| Content | The dbx® 286s is a full featured Channel Strip Processor that delivers a studio quality microphone/instrument preamplifier and four processors that can be used independently or in any combination. Why mic up vocals and instruments through a noisy, blurry mixer? The sonically pristine dbx 286s Mic Preamp has all the features you need, including wide-ranging input gain control, switchable +48V phantom power, and an 80Hz high-pass filter to remove low frequency hum, rumble or wind. Use the patented dbx OverEasy® compressor to transparently smooth out uneven acoustic tracks or deliver that classic "in your face" vocal performance that only a dbx compressor can. Eliminate vocal sibilance and high frequency distortion from instruments such as cymbals with the frequency tunable De-Esser. Fine-tune the Enhancer HF Detail control to add sparkle and crispness to your tracks and make adjustments to the LF Detail control to add fullness and depth to vocals and bass instruments while cleaning up the muddy low midrange frequencies. And, the separate threshold and ratio controls on the Expander/Gate allow you to subtly reduce headphone leakage or radically gate noisy guitar amps.
The dbx 286s offers a full compliment of metering and status LEDs to visually guide you to achieving the right sound. The floating balanced XLR Mic Input accepts balanced or unbalanced inputs to easily connect to professional and home studio microphones. The additional 1/4" TRS Line Input can accept balanced/unbalanced signals to process live electronic instruments or pre-recorded tracks at mixdown. Use the Insert jack to interface between the Mic Preamp and the signal processing sections to "loop out" to external processors (such as EQ or delay unit) or to mix the Mic Preamp's signal out to an external destination.
The cost and hassle of patching together multiple processors for use on one track can be frustrating. The dbx 286s provides you with all the mic processing you need in one box, with the shortest, cleanest signal path to keep your music sounding its best!
- Studio quality Mic Preamp/Channel Strip Processor
- Classic dbx Compression puts great sound within easy reach
- Frequency tunable De-Esser reduces sibilance and high frequency distortion
- Enhancer increases the detail and definition of the high and low frequencies
- Program adaptive Expander/Gate
- Insert jack allows you to add an external processor
- Full compliment of meters and status LEDs
- +48V Phantom Power
- Precision detented controls
| Mic Preamp Connector |
XLR Floating balanced, Pin 2 Hot |
| Mic Preamp Input Impedance |
~4.2kΩ |
| Mic Preamp gain |
0dB to +60dB |
| Mic Preamp Phantom Power |
+48VDC, applied to XLR pins 2 and 3 through 6.81kΩ resistors |
| CMRR |
>40dB, typically 55dB |
| Mic Preamp max input level |
0.2Vrms, Gain = 30dB |
| Mic Preamp Equivalent Input Noise (EIN) |
-125dBu, 22Hz-22kHz, 150Ω source impedance |
| Input Connectors |
(line) Floating balanced, TIP Hot |
| Input Impedance |
(line) 10kΩ unbalanced, 20kΩ balanced |
| Max Input |
(line) >+21dBu, balanced or unbalanced |
| Input Gain Range |
(line) -15dB to +45 dB |
| Insert Connector |
1/4" TRS: Normalled; tip is Send, ring is Return |
| Insert Impedance |
>5kΩ (ring-return); 100Ω (tip-send) |
| Insert Max Level |
>+21dBu; >+20dBm (600Ω load-tip) |
| Insert Noise |
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The CPR12 is an easy to use, flexible and multifunctional 10 channel pre-amplifier. Six of these input channels are selectable between Mic / Line level and equipped with a 3 band tone control. The first two can be switched to priority and phantom power. The other four channels are direct line inputs. Every input channel has its own gain and fader volume control with PFL button which makes it possible to pre-listen each input or output channel with the built-in pre-listening speaker, and can be routed to one or both output channels. This makes the CPR12 a full two-zone system. Other present features are a priority input, a recording output, separate sub-out channels and the 24 V DC emergency power connection. This last feature makes it possible to power the CPR12 with emergency power when the main power is shut down. In this case, the priority input will automatically mute all input signals, and a evacuation message will be announced. The steel 19" housing has a height of 2 HE. ![]()
- 10 audio input sources
- 6 Mic / Line inputs with 3 band EQ
- 4 Direct Line Inputs
- Fader volume control
- Two output zones
- Built-in pre-listening speaker
- Priority input for emergency situations
- + 15 V DC Phantom power
- Works on 24 V DC emergency power
Specifications
- Model Name / Type: CPR12 / 10 channel 2 zone pre-amplifier
- THD+N:
- Signal/Noise: > 90 dB
- Frequency Response: 20 Hz - 20 kHz
- Phantom Power: + 15 V DC
- Emergency Power: + 24 V DC
- Power Supply: 100 - 240 V AC / 50 - 60 Hz
- Dimensions (W x H x D): 420 x 88 x 320 mm
| Vacuum Tube Mic Preamp. 12AX7 Vacuum Tube. +48V Phantom Power, 20dB Pad.
This premium tube mic/line preamp features an integrated limiter for studio,
live and hard disk recording applications. It features a carefully-selected
12AX7 vacuum tube with Behringer's UTC technology for exceptional warmth
and lowest noise. Using the MIC100 is a great way to eliminate the "dull"
sound of standard digital recorders & sound cards. Also, it perfectly
complements studio-grade condenser mics. When used as a high-end DI-box,
it ensures outstanding signal integrity. Features also include a phase reverse
switch, +48 V phantom power, a 20 dB pad, and balanced I/O.
The heart of the Tube Untragain is an extremely low-noise microphone preamp
circuitry that uses discrete components and produces a highly trans-parent
sound. In combination with Behringer's tube technology, the operational amplifiers
4580 and a sophisticated circuit topology, the Tube Untragain yields excellent
noise and distortion properties. The innovative UTC circuitry that has been developed
by our engineering team offers an abundance of sound-shaping possibilities.
Absolute musicality was Behringer's major goal when we designed the Tube
Untragain. The result is a device that, thanks to our tube circuitry, lends an
incredible punch to percussion instruments. On the other hand, instruments
that are rich in upper harmonics will receive more transparency. The sound
will be warm, detailed and brilliant.
Technical Description
Specifications
XLR input Connector: Balanced/unbalanced
Type: Transformerless, DC-decoupled input
Impedance: Approx. 2 kOhms
Maximum input level: +7 dBu / 20 dB with pad
1/4 in. TRS input Connector: Balanced/unbalanced
Type: Transformerless, DC-decoupled input
Impedance: Approx. 1 MOhms
Maximum input level: +16 dBu / 20 dB with pad
Audio outputs Connectors: XLR and 1/4 in. TRS connector balanced/unbalanced
Type: Transformerless, DC-decoupled output
Impedance:
Approx. 700 Ohms balanced
Approx. 350 Ohms unbalanced
Maximum output level: Approx. +26 dBu @ 100 k§?
System Frequency Response Mic input: |
The AD2022 is Avalon's fourth generation of fully discrete, symmetrical Pure
Class A microphone preamplifiers. The dual mono AD2022 includes the original
sonic capabilities and transparency of the M2, M22 and M5 preamplifiers plus
several additional features, including selectable microphone source loading for
optimized cable/mic matching, improved high-voltage Class A regulated power
supplies, two high Z instrument inputs, variable-passive high pass filter, teflon/
silver wiring and doubled plated circuit boards for superior low level signal transfer.
AD2022 FEATURES
Symmetrical Pure Class A design, two channels
Microphone and hi-Z instrument inputs
Gain switched 4dB steps plus +/- 3dB fine output trim
Selectable microphone input impedance matching
Low noise -126dB EIN
Ultra high quality, low-ratio, balanced input transformer
Balanced, high-current Class A output to +36dB
Large illuminated analog VU meters and twin peak LED's
Regulated phantom power supply +48v
Input polarity phase reverse
High headroom +36dB input before overload
Input -20dB pad for high level signals
Sealed silver relays for all signal routing
External AC 150w toroidal power chassis
Fully discrete Class A regulated audio power supplies
Deep, musical sound-stage, transparent amplification
MICROPHONE INPUT
The AD2022 incorporates the most advanced high-performance microphone
transformer available. Split low-ratio primary windings are carefully combined
within a custom mu-metal core for extended smooth frequency response and
very low distortion. Sealer silver relays are used for minimal signal invasion.
The input signal selector, high pass filter, polarity-phase reverse, +48v power
and the 20dB input attenuator all utilize local sealed relay operation. A variable
passive high pass filter provides a minimum phase shift design while eliminating
low frequency rumble, wind noise and mechanical vibration at sub sonic frequencies.
SYMMETRICAL PURE CLASS A DESIGN
Two 100% discrete, high-voltage, symmetrical Pure Class A signal amplifiers
are utilized per channel. The first operates in a cascaded-cascode FET
configuration while the second stage amplifier is fully bipolar. The twin amplifiers
share the total available gain requirement. This shared architecture increases
the high level headroom capability, improves transient response and doubles the
internal bandwidth of the ultra-high performance pure Class A signal amplifiers.
OUTPUT and METERING
High-current DC coupled, Class A discrete amplifiers are utilized for the output
drive interface with +36dB capability into all known loads. Two large, high-quality
analog VU meters indicate accurate signal readings while bi-color LED's offers
peak indication at 0dB and +20dB.
AD2022 PREAMPLIFIER SPECIFICATIONS
Circuit Topology: Twin cascode FET and bipolar low level signal amplifiers,
high-voltage, 100% discrete, symmetrical Pure Class A
Input Type and Load: Transformer balanced low-ratio, 50, 150, 600 and 1k5
ohm input load selection
Maximum Mic Level: +36dB balanced XLR pin 2 hot (with -20dB passive
attenuator)
Maximum Instrument Level +18dB at 100k ohms instrument input level,
standard mono 1/4 inch jack
Input Attenuator: -20dB resistive pre transformer primary, sealed silver relay
Phantom Power: +48v regulated 50mA capability, sealed silver relay
High Pass Filter: Passive, variable from 30Hz to 185Hz @ 6dB per octave,
sealed silver relay.
Polarity Reverse: Sealed silver relay on microphone input
Gain Range Input: +20dB to +64dB in 4dB steps
Gain Output Range: +/- 3dB variable conductive plastic potentiometer
Maximum Output Level: +36dB balanced 600 ohms, DC coupled, discrete
symmetrical Pure Class A
Output Type: XLR connector, pin 2 hot
Noise EIN Unweighted: -126dB 150 ohm
Noise 20kHz Unweighted: -102dB
Distortion THD, IMD: 0.05% nominal
Frequency Response -3dB: 1Hz to 120kHz transformer limit
System Bandwidth: DC to 1MHz
Output Meter: High quality, illuminated analog VU meter 0dB = +4dB.
Peak Meter: Bi-color LED's 0dB and +20dB peak detection circuit.
AC power supply B2T: External toroidal 100V to 240V, 50-60Hz selectable,
150 watts maximum.
Cables: 90V ac, 4 pin male power input connector, B2T required, internal
DC regulation
Dimensions: 19 x 12 x 3.5 in (482 x 305 x 89mm)
Weight: 15lbs (6.8kg)
Dimensions - Shipping Carton: 24 x 21.5 x 7.5 in (610 x 546 x 190mm)
Weight - Packed: 25lbs (11.4kg) |
The U5 high-voltage DI-preamp combines a unique passive tone selector with a variable
gain preamp and filter. The high input impedance accepts a wide variety of signal levels
and instruments from acoustic guitars to high-output active bass guitars and keyboards.
The U5 direct box is loaded with sonic character and user features professionals demand.
U5 FEATURES
Pure Class A, 100% discrete design
Smooth musical detail and sonic excellence
Variable gain preamp to +30dB.
Dual microphone and line outputs
Hi-Z 3,000,000 ohm input impedance
Very low noise -100dB
High headroom +30dB
Six tone bank selections.
DC coupled Class A output for superior bass
High cut switch eliminates noise
LED active signal indicator
Headphone monitor output jack
Low distortion less than 0.5% THD and IMD
High level 400 watt speaker input
Active to thru selector - ground isolation switch
100% discrete power supplies for audio path
Internal toroidal power supply for low noise
Long lasting, stainless steel hardware
SONIC EXCELLENCE
The Avalon U5 Pure Class A instrument DI & preamplifier is the most powerful direct box
available today. Designed to optimize absolute signal integrity and musical performance,
the U5 includes many features and sonic excellence unequaled by lesser designs. The
U5 is ideal for bass guitar and acoustic instruments, electric guitars, keyboards, synthesizers
and low output pickups.
Features include state-of-the-art, high input impedance input stage for zero load effect on
sensitive pickups and keyboards, 100% discrete, Pure Class A signal amplifiers, practical
user features and rugged hardware designed to deliver true high performance audio for many
years.
DESIGNED FOR DEEP & CONTROLLED BASS
Avalon U5 DI-preamps have been in use around the world since 1995. They have found their way
into the world's leading musicians rigs and recording sessions and been featured on thousands
of the best selling (and sounding) albums and live performances.
MINIMUM SIGNAL PATH DESIGN
The U5 includes a variable gain Class A preamplifier to boost low level pickup signals and a high
level speaker input for capturing the live sound of the instruments amplifier. Six passive tone-EQ
curves are also included to enhance a variety of acoustic and electric instruments. A high-cut switch
eliminates unwanted acoustic pickup and high frequency noise, while a headphone monitor amp
has been included for personal listening. Twin DC coupled Class A output amplifiers drive both low
level microphone preamp inputs and high level +4dB inputs for direct to tape recording or processing.
The active-to-thru switch selects either the instrument input directly or sends the boosted-equalized
signal to the amplifier via the front panel jack. A ground isolation switch eliminates any possible earth
loop or AC buzz problems with complete safety.
U5 SPECIFICATIONS
Circuit Topology: 100% discrete, high-voltage Class A
Gain: Switched 3dB steps, maximum gain +30dB
Input Impedance: 3 ,000,000 ohm unbalanced (single ended)
Maximum Input Level +24dBu unbalanced, 400w speaker input
Output Connectors (2): XLR type, pin 2 hot electronic balanced
Maximum Output Level (Class A): +30dBu DC coupled, balanced 600 ohms (mic and line out)
Headphone Output: 0.5w into 600 ohms
Noise 20kHz Unweighted: -100dBu minimum gain position
Distortion THD, IMD: 0.1% at +10dB
Frequency Response, -/+0.5dB: 5Hz to 100kHz
Frequency Response, -3dB: 1Hz to 500kHz (input band limited)
High Cut Filter: -3dB at 8kHz minimum phase design
Tone Selector: Six position rotary switch, all passive filters
AC Power: Internal toroidal AC supply
Dimensions: 8.5 x 3.5 x 12 in (216 x 88 x 305mm)
Weight-Packed: 12lbs (5.4kg)
Rack mount kit (1) RM-1: Single U5 19 inch rack mount kit (holds one half rack unit)
Rack mount kit (2) RM-2: Dual U5 19 inch rack mount kit (holds two half rack units)
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- 1 microphone, XLR (bal.) or 6.3 mm jack (unbal.)
- Gain control, 10 steps (6-50 dB)
- Phantom power can be switched on
- Clip LED
- 1 line output, XLR (bal.) or 6.3 mm (unbal.)
- Operation via supplied power unit
| Power supply: | 12 V DC, 150 mA | | Input impedance: | 10 kohms bal./unbal. | | Max. input level: | +4 dB bal./+10 dB unbal. | | Gain: | 50 dB XLR/44 dB jack | | T.H.D.: | 0.01 % | | Frequency range: | 25 Hz - 16 kHz | | S/N ratio: | >75 dB | | Dimensions: | 143 x 93 x 45 mm | | Weight: | 350 g |
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