Whether you’re recording in the studio, taking direct output feeds off of an analog mixer, or capturing audio onstage, the MOTU 24Ao USB 2.0 audio interface gives you the high channel count and low latency you need. Like the rest of MOTU’s popular AVB-equipped audio interfaces, the 24Ao lets you send a ton of audio […]
Whether you’re recording in the studio, taking direct output feeds off of an analog mixer, or capturing audio onstage, the MOTU 24Ao USB 2.0 audio interface gives you the high channel count and low latency you need. Like the rest of MOTU’s popular AVB-equipped audio interfaces, the 24Ao lets you send a ton of audio across a standard network.
The internal mixer also includes all kinds of DSP processing, summing, and routing options too, and between its high-speed USB 2.0 connectivity and additional 24 channels of ADAT optical I/O, you can easily expand the capabilities of your MOTU 24Ao.
Tons of high-quality connections packed into a single-rackspace audio interface
DSP-fueled mixer onboard gives you the added benefit of EQ, compression, and effects
Expand your production system with additional AVB networkable audio interfaces
It doesn’t matter if you prefer DB-25 D-subs or Phoenix plugs, the MOTU 24Ao makes connecting up to 24 analog line channels a piece of cake. With so many high-quality inputs packed into a single rack space, the A24o is idea for taking direct outputs off of an analog mixing console or capturing signal onstage in a live environment. What’s more, there are three pairs of ADAT optical ports onboard, offering an additional 24 channels of digital I/O via USB 2.0 or AVB network.
The MOTU 24Ao’s onboard DSP mixer offers a number of advantages you’ll find useful in a variety of settings. For starters, this digital mixer supports up to 48 inputs and 12 stereo busses, allowing you to set up extremely complex routing schemes completely independent of your computer.
In fact, if you connect a wireless router to your 24Ao, you can access all of its internal mixing functions, including effects and processing, via an app on your iOS device, turning this powerful audio interface into a fully capable standalone mixer. Speaking of onboard processing and effects, whether you’re in the studio or onstage with your 24Ao, you’ll find a ton of uses for its DSP EQ, compression, gate, and reverb.
Another extremely cool use of the 24Ao’s Ethernet connection is the ability to link more MOTU AVB equipped audio interfaces to it. You can do this in one of two ways: directly via a simple Ethernet cable or as part of an audio network via one or more MOTU AVB Switch.
If you go with just a single Ethernet cable, you can easily link a second 24Ao or other AVB ready device directly to your first one. With MOTU AVB Switches, you can create an audio network of up to five units, potentially linking hundreds of channels of I/O across multiple rooms. And since it’s all over standard Cat-5e Ethernet cable, latency or cable runs aren’t any kind of issue.
Features:
24 channels (balanced/unbalanced)
Choose from ultra-low-latency AVB ethernet or high-speed USB 2.0 computer connectivity
24 high-quality analog outputs are available on both 3x DB-25 D-sub and 6x 12-pin Phoenix
Max level: +20 dBu (digitally adjustable -24 to 0 dB)
Onboard 32-bit floating point DSP-driven digital mixer with EQ, dynamics, and effects provides latency-free routing
Hook up a wireless router and take complete control of the onboard mixer from your iOS device – no computer needed!
AVB audio networking lets you easily expand your system and additional AVB equipped audio interfaces
Create an AVB network via optional AVB Switches for support for up to five compatible interfaces
Weight
2.00 kg
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Whether you're recording in the studio, taking direct output feeds off of an analog mixer, or capturing audio onstage, the MOTU 24Ao USB 2.0 audio interface gives you the high channel count and low latency you need. Like the rest of MOTU's popular AVB-equipped audio interfaces, the 24Ao lets you send a ton of audio across a standard network.
The internal mixer also includes all kinds of DSP processing, summing, and routing options too, and between its high-speed USB 2.0 connectivity and additional 24 channels of ADAT optical I/O, you can easily expand the capabilities of your MOTU 24Ao.
Tons of high-quality connections packed into a single-rackspace audio interface
DSP-fueled mixer onboard gives you the added benefit of EQ, compression, and effects
Expand your production system with additional AVB networkable audio interfaces
It doesn't matter if you prefer DB-25 D-subs or Phoenix plugs, the MOTU 24Ao makes connecting up to 24 analog line channels a piece of cake. With so many high-quality inputs packed into a single rack space, the A24o is idea for taking direct outputs off of an analog mixing console or capturing signal onstage in a live environment. What's more, there are three pairs of ADAT optical ports onboard, offering an additional 24 channels of digital I/O via USB 2.0 or AVB network.
The MOTU 24Ao's onboard DSP mixer offers a number of advantages you'll find useful in a variety of settings. For starters, this digital mixer supports up to 48 inputs and 12 stereo busses, allowing you to set up extremely complex routing schemes completely independent of your computer.
In fact, if you connect a wireless router to your 24Ao, you can access all of its internal mixing functions, including effects and processing, via an app on your iOS device, turning this powerful audio interface into a fully capable standalone mixer. Speaking of onboard processing and effects, whether you're in the studio or onstage with your 24Ao, you'll find a ton of uses for its DSP EQ, compression, gate, and reverb.
Another extremely cool use of the 24Ao's Ethernet connection is the ability to link more MOTU AVB equipped audio interfaces to it. You can do this in one of two ways: directly via a simple Ethernet cable or as part of an audio network via one or more MOTU AVB Switch.
If you go with just a single Ethernet cable, you can easily link a second 24Ao or other AVB ready device directly to your first one. With MOTU AVB Switches, you can create an audio network of up to five units, potentially linking hundreds of channels of I/O across multiple rooms. And since it's all over standard Cat-5e Ethernet cable, latency or cable runs aren't any kind of issue.
Features:
24 channels (balanced/unbalanced)
Choose from ultra-low-latency AVB ethernet or high-speed USB 2.0 computer connectivity
24 high-quality analog outputs are available on both 3x DB-25 D-sub and 6x 12-pin Phoenix
Max level: +20 dBu (digitally adjustable -24 to 0 dB)
Onboard 32-bit floating point DSP-driven digital mixer with EQ, dynamics, and effects provides latency-free routing
Hook up a wireless router and take complete control of the onboard mixer from your iOS device - no computer needed!
AVB audio networking lets you easily expand your system and additional AVB equipped audio interfaces
Create an AVB network via optional AVB Switches for support for up to five compatible interfaces
The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.
The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.
The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
U-CONTROL UCA222 Ultra-Low Latency 2 In/2 Out USB Audio Interface with Digital Output and Massive Software Bundle
Behringer U-Control UCA202
2 In/2 Out USB Audio Interface
Mac or PC, no drivers required
16-bit/48kHz converters
Low latency
Headphone output
S/PDIF optical out
USB powered
Free Software
Ultra-flexible audio interface connects your instruments, mixer, etc. with your computer for recording and playback
Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
Massive software bundle includes Audacity audio editor, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
Works with your PC or Mac computer—no setup or drivers required
High-resolution 48 kHz converters for high-end audio quality
Stereo Headphone output with dedicated Level control lets you monitor both input and output
Additional S/PDIF optical output for direct digital conversion
Powered via USB—no external power supply needed
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
The Smallest, Most Portable 2x2 USB Interface Around!Are you looking for a simple upgrade to your computer's stock audio hardware? Do you want to record high-quality stereo audio to your laptop? Are you searching for the most affordable audio interface for computer DJ applications? The Behringer UCA222 USB Audio Interface does all this and more in one of the smallest, simplest, and lowest-priced packages around. It's a quick, simple, reliable solution for a wide range of audio applications.
High-Quality, Industry Standard ConnectionsLook at your computer's audio output. What is it? A 1/8-inch mini stereo jack, most likely. That's fine for plugging in headphones, but a terrible way to connect to external sound systems, stereos, PAs, mixing boards, or any other audio hardware. The UCA222 easily connects to your outboard pro audio gear, and you even get an optical S/PDIF digital output for connecting to high-end digital equipment. Now, take a look at your computer's input. If it has one at all, it's most likely the same deal -- 1/8-inch mini-jack. Again, the Behringer UCA222 provides universally recognized RCA inputs for bringing a wide variety of audio sources and equipment into your computer for pristine recording. You also get a dedicated headphone output for direct monitoring of both the ins and the outs on the UCA222.
Greatly Improved AudioYou computer's built-in audio system has a number of limitations, especially if your computer is a laptop. Machine noise and other electrical interference can disrupt, distort, or otherwise ruin recording and critical listening and playback situations. The Behringer UCA222 solves this problem by placing your sound card at the end of a USB cable run far from your machine's noisy electrical components. It seems like a such a simple solution, but this arrangement greatly reduces interference and provides a wonderfully low noise-floor for recording and professional playback. The UCA202 provides analog-to-digital audio conversion at 48 kHz or 44.1 kHz sampling rates and 16-bit resolution.
Super Simple Setup
As a USB device, the UCA222 is the textbook example of a Plug-N-Play device. Compatible with both Windows and Mac systems, the UCA222 requires no additional software drivers to work. Relying on your operating system's sound architecture, the UCA222 is instantly compatible with just about every audio software on the market, from multitrack DAWs like Logic and Cubase to audio editing programs like BIAS to DJ software like Itch. Spend time making music, not troubleshooting your hardware.
The applications for the Behringer UCA222 USB Audio Interface are practically limitless. Whether you're an electronic music producer, latptop DJ, mix engineer, audio archivist, or just a lover of music, the Behringer UCA222 is just about the easiest way to add a professional audio interface to your computer.
Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.
The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.
The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.
The SONAR REAC Recording System when used in conjunction with the RSS V-Mixing System or RSS Digital Snakes provides the most comprehensive live recording, mixing, mastering and delivery product available. This is the next phase in product development of the REAC driver, which Cakewalk engineered for Roland as a way for users to record from their Digital Snake/V-Mixer System directly into SONAR. The SONAR REAC Recording System includes:
The REAC protocol provides up to 40 channels of audio to be sent via a single CAT5e Ethernet or fiber optic cable. The REAC driver, developed by Cakewalk, allows the REAC output from the RSS V-Mixer or RSS Digital Snake to connect directly into a PC using a single Ethernet cable.
SONAR 8 Producer gives you what you need for recording, composing, editing, mixing, and mastering. Get innovations that matter, from exclusive features to ignite creativity and perfect your tracks, to groundbreaking technologies that always keep you in control, all backed by the industry's leading 64-bit audio quality. And SONAR 8 Producer delivers the go-to production tools you want with the best collection of virtual instruments, mixing, and mastering effects found in any DAW.
With unlimited tracks, amazing creative tools, inspiring virtual instruments, the freedom to work with any audio interface or control surface, and the most complete delivery capability for collaboration with users of other DAWS, award-winning SONAR Producer is your best choice in a digital audio workstation.
SONAR 8 is the only DAW that offers one-of-a-kind music creation tools that actually help in the songwriting process. Whether you are searching for new ideas or looking to add musical parts to existing songs, SONAR 8 can help you break through those creative blocks.
SONAR 8 provides the most comprehensive recording features of any DAW on the market today. It's designed to meet the needs of even the most demanding professional—whether recording a solo performance, a band, or even an orchestra.
Recommended System Requirements:
* Operating System: Windows XP (32 bit), Windows Vista (32 bit or 64 bit) * Processor Speed: Intel Core 2 Duo 2GHz or higher * RAM: 3 GB for 40 Channel Recording * Ethernet Port Speed: Gigabit Ethernet/CAT5e Only * Graphics: 1280 x 960, 24-bit color or higher * Audio Hard Drive Size: 30 GB * Audio Hard Disk Type: RAID 0 with (2) SATA drives * Audio Interface: SPS/FA-66 FireWire Audio Interface or Cakewalk VS-700 R * Media Drive: DVD-ROM, DVD+/-R or DVD+/-RW * Other Hardware: RSS Digital Snake or V-Mixing System, Roland CAT5e Cables (supplied with Digital Snakes), Gigabit Ethernet Switch (optional) * Other Software: Adobe Acrobat
Portable 10-in/10-out compact, mobile FireWire audio at home or on the road
The FA-101 has the highest specs available to support your most demanding applications. You get 24-bit, 192kHz simultaneous recording and playback in a compact 1U half-rack unit, with all the headroom you need.
Supports up to 24 bit, 192 kHz
Compatible with Mac OS X standard driver
Two independent, on board mic pre-amps
Capable of full duplex recording and playback on 10 independent channels
Bus powered and durable metal construction for mobile applications
Lots of ins and outs to support a wide range of recording and gigging applications
The FA-101 is a feature-packed 10x10 audio interface that can handle a full 10 channels of input/output at 24-bit/96kHz. Record and monitor all 10 channels simultaneously in full duplex. Phenomenal audio power for the studio musician! In addition, the FA-101 offers 6-channel recording and playback at 24-bit/192kHz for performance at DVD-A quality.
* 10x10 24-bit/96kHz audio performance
* 6x6 24-bit/192kHz audio performance
* Firewire bus-powered
* Direct monitoring
* Low-latency driver support
* Native Support in Mac OS X (10.3.4 or later)
* 2x phantom-powered mic preamps
* 8x8 balanced analog I/O
* S/PDIF optical I/O
* MIDI I/O
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