Content | IF Design Award 2016 certificate
Reddot Award 2016 certificate Data Sheet 39 KB
6 channel Mixing Console with DFX
6-channel mixer with 16 digital effects
2 microphone channels with 3-band EQ
2 mono-compatible stereo line channels with 2-band EQ
Master, Monitor and headphone outputs
Securely fastening external power supply
The VIBZ 6 D is a compact 6-channel mixer which is perfectly suited to entertainers, small bands, home recording and installations. It features two balanced microphone inputs with high quality preamps, phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop.
The master section of the VIBZ 6 D is equipped with adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly.
A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories.
Product type
Mixers
Type
Live
Channels
6
Mono Channels:
Mono Mic and Line Input Channels
2
Mono Mic input connectors
6.3 mm TRS , XLR
Mono Mic Input Type
electronically balanced
Mono Mic Input Frequency Range
10 Hz
Amplification Range mono Mic Input
- 50 dB
Mono Mic Input Input THD-N
0.0058%
Mono Mic Input Impedance
4k Ohm(s)
Mono Line Input Type
electronically balanced
Mono Line Input Frequency Range
10 Hz
Amplification Range mono Line Input
- 50 dB
Mono Line Input Input THD-N
0.0045 %
Mono Line Input Impedance
21k Ohm(s)
Mono Line Input S/N Ratio
116 dB
Mono Channel Equalizer High
+/- 15 dB @ 12000 Hz
Mono Channel Equalizer Low
+/- 15 dB @ 80 Hz
Controls Mono Mic and Line Input Channels
3-band EQ (High, Mid, Low) , AUX (DFX) Post , Channel Volume , Gain , pan
Phantom power
48 V DC switchable
Stereo Channels:
Stereo Line Input Channels
2
Stereo Line Input Connectors
6.3 mm TS
Stereo Line Input Type
unbalanced
Stereo Line Input Frequency Range
10 - 54000 Hz
Stereo Line Input Input THD-N
0.0045 %
Stereo Line Input Impedance
3,7k Ohm(s)
Stereo Line Input S/N Ratio
116 dB
Stereo channel equalizer treble
+/- 15 dB @ 12000 Hz
Stereo channel equalizer bass
+/- 15 dB @ 80 Hz
Controls Stereo Line Input Channels
2-band EQ (High,Low) , AUX (DFX) Post , Balance , Channel Volume
Main Section:
AUX / Effects Send Channels
1
AUX / Effects Send Connectors
6.3 mm stereo jack unbalanced
Stereo AUX Return Channels
1 x stereo
Stereo AUX Return Connectors
2 x 6.3 mm TRS
Stereo Tape Out Channel
1 x stereo
Stereo Tape Out Connectors
2 x RCA (Cinch)
Stereo Tape In Channel
1 x stereo
Stereo Tape In Connenctors
2 x RCA (Cinch)
Unbalanced stereo Main Outputs
1
Unbalanced stereo Main Output Connections
6.3 mm TRS
Unbalanced Stereo Main Out Impedance
120 Ohm(s)
Max. Unbalanced Stereo Main Out Level
+20 dBu
Stereo Control Room Out
1
Stereo Control Room Out Connectors
6.3 mm stereo jack unbalanced
Headphones ouput
1
Headphones outputs
6.3 mm TRS
Digital Effects Processor
Yes, 24-bit AD/DA Resolution
Number of Presets
16
Footswitch Connector DFX Mute
6.3 mm TRS
Main section controls
2-track Assignment (Main, Contr. Room) , 2-track In Volume , DFX Mute Schalter , DFX Presets , DFX To Main Volume , Master Volume , Phantom Power , Phones / Control Room Volume , Stereo Return Volume
Indicators
4-segment Level Meter , Channel Peak , DFX Peak / Mute , Phantom Power , Power
Operating voltage
18 V AC - 1 A, External PSU
Width
209 mm
Height
68 mm
Depth
260 mm
Weight
1,45 kg |
The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.
Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.
LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.
LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.
In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.
LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.
Applications:
* Gigging Bands
* Small installations
* Small venues
* Theatres
* Houses of Worship
* Live and studio recording
* 100mm faders
* +48V phantom power
* 16, 24 or 32 channel frame sizes
* Up to 40 inputs (including stereo inputs and returns)
* 18dB/octave high-pass filter
* 6 aux sends, 4 of them pre/post switchable
* Group and mix inserts
* 12-segment LED metering
* Integral PSU
|
Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 24 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 27kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a. | Soundcraft EFX
(EFX8, EFX12)
The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.
The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.
The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.
The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone
Key Features:
- 8+2 channel frame sizes
- Built-in 24 bit Lexicon digital effects processor
- 32 FX settings
- Tap Tempo and FX setting store function
- 1 FX send on each channel
- 1 configurable auxiliary bus
- XLR-type and ¼” metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 3-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations. |
The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.
Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.
LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.
LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.
In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.
LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.
Applications:
* Gigging Bands
* Small installations
* Small venues
* Theatres
* Houses of Worship
* Live and studio recording
* 100mm faders
* +48V phantom power
* 16, 24 or 32 channel frame sizes
* Up to 40 inputs (including stereo inputs and returns)
* 18dB/octave high-pass filter
* 6 aux sends, 4 of them pre/post switchable
* Group and mix inserts
* 12-segment LED metering
* Integral PSU
| |
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