DRAWMER MC 3.1 Monitoring Controller

896.79 incl. GR VAT

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MC3.1 – Monitor Controller Hear the music – not the equipment! Building on the success of the MC2.1, the MC3.1 Monitor Controller is just as accurate and transparent and of the same build quality. It can still faithfully reproduce what has been recorded without colouring the sound, but comes with a much expanded feature set, […]

 

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MC3.1 – Monitor Controller

Hear the music – not the equipment!

Building on the success of the MC2.1, the MC3.1 Monitor Controller is just as accurate and transparent and of the same build quality. It can still faithfully reproduce what has been recorded without colouring the sound, but comes with a much expanded feature set, including more inputs, better control, extended channel routing and a desk top \’wedge\’ form factor.

Additions include a combined digital AES/SPDIF (24 bit/192kHz) input, giving a total of 5 individually switchable sources, including a front panel auxilary input with level control for the easy connection of your mp3 player, smartphone or tablet. Full cue mix facilities, with level control, provide separate source selection for main or cue outputs and the two headphone amplifiers, so the artist can listen to a completely different mix to the engineer, for example. A dedicated cue mix output is also available.

A secondary preset volume control on the front provides repeatable calibrated output level for the monitors, so that at the flick of a switch the engineer can hear the mix at the same predetermined volume, time after time, without having to meticulously adjust controls.

The MC3.1 incorporates three stereo balanced speaker outputs, plus a dedicated mono speaker/sub-woofer output each with individual left/right trims under the unit to provide complete control over level matching. Furthermore each can be switched individually and simultaneously and in any order. You can listen to multiple speakers with the same sub-woofer, or turn the sub-woofer off altogether.

Other improvements include additional mix checking capabilities, which now incorporate low, mid, high solo switches to hear how the lows bleed into the mid, or the stereo width of each, for example, and also the ability to swap the left and right channels. The talkback has been expanded to include an external mic in addition to the internal, and footswitch operation.

Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. There is one thing that should always be absolutely guaranteed – that you can rely on the accuracy of your monitor controller.

  • Ultra low noise and transparent circuit design.
  • Source switches for both Main & Cue can be active in any combination. 5 Inputs in Total – 1x Digital AES/SPDIF Neutrik XLR/JACK COMBI & 2 balanced analogue Neutrik XLR/JACK COMBI and 1 stereo RCA Analogue on the Rear Panel & 1 3.5mm Front Panel Aux.
  • 3x Speakers Plus a Mono Sub can be switched individually & simultaneously or give A/B comparisons. Each has level trims to provide precise channel matching.
  • Timed relay protection on all speaker outputs to prevent power up/down bangs.
  • Volume can be set via the Variable Front Panel Knob or a Preset Control. Each has parallelled custom quad pots for excellent channel matching and smooth feel.
  • 2x Headphone Amplifiers with Individual Level Controls & Switching between Main & Cue Inputs so the Artist can listen to a Different Mix to the Engineer.
  • Front Panel 3.5mm AUX Input & Level Control for connecting MP3 player, smartphone or tablet etc.
  • Cue Level Control adjusts the volume for the Artist\’s Monitors.
  • Built In Talkback with Level Control, Internal or External Microphone, Switching via Desktop or Footswitch, a Mono Output Jack & Internal Routing to Headphone and Cue Outputs.
  • Comprehensive Mix Checking facilities Including Low, Mid, High Solo; Dim; L/R Mute; Phase Reverse and more, help check every aspect of your Mix & Provide Ultimate Control.
  • Desktop \’wedge\’ form factor.
  • Kensington security slot (also called a K-Slot or Kensington lock).
  • Rugged steel chasis and stylish brushed aluminium cover.
Weight 2.50 kg

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DRAWMER MC 3.1 Monitoring Controller removeJBL M-PATCH 2 Desk top Passive Studio monitor controller removeDRAWMER MC 2.1 Monitor controller removeBehringer Monitor2USB Speaker and Headphone Monitor Control removeAUDIENT Nero Monitor Controller removeJBL NANO PATCH+ Passive Studio monitor controller remove
NameDRAWMER MC 3.1 Monitoring Controller removeJBL M-PATCH 2 Desk top Passive Studio monitor controller removeDRAWMER MC 2.1 Monitor controller removeBehringer Monitor2USB Speaker and Headphone Monitor Control removeAUDIENT Nero Monitor Controller removeJBL NANO PATCH+ Passive Studio monitor controller remove
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SKUUA30648M-PATCH 2UA29733E008168H05AU00006NANO PATCH+
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MC3.1 - Monitor Controller

Hear the music - not the equipment!

Building on the success of the MC2.1, the MC3.1 Monitor Controller is just as accurate and transparent and of the same build quality. It can still faithfully reproduce what has been recorded without colouring the sound, but comes with a much expanded feature set, including more inputs, better control, extended channel routing and a desk top \'wedge\' form factor.

Additions include a combined digital AES/SPDIF (24 bit/192kHz) input, giving a total of 5 individually switchable sources, including a front panel auxilary input with level control for the easy connection of your mp3 player, smartphone or tablet. Full cue mix facilities, with level control, provide separate source selection for main or cue outputs and the two headphone amplifiers, so the artist can listen to a completely different mix to the engineer, for example. A dedicated cue mix output is also available.

A secondary preset volume control on the front provides repeatable calibrated output level for the monitors, so that at the flick of a switch the engineer can hear the mix at the same predetermined volume, time after time, without having to meticulously adjust controls.

The MC3.1 incorporates three stereo balanced speaker outputs, plus a dedicated mono speaker/sub-woofer output each with individual left/right trims under the unit to provide complete control over level matching. Furthermore each can be switched individually and simultaneously and in any order. You can listen to multiple speakers with the same sub-woofer, or turn the sub-woofer off altogether.

Other improvements include additional mix checking capabilities, which now incorporate low, mid, high solo switches to hear how the lows bleed into the mid, or the stereo width of each, for example, and also the ability to swap the left and right channels. The talkback has been expanded to include an external mic in addition to the internal, and footswitch operation.

Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.

  • Ultra low noise and transparent circuit design.
  • Source switches for both Main & Cue can be active in any combination. 5 Inputs in Total - 1x Digital AES/SPDIF Neutrik XLR/JACK COMBI & 2 balanced analogue Neutrik XLR/JACK COMBI and 1 stereo RCA Analogue on the Rear Panel & 1 3.5mm Front Panel Aux.
  • 3x Speakers Plus a Mono Sub can be switched individually & simultaneously or give A/B comparisons. Each has level trims to provide precise channel matching.
  • Timed relay protection on all speaker outputs to prevent power up/down bangs.
  • Volume can be set via the Variable Front Panel Knob or a Preset Control. Each has parallelled custom quad pots for excellent channel matching and smooth feel.
  • 2x Headphone Amplifiers with Individual Level Controls & Switching between Main & Cue Inputs so the Artist can listen to a Different Mix to the Engineer.
  • Front Panel 3.5mm AUX Input & Level Control for connecting MP3 player, smartphone or tablet etc.
  • Cue Level Control adjusts the volume for the Artist\'s Monitors.
  • Built In Talkback with Level Control, Internal or External Microphone, Switching via Desktop or Footswitch, a Mono Output Jack & Internal Routing to Headphone and Cue Outputs.
  • Comprehensive Mix Checking facilities Including Low, Mid, High Solo; Dim; L/R Mute; Phase Reverse and more, help check every aspect of your Mix & Provide Ultimate Control.
  • Desktop \'wedge\' form factor.
  • Kensington security slot (also called a K-Slot or Kensington lock).
  • Rugged steel chasis and stylish brushed aluminium cover.

The M-Patch 2 is a compact desktop/rack-mountable sized passive volume attenuator and patch control device. Building on the success of the original M-Patch, the new M-Patch 2 is a feature packed passive problem solver for nearly all production environments. A great way to passively attenuate stereo signals from soundcards, CD players, pre-amps, and mixers, the M-Patch 2 front panel rotary controls allow precise level adjustments for two input sources. Featuring balanced combo XLR/TRS input jacks and XLR outputs, RCA & 3.5mm jack inputs, mono/stereo summing switch, Mute switch, A/B output pairs, and a built in stereo headphone amplifier, the M-Patch 2 has all bases covered.

- High quality? passive volume attenuator
- Great monitor switching device
- 2 x Input channels, 2 x Output channels
- Combo, RCA, & 3.5mm input connectors
- XLR outputs (balanced or unbalanced depends on the inputs selected)
- Mono/Stereo summing switch
- System mute function
- Built in headphone amplifier
- Quality components and rugged construction
- Desktop or Rack-mountable installation
- External 16Vac power supply (Supplied. Only required for operation of headphone amplifier)

MC2.1 - Monitor Controller

It is imperative that what you record is exactly what you hear - this is the philosophy that is at the heart of the design of the MC2.1 Monitor Controller.

With the Drawmer MC2.1 Monitor Controller incorporated into your system you combine the clarity, fidelity and transparency of the highest quality monitoring circuit with the complexity of a host of mix checking features. It is versatile and intuitive, but above everything else, where the Drawmer MC2.1 excels is in it’s accuracy and ability to faithfully reproduce what has been recorded.

The MC2.1 incorporates four inputs with three stereo balanced speaker outputs, plus a dedicated mono speaker/sub-woofer output each with individual left/right trims under the unit to provide complete control over level matching. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. In addition, it has a host of mix checking features not often found on other controllers, such as individual left/right cut, as well as two seperate headphone amplifiers and a talkback facility, making the MC2.1 a true engineers tool.

Whether you’re mastering a cd/dvd, recording, checking a mix for balance and e.q, doing A/B comparisons, plus a mutlitude of other tasks, you’ll have spent weeks designing the perfect studio environment and a fortune on active speakers, dynamics processors, various microphone and preamplifier combinations as well as a whole room full other gear, one thing is for sure - a monitor controller is central to every recording setup and probably the most important element of the entire signal chain - providing the ‘reference’ listening signal that enables the user to achieve the optimal mic placements, the perfect balance and EQ etc. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.

  • Ultra low noise and transparent circuit design.
  • Linear power supply with low hum toroidal transformer and internal voltage selector switch.
  • 3 stereo balanced speaker outputs, plus a dedicated mono speaker/sub-woofer output. All have individual left & right trims under the unit to provide complete control over level matching.
  • Timed relay protection on all speaker outputs to prevent power up/down bangs.
  • Comprehensive mix checking facilities including Left/Right Cut, Phase Reverse, Mono, Dim, Mute.
  • Parallelled custom quad pots on main and headphone level controls for excellent channel matching and smooth feel.
  • Four inputs including balanced Neutrik XLR, balanced Neutrik XLR/JACK COMBI, and shared aux phono or 3.5mm jack.
  • Two headphone amplifiers with individual level controls.
  • Built in talk back microphone with level control, mono output jack and internal headphone routing.
  • Rugged steel chasis and stylish brushed aluminium cover.
  • Can be stacked and is rack mountable (with the MCB 2U mounting kit).
  • Dimensions: L 272mm x W 215mm x H 81mm. Weight: 2.5kg

The Behringer Monitor2USB is a monitor controller and USB audio interface designed for home and project studios. It pairs a large VCA control knob for your overall output level with the ability to select among three sets of active studio monitors, as well as two sets of headphones. With its USB jack, you can connect your computer straight to the device so that you may play music from your digital library, or you can mix straight from your DAW. Through its XLR inputs, you can route analog sound, balanced or unbalanced. 

The VCA amplifier provides several benefits. For example, it allows DC current to flow through the volume control, rather than the audio signal, and thus, bypasses any DC-related signal degradation. This also helps in making sure your stereo image doesn’t drift as you crank the volume knob; anyone who’s experienced in monitor controllers knows this can be a problem—a problem mitigated in the Monitor2USB. The volume knob itself is quite large, and this too serves a function: Such a large size allows for more precision as you turn the control, so you can achieve minutely specific level adjustments, which might be necessary as you switch from monitoring post-production projects to music mixes.

You can use its three sets of outputs in a variety of ways—for instance, you can hook up two monitors and a subwoofer, or three sets of monitors, one of which can serve as your dedicated mono check. On the headphone outputs, a crossfeed control mimics the stereo experience of sitting in front of your speakers by feeding a miniscule amount of signal from the right to the left and vice versa. Amongst other benefits, this feature helps mitigate ear fatigue over long sessions. Mono and Dim buttons are on hand to help you in the mixing process. Included with the Monitor2USB are a power cable and a full, complimentary copy of Tracktion—a DAW to help you in your recording, editing, and mixing journeys.

Key Features at a Glance
  • Large volume knob with VCA control for precise level adjustments
  • Built-in stereo USB audio interface
  • 2 high-quality stereo inputs
  • 3 independent monitor outputs to connect two stereo monitors and one mono monitor
  • 2 headphone amplifiers with separate volume controls
  • Crossfeed control emulates the stereo speaker panorama when listening through your headphones
  • Convenient Mono and Dim functions
  • Included eco-friendly power supply
  • Designed and engineered in Germany

Analog Inputs 2 x XLR (input set 1)
2 x XLR (input set 2)
Input Impedance 20 kOhms balanced, 10 kOhms unbalanced
Input Sensitivity Input Set 1: +4 dBu
Input Set 2: +4 dBu / -10 dBV
Analog Outputs Monitor Out A: 2 x XLR, balanced
Monitor Out B: 2 x XLR, balanced
Monitor Out C: 1 x XLR, balanced
Phones: 2 x 1/4" TRS, phone type
USB USB 1.1, type-B
D/A Conversion 44.1 / 48 kHz
Frequency Response (-3 dB) < 10 Hz to 120 kHz
SNR 85 dB at 0 dB, A-weighted
CMRR > 50 dB at 1 kHz, 0 dBu input level, unity gain
THD+N 0.03% at 1 kHz, 0 dBu input level, unity gain
Crosstalk > 75 dB at 1 kHz
Attenuation Dim: -15 dB
Power Supply 100 to 240 VAC, 50 / 60 Hz
Dimensions (H x W x D) 3.3 x 8.5 x 7.8" / 84.0 x 216.0 x 199.0 mm
Weight 3.3 lb / 1.5 kg
Audient Nero Monitor Controller 4 sources selectable:
  • 2 x Stereo Line Level Inputs (6.3 mm jack)
  • 1 x Stereo Cue Mix Inputs (6.3 mm jack)
  • Alt Inputs (3.5 mm mini jack, stereo RCA optical or coaxial S/PDIF inputs)
3 x Stereo Monitor Outputs Switchable subwoofer output 4x headphone output; built-in talkback microphone XLR input for external talkback microphone Dim, cut, mono & polarity function LED level meter Dimensions: 320 x 180 x 100 mm Weight: 2.2 kg

The Nano Patch+ really comes into its own when connected between your computer audio interface/soundcard master outputs and a pair of active (powered) monitor speakers. One of the benefits of passive volume attenuation is that you no longer have to control volumes with your softwareʼs master volume fader. Reducing levels from your software only reduces the audio bit depth. It is much more appropriate to keep your software masters at unity and attenuate the audio to your active monitors with a passive controller like the Nano Patch+. This way you can maintain maximum audio resolution and attenuate your monitoring volume with the confidence that the sonic integrity of your audio is not compromised.

No active circuitry, buffers, transistors, batteries, or power supply of any kind can interfere with the main passive output of the Nano Patch+. It simply delivers attenuated signal. Pure, simple transparent.

- Super compact 2 channel analog passive volume control
- Rotary volume attenuation control
- Mute button
- Completely transparent operation
- No power required
- 2 x combo inputs (balanced and unbalanced)
- 2 x TRS outputs (balanced and unbalanced)
- 1 x Mini jack I/O
- available in black and silver
- No signal conversion from unbalanced to balanced!

Weight2.50 kg2.00 kg2.50 kg1.50 kg2.50 kg0.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.50 kg
Weight 2.00 kg
Weight 2.50 kg
Weight 1.50 kg
Weight 2.50 kg
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