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The TORAIZ SP-16 sampler and step sequencer is the first in our line-up of music production tools for DJs and producers. We’ve partnered with the legendary synth creator Dave Smith to add his Prophet-6 analogue filters, so you can give your creations a rich, analogue warmth and presence.
Use the TORAIZ SP-16’s simple layout and large touch screen for producing, or as a stand-alone unit in the DJ booth to enhance performances. You can load or record live samples, create patterns, add FX, loops, and manipulate their parameters to make the music your own.
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Full-colour touch screen
The 7-inch, full-colour touch display gives you instant access to all the info you need. Browse, select and colour-code samples intuitively, while manipulating their parameters with the rotary dials just below the screen.
Live sampling
Instantly sample input sounds and use them in your tracks. Record from hardware like the TORAIZ AS-1 synthesizer or even a vinyl turntable. Your sampled sounds are automatically synchronised with the current sequence. Play them in a loop, edit or drop the samples straight into a live remix.
Specifications
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Width
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436.5 mm |
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Height
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74.3 mm |
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Depth
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261.2 mm |
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Weight
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3.2 kg |
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Terminals
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Inputs
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- 2 LINE (L/MONO & R, 1/4 inch TS Jack)
- 1 MIDI (Din)
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Outputs
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- 8 LINE (1/4 inch TS Jack)
- 1 MIDI (Din)
- 1 HEADPHONE MONITOR (1/4 inch Jack)
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monotron DELAY key features:
Space Delay with Time and Feedback controls offers analog-style echoes
New Pitch LFO with selectable Waveshape, Rate, and Intensity controls
VCF with Cutoff Control
Wide-range ribbon controller keyboard
Original Analog (VCF) Filter taken from the classic MS-10 & MS-20
Aux input jack lets you apply filter and delay to any audio source
Built-in speaker and battery power for Go Anywhere Analog sound
Headphone jack for private use
Classic Analog Synth / Space Delay Combination
A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The monotron DELAY is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter, and LFO, it also provides a Space Delay that's indispensable for swooping, cosmic sounds. The monotron DELAY even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo. As with the filter, the delay effect can be added to any external sound via the Aux In jack. This fat and warm delay will add an authentic edge to your analog sounds!
Dual-Waveform LFO
The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes – a new square wave plus the traditional triangle wave. Both the Rate (Speed) and the Intensity (Depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.
Wide-Range Ribbon Keyboard
The monotron DELAY's ribbon controller keyboard features a wide, four-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the monotron DELAY a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron DELAY ideal for delivering a striking visual impact in nearly any club environment.
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Introducing the new Korg nanoSERIES. These USB-powered, slim-line controllers are designed to make the most of your valuable studio space, and are small enough to take with you on any musical journey. Place one in front of your laptop, rest one on your workstation, park one on a recording console - or anywhere else you need versatile control over your DAW, virtual instrument, effect or DJ software. Small in size, all three controllers go HUGE when it comes to functionality, yet their intuitive layouts provide extremely easy operation for any user.
So c'mon; meet the nanos! The nanoKEY features a great-feeling 25-key velocity-sensitive keyboard that's ideal for song production. Each key can also be set to send MIDI control data, further expanding its power. Next up is the nanoPAD, featuring 12 highly responsive trigger pads, each capable of sending up to eight notes - or eight MIDI control messages - simultaneously, in addition to an X-Y touchpad with roll and flam functions for realistic drum programming. Last but not least, nanoKONTROL offers nine faders, nine knobs, 18 switches, plus a full transport section for expansive control; even a flexible note input mode to help you lay down your next big groove!
nanoPAD SPECIFICATIONS
Controllers
12 trigger pads with velocity and 4 velocity curves
X-Y pad
ROLL button
FLAM button
HOLD button
SCENE buttons (SCENE 1-4)
Memory
4 user scene memories
Connections
mini-USB
Power
USB bus power
Power Consumption
USB bus power: less than 100 mA
Others
Dimensions: 320(W) x 82(D) x 16.5(H) mm/ 12.60“(W) x 3.23“(D) x 00.65“(H)
Weight: 330g/ 0.73lbs.
Accessories: USB cable
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PCR-300: USB MIDI Keyboard Controller
Setting New Standards in Portable MIDI Control Features
Introducing the next generation of EDIROLʼs popular MIDI keyboard controllers. In addition to providing more physical controls than previous models, the PCR-300 also offers new innovative and intuitive controls. This controller is solidly built, and optimized for both music production and live performance.
- 32 velocity-sensitive keys, now with aftertouch
- 50 fully assignable controls, and editor software (Mac & PC)
- 18 velocity pads
- New, unique crossfader feature
- High-quality keyboard mechanism, and durable, stable body
- “Dynamic Mapping” — intelligent assignment of controls
- Convenient location of connections on side panel
- USB bus-powered
- MIDI merge
- “Cakewalk Production Plus Pack” included (SONAR LE, Project 5 LE, and Dimension LE)
Keyboard32 keys (with velocity and channel aftertouch)ControllersPads[A1]–[A9], [B1]–[B9]Buttons[L1]–[L4], [C1]–[C3]Knobs[R1]–[R9]Sliders[S1]–[S9]Crossfader[H1]–[H2]Foot Pedals[P1], [P2]Bender Lever[BEND], [MOD]Keyboard Aftertouch[AFTERTOUCH]Display7 segments
4 characters (LED)Side PanelPower Switch (USB Bus/OFF/DC IN)
MIDI Merge Switch (ON/OFF)ConnectorsHold Pedal Jack1/4 inch phone typeExpression Pedal Jack1/4 inch TRS phone typeMIDI ConnectorsIN, OUTUSB Connector
DC IN Jack
Power SupplyDC 9 V (AC Adaptor) or USB Bus PowerCurrent Draw300mA (AC Adaptor)
300mA (USB Bus Power)AccessoriesPCR-300/500/800 CD-ROM
USB Cable
Setup Guide
Ownerʼs Manual
Roland Software License AgreementOptionsAC AdaptorPSB-120/PSB-230EU/PSB-230UK/PSB-240APedal SwitchDP-2/DP-6Expression PedalEV-5/EV-7Size and WeightWidth606 mm23-7/8 inchesDepth251 mm9-7/8 inchesHeight91 mm3-5/8 inchesWeight2.9 kg6 lbs. 7 oz. | Xone:K2 is a compact, slim line universal MIDI controller – incorporating a 4 channel soundcard, for use with any DJ software.
With no fewer than 52 hardware controls providing up to 171 MIDI commands across 3 layers – plus the ability to link multiple units using X:LINK, saving USB ports on your computer – Xone:K2 has the power and flexibility to put you in touch with the functions and features of your chosen software.
Quick and simple mapping lets you create a unique layout that mirrors your style and puts the functions that matter at your fingertips, whilst 3 colour illuminating switches give at-a-glance feedback - allowing you to work however you decide.
The high quality internal soundcard provides flexible user setup options using the Xone:K2 with headphones, headphones and a mix system or with an external mixer. Xone:K2 comes packed in a black padded case as standard. The case doubles as a stand, bringing the K2 up to the same height as most pro DJ mixers.
Universal
Xone:K2 is a universal MIDI controller and is perfect for use with any DJ software, such as Traktor Pro, Ableton, Virtual DJ, PCDJ and MixVibes. Xone:K2 can even be used to control lights or VJ software – if it can receive MIDI data it can take commands from K2.
MIDI Control
Xone:K2 has 52 physical controls – including 12 analogue and 6 endless rotary encoders with push switch, 4 linear faders, and 30 backlit performance switches - providing up to 171 MIDI control commands across 3 layers. What each control does is entirely up to you - you can create a completely customised layout that perfectly fits the way you want to work. We also provide maps to get you started out the box and information on how to set up your own.
Latching Layers
By assigning controls to multiple layers you can give a single physical control up to 3 functions. You can configure all, some or none of K2ʼs controls to be linked to the latching layers system. As a quick visual reminder, when toggling through layers all switches assigned to a particular layer will illuminate in the appropriate colour.
Audio Interface
Xone:K2 has a high quality internal, four channel (2 stereo) soundcard. Setup options include using the Xone:K2 with headphones, headphones and a mix/PA system or with an external mixer – Xone:K2 is truly versatile for all modern DJs requirements.
Style with Strength
Its slim line chassis, soft touch controls and minimal looks set K2 apart from the pack. Thereʼs plenty of substance too – Xone:K2 is built to Allen & Heathʼs renowned touring grade audio and build quality standards, including the use of steel nuts on all rotary controls to protect the circuitry from impact damage.
Case / Stand
Xone:K2 comes packed in a robust black padded case as standard. As well as keeping it safe on the road, the case doubles as a stand, bringing the K2 up to the same height as most pro DJ mixers.
X:LINK
Two K2s can be linked via Allen & Heathʼs X:LINK protocol, giving twice as much control capability. X:LINK uses a standard RJ45 connector and distributes power and data, which means two K2s can be connected to your software using only one USB port on your computer. X:LINK also allows connection to Xone:DB4 and Xone:DB2 mixers, offering further expansion. |
Edirol announced the PCR-1 at Winter NAMM, a new combo device that integrates a USB bus powered 24-bit/96kHz audio interface into a 25-key MIDI keyboard controller. The PCR-1 measures a mere 1-3/16" thick, weighs under 3 pounds & offers a wide variety of audio & MIDI features.
Edirol has devised a new technology known as "S.L.I.M." (Short-stroke Low-profile Impact Mechanism) which allows a compact MIDI keyboard to maintain reasonable playability.
This 25-Key MIDI Keyboard Controller offers full 128-step velocity sensitivity and the same control map support as its larger PCR siblings. The assignable controls can be assigned to send any MIDI message. Also, like the other PCRs, it offers 16 on-board Memory locations for saving control maps for your favorite software applications.
The audio features include stereo RCA input/outputs as well as a stereo mini headphone connection which doubles as an optical digital S/PDIF Port. The PCR-1 offers support for Mac & PC with WDM, ASIO, & Core Audio drivers.
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