| Content | Uber Mic is the perfect set-up for all your recording needs—whether it’s recording acoustic instruments & vocals, capturing pristine audio for podcasts & broadcasting, or simply bringing your gaming experience to the next level. Uber Mic does it all – start recording, streaming & broadcasting now!
• Cardioid – a directional pattern, perfect for capturing singular sound sources while eliminating unwanted room reflections and background noise
• Omnidirectional – equal output/sensitivity at all angles captures your sound sources from all directions, perfect for adding some ambience to your recordings or capturing a group of sound sources
• Figure 8 - equal output/sensitivity on two sides of the microphone, ideal for capturing two independent sound sources simultaneously
• Stereo – picks up from the left and right side of the microphone, producing a true stereo image
Features
- Easy, intuitive operation for any application
- Wide-range 30–20,000Hz frequency response delivers detailed, natural sound
- 3-capsule condenser microphone element, including single-point stereo
- 4 selectable polar patterns to customize your ideal recording
- Polar patterns: cardioid, figure-8, omnidirectional, and stereo
- 1/8” headphone jack and internal headphone amplifier
- USB/direct mixing control with mic volume control enables zero-latency recording and monitoring
- Microphone mute control ensures privacy
- LCD display shows polar pattern and currently selected control level
- Studio-quality recording and playback for accurate reproduction
- Convenient desktop mounting with threaded insert for optional stand-mounting
- Integrated stand fits easily into any setup
- iOS compatibility using the Apple iPad Camera Connection Kit (sold separately)
Specifications
- Microphone:
- Type: 3-capsule condenser USB microphone
- Capsule Size: 16mm
- Polar Patterns: Figure 8, cardioid, omni, and stereo
- Frequency Response: 30 Hz - 20 KHz
- Sensitivity: -45 dB (0 dB = 1V/Pa @ 1 kHz)
- SNR: 110 dB
- Maximum SPL: 120 dB (THD
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8 Wide frequency response range
High sensitivity, Low distortion
High input withstand S.P.L.
Rugged brass case, Light weight
Shock mount adapters, stereo mounting bracket and wind screens as standard
PREMLIMINARY INFORMATION.
The MC10ST is a stereo microphone set including a pair of cardioid electret condenser microphones,
shock mount adapters, stereo mounting bracket and wind screens. The MC10ST can be used in a
wide range of applications, from studio and home recording to field or location sound aquisition.
Wide frequency response range
High sensitivity
Low distortion
High input withstand S.P.L.
Rugged brass case
Light weight
Shock mount adapters, stereo mounting bracket and wind screens as standard
Dedicated carry case as standard
SPECIFICATIONS:
Type: Back Electret Condenser Microphone
Polar Pattern: Cardioid
Frequency Response: 40Hz to 20kHz +/-10dB
Sensitivity: -40dBV/pa (10mv/pa)
Rated Impedance: 200ohm
Equivalent Noise Level: 22dB (A weighted IEC/DIN 651)
Maximum SPL: 134dB (THD |
Cardioid Condenser with 10dB Attenuator and 3 Position Low-Cut Filter
One of the world's great studio microphones, the SM81 provides precise, detailed sound reproduction, is excellent for studio recording, and is rugged enough for live sound reinforcement.
- A standard for acoustic instruments, including guitar and cymbals
- Selectable, low-frequency response -- either flat, 6dB/octave roll-off, or 18 dB/octave roll-off
- Built-in, switchable 10 dB attenuator for use in high SPL situations
- Phantom power only
- Windscreen included
- Low noise and high output clipping
- Cardioid condenser
- Frequency response: 20 to 20,000 Hz
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Back-electret Microphone Capsule suitable for K6 and K6P Powering Modules. The ME 64 is a cardioid microphone capsule designed for use with the K6 and K6P powering modules. It has a very wide range of applications including reporting, interviews, dubbing, live sound reinforcement and recording applications. Matte black, anodized, scratch-resistant finish.
Features
Excellent directivity across whole frequency range
Very good feedback rejection
Effective rejection of incidental rear noise
High speech clarity
High maximum sound pressure level
Wide frequency range
Integrated pop filter
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C 568 B
Compact, short shotgun microphone
Integrated, switchable bass cut filter minimizes mechanical noise
Operates on phantom power
High directivity and wide frequency response in a relatively short shotgun make this
microphone a perfect tool for theater, sound reinforcement, and film/TV applications.
Due to its compact and lightweight design, the C 568 B is ideal for camera mount
applications. Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz
the acoustic interference tube introduces increasing directivity. A switchable 12 dB/
octave 120 Hz bass cut filter effectively suppresses rumble and wind noise. The rugged,
all-metal body contains the built-in preamp. Phantom powering (9?52 V) required; foam
windscreen and stand adapter included.
SPECIFICATIONS:
Polar pattern hypercardioid/directional
Frequency range 20 to 20,000 Hz
Sensitivity 11 mV/Pa (-39 dBV)
Max. SPL 128 dB
Equivalent noise level (CCIR 468-3) 29 dB
Equivalent noise level 18 dB-A
Signal/noise ratio 76 dB
Bass filter 12 dB/octave at 120 Hz
Impedance 600 ohms
Recommended load impedance >2000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption |
The R?DE NT6 is specifically designed for difficult mounting applications. Although
clearly relevant to instrument mic'ing, the new NT6 is extremely well suited to any
situation where a small 'unobtrusive' but powerful microphone system is required.
The NT6 utilises the 1/2" (externally biased) gold sputtered true condenser transducer
used in the internationally renowned R?DE NT5. The capsule is designed to attach to
a custom made, multi-position swivel mount allowing it to be independently positioned
with ease.
To further increase the versatility of the NT6, it is supplied with 2 thread adaptors - 1/4"
to 5/8" and 1/4" to 3/8" that enable the capsule assembly to be securely attached to a
wide variety of mic stands, tripods and boom poles.
The capsule is connected to the pre-amplifier (body) by a custom 3 m Kevlar? fibre reinforced
cable. Housed within the heavy duty satin-nickel-plated body, is a state-of-the-art low noise
balanced output preamplifier, exhibiting a wide dynamic range and full frequency response.
The surface-mount pre-amplifier circuit also incorporates a 2-position variable pad: 0 dB an -10 dB
attenuation, and a 2-position variable high-pass filter that enables you to step from a flat response
to 80 Hz high pass filter; both conveniently located away from the capsule, providing additional
control without the need to move the capsule once in position.
The NT6 is intended for Film, Television, Broadcast, Live Performance, Theatre, Television,
Surround and Environmental recording applications or wherever your imagination takes you.
The NT6 is produced in R?DE's design and manufacturing facility in Sydney, Australia. Utilising
state of the art computer controlled machining and assembly technologies, R?DE is able to
achieve levels of finish and repeatability of the most exacting standards and tolerances.
The NT6 comes supplied with Microphone Preamp (Body), Capsule, 3 m Kevlar? fibre reinforced
cable, RM5 Stand Mount, 2-axis Swivel Mount, 2 thread adaptors, ZP1 Zip Pouch and WS5 Wind Shield.
FEATURES:
? 1/2? (externally biased) gold sputtered true condenser capsule ? Heavy duty satin-nickel-plated body
? 2-position variable pad: 0 dB and -10 dB ? 2-position variable high-pass filter: flat and 80 Hz ? Surface
mount technology ? Low noise ? Wide dynamic range ? Full frequency response ? Supplied complete
with 2-axis swivel mount, 2 thread adaptors, M5 clip, WS5 (Black) Wind Shield and Soft Pouch ? Designed
& manufactured in Australia ? Full 2 year guarantee
Operation power:
The NT6 is designed to operate from phantom power to the P48 standard. The NT6 will operate
between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output XLR connector.
Operation output impedance:
Output Impedance: The NT6 will operate satisfactorily into a load impedance as low as 1 kΩ. If a
load below this is used, the output signal level will be reduced. The NT6 output is balanced between
pin 2 (hot) and pin 3 (cold). Pin 1 is ground.
Acoustic principle:
Externally polarised 1/2" (13mm) pressure gradient condenser
Directional pattern: Cardioid
Frequency range:
40 Hz ~ 20,000 Hz selectable HPF @ 80 Hz/12 dB/octave
Output impedance: 200 Ω
Signal noise ratio din iec 651:
75 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 19 dB SPL (per IEC651, IEC268-15)
Maximum spl:
138 dB (@ 1% THD into 1 kΩ)148 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity:
-38 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB
Dynamic range din iec 651: 119 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Weight: 386 grm.
Maximum output voltage: 6 dBu (@ 1% THD into 1 kΩ)
Pin assignment:
3 pin XLR, balanced output between pin 2(+), pin (-) & pin 1 (ground)
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