Selected by a small yet perfectly useable kick-switch sited on the bottom right corner of the chassis, the choice offered is either Deep or BG, the latter being close to Guy’s own particular tone. A number of LEDs – either blue or red – let you know which setting you’re using at any time and […]
Selected by a small yet perfectly useable kick-switch sited on the bottom right corner of the chassis, the choice offered is either Deep or BG, the latter being close to Guy’s own particular tone.
A number of LEDs – either blue or red – let you know which setting you’re using at any time and the chassis itself, which is up to Dunlop’s customary tank-like standards, is finished in Guy’s own trademark polka dot. What mileage now, a Randy Rhoads signature wah?
The battery cavity is accessed via a sliding and sturdy plastic lid, and the rubber slip mat on the treadle also bears the man’s signature. It’s a classy unit all round.
Sounds
After Dunlop’s introduction of wahs from the likes of Zakk Wylde, Slash and Dimebag, it’s nice to get back to a slightly smoother and more evocative effect.
The Deep setting is baby’s bottom smooth and is perfect for very subtle ‘oohs’ and ‘aahs’. The BG option is slightly thinner, subsequently providing more headroom at the treble end of the treadle’s sweep.
Weight
2.00 kg
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Selected by a small yet perfectly useable kick-switch sited on the bottom right corner of the chassis, the choice offered is either Deep or BG, the latter being close to Guy's own particular tone.
A number of LEDs - either blue or red - let you know which setting you're using at any time and the chassis itself, which is up to Dunlop's customary tank-like standards, is finished in Guy's own trademark polka dot. What mileage now, a Randy Rhoads signature wah?
The battery cavity is accessed via a sliding and sturdy plastic lid, and the rubber slip mat on the treadle also bears the man's signature. It's a classy unit all round.
Sounds
After Dunlop's introduction of wahs from the likes of Zakk Wylde, Slash and Dimebag, it's nice to get back to a slightly smoother and more evocative effect.
The Deep setting is baby's bottom smooth and is perfect for very subtle 'oohs' and 'aahs'. The BG option is slightly thinner, subsequently providing more headroom at the treble end of the treadle's sweep.
The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "Humanizer" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.
Compact pedal creates a variety of classic "wah" effects
Dynamic wah sounds provide variable effect based on picking strength
“Humanizer" effect creates human voice-type vowel sounds
Dedicated Bass input for processing bass guitar
EXP Pedal mode allows wah control via optional expression pedal
Tempo can be set for pedal control or at fixed rate via Manual mode
BOSS 5-year warranty
Experience true analog delay and vintage slap-back echo that rivals any tape delay
This BEHRINGER product has been designed to compete head to head with leading products on the market
Vintage BBDs produce up to 300 ms of delay and advanced noise reduction circuit keeps your signal clean
Dedicated Intensity, Echo and Repeat Rate controls for awesome sound shaping
Blue status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for highest signal integrity in bypass mode
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
Analog at its Finest
Though digital sound technology constantly evolves, nothing sounds quite like the "old-school” analog Bucket Brigade-style delay you get when you step on the VD400. With its dedicated REPEAT RATE, INTENSITY and ECHO dials, this amazing little stomp box evokes the spirits of some of rock and rollʼs most legendary heroes, and provides up to 300 milliseconds of true analog delay. Every type of classic delay, from a deep-space whisper, to an interplanetary battle cry—is at your command.
Easy to Operate
The bright blue LED tells you when the Vintage Delay is activated (and serves as a beacon for other time travelers), and the top-quality on/off switch maintains excellent signal integrity in bypass mode. You can power the VD400 with either a 9 V battery or our PSU-SB DC power supply (not included).
Like a Trip Back in Time… The VINTAGE DELAY VD400 is like a snapshot pulled right out of time—and its low, low price tag will have you reminiscing about how much you miss those "good-old” days. Visit your BEHRINGER dealer without delay, delay, delay...
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
The Digitech XHP HYPER PHASE Guitar Effect Stomp Box Pedal. Dial in the exact phaser or flanger sound you want from a selection of awesome voicing sounds.
The Digitech XHP Hyper Phase delivers 7 operational modes, instead of the typical one mode only that you find in some other pedals. These operational modes are easily selectable using the mode control allowing you to choose from a selection of awesome voicing sounds, triggering feature, and useful step functions. Now you are no longer limited to a one-trick pedal. You can dial in the exact phaser or flanger sound you want! The Hyper Phase has Speed, Depth, Regen, and Mode controls. Outputs for both pedals include Out 1 (Mono) and Out 2 for stereo operation.
The main features of the Digitech XHP HYPER PHASE include:
Dial in the exact phaser or flanger sound you want from a selection of awesome voicing sounds
7 Different phase types
Speed, Depth, Regen, and Mode controls
Triggering and step capability
Stereo outputs with switchable CIT Cabinet Modeling
Studio Quality Effects at Your Feet
Top recording studios worldwide use Eventide effects on hit after hit. TimeFactor includes Eventide's best delay effects from the past 36 years without compromising quality OR flexibility.
Flexibility Built-In
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
Features
10 Stereo or Mono Delay effects
Digital Delay
Vintage Delay
Tape Echo
Mod Delay
Ducked Delay
Band Delay
Filter Pong
MultiTap
Reverse
Looper
Studio Quality Sound
Instant Program Change
Real-time control with 10 knobs, MIDI or expression pedal
Tap Tempo and MIDI Clock Sync
40 User Presets, unlimited through MIDI
True Analog Bypass
Rugged cast metal construction
Metal footswitches for instant Preset access
Mono or Stereo operation
Guitar or Line Level Inputs and Outputs
SPECIFICATIONS:
Analog Input/Output
Input impedance
500K ohms
Output Impedance
470 ohms
Recommended Load Impedance
10K ohms or greater
Connectors
Input 1 (mono)
¼ inch mono phone jack
Input 2
¼ inch mono phone jack
Output 1 (mono)
¼ inch mono phone jack
Output 2
¼ inch mono phone jack
Expression Pedal
¼ inch mono phone jack
Aux Switch
¼ inch stereo phone jack
USB
Type B Socket. Use 2.0 cables only.
MIDI In
Five pin DIN (Female)
MIDI Out/Thru
Five pin DIN (Female)
AC Adapter Jack
Power Supply included (see below)
Physical
Power
9 VDC, 1200 mA, Tip hot (+)
Dimensions
English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm
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User's Manual
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