Behringer RX1602 V2 16-channel monitor line mixer

162.63 incl. GR VAT

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Availability: Available in 4-10 d. Available in 4-10 d. SKU: RX1602 V2 Category:
Extremely flexible multi-purpose sub-mixer, multi-track monitoring mixer and level translator 16 balanced high-headroom line inputs for individual stereo or mono use of each section Ultra-low noise ULN design, highest possible headroom, ultra-transparent audio Dedicated balance and level controls plus +4/-10 level selection per channel Monitor/FX Send control per section with global master send control for […]

 

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  • Extremely flexible multi-purpose sub-mixer, multi-track monitoring mixer and level translator
  • 16 balanced high-headroom line inputs for individual stereo or mono use of each section
  • Ultra-low noise ULN design, highest possible headroom, ultra-transparent audio
  • Dedicated balance and level controls plus +4/-10 level selection per channel
  • Monitor/FX Send control per section with global master send control for flexible monitoring, recording or effects applications
  • Illuminated double-function “mute” button per section with additional “clip” indication provides comfortable input source/level information
  • Monitor/FX signal assignable to phones output for added flexibility
  • Highly accurate 2 x 7-segment LED level meters and individual level control for left and right main mix signal
  • 1/4” TRS main mix outputs plus easily accessible headphones output on the front panel with dedicated level control
  • High-quality detented rotary controls for long-term reliability
  • Internal switch-mode power supply (100 – 240 V~) for noise-free audio and low power consumption
  • 3-Year Warranty Program*
  • Designed and engineered in Germany
Audio Inputs Type: 16 x 1/4″ / 6.3 mm TRS Connectors, Electronically Balanced, Line Level
Impedance: 20 Kilohms Balanced or Unbalanced
Gain Range: -∞ to +15 dB
Operating Level: +4 dBu / -10 dBV (Switchable)
Maximum Input Level: +22 dBu
Common-Mode Rejection CMRR at 1 kHz: >50 dB Typically
Audio Outputs Main Out (L/R):
Type: 2 x 1/4″ / 6.3 mm TRS Connectors, Impedance Balanced
Gain Range: -∞ to +15 dB
Impedance: 240 Ohms Balanced, 120 Ohms Unbalanced
Maximum Output Level: +22 dBuMonitor Out Send (Mono):
Type: 1 x 1/4″ / 6.3 mm TRS Connector, Impedance Balanced Mono
Impedance: 240 Ohms Balanced, 120 Ohms Unbalanced
Maximum Output Level: +22 dBu
Headphones Output Type: 1 x 1/4″ / 6.3 mm TRS Connector, Stereo
Minimum Load Impedance: 100 Ohms
System Bandwidth: 20 Hz to 20 kHz (±0.2 dB)
Frequency Range: 10 Hz to 200 kHz, (±3 dB)
Signal-to-Noise Ratio: THD: 0.003% at +4 dB input, 1 kHz Unity Gain
Crosstalk:
Power Supply Voltage: 100 to 240 VAC, 50/60 Hz
Power Consumption: 15 W
Mains Connection: Standard IEC Connector
Dimensions 1.7 x 19.0 x 5.9″ / 4.4 x 48.3 x 14.9 cm
Rack Space: 1 RU
Weight 4.0 lb / 1.8 kg
Weight 2.00 kg

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Behringer RX1602 V2 16-channel monitor line mixer removeARX QUADCOMP 4CHANNEL COMPRESSOR-LIMITER removeBEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor removeARX AFTERBURNER DUAL CH.BAND ENHANCED COMPRESSOR-LIMITER removeAxel Technology MACROTEL7 Telephone Hybrid removeDBX 266XS COMPRESSOR/GATE 2CH remove
NameBehringer RX1602 V2 16-channel monitor line mixer removeARX QUADCOMP 4CHANNEL COMPRESSOR-LIMITER removeBEHRINGER DEQ2496 Ultra High-Precision Digital 24-Bit-96 kHz EQ-RTA Mastering Processor removeARX AFTERBURNER DUAL CH.BAND ENHANCED COMPRESSOR-LIMITER removeAxel Technology MACROTEL7 Telephone Hybrid removeDBX 266XS COMPRESSOR/GATE 2CH remove
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SKURX1602 V2QUADCOMPE005263AFTERBURNERMACROTEL7DBX 266XS
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Description
Content
  • Extremely flexible multi-purpose sub-mixer, multi-track monitoring mixer and level translator
  • 16 balanced high-headroom line inputs for individual stereo or mono use of each section
  • Ultra-low noise ULN design, highest possible headroom, ultra-transparent audio
  • Dedicated balance and level controls plus +4/-10 level selection per channel
  • Monitor/FX Send control per section with global master send control for flexible monitoring, recording or effects applications
  • Illuminated double-function "mute" button per section with additional "clip" indication provides comfortable input source/level information
  • Monitor/FX signal assignable to phones output for added flexibility
  • Highly accurate 2 x 7-segment LED level meters and individual level control for left and right main mix signal
  • 1/4'' TRS main mix outputs plus easily accessible headphones output on the front panel with dedicated level control
  • High-quality detented rotary controls for long-term reliability
  • Internal switch-mode power supply (100 - 240 V~) for noise-free audio and low power consumption
  • 3-Year Warranty Program*
  • Designed and engineered in Germany
Audio Inputs Type: 16 x 1/4" / 6.3 mm TRS Connectors, Electronically Balanced, Line Level Impedance: 20 Kilohms Balanced or Unbalanced Gain Range: -∞ to +15 dB Operating Level: +4 dBu / -10 dBV (Switchable) Maximum Input Level: +22 dBu Common-Mode Rejection CMRR at 1 kHz: >50 dB Typically
Audio Outputs Main Out (L/R): Type: 2 x 1/4" / 6.3 mm TRS Connectors, Impedance Balanced Gain Range: -∞ to +15 dB Impedance: 240 Ohms Balanced, 120 Ohms Unbalanced Maximum Output Level: +22 dBuMonitor Out Send (Mono): Type: 1 x 1/4" / 6.3 mm TRS Connector, Impedance Balanced Mono Impedance: 240 Ohms Balanced, 120 Ohms Unbalanced Maximum Output Level: +22 dBu
Headphones Output Type: 1 x 1/4" / 6.3 mm TRS Connector, Stereo Minimum Load Impedance: 100 Ohms
System Bandwidth: 20 Hz to 20 kHz (±0.2 dB) Frequency Range: 10 Hz to 200 kHz, (±3 dB) Signal-to-Noise Ratio: THD: 0.003% at +4 dB input, 1 kHz Unity Gain Crosstalk:
Power Supply Voltage: 100 to 240 VAC, 50/60 Hz Power Consumption: 15 W Mains Connection: Standard IEC Connector
Dimensions 1.7 x 19.0 x 5.9" / 4.4 x 48.3 x 14.9 cm Rack Space: 1 RU
Weight 4.0 lb / 1.8 kg

Features
Four Independent Compressor Channels
Channels 1 and 2, 3 and 4 are stereo linkable
7 LED Gain Reduction metering
Balanced XLR Inputs and Outputs
Sidechain Insert points
Intuitive, user friendly layout
Flawless performance
 
The sheer amount of effects and signal processors necessary for today's standards
of audio production puts a great strain on the available space in equipment racks,
both in the studio and on the road.So, ARX would like to introduce the ARX Quadcomp.
An all-new upgrade of the classic award-winning ARX Quadcomp?, the very first four
channel 1 RU compressor.You?ll notice that we haven?t strayed very far from our
original design concept. The Quadcomp  is still four variable ratio Compressor/ Limiters
neatly housed in a compact all steel 1 RU package. However, all new low noise/low
distortion circuitry, better metering plus XLR inputs and outputs put the Quadcomp
in a class of its own.
More Control, Less Space
On the front panel, each channel has the 'industry standard' individual controls for Threshold,
Compression Ratio and Output, plus a new 7 LED Gain Reduction display for accurate visual
indication of the amount of gain reduction being applied to the program, and an IN/OUT
hardwire bypass switch.In addition to this, each channel has a blank numbered panel to write
on for easy confirmation of compressor assigns.
Precision Circuitry
Internally, each compressor uses Class A VCAs and true 2 pole averaging RMS/DC converters
for low distortion and accuracy, plus program dependent attack and release time, which
automatically determines optimum compressor response.
Balanced Inputs and Outputs
The rear panel has true differential Balanced XLR Inputs and Outputs for each compressor.
Each compressor has a TRS jack Sidechain access insert point, for frequency sensitive
compression, De-essing, etc. in conjunction with an external equalizer (such as the ARX EQ260).
Compressor pairs 1 and 2, 3 and 4 also have rear panel mounted Stereo Link switches for accurate
stereo tracking. When switched IN, the first channel becomes the master and controls all the functions
of the second except Output gain.
Universal AC Power
AC power range is switchable 100 to 120V, or 220 to 240V, and is connected to the unit via
a standard IEC connector, with built-in fuse and voltage switch.
Whatever the application ? Channel insert, Bus insert, Master Outputs, Monitor outputs,
Crossover outputs, the Quadcomp II?s unique High Density design, precision Low Noise circuitry
and clean uncluttered layout make it a truly useful audio tool for all applications.

T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance
Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 20dB
CMRR >50dB, 20 Hz?20 KHz
Output Impedance
Balanced 300 ohms Unbalanced 150 ohms
Output Level (Max) + 20 dB
Frequency Response 20Hz-20KHz ±0.5dB
Signal to Noise ratio
-93 dB Unweighted, -98 dB ?A? weighted
Distortion .015% THD @ 0dB,1KHz
Dynamic Range 108 dB
Attack and Release Times Program dependent
Metering
7 LED display: ?1, 2, 3, 6, 12, 18, ?24 dB
Sidechain Insert Impedance 10 Kohm
Power Requirements
100/120 V AC or 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions
19“W x 1?“H x 6“D, 482 x 44 x 155mm
Input Connector type Balanced XLR
Output Connector type Balanced XLR
Sidechain Insert Connector TRS Jack

Front Panel Controls
Hardwire bypass IN/OUT switch
Threshold, Ratio and Output Gain controls
7 LED Gain Reduction display
Marker panel for labelling compressor assigns
Stereo link status LEDs
Rear Panel Connectors
Input and Output balanced XLR connectors
TipRingSleeve Sidechain insert connectors
Channels 1 and 2, 3 and 4 Stereo link switches
IEC AC mains connector with inbuilt fuse and
voltage change

Product Features:

Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology
Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range
4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel)
Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization
Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs
State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications
Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input)
64 user memories for complete setups and/or individual module configurations
Separate mic/line input with phantom power for RTA and Auto-EQ applications
Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical)
Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates
Open architecture allowing future software updates via MIDI
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany

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  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
  • Specifications
    Input Connectors 1/4" TRS and female XLR (pin 2 hot)
    Input Type Electronically balanced/unbalanced, RF filtered
    Input Impedance 40kΩ balanced/unbalanced
    Max Input >+22dBu Balanced or Unbalanced
    Output Connectors 1/4" TRS, female XLR (pin 2 hot)
    Output Type Impedance-balanced/unbalanced, RF filtered
    Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
    Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
    Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
    Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
    Sidechain Max Input Level Tip = >+22dBu (Input)
    Sidechain Max Output Level Ring = >+20dBu (Output)
    Compressor Threshold Range -40dBu to +20dBu
    Compressor Threshold Characteristic Selectable OverEasy® or hard knee
    Compressor Ratio 1:1 to Infinity:1
    Compressor Attack Time Scalable Program-Dependent AutoDynamic™
    Compressor Release Time Scalable Program-Dependent AutoDynamic™
    Expander/Gate Threshold Range -60dBu to +15dBu
    Expander/Gate Ratio 1:1 to 4:1
    Expander/Gate Attack Time
    Weight2.00 kg5.20 kg3.50 kg5.20 kg4.00 kg3.00 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 2.00 kg
    Weight 5.20 kg
    Weight 3.50 kg
    Weight 5.20 kg
    Weight 4.00 kg
    Weight 3.00 kg