DYNACORD CMS 600-3 Mixing desk 8 channel

8-channel Compact Mixing System

• Intuitive mixer section: with 8 input channels with 4 Mic/Line, 2 Mic/Stereo-Line, 2 Stereo-Line inputs
• 2 High-Quality FX processors, editable with 100 factory and 20 user presets
• Professional 4x4 24-bit/96kHz USB interface, recording software and MIDI interface for FX control
• Stereo EQ for the main mix
• First-class components ( e.g. ALPS faders and potentiometers)
• Large, contrast rich OLED display
• Lightweight (5.8kg) super compact package
• The MIC/LINE ChannelsIn the mixer section, a total of 8 channel strips are available: 4 MIC / LINE channels, 2 MIC / Stereo USB channels (\'Super Channels\') and 2 stereo LINE channels.The MIC / LINE channels offer extremely low-noise and low-hum electronically balanced XLR microphone inputs with an extremely low distortion factor (typ. 0.002%) for the connection of low-impedance microphones. For condenser microphones, phantom power (+48 volts) is centrally switchable. The LINE inputs are also electronically balanced and implemented as TRS sockets. In addition to a Gain control, a highly efficient 3-band equalizer, FX send, AUX send and a Monitor send as well as either Panorama or Balance controls are available. The four MIC / LINE channels provide a switchable 80Hz Lo-Cut filter to cut-off unwanted rumble, whilst the Super Channels 5-6 and 7-8 are supplied by the USB stereo inserts 1-2 and 3-4.The STEREO-LINE channels (9-10 and 11-12) offer electronically balanced TRS inputs for the connection of electronic instruments such as keyboards, drum-computers, guitars and basses with active electronics, as well as all other high-level stereo signal sources such as additional mixers, effects devices etc. CD or MP3 players can be connected to the additional cinch (RCA) inputs CD 1-2 and CD 3-4, which are switched in parallel. The tone controls and sends are identical to those of the MIC / LINE channels.All input channels, provide a Signal / Peak LED to assist level control. The SIG LED illuminates at around -30 dB and the PK LED at 6dB beneath the distortion threshold. A MUTE button and a PFL button (in channels 5-12 in stereo) are further features found in all input channels.
• The DIGITAL AUDIO InterfaceThe DIGITAL AUDIO INTERFACE features two stereo channels, present as USB 1-2 and USB 3-4 in Super Channels 5-6 and 7-8 respectively. This professional interface is implemented with 24-bit resolution and sampling rates up to 96 kHz, satisfying studio requirements. The USB sends are supplied with the Master L and R, AUX and MON signals. The DIGITAL AUDIO INTERFACE can be used for input and output simultaneously. Via the USB 2.0 port of your PC / Mac, four channels can be transmitted simultaneously in each direction. When a USB 1.1 interface is used, two channels can be transmitted simultaneously in each direction. The CMS is designed for the level of standard PCs / Macs; the gain level can easily be adjusted from the connected computer. Included in the delivery is an instruction sheet and a licenses code for the Cubase LE software.PC MIDI InterfaceThe CMS includes a fully-featured PC MIDI interface. The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
• MasterMaster Section features the Master A L+R sends (on separate faders), an additional Master B send (switchable pre/post master A and mono/stereo), the stereo effects returns, and the master sends of the AUXiliary and MONitor busses. If the AUX buss is not used to supply FX 2, it can be switched pre or post fader to use as an additional monitor or FX send.The 9-band stereo equalizer in the master section allows you to adjust the frequency response to the acoustics of the room. The REC SEND and USB OUT controls determine the level of the master L+R signal at the Rec Send sockets and in the output channels of the digital USB interface. PHONES allows you to adjust the volume of the headphones output.Two ten-LED meters provide an overview of the power amplifier level. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu. The STANDBY switch mutes all outputs with the press of a single button. For the playback of e.g. background music, the DEVICE SETUP menu allows you to route stereo channel 11-12 for standby operation directly to the power amplifiers.
• Stereo Effects and ProcessingCMS is equipped with two very high-quality, 24-bit stereo effects processors, FX 1 and FX 2; they operate independently and can therefore be mixed. The two effects units are fully identical in their design. Each effects section offers 100 presets including studio-quality reverb, delay and modulation effects selected by means of the display. When a delay effect is active, the actual delay time can be synchronized to the beat of the music using the TAP key. Customized effects can be created modifying individual parameters of the presets and storing the results in the 20 user memories.Both effects units are supplied by the FX Send buss. In the DEVICE SETUP menu, you can configure the AUX send buss to function as an FX 2 send, so that only the FX 1 effects unit is supplied by the FX 1 buss. In this way, the two effects devices can be used independently of each other. The effects can be mixed separately to the master and monitor busses. To manage the FX, the large, high-contrast OLED display is easily read from a wide range of viewing angles, even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.

Thanks to its impressive feature set and versatility, the CMS 600-3 mixer is the ideal choice for all professional applications in which few channels, yet high audio quality, are required.

Being light and compact, it poses no transport problems. The CMS 600-3 mixer is also a great solution in many fixed installation applications.

Performance without compromise.

The pro audio mixer amongst mixers. Unique. CMS 600-3

16 mono inputs to a stereo mix output. Rackmount version of the GB2.

The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R. This 19 inch rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.

Features
19 inch Rackmountable console

16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22

12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)

Rotatable connector pod for top or rear cable entry

8 (GB2R-16) or 10 (GB2R-12.2) busses

2 full feature stereo inputs (GB2R-12.2 version)

GB30 Mic preamp and precision EQ on inputs

Switchable +48V phantom power on every mic input

100Hz Hi-pass filter

Direct outputs on every channel

100mm faders

Stereo Mix Output and separate Mono Sum output

Record output

Internal Universal switched mode PSU

Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.

As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.

For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19 inch rack.

On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19" (485mm) wide.

Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.

The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as you'd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcb's, fitted to the steel chassis front panel with individually-nutted potentiometers.

• 6 Mono & 2 Stereo Input Channels
• 6x GB30 Microphone Preamplifiers
• Recording and Live Sound Audio Console
• Compact Mobile Enclosure

The Soundcraft GB2 16 is the latest addition to the Soundcraft GB Series, featuring 4 group busses configured as 2 stereo subgroups and an integral 6 x 2 matrix.

Intended for installed-sound and Audio-Visual applications the Soundcraft GB2 16 comes with 16 mono inputs and 2 stereo inputs as standard. Each input features the high-performance GB30 Mic Pre and GB30 Equaliser designs of the GB4 and GB8, along with 6 Aux buses.

Soundcraftʼs legendary 4-band EQ has also been improved further with the addition of elements derived from Soundcraftʼs highly successful MH Series consoles. This new design delivers the sound of the classic ʽBritish EQʼ enhanced even further with more focused HF and LF shelving sections

Four Subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 16 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the LINE input to the local channel overrides the Mic inputs.

Soundcraft GB2 16 main features include:

• Frequency Response Mic/Line Input to any output, 20Hz - 20kHz

The Soundcraft GB-2 (2-bus) 24 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.

However the Soundcraft GB-2 24 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.

Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.

The Soundcraft GB-2 (2-bus) 24 Channel Console Main Features Include:

• 24 channel frame size
• 12 busses
• 2 full feature stereo channels
• 2 stereo returns (on stereo channels)
• 6 Aux sends
• 4 sub groups (paired)
• 6x2 output matrix
• GB30 mic preamp and precision equalisation circuitry
• Direct outputs on every channel
• Talkback facility
• 100mm faders
• Switchable 48V phantom powering on every channel
• 100Hz high pass filter
• 12-segment LED metering
• Record output
• Width: 1013mm (39.88“)
• Weight: 25kg (55.1lbs)