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The Omni-Directional pickup pattern featured in this microphone produces a natural sound and is great for asoustic environments as it picks up sound from all directions (360 degrees around the microphone). This microphone is not a great choice for live applications, as it doesn't feature good feedback rejection like the Cardioid and Hypercardioid pickup patterns. The Omni-Directional pickup pattern is ideal for spoken word applications like podcasting, boardroom or conference miking, choir recording, etc.
Designed, machined, assembled and tested by Audix in the USA, the SCX1O features a 21mm gold vapor capsule miniaturized electronics, and an extremely small footprint. This pencil condenser microphone is great at handling high sound pressure levels of 130 dB and has a smooth uniform frequency response from 40 Hz - 20 kHz.
Features - Extremely sensitive, highly accurate
- Low noise electronics
- Small, low profile, easy to place
- Roadworthy
Applications - Acoustic stringed instruments
- Ambient room miking
- Group Vocal
- Drum Overheads
- Studio Vocals
- Speech
- Piano, Vibes
- Flute, bells, chimes, marimba
- Audience mics for ear monitors
Specifications - Type: Condenser
- Polar Pattern: Omni-Directional
- Frequency Response: 40Hz - 20kHz
- Impedance: 200 Ohms
- Sensitivity: @1k 26 mV/Pa (C) / 15 mV/Pa (HC) / 15.5 mV/Pa (O)
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The ME 67 is a long gun microphone head designed for use with the K6 and K6P powering modules. A highly directional microphone, it can be used where the microphone must be placed at a distance from the sound source. Matt black, anodised, scratch-resistant finish.
Pick-up pattern : lobar
Sensitivity in free field, no load (1kHz) : 50 mV/Pa +- 2,5 dB
Nominal impedance : 200 Ohm (K6)
Min. terminating impedance : 1000 Ohm (K6)
Equivalent noise level : 10 dB
Dimensions : d 22,5 x 343 mm
Weight : 100 g
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MC10M is a multi capsule microphone set including a cardioid electret condenser microphone
(MC10) with the replaceable super cardioid capsule, shock mount adaptor, and wind screen.
MC10M can be used in wide applications, from studio & home recording to field sound aquisition.
FEATURES:
Replaceable 2 types of polar pattern capsule, cardioid/super cardioid as standard
Wide frequency response range
High sensitivity
Low distortion
High input withstand S.P.L.
Rugged brass case
Light weight
Shock mount adaptors, stereo mounting blacket & wind screen as standard
Dedicated carrying case as standard
SPECIFICATIONS:
Type :Back Electret
Condenser Microphone
Polar Pattern :Cardioid/Super Cardioid
Frequency Response :40Hz to 20kHz +/-10dB
Sensitivity :-40dBV/pa (10mv/pa)
Rated Impedance :200W
Equivalent Noise Level
:22dB (A weighted IEC/DIN 651)
Maximum S.P.L. :134dB (THD£0.5%, 1kHz)
Dynamic Range :112dB
Power Supply :48V Phantom Power
(IEC 268-15/DIN45596)
Current Consumption :3.5mA
Dimensions :?20mm x 150mm
Net Weight :130g (MC10 x 1)
Full Package Weight :865g
| AKG C411L Ultralight Condenser Microphone
- Ultra-light vibration pickup
- Condenser transducer in sealed enclosure
- Cable with lockable miniature XLR connector
Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.
C 411 L: With mini XLR connector for use with B 29 L battery operated power supply, MPA V L external phantom power adapter, or AKG WMS bodypack transmitters.
| Frequency range |
10 to 18,000 Hz |
| Max. SPL |
100 dB (for 1% THD) |
| Impedance |
200 ohms unbalanced |
| Recommended load impedance |
>=1000 ohms |
| Supply voltage |
9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitter |
| Current consumption |
approx. 2.2 mA |
| Connector |
C 411 L: 3-pin mini XLR |
| Cable |
C 411 L: 1.5 m (5 ft.) |
| Finish |
matte black |
| Dimensions |
27 x 14 x 9.5 mm / 1.1 x 0.5 x 0.3 in. |
| Net weight |
C 411 L: 18 g / 0.7 oz. |
| Shipping weight |
C 411 L: 150 g / 5.5 oz. |
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The e 914 is a high grade condenser microphone for very demanding applications.
Its outstanding sound properties qualify the e 914 for highly sophisticated tasks.
The e 914 is a perfect microphone for ambitious recordings and live performances.
Its main areas of application are acoustic guitars, cymbals, percussion, overhead,
orchestras, grand pianos etc .
Features
Exceptionally lively, clear sound
Three-position sensitivity switch
Three-position bass roll-off/cut-off switch
Very high sound pressure handling capability
Exchangeable microphone capsule
Delivery Includes
e 914 microphone
Microphone clamp
Windscreen
Pouch
User manual
Technical Data
Pick-up pattern cardioid
Frequency response 20...20 000 Hz
Sensitivity in free field, no load (1kHz) 7 mV/Pa
Equivalent noise level 19 dB(A)
Attenuation 0, -10, -20 dB
Max. Sound pressure level (aktiv) 137, 147, 157 dB
Nominal impedance 100 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 24 x 157 mm
Weight 198 g
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Technical specifications | Polar pattern | | hypercardioid | | Frequency range | | 50 to 20,000 Hz | | Sensitivity | | 20 mV/Pa (?34 dBV) | | Max. SPL | | 125 dB (k=1 %) | | Equivalent noise level | | 21 dB-A | | Signal/noise ratio (A-weighted) | | 73 dB | | Impedance | | 600 ohms | | Recommended load impedance | | >2000 ohms | | Supply voltage | | 9 to 52 V phantom power, requires DPA adapter (supplied with most Installation Modules) | | Current consumption | | | | Connector | | Discreet Acoustics Modular standard | | Finish | | matte dark gray | | Dimensions | | 13.5 x 20 mm dia. (0.5 dia. x 0.8 in.) | | Net weight | | 5 g (0.17 oz.) | | Shipping weight | | 88 g (3.1 oz.) | | Accessories (included) | | W 30 |
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