: Externally polarised single diaphragm
Directional pattern: Cardioid
Frequency range: 20Hz - 20kHz
Output impedance: 100?
Signal noise ratio din iec 651: 78dB
Equvalent noise: Maximum spl: 143 dB @ 1% THD into 1k_
Sensitivity:
-38 dB re 1v/Pa ± 2 dB equivalent to 12mV/Pa where 1 Pa = 94dBSPL
Power supply voltage: P48 Supply (38V?52V), P24 Supply (20V-26V)
Current consumption: 4 mA, 2 mA,
Weight: 100g |
The Shure Model VP88 is a single-point, stereo condenser microphone for use in professional studio recording, field production, electronic news gathering (ENG), and studio broadcasting applications. It combines two condenser cartridges in a single housing to create a stereo audio image of the sound source. It is unique in its ability to capture the realism of a live event and yet withstand rigorous field production environments.
The VP88 uses a mid-side (M-S) configuration. One microphone cartridge (Mid) faces forward to capture on-axis sound using a cardioid pickup pattern. The other microphone cartridge (Side) is bi-directional, capturing sound from either side. The VP88 contains an internal M-S matrix with three settings for different degrees of stereo image seperation. The internal matrix can be bypassed if an external matrix is used or if stereo imaging is done in post-production. Switches on the top of the microphone control output mode, stereo imaging, low-frequency rolloff settings, and battery on/off.
The VP88 can operate on phantom power or an internal 6V battery. The VP88 is supplied with a multi-connector "Y-splitter" cable, foam windscreen, swivel stand adapter, 6-volt battery, and zippered carrying/storage bag. Optional accessories include an isolation mount, a 7.6 m (25 ft) microphone extension cable, a phantom power supply, and a 4.3 m (14 ft) microphone stand.
- Time-coherent, Mid-Side (M-S) design for optimal stereo imaging
- Built-in stereo matrix for direct control of the stereo spread; direct M-S outputs available
- Mono compatibility ideal for broadcast applications
- 40 to 20,000 Hz frequency response
- Low noise and distortion
- Wide dynamic range
- Switch-selectable, low-frequency rolloff (12 dB/octave below 80 Hz) for reduced pickup of ambient noise and stand vibration
- Operates on phantom power or a 6V camera battery
- LED power indicator
- Internal shock mount for reduced stand vibration and handling noise
- Built-in "pop" screen
- Includes windscreen, swivel adapter, and Y-cable
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