| Content | Behringer Micromix MX-400 Ultra Low-Noise 4-Channel Line Mixer
Despite its ultra-compact size, this 4-channel line mixer is big on features! It yields the highest sonic quality at all output levels, boasting ultra low-noise 4580 operational amplifiers for outstanding audio performance?the same op amps found in its much bigger brethren. Expanding on the capabilities of standard-size mixers is where the MX400 does extremely well, for example as a sub-mixer. If you are running short on available channels on your ?big? mixer and need to bring the output of three different keyboards into your mix, you can simply connect them to the MX400, work out the keyboard mix, and connect the MX400?s output to a single input on your main mixer.
It will catch your eye because it?s cute as a button, but you?ll want to own one because of what it can do for your performance.
- Compact 4-channel line mixer
- Separate volume control for each channel
- Low noise 4580 operational amplifier
- 4x 6.3 mm Mono jack inputs
- 1x 6.3 mm Mono jack outputs
- Includes 12-Volt power supply
- Dimensions: 46.5 x 57.2 x 103.6 mm
- Weight: 190 g
| DIGITAL PRO MIXER DDM4000 Ultimate 5-Channel Digital DJ Mixer with Sampler, 4 FX Sections, Dual BPM Counter and MIDI
- 32-bit digital DJ mixer with beat-synchronized sampler, 4 multi-FX sections, 2 patented* BPM counters, digital crossfader and MIDI
- 4 Phono/Line stereo channels allowing max. 8 signal sources to be connected simultaneously
- 2 Microphone inputs with Gain, EQ, Talk function and FX
- 4 stereo channels with Gain, programmable parametric 3-band EQ with Kill function, fader curve control and flexible crossfader assignment
- Sophisticated sampler with beat-controlled loop function, real-time pitch control, sampler FX and crossfader start option
- 2 freely assignable and BPM-synchronized, high-quality FX engines (Bitcrusher, Resonator, Reverb, Flanger, etc.)
- Ultra-fast, accurate and patented* BPM counters for automatic BPM synchronization of sampler, FX, crossfader and external drum machines, etc. via MIDI
- Digital crossfader with flexible curve adjustment, reverse button and automatic, BPM-synchronized crossfading
- Dual-mode crossfader with innovative frequency-selective crossfading
- Dedicated Headphone section includes PFL Mix/Split and Bass/Snare boost functions
- Recall your last mixer setting at the push of a button
- Digital S/PDIF output for direct recording of your performance
- Rack mount brackets included for ultimate flexibility
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
- * U.S. Patent No.: 6812394 / German Patent No.: 102 23 735
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- 3 MIC (JACK ¼”) / stereo LINE (RCA) input channel mixer
- Input signal pushbutton selector (MIC/LINE) on back panel
- Independent internal assignable phantom power for all MIC inputs
- Direct MIX input allows straight forward connection of further mixers
- Triple tone control (accessible only with screwdriver)
- 2 stereo OUTPUTS (XLR3 / RCA)
- 3 LED OUTPUT level meter
- 2 additional stereo REC outputs (REC1, REC2)
- Mono mode pushbutton
- Headphones general MIX monitoring
- Remote MUTE control (EUROBLOCK) allows connection with fire detection systems
The SAM mixer series has been specially designed for all public address and communication systems requiring a minimum risk of unwanted external manipulation.
Frequently used controls are easily accessible. Specific adjustments remain only accessible by the installer for precise and permanent settings.
SAM SERIES are very easy to use, even for non-technical users. All this is packed into a compact, 1 unit high, 19'' rack unit.
SAM series general KEY features
- Universal 1 RU, 19” installation mixers
- Excellent frequency response
- Balanced MIC and stereo LINE inputs and main outputs
- Reliable proprietary power supply
- Ideal for any application requiring a trouble free mixer
| Rane Commercial SM26S Six-Channel Rackmountable Splitter/Mixer
Rane Commercial SM 26S Overview
The Rane SM26S is a unique, dual purpose mixer capable of mixing audio signals and distributing audio via any of the 6 outputs. There are 6 balanced mono inputs and outputs complete with gain and pan control. Pan controls place the channel's signal into the stereo field. As a splitter, the Pan controls assign which output channels distribute incoming signal. There is a separate Left and Right stereo input for incoming signals when using the SM26S as a splitter mixer. Also featured are stereo (Left/Right)"Expand" Output for cascading multiple SM26S. There is no maximum limit as to how many SM26S can be linked.
The Rane SM26S is capable of mixing and distributing signals out of 6 mono outputs. There are 6 mono inputs and 6 mono outputs, 2 sets of stereo (L/R) outputs and a set of stereo (L/R) inputs. Both a mixer and audio distributer, the Rane SM26S is flexible and versatile enough for any sound reinforcement application.
The SM26S features balanced 1/4" TRS phone inputs and outputs for maximum gain and lower noise floor.
PAN pots are featured on channels 1-6 and control stereo placement of audio when the SM26S mono inputs are in use. As a splitter, the PAN control may be used to assign which outputs distribute the incoming stereo signal.
The external power supply is effective in reducing noise created by "dirty" AC power and bad grounds.
| Total # Of Inputs |
8 - Active Balanced 1/4 TRS" Phone Inputs:
Mono channels 1-6
Stereo Input (Left/Right) |
| Output |
8 - Active Balanced TRS 1/4" TRS Phone Outputs:
Mono channels 1-6
Mix Output (Left/Right)
Expand Out:
Stereo Output (Left/Right) |
| Monitor/Headphone Out |
No |
| Impedance |
Inputs: 20 kOhms
Outputs: 200 Ohms |
| Gain |
Overall Gain Range - Off to +12 any input to any output |
| THD & Noise |
0.006 limit = .002% +4dBu, 20-20kHz unity gain |
| Frequency Response |
10Hz - 56kHz +0/-3 dB |
| Metering |
No |
| Controls |
Rotary Pots:
Channel Gain (ch 1-6)
Mix/Pan (ch 1-6)
Master Output
Master Input
Power Switch |
| Phantom Power |
No |
| Power |
18-24VAC w/center tap 300mA Max Current |
| Dimensions |
1.75 x 19 x 5.3" (4.4 x 48.3 x 13.5cm) |
| Weight |
9lbs (4.1kg) |
| Since 1984 the SCLAT mixing desks have been rocking thousands of class venues around the world, serving the most demanding technicians, the most creative pro-Djs and the most exciting dance floors.
Behind the renowned experience of ECLER Laboratories, the SCLAT 200vs keeps combining all the requirements technicians demand regarding features and operating safety together with the inventive functionality Professional DJs demand from a high-end mixing desk.
Designed to optimize the best high-end club P.A.s, featured to fit any studio recording standard, built to withstand the most demanding mobile touring set-ups, the SCLAT 200vs is probably the best quality Audio Mixing Desk presently available in the Industry.
Superior effects processor
Remix live...
Built-in processor with double DSP featuring 2 manual filters and 10 effects with BPM synchronization. Includes a DRY/WET crossfader taking your effects control to the next level: activate and deactivate, fade in to the level of your choice… Allows routing every single channel to the module independently. Features control of TIME and PARAMETER and a friendly user selectable panel. Effects consists of LFO Filter, Low Pass Filter, High Pass Filter, Delay, Reverb, Flanger, Phaser, Vocoder, Pitch Shifter, Echo Reverb, Filtered Echo and Flanger Echo.
Midi out
Control you favorite devices...
The module includes a MIDI output and features start and stop commands to activate and deactivate your devices and a clock to adjust the tempo.
Edi:lab software
Expand your creativity...
The built-in effect processor is reprogramable in real-time with the edi:lab software (included). The user can load a new effect set-up in the SCLAT mixer and play it stand-alone without any need of the computer. An effect library is available in the edi:lab software in order to save the different user set-ups. | PowerMate 1000
SPECIFICATIONS
Order No.
F01U131113 (DC-PM1000-3-UNIV)
Channels (Mono + Stereo)
6 + 4
Auxiliaries (MON, FX, AUX)
2 Pre, 2 Post, 2 Pre/Post switchable
Maximum Midband Output Power,1 kHz, THD=1%, Dual Channel
into 2.66 Ohms
2 x 1350 W
into 4 Ohms
2 x 1000 W
into 8 Ohms
2 x 600 W
Rated Output Power,THD=0.1%, Single Channel
into 4 Ohms
2 x 900 W
into 8 Ohms
2 x 450 W
Maximum Output Voltage of power amplifier, no load
74 Vrms
THD at 1kHz, MBW=80kHz
MIC input to Master A L/R output, +16 dBu, typical
< 0.005%
POWER AMP INPUTS to Speaker L/R output
< 0.075%
DIM 30, power amplifier, 60Hz, 7kHz
< 0.05%
IMD-SMPTE, power amplifier, 60Hz, 7 kHz
< 0.015% CMRR, MIC input, 1 kHz > 80 dB
Equivalent Input Noise, MIC Input, A-weighted, 150 Ω
-130 dBu
Signal/Noise-Ratio, power amplifier, A-weighted, 4 Ohms
105 dB
Output Stage Topology, amplifier
Class D
Equalization
LO Shelving
+/- 15 dB / 60 Hz
MID Peaking, mono inputs
+/- 15 dB / 100 Hz .. 8 kHz
MID Peaking, stereo inputs
+/- 12 dB / 2.4 kHz
HI Shelving
+/- 15 dB / 12 kHz
Master EQ, 11-band (63, 125, 250, 400, 1k, 1.6k, 2.5k, 4k, 6.3k, 12k Hz)
+/- 10 dB / Q = 1.5-2.5
Filter
LO-CUT, mono inputs
f=80 Hz, 18 dB/oct
VOICE FILTER, mono inputs
FEEDBACK FILTER, MON1/2
70 Hz .. 7 kHz, Notch, -9 dB
Speaker Processing
LPN, switchable
Display
High Contrast OLED
Effects |
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