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- 1 microphone, XLR (bal.) or 6.3 mm jack (unbal.)
- Gain control, 10 steps (6-50 dB)
- Phantom power can be switched on
- Clip LED
- 1 line output, XLR (bal.) or 6.3 mm (unbal.)
- Operation via supplied power unit
Power supply: | 12 V DC, 150 mA | Input impedance: | 10 kohms bal./unbal. | Max. input level: | +4 dB bal./+10 dB unbal. | Gain: | 50 dB XLR/44 dB jack | T.H.D.: | 0.01 % | Frequency range: | 25 Hz - 16 kHz | S/N ratio: | >75 dB | Dimensions: | 143 x 93 x 45 mm | Weight: | 350 g |
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Applications
Console input extending for both Digital and Analog mixing consoles in Studio, Live and Broadcast Mic Pre-amps for ADAT/ Hard Disk/ Multitrack Recording Innovation If you love your compact Digital (or Analog) mixing console, but wish it had more microphone inputs, ARX has the solution ? the 8 Pre: eight channels of superb sounding Microphone Pre-amps in a compact 1 RU chassis. The 8 Pre is the ideal console extender for those times when you need more microphone inputs. Now you can put those unused line inputs to good use, and who knows - the 8 Pre pre-amps sound so good that you?ll probably end up using them all the time instead of the ones that came with your mixer! Superb Audio Quality The 8 Pre?s ultra low noise figures come from extensive use of premium components plus care and attention to board design and layout. The result is superb, transparent audio quality and the headroom to handle anything that a mic can throw at it. Gain is adjustable from 20 db through to 60 dB via a trim control on the front panel, plus we?ve included a ?20dB Pad switch to tame the hottest condenser mic output if required. The Clip status LED lights up 1 dB before the onset of clipping, just to warn you you?re getting close.Phantom power is switchable in banks of four channels: 1 through 4, 5 through 8. A Phase reverse switch is also provided on each pre-amp channel to eliminate any close miking problems. In short, the ARX 8 Pre is the mic Pre-amp that you?ll wish the console manufacturer had used. It provides a unique solution to today?s multiple Mic Pre-amp requirements.
T E C H N I C A L S P E C I F I C A T I O N S Input Gain 20dB to 60dB Input Pad ?20dB Input Impedance 4 KOhm Input Headroom +23dB Output Impedance 300 Ohm Output Level (Max) +23dB Frequency Response 20Hz ? 20KHz ±0.2 dB Signal to Noise ratio (Gain set @ 20 dB) ?93dB Unweighted, ?99dB ?A? weighted Distortion @ Unity Gain .004%, 20 Hz ? 10 KHz Dynamic Range 116 dB Phantom Power 48 VDC Input Connectors Balanced XLR Output Connectors Balanced TRS jack Clip Indicator Illuminates 1 dB prior to clipping Power Requirements 100/120 V AC, 220/240 V AC Weight 5 lbs/2.2 Kg Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm | • Road proof housing
• High quality components
• Professional balanced XLR outputs
• Level control
The ASC-202 converts consumer level stereo RCA signals to balanced XLR professional line level, and back. One side of the unit, has two XLR inputs and stereo RCA outputs. The other side has stereo RCA inputs and two XLR outputs. Each side has stereo level controls. A possible application of the SC-13 is to use it as a level control in balanced audio lines.
The DAP Pro Audio Solutions are a complete line-up of audio tools for the professional musician or audio engineer. It is a series of audio modifying tools like mini-mixers, pre-amps and converters available in active or passive models. All audio solutions are designed to meet the highest stage and audio demands and feature a metal road proof housing with rubber feet and easy accessible controls. The units also have a small footprint which make them ideal to be used and placed in any environment where space is critical.
Specifications Frequency Response: 20Hz-20KHz
Inputs: XLR/Jack Combo, RCA
Outputs: XLR male, RCA
Input sensitivity RCA in: -10 dBv
Input Impedance RCA in: 10 kOhm
Input sensitivity XLR/Jack in: +4 dBu
Input Impedance XLR/Jack in: 20 kOhm
Output voltage RCA Out: -10 dBV
Output Impedance XLR Out: 100 Ohm
Output voltage XLR Out: +4 dBu
Output Impedance XLR Out: 200 Ohm
Power supply: 18V AC (adapter included)
Dimensions: 53 x 158 x 135 mm (HxWxD)
Weight: 0,65 Kg |
PreSonusʼ popular Class A XMAX preamps are widely lauded for their clarity and transparency. Our tube preamps are beloved for their warm, smooth sound. With the Blue Tube DP V2 dual-path mic/instrument preamp, you get both types of high-quality sound in one unit.
Now weʼve improved on the classic unit with the BlueTube DP V2. The solid-state path now feeds PreSonusʼ top-of-the-line Class A XMAX™ mic preamplifier with 80 dB of variable gain—an upgrade from the original BlueTube DPʼs solid-state stage.
You still get all the secondary features you expect in a professional-grade preamp: 48V phantom power, an 80 Hz high-pass filter, -20 dB pad to control hot input signals, and a polarity-reverse switch. Each channel has an illuminated VU meter so you can visually monitor your input levels.
A Tube Drive control provides a wide range of sounds: when itʼs clicked off, youʼre using the solid-state preamp for quiet, transparent amplification; when itʼs engaged, your signals flow through the tube preamp, and you can achieve anything from gentle warmth to edgy distortion.
2 input channels, each with:
High-headroom Class A XMAX™ mic preamplifier with 80 dB gain range
12AX7 vacuum tube gain stage
Tube Drive tube-saturation control
48V phantom power
80 Hz high-pass filter
-20 dB pad to reduce hot input levels
Polarity-reverse switch
Illuminated analog VU input-level meter
Input/Output
2 balanced combo mic/unbalanced instrument inputs
2 balanced XLR main (L/R) line outputs
2 unbalanced ¼” main (L/R) line outputs
Physical
Compact 1/2U chassis
External 12 VDC, 1A power supply
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EWI PDI-100 PARA ACOUSTIC DI Box
This is a medium grade professional application Para Acoustic Active DI, which will work well on instruments with passive pickups or active pickups.
The construction is reasonably rugged and the components are well suited for the application yielding results that are typically acceptable for all but the most discerning artists.
The on-board tone and volume controls give the operator a lot of choices in shaping their sound prior to sending the signal to the mix console. This allows an artist to use this device in-place of or in addition to a traditional stage amp for their instrument. This is an excellent choice for IEM bands, or bands that like to keep their stage volume low.
This item is typically used to split the instrument signal going to a stage amp so a feed can be sent also to the mix board, or be used as a stand-alone instrument pre-amp. It is equipped with a ¼” jack for input, a 1/4" jack for output to a stage amp, one XLR jack for the send to the board and a TRS jack for inserting an FX device.Since this is an active D.I. box, it needs to be powered which can be done either with Phantom Power from the mix board, or with the supplied internal 9v battery. The battery is fairly easy to change by removing one screw in the bottom of the case.
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Mic Inputs
• Frequency response at minimum gain (0dB): -0.35dB at 20Hz and –3dB at 122kHz
• Frequency response at maximum gain (60dB): –2.5dB at 20Hz and –3dB 103kHz
• Gain range: 0dB to +60dB in 10dB steps, plus 0dB to +20dB continuously variable trim
• Maximum headroom: +7.4dBu
• THD+N: 0.0009% (measured at 1kHz -20dBu input signal, at 30dB gain setting, with a 20Hz/22kHz bandpass filter)
• Noise EIN: -126dB (measured at 60dB of gain with 150Ω termination and 20Hz/22kHz bandpass filter)
• Noise at main output with unity gain: -98dBu (measured with a 20Hz/22kHz bandpass filter)
• SNR: 123dB (relative to max output 25dBu)
• SNR: 120dB (relative to 0dBFS (+22dBu)
• CMRR: 88dB.
• Input Impedance, variable: 600Ω, 1400Ω, 2400Ω, 6800Ω
Line Inputs
• Frequency Response at unity gain (0dB): -0.3dB at 20Hz and –3dB at 94kHz
• Gain range: -20dB to +10dB in 10dB steps, plus 0dB to +20dB continuously variable trim
• Maximum headroom: +25.4dBu
• THD+N: 0.002% (measured with +4dBu input signal, 0dB gain setting, with a 20Hz/22kHz bandpass filter)
• Noise at main output with unity gain: -91dBu (measured with a 20Hz/22kHz bandpass filter)
• SNR: 116dB (relative to max output 25dBu)
• SNR: 113dB (relative to 0dBFS +22dBu). Input Impedance: 10kΩ
Instrument Inputs
• Frequency Response at +10dB gain: -0.2dB at 20Hz and 0dB at 200kHz
• Frequency Response at +40dB gain: -3dB at 20Hz and –3dB at 38.4kHz
• Gain range: +10dB to +40dB continuously variable
• Maximum headroom: +11.5dBu
• THD+N: 0.006% (measured with –20dBu input signal, at minimum gain (+10dB), with a 20Hz/22kHz bandpass filter)
• Noise at main output with minimum gain (+10dB): -95dBu (measured with a 20Hz/22kHz bandpass filter)
• Input Impedance = >1MΩ
High Pass Filter
• Roll off = 18dB per octave 3 pole filter
• Frequency range: 16Hz to 420Hz (continuously variable, measured at the 3dB down point)
Meters
• 6 LED meter is calibrated 0dBFS = +22dBu (the maximum level which can be correctly converted by the optional internal A/D converter before overload occurs). The meter calibration points are as follows:
Meter panel calibration value in dBFS / Equivalent dBu value
0dBFS / +22dBu
-2dBFS / +20dBu
-6dBFS / +16dBu
-12dBFS / +10dBu
-18dBFS / +4dBu
-42dBFS / -20dBu
Front and rear connectivity
Analogue Channel Inputs (Inputs 1-4)
• 4 instrument 1⁄4” TS jack inputs on front panel
• 4 microphone XLR inputs on rear panel
• 4 line 1⁄4” TRS jacks on rear panel
• 4 insert return 1⁄4” TRS jacks on rear panel
• 4 ADC XLR inputs on rear panel
Analogue Audio Outputs (Outputs 1-4)
• 4 line XLR outputs on rear panel
• 4 insert send 1⁄4” TRS jacks on rear panel
Other I/O
• IEC power input connector 100Vac – 240Vac
Front Panel Indicators
• 8 output meters, 6 segment
• 4 30-60 mic gain range selection indicator
• 4 +48V phantom power indicator
• 4 Phase indicator
• 4 Insert In indicator
• 4 Filter In indicator
• 4 Input selection indicators (Mic, Line, Inst)
• 4 Z In microphone input impedance selection indicators (Low, ISA110, Med, High) Clock select indicators (44.1, 48, 88.2, 96, 176.4, 192)
• Ext clock indicators (Lock, Word clock, 256X)
Weight
5.5kg
12.2lbs
Dimensions (W x H x D)
480mm (W) x 88mm (H) x 280mm (D)
19" (W) x 3.5" (H) x 11" (D)
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