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For when you need even more advanced recording than R-09's built-in mic
CS-15CS-15 For serious field recording, the optional CS-15 cardioid-type stereo microphone is a great match for the R-09. For portability and convenience, the R-09 supplies the power to the mic. Bundled with the microphone are a desktop stand, a hand-held mount, and a windscreen.
Cardioid-type stereo microphone
Battery operation is also possible when using with a recorder that doesn't supply the power
Ideal combination with the R-09 --- also the UA-4FX and the UA-1EX
Comes with a desktop stand, a hand-held mount (can be attached to the microphone stand) and a windscreen |
he PRO24-CMF camcorder microphone is a lightweight, compact stereo condenser ideal for digital recording with high-fidelity stereo sound. Equipped with a windjammer, accessory shoe and permanently attached coiled cable, the microphone features a pair of cardioid elements in an X-Y configuration to provide the spatial impact and realism of a live sound field. The microphone is designed for either battery operation or battery-free operation when used with camcorders that provide plug-in power at the mic input. Like all Audio-Technica mics, the PRO24-CM is rugged; it's built to endure the rigors of field production. - Stereo microphone designed to attach to a camcorder
- For camcorders with an accessory shoe and stereo microphone input
- Lightweight, portable design with rugged all-metal construction
- Pair of cardioid condenser elements provides spatial impact and high-fidelity stereo sound image
- Battery-free operation when used with recording devices that provide plug-in power at the mic input
- On/off switch for convenient operation
- Includes camera-mount, windscreen, windjammer, battery and protective pouch
- Permanently attached 6""-12“" coiled cable with right-angle molded 3.5 mm stereo mini plug at output end
Polar Pattern: X/Y Stereo
Frequency Response: 100-17,000 Hz
Open Circuit Sensitivity: -50 dB (3.1 mV) re 1V at 1 Pa
Impedance: 600 ohms
Maximum Input Sound Level: 119 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: 82 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 57 dB, 1 kHz at 1 Pa
Battery Type: 1.5V LR44
Battery Current Life: 0.6 mA / 200 hours typical
Switch: On/off
Weight: 3.9 oz (111 g)
Dimensions: 4.59“" (116.5 mm) long, 0.83" (21.0 mm) maximum body diameter
Output Connector: 3.5 mm stereo mini plug on cable
Cable: Permanently attached 152.4 mm - 304.8 mm (6""-12"") coiled cable with right-angle molded 3.5 mm stereo mini-plug at output end
Accessories: Video-camera shoe mount; LR44 battery; windscreen; Fur windjammer AT8123 and soft protective pouch
| Broadcast sound quality
Low noise circuitry
Internal rechargeable lithium battery, supplying over 150 hours operation
Fully charged in under two hours via MicroUSB
Rugged metal construction
Convenient digital switching
High Frequency Boost
High Pass Filter (Flat/75Hz)
PAD (-10db)
MicroUSB cable included
Ten year extended warranty with online registration
Building on the popularity and acceptance of the RØDE NTG2, the NTG4+ features an all-new condenser capsule with low noise, high sensitivity and the convenience of on-board equalisation/level control via digital switching.
The NTG4+ is the very first microphone to feature an in-built battery that provides 150+ hours of operation with the convenience of USB charging.
Visit the NTG4+ feature page
NTG4+ Specifications
Acoustic Principle Line Gradient
Capsule 0.50“
Polar Pattern Supercardioid
Address Type End
Frequency Range 20Hz - 20kHz(selected HPF @75Hz)
Output Impedance 200Ω
Maximum SPL 135dB SPL (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity -32.0dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-weighted) 16dB-A
Power Options +12V phantom power+24V phantom power+48V phantom powerInternal battery
Weight 176gm
Dimensions 278mmH x 22mmW x 22mmD
Output XLR Output
Warranty 1 year with free extension to 10 years following registration |
Audio-Technicaʼs high-SPL BP892 MicroSet® offers the ultimate in low-profile, high-performance audio. Delivering clear and accurate sound in an inconspicuous package, the ultra-lightweight BP892 hooks securely behind either ear and can be worn for hours without fatigue. For maximum stability and comfort, the included AT8464 dual-ear microphone mount converts the MicroSet to a dual-ear-worn unit.
The microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers and houses of worship. Protected by a highly durable Parylene coating, the new headworn mic is built to stand up to the rigors of day-to-day use.
Handles high sound pressure levels with ease
Extremely intelligible natural audio
Inconspicuous, lightweight headset with capsule diameter of just 2.6 mm is ideal for applications requiring minimum visibility
Ergonomic under-ear design—flexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glasses
Comes equipped with AT8464 Dual-Ear Microphone Mount that converts single ear-worn MicroSet to a dual-ear-worn unit for maximum stability and comfort
High-pass filter on power module provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality
Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Omnidirectional
Frequency Response: 20-20,000 Hz
Low Frequency Roll-Off: 80 Hz, 18 dB/octave (wired only)
Open Circuit Sensitivity: –49 dB (3.5 mV) re 1V at 1 Pa
Impedance: 250 ohms (wired only)
Maximum Input Sound Level: 135 dB SPL, 1 kHz at 3% T.H.D.
Dynamic Range: (Typical) 104 dB, 1 kHz at Max SPL (wired only)
Signal-To-Noise Ratio: 63 dB, 1 kHz at 1 Pa
Phantom Power Requirements: 11-52V DC, 2 mA typical (wired only)
Switch: Flat, roll-off (wired only)
Current Consumption: 0.1 mA typical at 5V (wireless only)
Voltage Range: 2.5-11V (wireless only)
Weight (Microphone): Microphone, boom & earpiece: 2.6 g (0.09 oz)
Weight (Power Module): 85 g (3.0 oz) (wired only)
Dimensions Microphone: 8.1 mm (0.32“) long, 2.6 mm (0.10“) diameter Boom: 98.4 mm (3.87“) long, 1.07 mm (0.04“) diameter
Dimensions (Power Module)@ 97.6 mm (3.84“) long, 18.9 mm (0.74“) diameter (wired only)
Output Connector: (Power Module) Integral 3-pin XLRM-type
Cable: 1.4 m (55“) long (permanently attached to microphone), 1.6 mm (0.06“) diameter, 2-conductor shielded cable with locking 4-pin connector (wired only)
Accessories Furnished: BP892: AT8539 power module (wired only); AT8464 dual-ear microphone mount; AT8440 cable clip; two AT8157 windscreens; two AT8156 element covers; moisture guard; belt clip (wired only); carrying case BP892-TH: AT8539 power module (wired only); AT8464-TH dual-ear microphone mount; AT8440 cable clip; two AT8157-TH windscreens; two AT8156-TH element covers; moisture guard; belt clip (wired only); carrying case
Audio-Technica Case Style: M31
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Internally switchable proximity effect compensation and sensitivity reduction.
The BCM 104 condenser microphone is the first product in the new Broadcast Line,
which is especially tailored to the demands of professional radio announcing.
What sets the Broadcast Line apart is a completely independent, functionally-
optimized design derived from extensive 3D simulations.
The large-diaphragm condenser capsule used in the BCM 104 has a cardioid directional
pattern with internally switchable proximity effect compensation. A second switch allows
the sensitivity to be reduced by 14 dB.
The microphone headgrill twists off easily for quick cleaning. Neumann offers optional,
color-coded headgrills so that, for reasons of hygiene, each announcer working at an
announcing desk can use his or her individual headgrill.
Directly in front of the capsule, mounted on a frame holder, is a piece of fine gauze that
serves as a built-in popscreen.
The BCM 104 has an elastic mount against structure-borne noise, that is compatible with
standard broadcast-segment microphone arms.
Features:
Cardioid microphone for broadcast & studio
Large diaphragm condenser capsule with
switchable proximity compensation
Distinctive design
Integrated pop screen
Quick release head grille for easy cleaning
Individual head grilles available for each user
Acoustic features
The microphone headgrill houses the K 04 large-diaphragm capsule, which has a flat frequency
response up to 3 kHz. Higher frequencies have an increased presence of 2 dB maximum.
Since the above-mentioned microphone characteristics are obtained without the use of resonance
effects, the microphone features excellent transient response and transmits all transient phenomena
of music and speech without any coloration.
The integrated Pop Screen
A pop screen not only prevents the occurrence of plosive pop noises in vocal recordings, but also
efficiently prevents unwanted particles, from respiratory moisture, nicotine, to food remnants, from
settling on the diaphragm.
The pop screen can be removed for cleaning without the use of tools.
Electrical features
Instead of a transformer to couple the microphone output to the supply voltage, the BCM 104
has an electronic circuit which, like a transformer, provides for good common mode rejection.
Interference induced in the balanced modulation line is thus suppressed as usual.
With a very low self-noise of 7 dB(A), and an overload capability extending to 138 dB SPL,
the BCM 104 has a dynamic range of 131 dB (DIN/IEC 651).
Filter and Preattenuation
The BCM 104 amplifier has a linear operation down to 20 Hz. An active filter efficiently suppresses
signals below this frequency. In order to compensate for the proximity effect, a high-pass filter,
electronically activated by a switch, is built into the microphone. This filter reduces frequencies
below 100 Hz by 12 dB/octave.
A 14-dB preattenuation switch is provided in order to adjust the sensitivity, if necessary,
to transmission circuits designed for dynamic microphones. But this will increase the
self noise by 14 dB.Both switches are located inside the microphone housing, since they
will normally be operated only once, when the broadcasting facility is set up.
Mounting
The preferred mode of operation is to suspend the BCM 104 from a standard studio boom arm.
A thread adapter to fit different connector threads is included.
In order to provide protection from structure-borne noise, both the capsule and the microphone
in its mount are elastically suspended.
The optional SG 5 swivel mount allows additional angling of the BCM 104 by +/-90 degrees.
Application hint:
While designed to be an announcer's mic for broadcasting and studio, this is
just one of the most common applications. With additional experimentation,
you will gain maximum use from this microphone.
Technical Description:
Acoustical operating principle: Pressure gradient transducer
Directional pattern: Cardioid
Frequency range: 20 Hz -- 20 kHz
Sensitivity at 1 kHz into 1 kohm: 22 mV/Pa
-14 dB attenuation: 4.4 mV/Pa
Rated impedance: 50 ohms
Rated load impedance: 1000 ohms
Equivalent SPL CCIR 468-3: 18 dB
Equivalent SPL DIN/IEC 651: 7 dB-A
S/N ratio CCIR 468-3: 76 dB
S/N ratio DIN/IEC 651: 87 dB
Maximum SPL for THD 0.5%: 138 dB
Maximum SPL for THD 0.5% with preattenuation: 152 dB
Maximum output voltage: 10 dBu
Dyn. range of the mic. amplifier DIN/IEC 651: 131 dB
Supply voltage: 48 V +/- 4 V
Current consumption: 3.2 mA
Matching connector: XLR 3 F
Weight: 500 g
Diameter: 64 mm
Length: 85 mm
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The CS-50 is a compact, light-weight stereo condenser microphone designed for the R-4 and R-4 Pro, videographer, broadcaster, and sound designer. The CS-50 features bass roll-off capability as well as selectable wide stereo or narrow (focused) polar patterns.
From Edirol, the CS-50 Stereo Microphone is designed for use with the Edirol/Roland R4 portable digital field recorder. The microphone features wide stereo and narrow polar patterns. The wide stereo pattern reproduces audio with accurate stereo imaging while the mono pattern is focused and reduces signal at the sides of the capsule. The CS-50 features a low frequency roll-off switch for eliminating hum and low-frequency noise due to wind or proximity effect. A dual XLR output cable is supplied.
Wide Stereo PatternThe wide stereo pattern provides a generous pick up area while reproducing signal with accurate stereo placement. This setting is ideal for ambiance capturing, live music, sound effects, etc.Mono (Narrow) PatternThe narrow pattern provides a focused pick up at the front end of the capsule. The result is an accurate signal without noise at the off-axis sections of the capsule.Low Frequency Roll-OffThe low-frequency roll-off switch eliminates hum and low-frequency noise due to wind, handling and proximity effect.Light Weight ProfileThe light weight, slim profile make the CS-50 ideal for location use while mounted on a boom, pistol grip or camera.
What's in the Box:
- Windscreen
- Desktop Prop
- Mic Stand Adapter
- L/R XLR Cable 6.56 feet (2m)
- Soft case
- 1 Year Warranty
Specifications: ransducer | Back Electret Condenser | Polar Pattern | Line Cardioid | Frequency Response |
50 - 20,000Hz
| Open Circuit Sensitivity | 14.9 mV/Pa, -36.5 dBV @ 1 Pa | Dynamic Range (Typical) | Not Specified by Manufacturer | Signal-to-Noise Ratio | Greater than 70dB (at 1kHz/1Pa) | Maximum Input Sound Level | 126dB S.P.L (at 1kHz, 1% T.H.D. Typical) | Power Requirements | 48V Phantom x 2ch | Output Impedance | 200 Ohms | Current Consumption | 3.8 mA (Typical) | Output Connectors | 3-pin XLR | Pad | No | Low Frequency Roll-Off | Yes | Dimensions | Not Specified by Manufacturer | Weight | 2.92 oz (83g) |
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