| Content |
| Input Processing Channels |
32 Input Channels, 8 Aux Channels, 8 FX Return Channels |
| Output Processing Channels |
16 |
| 16 aux buses, 6 matrices, main LRC |
100 |
| Internal Effects Engines (True Stereo / Mono) |
16 |
| Internal Show Automation (structured Cues / Snippets) |
500 / 100 |
| Internal Total Recall Scenes (incl. Preamplifiers and Faders) |
100 |
| Signal Processing |
40-Bit Floating Point |
| A/D Conversion (8-channel, 96 kHz ready) |
114 dB Dynamic Range (A-weighted*) |
| D/A Conversion (stereo, 96 kHz ready) |
120 dB Dynamic Range (A-weighted*) |
| I/O Latency (Console Input to Output) |
0.8 ms |
| Network Latency (Stage Box In > Console > Stage Box Out) |
1.1 ms |
| MIDAS PRO Series Microphone Preamplifier (XLR) |
32 |
| Talkback Microphone Input (XLR) |
1 |
| RCA Inputs / Outputs |
2 |
| XLR Outputs |
16 |
| Monitoring Outputs (XLR / ¼" TRS Balanced) |
2 |
| Aux Inputs/Outputs (¼" TRS Balanced) |
6 |
| Phones Output (¼" TRS) |
2 (Stereo) |
| Digital AES/EBU Output (XLR) |
1 |
| AES50 Ports (KLARK TEKNIK SuperMAC) |
2 |
| Expansion Card Interface |
32 Channel Audio Input / Output |
| ULTRANET P-16 Connector (No Power Supplied) |
1 |
| MIDI Inputs / Outputs |
1 |
| USB Type A (Audio and Data Import / Export) |
1 |
| USB Type B, rear panel, for remote control |
1 |
| Ethernet, RJ45, rear panel, for remote control |
1 |
| Design |
MIDAS PRO Series |
| THD+N (0 dB gain, 0 dBu output) |
<0.01% (unweighted) |
| THD+N (+40 dB gain, 0 dBu to +20 dBu output) |
<0.03% (unweighted) |
| Input Impedance (Unbalanced / Balanced) |
10 kO / 10 kO |
| Non-Clip Maximum Input Level |
+23 dBu |
| Phantom Power (Switchable per Input) |
+48 V |
| Equivalent Input Noise @ +45 dB gain (150 ? source) |
-125 dB (22 Hz-22 kHz, unweighted) |
| CMRR @ Unity Gain (Typical) |
>70 dB |
| CMRR @ 40 dB Gain (Typical) |
>90 dB |
| Frequency Response @ 48 kHz Sample Rate |
0 dB to -1 dB (20 Hz-20 kHz) |
| Dynamic Range, Analogue In to Analogue Out |
106 dB (22 Hz-22 kHz, unweighted) |
| A/D Dynamic Range, Preamplifier and Converter (Typical) |
109 dB (22 Hz-22 kHz, unweighted) |
| D/A Dynamic Range, Converter and Output (Typical) |
109 dB (22 Hz-22 kHz, unweighted) |
| Crosstalk Rejection @ 1 kHz, Adjacent Channels |
100 dB |
| Output level, XLR Connectors (Nominal / Maximum) |
+4 dBu / +21 dBu |
| Output Impedance, XLR Connectors (Unbalanced / Balanced) |
50 O / 50 O |
| Input impedance, TRS Connectors (Unbalanced / Balanced) |
20 kO / 40 kO |
| Non-Clip Maximum Input Level, TRS Connectors |
+21 dBu |
| Output Level, TRS (Nominal / Maximum) |
+4 dBu / +21 dBu |
| Output Impedance, TRS (Unbalanced / Balanced) |
50 O / 50 O |
| Phones Output Impedance / Maximum output Level |
40 O / +21 dBu (Stereo) |
| Residual Noise Level, Out 1-16 XLR Connectors, Unity Gain |
-85 dBu 22 Hz-22 kHz unweighted |
| Residual Noise Level, Out 1-16 XLR Connectors, Muted |
-88 dBu 22 Hz-22 kHz unweighted |
| Residual Noise Level, TRS and Monitor out XLR Connector |
-83 dBu 22 Hz-22 kHz unweighted |
| Main Screen |
7" TFT LCD, 800 x 480 Resolution, 262k Colours |
| Channel LCD Screen |
128 x 64 LCD with RGB Colour Backlight |
| Main Meter |
24 Segment (-57 dB to Clip) |
| Switch-Mode Power Supply |
Auto-Ranging 100-240 VAC (50/60 Hz) ± 10% |
| Power Consumption |
120 W |
| Standard Operating Temperature Range |
5°C – 40°C (41°F – 104°F) |
| Dimensions |
891 x 612 x 256 mm (35.1 x 24.1 x 10.1") |
| Weight |
25 kg (55 lbs) |
| Ui12 packs a complete digital mixing system into a compact, road-rugged stagebox format, with built-in Wi-fi and the ability to be controlled by any connected device via a standard web browser - no Apps, no OS limitations, no constraints on how or where you mix. Tablet/PC/Smartphone Controlled Digital Mixer Integrated Wi-Fi Cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices Use up to 10 control devices (tablets, phones, PCs) simultaneously Legendary Harman Signal Processing from dbx, Digitech, and Lexicon Fully recallable and remote-controlled mic preamps 4-band Parametric EQ, High-Pass Filter, Compressor, De-esser and Noise Gate on input channels 31-band Graphic EQ, Noise Gate and Compressor on all outputs Real-Time Frequency Analyser (RTA) on inputs and outputs 3 dedicated Lexicon FX effects processors: Reverb, Delay and Chorus Subgroups, Mute Groups, View Groups, and more mixer controls Show/Snapshot recall with channel safes and security lockout |
20 total inputs: 16 mic, (four with XLR/TRS combo connector) and two stereo line (TRS)
Dedicated talkback mic input
Stereo Main L/R outputs (XLR)
Ample monitor outputs (eight total) with 6 mono auxiliary mixes (XLR) and 2 stereo auxiliary mixes.
The 2 stereo aux outputs can drive wired in-ear monitors (IEM) directly.
Mono auxiliaries may be linked for stereo use.
Superb sound quality
Class-A microphone pre-amps
32-bit floating point processing
24-bit AD & DA convertors
Input channels are fully-featured:
Four-band full parametric EQ
Variable high-cut and low-cut filters
Gate
Compressor (with de-esser)
Main and auxiliary outputs feature:
1/3-octave graphic EQ (four-band parametric EQ on stereo auxiliaries)
Limiter
Delay
Notch filters
Four professional quality stereo DSP effects. Choose from:
Two types of reverb
Mono delay
Stereo delay
Chorus
Pitch-change
A pitch correct processor is assignable to any input channel.
Eight DCA and eight mute groups.
Color, capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation.
Great results and easy to use
Input channel preset library features over 100 presets developed by experienced concert engineers specifically for live sound applications.
Wizards assist with input gain adjustment and effects selection and routing.
On board Info system gives you instant access to the user manual.
Save your own channel presets and complete mixer scenes to internal memory or USB device.
Capturing live performance to multi-track has never been easier. Record 22 tracks (all inputs plus a stereo mix) directly to USB hard-drive. Mix down on TouchMix or import into your favorite DAW.
Complete mixer remote control via free iPad® App.
Monitor control via iPhone/iPod Touch App.
Multiple Wi-Fi Connectivity options
Security Lockout Modes
USB Wi-Fi interface and carrying case are included.
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Qu-16 takes compact digital mixing to a new level with innovative design and exceptional functionality combining to create a superb professional mixing experience.
Bristling with all the features you'd expect from a top of the range digital console and incorporating technologies pioneered on our GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance.
Whether you're switching from analogue or updating your digital desk, it's time to experience the new digital with Qu-16.
- 16 Mono Inputs (TRS + XLR)
- 3 Stereo Inputs (TRS)
- 4 Stereo FX Returns
- 16 Busses
- 12 Mix Outputs (LR, Mono Mix 1-4, Stereo Mix 1-3)
- 4 FX Engines
- AES Digital Out
- 19" Rack Mountable
- Moving Faders
- Recallable AnaLOGIQ Preamps
- Qu-Drive direct Multitrack Recording / Playback on USB drives
- 800×480 Touchscreen
- iLive FX Library
- dSNAKE Remote Audio Port
- Compatible with ME Personal Mixing System
- Qu-Pad iPad App
- USB Audio Streaming
- DAW MIDI Control
- 4 Mute Groups
- Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs
- Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
- Built-in Signal Generator
- RTA with Peak Band indication
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Si Performer 3 Highlights
| | • |
Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer
| | • |
2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.
| | • |
Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
| | • |
1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
| | • |
TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
| | • |
Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
| | • |
DMX interface - control sound and light from the same device.
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BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
| | • |
Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.
| | • |
Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.
| | • |
D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
| | • |
Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
| | • |
Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
| | • |
Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.
| | • |
Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.
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Key Features
• 32 mono mic inputs
• 8 line inputs
• 80 channels to mix
• 2 ViSi Connect™ option card slots for 128 x 96 input/output paths
• Pre/Post selection per input per bus
• Freely assignable faders and patching
• Soundcraft FaderGlow™
• Colour backlit LCD screens per fader
• GEQ on every bus
• 20 sub-group / aux busses
• 4 FX busses
• 8 Matrix busses
• LRC Mix busses
• LCR panning
• 4 Stereo Lexicon Effects engines
• Delay on inputs and outputs
• 8 Mute Groups
• 8 VCA Groups
• AES in and out
• DMX interface and control - control sound and light simultaneously
• Freely assignable insert loops
• Harman HiQnet integration
• Colour touch screen interface
| Ui16 packs a complete digital mixing system into a compact, road-rugged stagebox format, with built-in Wi-fi and the ability to be controlled by any connected device via a standard web browser - no Apps, no OS limitations, no constraints on how or where you mix. Tablet/PC/Smartphone Controlled Digital Mixer Integrated Wi-Fi Cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices Use up to 10 control devices (tablets, phones, PCs) simultaneously Legendary Harman Signal Processing from dbx, Digitech, and Lexicon Fully recallable and remote-controlled mic preamps 4-band Parametric EQ, High-Pass Filter, Compressor, De-esser and Noise Gate on input channels 31-band Graphic EQ, Noise Gate and Compressor on all outputs Real-Time Frequency Analyser (RTA) on inputs and outputs 3 dedicated Lexicon FX effects processors: Reverb, Delay and Chorus Subgroups, Mute Groups, View Groups, and more mixer controls Show/Snapshot recall with channel safes and security lockout 2-channel USB audio playback and recording |
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