| Content | Eris E7 XT
Our best-selling studio monitors just got even better.
With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound, it's no wonder that Eris®-series studio monitors have been a runaway hit since their introduction. The Eris E7 XT builds on the Eris XT series, adding big, controlled bass in a compact form that will fit into a studio of nearly any size. Deep lows and a wide, more controlled sweet spot (thanks to its EBM waveguide design) mean that our best-selling studio monitors just got even better.
Studio speakers with a wide sweet spot.
We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modeled) waveguide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot that's ideal for group listening and collaboration. Narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.
Bass that’s just right.
The familiar woven composite low-frequency driver offers Eris' signature tight, clear bass, with plenty of punch and no flab. Eris E7 XT studio monitors sport a ported enclosure that is designed to maximize bass in a compact cabinet, allowing them to reach down to an astonishing 42 Hz—with no subwoofer!
Set up your studio monitors for your room.
Modern recording studios can be anywhere from a spare bedroom to a multi-million dollar facility. That's why every studio monitor we make is equipped with controls that ensure the flattest response in your mix environment. Acoustic tuning controls allow you to configure the Eris E7 XT perfectly for your room: You get Low-cut, Mid, and High controls, as well as 3-way Acoustic Space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner.
Studio monitor connections.
It’s easy to feed audio to your Eris E7 XT studio monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E7 XT monitors provide balanced XLR, balanced ¼-inch TRS, and unbalanced RCA line-level inputs. You’ll have no problem hooking your Eris speakers up to virtually anything.
Accuracy defined.
Suitable for both home recording studios and professional mix engineering, Eris XT studio monitors combine sterling audio quality with the flexible tuning and connectivity you've come to expect from PreSonus®. It’s Eris remastered.
Active Studio Monitor
- Equipped with a 6.5" woofer and a 1.25" silk-dome tweeter
- Frequency response: 42 - 22,000 Hz
- Crossover frequency: 2.5 kHz
- Gain control
- MF Control - Bell EQ, 1 kHz, +/- 6 dB
- HF Control: Shelving filter, 10 kHz, +/- 6 dB
- Low cut switchable at 80 or 100 Hz
- Acoustic space switch: -2 dB, -4 dB
- LF Amplifier power: 70 W
- HF Amplifier power: 60 W
- Max. SPL (sound pressure level): 104 dB (continuous operation)
- Input: XLR and jack (balanced), and RCA (unbalanced)
- 100° (H) x 60° (V) EBM Waveguide
- Turn-on delay
- Output current limiting
- Overheating-, transient-, and subsonic protection circuits
- Dimensions: (W x D x H) 240 x 242 x 365 mm
- Weight: 8.4 kg
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Features
Ruler-Flat Response 52Hz to 20kHz, + 1.5 dB
Benefit: Sound true to actual recording
Benefit: Any pair of speakers is a matched pair
Active Technology
2 FR (Fast Recovery) Series Amplifiers; HF 40W; LF 100W
Benefit: Precise dividing slope, correct phase, and low distortion
Benefit: Minimal chance of speaker damage due to overdriving
Servo Loop Woofer Technology
Electronic control and dampening
Benefit: Speaker output is as true to incoming signal as possible
Frequency Response Controls
80Hz low-cut switch; 3-position live/dead switch (-2bdB, Normal and +2dB)
Benefit: Excellent response in a variety of acoustic environments
Wide Sweet Spot
Custom-designed die-cast wave guide
Benefit: User hears the same thing across a wider range of motion
3-Position Acoustic Space Switch
Compensation in bass response for half-space (-2dB) and quarter-space (-4dB) placement
Benefit: As close-to-flat performance as possible regardless of placement in room
Applications
Professional Recording Studios
Home and Project Studios
Film (THX) and Post Production Studios
Home Theater Installations
Acoustic Performance
Free Field Frequency Response: 52Hz - 20Hz
| Behringer MS-16 2x8W 2-Way Active Personal Monitor System
The Behringer MS16 Studio Monitors feature an active 2-way design with powerful 4'' woofers and 1.5'' tweeters, powered by two 8 watt amplifiers. Offering two line inputs and a microphone input, the Behringer MS16 monitors are perfect for both home studios and general multimedia applications.
Full Description
Compact and Ideal For Home Studio
The Behringer MS16 Studio Monitors, Pair are the ideal studio monitor for your home studio project. Whether that be mixing, producing, or even listening the MS16 Studio Monitors turn your computer into a personal home studio. Its powerful 4" woofers provide thumping bass, whilst the high resolution tweeters provide clean high frequencies. Also featured are dedicated volume, bass and treble controls for extra flexibility. They also make excellent add-on speakers for electronic keyboards and playing a live performance.
Input Connections
The MS16 Studio Monitors feature multiple input options featuring a 1/8" stereo input for connecting up CD, MD and MP3 players. The dual RCA jacks allow for stereo keyboard modules and tape decks. Furthermore there is a 1/4" inch to allow connections for a dynamic microphone or electric guitar enabling you to sign or play along with prerecorded tracks.
Features
- Compact stereo speaker system ideally suited for home studios, multimedia applications, keyboard and vocal monitoring, etc.
- Powerful 4'' woofers and high-resolution tweeters powered by two 8 watt amplifiers
- Dedicated Volume, Bass and Treble controls for more flexibility
- Stereo RCA inputs for sound cards, keyboards, etc. that can be used simultaneously with a second stereo source (e. g. CD/MD player) through 1/8'' TRS stereo input
- Separately adjustable 1/4'' TRS microphone input mixable with stereo inputs for playback and vocal monitoring applications
- 1/8'' TRS headphone connector with auto-mute loudspeaker function
- Magnetically shielded for placement near computer monitors
- Designed and engineered in Germany
Specifications
- Woofer: 4''
- Tweeter: 1.5''
- Output Power: 2 x 8 Watts
- Frequency Response: 80Hz - 20kHz
- Speaker Impedance: 4?
- Input 1:
- Connector: 1/8'' TRS Stereo
- Input Level: -10dBm, 10k?
- Input 2:
- Connector: RCA Stereo
- Input Level: -10dBm, 10k?
- Mic Input:
- Connector: 1/4'' TRS
- Input Level: -50dBm, 50?
- Dimensions: 9.5'' x 5.5'' x 6'' / 241mm x 140mm x 150mm (H x W x D)
- Weight: 4kg
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PRICE PER UNIT
A revolutionary formula: 2 x 7 = 77 In some set-ups it can be advisable to use a horizontally designed speaker rather than a vertical one. Until now, such monitors were only available within the SX top line. The brand new A77X, due to its outstanding features, might become a true game changer: Equipped with the same advanced technologies as the A7X, it therefore is very similar to the two-way speaker. The A77X, however, distinguishes itself by much higher, compression-free maximum sound pressure levels and dynamics. Due to its power and radiation characteristics, it also is perfectly suited for both near- and midfield monitoring. Driver technology Like all models of the AX series, the A77X features the ADAM proprietary X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has higher efficiency and higher maximum sound pressure levels. The two 7” woofers are identical with that of the A7X. With their large voice coils (1.5”) and powerful amplifiers, they are capable of both very high maximum sound pressure levels as well as very deep registers. The woofers do not cover the same frequency bands: while both of them are responsible for the (sub-) bass frequencies up to about 400Hz, only one of them reproduces the midrange. This prevents interferences between the two drivers. For stereo setups the A77X is available in A and B versions in order to guarantee a precise stereo image. Amplifiers / controls Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the bass-/midwoofers are driven by a 100W PWM amp each. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch. The rear panel features several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies.
To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors. Review samples: “… a refreshing change“
"… if you liked the A7X youʼll like the A77X even more, and if the companyʼs smaller near-fields werenʼt your cup of tea, the A77X are definitely worth another listen. They are not much bigger than a two-driver cabinet design, so should slip into any installation where a near-field speaker will fit, but the extra low/ mid frequency drivers mean that the bass is more naturally extended and the mid-range clearer and more detailed. I like the A77X a lot and they make a refreshing change from the usual mid-priced near-field speakers." AUDIO MEDIA magazine / February 2012 “… wide and spacious soundstage with solid left/right imaging“
"… they are fun and easy to work with, covering all the essential functions required of high-end monitors with aplomb." MusicTech magazine / April 2012 | Subwoofer |
| | Number | 1 / 1 | | Basket Ø | 7" (175 mm) / 7" (175 mm) | | Voice coil Ø | 1.5" (38 mm) / 1.5" (38 mm) | | Cone material | Carbon / rohacell / glass / Carbon / rohacell / glass | | Tweeter |
| | Number | 1 | | Type | X-ART | | Diaphragm area | 4 inch² (2420 mm²) | | Equiv. Diaphragm Ø | 2" (56 mm) | | Velocity transform ratio | 4:1 | | Diaphragm weight | 0.17 g | | Built-in Amplifiers |
| | Subwoofer | 1 | | Type | PWM | | Amp. power RMS / music | 100 W / 150 W | | Subwoofer | 1 | | Type | PWM | | Amp. power RMS / music | 100 W / 150 W | | Tweeter | 1 | | Type | A/B | | Amp. power RMS / music | 50 W / 75 W | | Control panel |
| | Input Sensitivity | -∞ to +14 dB | | High Shelf EQ > 5 kHz | ±6 dB | | Low Shelf EQ | ±6 dB | | Tweeter gain | ±4 dB | | Input connectors |
| | Analog | XLR / RCA | | Location | Rear | | General data |
| | Panel | Front | | Frequency response | 38 Hz - 50 kHz | | THD 90dB/1m > 100 Hz | ≤0.5 % | | Long term output | ≥114 dB | | Max. peak | ≥122 dB | | Crossover frequencies | 400 / 3000 Hz | | Input impedance | 30 KOhm | | Weight | 28.2 lb (12,8 kg) | | Magnetically shielded | Optional | | Height x Width x Depth | 9.5" (235 mm) x 21" (530 mm) x 11" (280 mm) | | Warranty | 5 Years |
| M-Audio BX8 D3 Features:
- 150W active studio monitor with 8" military-grade Kevlar low-frequency driver and 1.25" silk dome tweeter
- Bi-amplified design delivers a sound that's both powerful and precise
- Custom waveguide ensures accurate dispersion for an incredibly tight soundstage
- Optimized rear-mounted port produces defined low-end response with bass extension down to 37Hz
- Acoustic Space Control tailors your monitor to your mix space
- Volume control for dialing in the perfect playback level
- Balanced combo input allows for flexible installation
- Front-panel LED shines brightly when the speaker is positioned at an ideal angle
M Audio BX8 D3 8 Inch Powered Studio Monitor Specifications
- Frequency Range: 37Hz – 22kHz
- Crossover: 2.0kHz
- Maximum Peak Input Level: -2dBU
- Input Types: Balanced 20kO XLR, and TRS
- Unbalanced: 10kO TS
- Input Sensitivity: -12dBU
- HF Driver Size: 31.8 mm (1.25“)
- LF Driver Size: 203 mm (8“)
- Amplifier Power: 150W Class A/B
- HF Driver Power Amp: 70W
- LF Driver Power Amp: 80W
- Port: Rear internally flared
- Controls: Yes
- Magnetic Shielding: Yes
- AC Input Voltage: 100–120V, 50/60 Hz 220–240V, 50/60 Hz
- Enclosure Construction: MDF
- Enclosure Finish: Black PVC
- Baffle Construction: Injection-molded ABS
- Baffle Finish: Matte black with Soft-touch
- Dimensions (HxWxD): 384 mm x 250mm x 302mm (15.1” x 9.8” x 11.9”)
- Weight: 10.5 kgs (23.1 lbs)
- Display Carton (HxWxD): 398mm x 345mm x 482mm (15.6” x 13.5” x 18.9”)
- Shipping Carton (HxWxD): 412mm x 359mm x 502mm (16.2” x 14” x 19.68”)
- Shipping Weight: 12.8kgs (28.22lbs)
- Configuration: 2-Way bi-amp
- System Type: Active Monitor
- Fuse Rating: 220–240V~ T1AL, 250V 100–120V~ T2AL, 250V
- Power Consumption: 150W
- Shape: Bass-reflex
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PRICE PER UNIT
S3X-V
Using the newly developed 4” HexaCone midrange and 9” HexaCone woofer combined together with the X-ART tweeter creates the unique S3X-V control monitor.
A step up over the smaller models, the S3X-V is capable of producing more power and volume along with a more detailed and homogeneous sound that will impress even the most experienced sound engineer. Whether the complex sonic images of an orchestra or the smooth tone of a jazz trio, the S3X-V reveals even the finest nuances of any material. The driver assembly of the S3X-V allows long time, non-fatiguing listening sessions.
Reviews: "Wonderfully detailed...”
“Wonderfully detailed, with an exceptionally transparent mid-range. [...] ADAM make the leap to a three-way speaker design that seems to pay dividends in clarity and separation. [...] I think it would be fair to say theyʽre the best sounding ADAM monitors Iʽve reviewed.” (Sound On Sound, 12/2009)
“No doubt, the S3X-V deserve the title Reference Monitor. With this series, ADAM Audio proves to have a very good feeling for meeting the specific demands of the sound engineerʽs guild, creating studio standards at the same time. [...] A precision tool combined with a luxury good.” (www.96kHz.de, 03/2010)
| Woofer |
| | Number | 1 | | Basket Ø | 9" (228 mm) | | Voice coil Ø | 2" (50 mm) | | Cone material | HexaCone | | Midrange |
| | Number | 1 | | Basket Ø | 4.5" (116 mm) | | Voice coil Ø | 1" (25 mm) | | Cone material | HexaCone | | Tweeter |
| | Number | 1 | | Type | X-ART | | Diaphragm area | 4 inch² (2420 mm²) | | Equiv. Diaphragm Ø | 2" (56 mm) | | Velocity transform ratio | 4:1 | | Diaphragm weight | 0.17 g | | Built-in Amplifiers |
| | Woofer | 1 | | Type | PWM | | Amp. power RMS / music | 250 W / 350 W | | Midrange | 1 | | Type | PWM | | Amp. power RMS / music | 250 W / 350 W | | Tweeter | 1 | | Type | A/B | | Amp. power RMS / music | 50 W / 100 W | | Control panel |
| | Input Sensitivity (coarse) | -20 to +8 dB (4 dB steps) | | Input Sensitivity (fine) | -1.5 to +2 dB (0.5 dB steps) | | EQ 80 Hz | 0 to +6 dB (1 dB steps) | | High Shelf EQ > 6 kHz | ±4 dB (1 dB steps) | | Low Shelf EQ | ±4 dB (1 dB steps) | | Tweeter gain | ±2 dB (0.5 dB steps) | | Input connectors |
| | Analog | XLR | | Digital (optional) | AES/EBU / SPDIF / word clock | | General data |
| | Panel | Front | | Frequency response | 32 Hz - 50 kHz | | THD > 80 Hz | ≤0.6 % | | Long term output | ≥114 dB | | Max. peak | ≥124 dB | | Crossover frequencies | 350 / 2800 Hz | | Input impedance | 10 KOhm | | Weight | 34 lb (15,4 kg) | | Magnetically shielded | Optional | | Height x Width x Depth | 19" (485 mm) x 11" (281 mm) x 11.5" (295 mm) | | Warranty | 5 Years |
| Delivery contents | |
Power cord, Manual
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