Content | Uber Mic is the perfect set-up for all your recording needs—whether it’s recording acoustic instruments & vocals, capturing pristine audio for podcasts & broadcasting, or simply bringing your gaming experience to the next level. Uber Mic does it all – start recording, streaming & broadcasting now!
• Cardioid – a directional pattern, perfect for capturing singular sound sources while eliminating unwanted room reflections and background noise
• Omnidirectional – equal output/sensitivity at all angles captures your sound sources from all directions, perfect for adding some ambience to your recordings or capturing a group of sound sources
• Figure 8 - equal output/sensitivity on two sides of the microphone, ideal for capturing two independent sound sources simultaneously
• Stereo – picks up from the left and right side of the microphone, producing a true stereo image
Features
- Easy, intuitive operation for any application
- Wide-range 30–20,000Hz frequency response delivers detailed, natural sound
- 3-capsule condenser microphone element, including single-point stereo
- 4 selectable polar patterns to customize your ideal recording
- Polar patterns: cardioid, figure-8, omnidirectional, and stereo
- 1/8” headphone jack and internal headphone amplifier
- USB/direct mixing control with mic volume control enables zero-latency recording and monitoring
- Microphone mute control ensures privacy
- LCD display shows polar pattern and currently selected control level
- Studio-quality recording and playback for accurate reproduction
- Convenient desktop mounting with threaded insert for optional stand-mounting
- Integrated stand fits easily into any setup
- iOS compatibility using the Apple iPad Camera Connection Kit (sold separately)
Specifications
- Microphone:
- Type: 3-capsule condenser USB microphone
- Capsule Size: 16mm
- Polar Patterns: Figure 8, cardioid, omni, and stereo
- Frequency Response: 30 Hz - 20 KHz
- Sensitivity: -45 dB (0 dB = 1V/Pa @ 1 kHz)
- SNR: 110 dB
- Maximum SPL: 120 dB (THD
| The Stereo wonder. The new NT4, a visually striking microphone that solves
the age-old problem of stereo recording by eliminating the need to purchase
matched pairs and the associated complex set-up bars and adaptors to get
professional results. With a fixed 90 Deg. X/Y configuration and perfectly
matched stereo condenser capsules, the NT4 lets you record any source with
immaculate stereo detail.
The NT4 has a 128 dB dynamic range, 143 dBA SPL and low self-noise. Offering
selectable battery or phantom power operation with power indicator light, the NT4
is ideally suited to both studio and location recording.
The NT4 comes supplied in a custom carry case with a windshield, XLR to mini-jack
and dual XLR cables for portable DAT or professional balanced input connection.
SPECIFICATIONS:
Acoustic principle:
Stereo Microphone. 90° XY placement. Each side comprises an
externally polarised single diaphragm condenser transducer
Directional pattern: Cardioid per capsule
Frequency range: 20Hz - 20kHz
Output impedance: 200? per side
Signal noise ratio din iec 651: 78dB
Equvalent noise:128 dB
Power supply voltage:
P48 (38V?52V), P24 (20V-26V), P12 (10.8V-13.2V), 9V battery
Current consumption: 4 mA, 2 mA, 2.8 mA, 2.4mA
Weight without battery: 480g
Weight with battery: 2.3kg |
The e 865 is a fully professional super-cardioid vocal microphone utilising the very best in condenser microphone technology to achieve new standards of quality and sound. The microphone capsule insorporates special blast/pop protiction plate to shield the diaphragm from excessive sound pressure levels. ON/OFF Switch.
- Pick-up pattern : super cardioid
- Sensitivity in free field, no load : (1kHz) 3 mV/Pa
- Max. Sound pressure level (aktiv) : 150 dB
- Nominal impedance : 200 Ohm
- Min. terminating impedance : 1000 Ohm
- Dimensions : d 47 x 193 mm
- Weight : w/o cable 311 g
- Frequency response (microphone) : 40.....20000 Hz
- Phantom powering : 12 - 48 V
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Transformerless Power/Output Module ? The SE 300 B is used with all AKG Blue Line capsules and operates from 9 ? 52 V phantom power. The 3-position switch allows selection of linear response, -10 dB preattenuation and 12-dB-per-octave 75 Hz low-cut filter. A stand adapter is included.
Specifications
Polar pattern: hypercardioid/directional
Frequency range: 20?20,000 Hz
Sensitivity: 25 mV/Pa (-32 dBV)
Max. SPL for 1 % THD: 124/134 dB
Equivalent noise level: 17 dB-A
Signal/noise ratio (A weighted): 77 dB
Preattenuation pad: -10 dB, switchable Bass cut filter: 12 dB/octave at 75 Hz
Electrical impedance: 200 Ohms
Recommended load impedance: >1,000 Ohms
Power requirement: 9 to 52 V phantom power to DIN 45 596
Current consumption: |
MC10M is a multi capsule microphone set including a cardioid electret condenser microphone
(MC10) with the replaceable super cardioid capsule, shock mount adaptor, and wind screen.
MC10M can be used in wide applications, from studio & home recording to field sound aquisition.
FEATURES:
Replaceable 2 types of polar pattern capsule, cardioid/super cardioid as standard
Wide frequency response range
High sensitivity
Low distortion
High input withstand S.P.L.
Rugged brass case
Light weight
Shock mount adaptors, stereo mounting blacket & wind screen as standard
Dedicated carrying case as standard
SPECIFICATIONS:
Type :Back Electret
Condenser Microphone
Polar Pattern :Cardioid/Super Cardioid
Frequency Response :40Hz to 20kHz +/-10dB
Sensitivity :-40dBV/pa (10mv/pa)
Rated Impedance :200W
Equivalent Noise Level
:22dB (A weighted IEC/DIN 651)
Maximum S.P.L. :134dB (THD£0.5%, 1kHz)
Dynamic Range :112dB
Power Supply :48V Phantom Power
(IEC 268-15/DIN45596)
Current Consumption :3.5mA
Dimensions :?20mm x 150mm
Net Weight :130g (MC10 x 1)
Full Package Weight :865g
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Back-electret Microphone Capsule suitable for K6 and K6P Powering Modules. The ME 64 is a cardioid microphone capsule designed for use with the K6 and K6P powering modules. It has a very wide range of applications including reporting, interviews, dubbing, live sound reinforcement and recording applications. Matte black, anodized, scratch-resistant finish.
Features
Excellent directivity across whole frequency range
Very good feedback rejection
Effective rejection of incidental rear noise
High speech clarity
High maximum sound pressure level
Wide frequency range
Integrated pop filter
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