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Designed to operate exclusively with the PAM-340A the RM-05A will allow either individual selection of any combination of paging zones or the all-all facility. A flexible gooseneck microphone is supplied together with a three metre lead, complete with multiway connectors to connect the RM-05A to the host amplifier. Power: Supplied by the host PAM-340A. Dimensions: 195mm(w) x 60mm(h) x 205mm(d). Weight: 1.2 kg including microphone. |
t is hard to believe that such small, unobtrusive microphones can produce such great sound, but it's true. Available in black or white finishes, and with in-line or plate mount preamps, MX202 Microflex® Overhead condenser microphones capture high-quality sound in a compact, adjustable package. Each model features a choice of interchangeable cardioid or supercardioid condenser microphone cartridges attached to a flexible, four inch gooseneck with a 30 foot cable.
Cartridge polar pattern indicated by model number suffix:
C = Cardioid, S = Supercardioid, N = No cartridge
Available Options
MX202B/C Black mini-condenser Cardioid mic, w/cable, in-line preamp, stand adapter
MX202B/S Black mini-condenser Supercardioid mic, w/cable, in-line preamp, stand adapter
MX202W/C White mini-condenser Cardioid mic, w/cable, in-line preamp, stand adapter
MX202W/S White mini-condenser Supercardioid mic, w/cable, in-line preamp, stand adapter
MX202W/N White mini-condenser mic, w/cable, in-line preamp, stand adapter, No Cartridge
MX202BP/C Black mini-condenser Cardioid mic; includes cable and plate-mounted preamplifier
MX202BP/S Black mini-condenser Supercardioid mic; includes cable and plate-mounted preamplifier
MX202BP/N Black mini-condenser mic; includes cable and plate-mounted preamplifier, No Cartridge
MX202WP/C White mini-condenser Cardioid mic; includes cable and plate-mounted preamplifier.
MX202WP/S White mini-condenser Supercardioid mic; includes cable and plate-mounted preamplifier.
MX202WP/N White mini-condenser mic; includes cable and plate-mounted preamplifier, No Cartridge | The Shure SM58S Vocal Microphone features a cardioid dynamic vocal design well suited for professional vocal use in live performances, sound reinforcement, and studio recording. A built-in spherical filter minimizes wind and breath "pop" noise, while the cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The microphone offers durable construction, a high-quality internal shockmount system, and a steel mesh grille for withstanding rough handling. The SM58S is designed to perform consistently both outdoors and indoors and when used for singing or speech applications. The microphone features an integrated on/off switch and includes a microphone clip and a zippered pouch.
- Pneumatic shockmount system cuts down handling noise
- Effective, built-in spherical wind and pop filter
- Supplied with break-resistant microphone clip that rotates 180 degrees
- High quality, rugged, and reliable
- Cardioid dynamic
- Frequency response: 50 Hz to 15 kHz
Suggested Applications
Lead Vocals
Backup Vocals
Harmonica
| Frequency Range |
50 Hz to 15 kHz |
| Impedance |
150 Ohms |
| Sensitivity |
-57.5 dBV/Pa at 1 kHz |
|
The APM series are digital paging microphones equipped with a condenser microphone with cardiologic characteristics, mounted on a 30 cm long gooseneck. By means of a built-in compressor / limiter, the output level of the microphone signal is constantly maintained. The status of the reproduced signal is indicated on the front panel, to ensure the speaker that the message is clear and audible in all situations. Each console has 3 standard buttons (except the APM01 which has only PTT) with pre assigned functions: PTT (Push To Talk), Select all and Clear. All other buttons can be freely programmed, using the free APM configuration software. | The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording |
t is hard to believe that such small, unobtrusive microphones can produce such great sound, but it's true. Available in black or white finishes, and with in-line or plate mount preamps, MX202 Microflex® Overhead condenser microphones capture high-quality sound in a compact, adjustable package. Each model features a choice of interchangeable cardioid or supercardioid condenser microphone cartridges attached to a flexible, four inch gooseneck with a 30 foot cable.
Cartridge polar pattern indicated by model number suffix:
C = Cardioid, S = Supercardioid, N = No cartridge
Available Options
MX202B/C Black mini-condenser Cardioid mic, w/cable, in-line preamp, stand adapter
MX202B/S Black mini-condenser Supercardioid mic, w/cable, in-line preamp, stand adapter
MX202W/C White mini-condenser Cardioid mic, w/cable, in-line preamp, stand adapter
MX202W/S White mini-condenser Supercardioid mic, w/cable, in-line preamp, stand adapter
MX202W/N White mini-condenser mic, w/cable, in-line preamp, stand adapter, No Cartridge
MX202BP/C Black mini-condenser Cardioid mic; includes cable and plate-mounted preamplifier
MX202BP/S Black mini-condenser Supercardioid mic; includes cable and plate-mounted preamplifier
MX202BP/N Black mini-condenser mic; includes cable and plate-mounted preamplifier, No Cartridge
MX202WP/C White mini-condenser Cardioid mic; includes cable and plate-mounted preamplifier.
MX202WP/S White mini-condenser Supercardioid mic; includes cable and plate-mounted preamplifier.
MX202WP/N White mini-condenser mic; includes cable and plate-mounted preamplifier, No Cartridge |
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