PRESONUS DIGIMAX LT- 8 CH.MIC PREAMP w-ADAT LIGHTPIPE OUTPUT

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795.40 incl. GR VAT

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Availability: No longer available! No longer available! SKU: DIGI MAX LT Category:
The DigiMAX LT is essential to the modern digital studio. Eight channels of pristine mic preamplification, inserts on every channel, and an internal power supply set this unit apart from anything on the market. Each channel features our award-winning, high performance, dual servo microphone preamplifiers with 48V phantom power, and -20dB pad. Each channel features […]

 

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The DigiMAX LT is essential to the modern digital studio. Eight channels of pristine mic
preamplification, inserts on every channel, and an internal power supply set this unit apart
from anything on the market. Each channel features our award-winning, high performance,
dual servo microphone preamplifiers with 48V phantom power, and -20dB pad. Each channel
features a Neutrik?connector that accepts line level or microphone input. DigiMAX LT digital
synchronization is achieved by offering word clock in and out via BNC connectors. The sample
rate can be set on the front panel to 48K, 44.1K, and 32K providing compatibility across multiple
platforms.
The DigiMAX LT provides TRS inserts on every channel to allow external dynamics processors
or equalizers to be placed in the signal chain. The DigiMAX LT is the perfect partner for recording
systems such as DigiDesign 002?, MOTU828, MOTU 2408? as well as numerous digital mixers
and hard disk recorders.
 
 Features 
? ADAT? LightPipe Output
? Eight Dual Servo Mic Preamps and Line Inputs
? Eight TRS Insert Points
? Linear Internal Power Supply
? 48V Phantom Power on Each Channel
? -20dB Pad on Each Channel
? Adjustable Sample Rates
? BNC I/O for Sync

Technical Specifications
Number of Channels Eight
Input
Input Impedance, XLR Input 1.3k Ohms
Input Impedance, Line Level Input 10k Ohms
Connectors Neutrik? Combo
Panel Controls
Gain 0dB to +40dB
Pad -20 dB
Phantom Power +48 V
Meters
Signal Present LED -20dBu
Clip LED +22dBu
Output
ADAT? LightPipe Digital Optical 24-bit
Insert (TRS)
Send (Unbalanced) 51 Ohms
Return (Unbalanced) 10k Ohms
Digital
Sampling Rates 32kHz, 44.1kHz, 48kHz
Performance
Headroom +22dB
Frequency Response 20Hz-50kHz
THD + Noise (Unweighted) 98dB
Analog Dynamic Range >120dB
Power Supply Rejection >98dB
Amplifier Type Dual Servo
Power Supply
Type Linear, Internal Input: 100/120/220/240V AC (Factory Configured)
Power 80 Watts
Physical
Size 1U Rack
Dimensions 19″ x 1.75″ x 9“
Weight 10 lbs./ 4.5 kg.
Chassis Steel
Panel Aluminum

Weight 6.00 kg

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Quick Comparison

PRESONUS DIGIMAX LT- 8 CH.MIC PREAMP w-ADAT LIGHTPIPE OUTPUT removeSOUND DEVICES MP-1 Portable, battery-powered microphone preamplifier with phantom power removeBEHRINGER ADA8200 Microphone preamplifier removeRME Quadmic II 8 Channel Mic Preamp removePRESONUS HP-60 Headphone Amplifier 6 Channels removeBEHRINGER MIC2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box remove
NamePRESONUS DIGIMAX LT- 8 CH.MIC PREAMP w-ADAT LIGHTPIPE OUTPUT removeSOUND DEVICES MP-1 Portable, battery-powered microphone preamplifier with phantom power removeBEHRINGER ADA8200 Microphone preamplifier removeRME Quadmic II 8 Channel Mic Preamp removePRESONUS HP-60 Headphone Amplifier 6 Channels removeBEHRINGER MIC2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box remove
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SKUDIGI MAX LTMP-1E005873J44RM00005APA2018-00893E005316
Rating
Price 795.40 incl. GR VAT 491.97 incl. GR VAT 248.00 incl. GR VAT 1,299.00 incl. GR VAT 303.80 incl. GR VAT 166.00 incl. GR VAT
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Description
Content

The DigiMAX LT is essential to the modern digital studio. Eight channels of pristine mic
preamplification, inserts on every channel, and an internal power supply set this unit apart
from anything on the market. Each channel features our award-winning, high performance,
dual servo microphone preamplifiers with 48V phantom power, and -20dB pad. Each channel
features a Neutrik?connector that accepts line level or microphone input. DigiMAX LT digital
synchronization is achieved by offering word clock in and out via BNC connectors. The sample
rate can be set on the front panel to 48K, 44.1K, and 32K providing compatibility across multiple
platforms.
The DigiMAX LT provides TRS inserts on every channel to allow external dynamics processors
or equalizers to be placed in the signal chain. The DigiMAX LT is the perfect partner for recording
systems such as DigiDesign 002?, MOTU828, MOTU 2408? as well as numerous digital mixers
and hard disk recorders.
 
 Features 
? ADAT? LightPipe Output
? Eight Dual Servo Mic Preamps and Line Inputs
? Eight TRS Insert Points
? Linear Internal Power Supply
? 48V Phantom Power on Each Channel
? -20dB Pad on Each Channel
? Adjustable Sample Rates
? BNC I/O for Sync

Technical Specifications
Number of Channels Eight
Input
Input Impedance, XLR Input 1.3k Ohms
Input Impedance, Line Level Input 10k Ohms
Connectors Neutrik? Combo
Panel Controls
Gain 0dB to +40dB
Pad -20 dB
Phantom Power +48 V
Meters
Signal Present LED -20dBu
Clip LED +22dBu
Output
ADAT? LightPipe Digital Optical 24-bit
Insert (TRS)
Send (Unbalanced) 51 Ohms
Return (Unbalanced) 10k Ohms
Digital
Sampling Rates 32kHz, 44.1kHz, 48kHz
Performance
Headroom +22dB
Frequency Response 20Hz-50kHz
THD + Noise (Unweighted) 98dB
Analog Dynamic Range >120dB
Power Supply Rejection >98dB
Amplifier Type Dual Servo
Power Supply
Type Linear, Internal Input: 100/120/220/240V AC (Factory Configured)
Power 80 Watts
Physical
Size 1U Rack
Dimensions 19" x 1.75" x 9“
Weight 10 lbs./ 4.5 kg.
Chassis Steel
Panel Aluminum

Designed for high-definition field production environments, the studio-quality MP-1 is an ideal line-driver for critical radio, television, and film applications.

The MP-1 is extremely durable and easy to use. With rugged mechanical and electrical construction and high-quality components it will provide years of superb audio performance under the most punishing field conditions.

MP-1 Key Features
  • Superb audio specifications
  • 66 dB of gain, in eleven discrete steps
  • Transformer-balanced input and output
  • Phantom power - 48 volt or 12 volt
  • High pass filter @  80 Hz or 160 Hz, 6 dB/octave
  • Limiter makes unit virtually "unclippable“
  • High current line output drive
  • Excellent immunity to RF interference.
  • Battery power (two x AA)
  • Durable mechanical construction

 

    • Ultra-high quality 8-channel A/D and D/A interface for virtually any digital recording/mixing environment
    • 8 state-of-the-art MIDAS designed Mic Preamplifiers
    • Phantom power on all microphone inputs
    • Reference-class Cirrus Logic 24-bit converters for ultimate signal integrity
    • Processes 48 and 44.1 kHz sample rates
    • External sample rate synchronization via word clock or ADAT input
 
  • Optical ADAT in/out interface for ultimate compatibility
  • All mic/line inputs routed to the ADAT output
  • ADAT input routed to all Line outputs
  • “Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

 The OctaMic II provides 8-Channel 192 kHz / 24 bit AD conversion with eight hi-class microphone and line pre-amplification channels, featuring a combination of sophisticated components and approved RME technology.

Lowest distortion, excellent signal to noise ratio and perfectly linear frequency response transmit and amplify the microphone signals truly unchanged.

The OctaMic II includes some significant enhancements compared to the OctaMic:

The balanced TRS inputs of the Neutrik Combo XLR jacks are phantom power-free and can be operated as real line inputs too. The improved design of the input circuits allows for a maximum input level of +21 dBu with a convenient gain range from 6 dB up to 60 dB.
Improved signal to noise ratio (SNR) ADC 107.5 dB
Improved THD, especially at higher gains
Optimised heat dissipation by a new and larger housing with improved convection
Internal wide range power supply with line filter, insensitive to voltage fluctuations
Super-stable, short circuit proof 48 V phantom power


Features

OctaMic II offers 8 balanced XLR mic / line inputs via Neutrik XLR/TRS combo jacks. Each channel contains switches for 48V phantom power, a low cut filter and phase reversal. Amplification can be set between 6 and 60 dB. LEDs for signal, clip, and activated phantom power give a complete overview on the unit's status. When the special Clip Hold mode is activated, any detected clip-state will cause the corresponding LED to flash once per second. With this, the user gets a long-term peak detection, and no longer needs to constantly watch the LEDs. At the same time momentary overloads are still displayed correctly.

Frontside switches include power on/off and output level, for a choice of -10 dBV, +4 dBu or Hi Gain (+19 dBu) as reference level. This unusual feature offers two advantages. First, the reference level can be easily switched to match any of RME's current interface devices, from HDSP 9632 through Multiface up to the renowned ADI-8 series converters. Second, the Signal to Noise ratio is optimized, and the Clip-LED will exactly match the ones of the ADI-8 (2 dB below 0 dBFS).

The balanced line level output signal is available at the back of the unit via 8 stereo TRS jacks. The specially developed, internal hi-performance switch mode power supply lets the OctaMic II operate in the range of 100V to 240V AC. It is short-circuit-proof, has an integrated line-filter, is fully regulated against voltage fluctuations, and suppresses mains interference.

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AD-Conversion

The 8-Channel AD-conversion of the OctaMic II operates at up to 192 kHz. The digitized signal is available simultaneously at the double ADAT output (S/MUX, up to 96 kHz), and at a DB-25 connector (4 AES/EBU outputs, up to 192 kHz). The digital part can be clocked internally (master) and externally via word clock, AES/EBU and SPDIF.

RME's outstanding SteadyClock(TM) ensures perfect AD-conversion, as jitter on the external sync-sources is nearly completely removed. All settings are done via DIP-switches on the back of the OctaMic II. Analog outputs and both digital outputs operate fully simultaneously. The choice of reference level affects the analog outputs only, the signal/clip indication and the AD-conversion will react only to the Gain-pots.


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Tech Specs

8 balanced XLR/TRS mic/line inputs

54 dB gain range

Input impedance: XLR 2 kOhm, TRS 5 kOhm

Analog input level: from -40 dBu up to +21 dBu

Maximum output level: +21 dBu

Output impedance: 75 Ohm

Output level switchable Hi Gain / +4 dBu / -10 dBV

Signal to noise ratio (SNR): 129 dB EIN @ 150 Ohm

THD:
Large frequency range (200 kHz) with special EMI input filtering

Frequency response -0.5 dB: 5 Hz - 200 kHz

Hi-pass filter: 80 Hz, 18 dB/oct.

Line Out: 1/4" TRS (6.3 mm stereo jack), servo-balanced

Phantom power: +48 Volt switchable per channel

Internal wide range switching power supply 100-240 Volt AC

Unbeatable price/performance ratio!

AD conversion

SNR: >110 dB(A)

Supported sample rates: 28 kHz - 200 kHz

THD:
Sync Sources: AES/EBU (also SPDIF coaxial), wordclock, internal

SteadyClock(TM) ensures best sound quality even with jittery external clocks


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Accessories

Digital breakout cable Pro, AES/EBU, D-sub25 to 4x XLR-3 female + 4x XLR-3 male, 1m/3m/6m (ALVA Audio)
Digital D-sub cable, AES/EBU, D-sub25 male to D-Sub25 male, 1m/3m/6m (ALVA Audio)
Optical ADAT Toslink cable 1m/2m/3m/5m/10m (ALVA Audio)
Word Clock cable, 1 x BNC male to 1 x BNC male, 1m/5m/10m (ALVA Audio)

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Add-On

BOB-32    Universal Breakout Box with 2 x 8 XLR to 2 D-sub connectors (supports TASCAM and YAMAHA format), flip-frame case

The PreSonus HP60 is the most flexible and advanced headphone amplifier system available for professional and project recording studios as well as live sound in-ear monitoring systems. Loaded with six independent,
loud and clear headphone amplifiers, the HP60 features dual stereo inputs as well as external input, for each
channel allowing you to mix between three stereo audio streams (mix A, mix B, and external input). Stereo output is also available on each channel to send line level headphone channel mixes to additional headphone amplifiers or monitor systems. Each channel features headphone level, mix control between A and B inputs, external input volume, mute and mono. The HP60 also features talkback via external XLR microphone input. Common set up of the HP60 in a recording session is to send the main control room mix to input A. Send the click track to input B. Send the each band member direct recording input to each channelʼs external input (more me). This will allow each band member to create a mix between the main mix, the click track and themselves. The HP60 is the ultimate headphone amplification system delivering loud and clear headphone mixes for real-world recording situations.

Features:
-Six independent ultra low noise, high output headphone amplifiers (150 mW per channel)
-Two sets of stereo inputs (A and B) with balanced TRS connectors
-Stereo external input point on each channel for "more me” with trim control
-Mix control between inputs A and B
-Talkback with external XLR microphone with control
-Direct stereo line output on each channel

Input A

(2) ¼” TRS balanced 10 Ohms

Input B

(2) ¼” TRS balanced 10 Ohms

External input

TRS stereo unbalanced 10 Ohms

Headphone amplifier output power

150 mW RMS (60 Ohms) per channel

Audio outputs

¼” TRS stereo unbalanced per channel

Master controls

Talk button, Talkback volume, Input A, Input B

Channel controls

Headphone level, Mix A/B control, External input level, Mono, Mute

External talkback

XLR with TS external control jack

Power

IEC 110V-240V internal switching

Behringer MIC-2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box

The MIC2200 is the ideal extension to your console, MIDI setup or hard disk recording system. Its integrated parametric EQ?s give you extra sound-shaping power, while its built-in tube adds warmth and transparency to your signal. In addition, the ULTRAGAIN PRO features direct injection and level conversion functionality.

Weight6.00 kg2.00 kg3.00 kg2.00 kg2.00 kg4.20 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 6.00 kg
Weight 2.00 kg
Weight 3.00 kg
Weight 2.00 kg
Weight 2.00 kg
Weight 4.20 kg

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