| Content | The Soundweb London BLU-DAN offers Dante audio and BLU link. This means that the BLU-DAN can be used to ‘add’ Dante to one or more BLU link devices.
The BLU-DAN is configurable through HiQnet Audio Architect. A rich palette of logic objects and a "drag and drop" method of configuration provide a simple and familiar design environment.
The BLU-DAN features Dante audio. The BLU-DAN is capable of simultaneously transmitting and receiving up to 64 channels of Dante audio (64 x 64). Primary and Secondary ports are provided for fault tolerance. Control is through a separate Ethernet port.
The BLU-DAN also features BLU link, a low latency, fault tolerant digital audio bus of 256 channels, which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km.
A bi-directional locate function allows devices to be identified both from and within HiQnet Audio Architect.
The BLU-DAN and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.
- AES67 and Dante Audio with support for Dante Domain Manager
- BLU link – 256 Channel, Low Latency, Fault Tolerant Digital Audio Bus
- ‘Add’ Dante / AES67 to one or more BLU link devices
- Clear Front Panel LED Indication
- Bi-Directional Locate Functionality
- HiQnet Device
- Configuration, Control and Monitoring from HiQnet Audio Architect
- 1RU, Half-Rack Device
- AES67 Compatible
- EN 54-16 Compliant for life safety applications
*The price is without VAT
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The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition.
Featuring the same switch-selectable OverEasy? and Hard Knee compression curves as our industry-standard dbx 160A rackmount processor, the dbx 560A will be your new workhorse compressor! With extremely wide-ranging threshold, ratio and output controls and true RMS level detection providing the most natural-sounding dynamics processing available, the 560A will provide punch to drums, bass, vocals, almost anything! It’s also versatile enough to go from subtle compression to "brick wall" peak limiting. |
The Soundweb London BLU-101 offers a fixed configuration of 12 analog inputs and 8 analog outputs, configurable signal processing, AEC processing, and a high bandwidth, fault tolerant digital audio bus.
The BLU-101 has open architecture which is fully configurable through HiQnet™ London Architect. A rich palette of processing and logic objects and a "drag and drop” method of configuration provide a simple and familiar design environment.
The BLU-101 contains dedicated AEC processing for up to 12 independent AEC algorithms. The AEC algorithm can be applied to signals coming from the local analog inputs or from the digital audio bus. 12 individual AEC references (one per algorithm) allow the user to provide a solution for multiple conferencing spaces using a single device.
Automatic Gain Control (AGC) and Noise Cancellation (NC) are also provided per AEC algorithm. AGC ensures that microphone levels remain at an optimum level, and NC removes steady state noise (such as from a projector fan or air conditioning device) from the signal path.
This processor features a low latency, fault tolerant digital audio bus of 48 channels which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km.
The BLU-101 is compatible with the entire Soundweb London family and its 48 channel digital audio bus represents channels 1-48 of the larger 256 channel digital audio bus when integrated with the BLU-800, BLU-320, BLU-160, BLU-120, BLU-BIB and BLU-BOB devices.
Analog Inputs provide software configurable gain in 6dB steps up to +48dB per channel and software selectable Phantom Power per channel.
Phantom Power, Signal Present and Clip information per channel is easily accessible, without the requirement for a PC, from clear front panel LED indication. A bi-directional locate function allows devices to be identified both from and within HiQnet London Architect.
12 Control Inputs and 6 Logic Outputs allow the BLU-101 to be integrated with GPIO compatible devices. The Soundweb London Interface Kit, comprehensive documentation which details how Soundweb London systems can be integrated with third party control systems, is included within the installation of HiQnet London Architect.
The BLU-101 and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.
Key Features:
• 12 Analog Inputs (with 48v Phantom Power per Channel)
• 8 Analog Outputs
• Configurable Signal Processing
• 12 Channels of AEC Processing with Auto Gain Control and Noise Cancellation
• Rich Palette of Processing and Logic Objects
• 48 Channel, Low Latency, Fault Tolerant Digital Audio Bus
• Clear Front Panel LED Indication
• Bi-Directional Locate Functionality
• 12 Control Inputs and 6 Logic Outputs for GPIO Integration
• Soundweb London Interface Kit for Third Party Control System Integration (Documentation)
• HiQnet Device
• Configuration, Control and Monitoring from HiQnet London Architect |
INPUT: 4 balanced +4dBu/50kΩ on female XLR connectors; 4 unbalanced 1Vpp/50kΩ on RCA connectors.
OUTPUT: 4 unbalanced 1Vpp/49Ω on RCA connectors; 4 balanced +4dBu/49Ω on male XLR connectors.
MAX. OUTPUT: 18Vpp.
BANDWIDTH (-3dB): 30kHz.
S/N RATIO: Better than 89dB.
THD: Less than 0.02%.
POWER SOURCE: 115-230V AC, 50/60Hz, 3.7VA.
DIMENSIONS: 19" x 7" x 1U W, D, H, rack mountable.
WEIGHT: 2.4kg (5.3lbs) approx.
ACCESSORIES: Power cord. |
For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.
The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!
Put some boom in your room with the dbx 510! | The dbx 520 will help you expertly tame the excessive sibilance often found in vocals and other high frequency dense material. Based upon the legendary dbx 902, the dbx 520’s unique features make it possible to achieve an exact amount of de-essing regardless of variations in signal levels. The 520 allows you to create brilliant, crisp vocals without sibilance!
With its modular 500 Series based design, the dbx 520 examines the differences in dB between the high frequency and full-bandwidth portions of a signal, allowing de-essing of signals which change in level by as much as 60dB. It features a Frequency Control with range from 800Hz to 8kHz, Gain Reduction Metering and a De-essing Amount Range from 0dB to 20dB.
Control vocals, drums, percussive instruments and problematic material/reverb combinations with the dbx 520! |
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