| Content | Eris E7 XT
Our best-selling studio monitors just got even better.
With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound, it's no wonder that Eris®-series studio monitors have been a runaway hit since their introduction. The Eris E7 XT builds on the Eris XT series, adding big, controlled bass in a compact form that will fit into a studio of nearly any size. Deep lows and a wide, more controlled sweet spot (thanks to its EBM waveguide design) mean that our best-selling studio monitors just got even better.
Studio speakers with a wide sweet spot.
We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modeled) waveguide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot that's ideal for group listening and collaboration. Narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.
Bass that’s just right.
The familiar woven composite low-frequency driver offers Eris' signature tight, clear bass, with plenty of punch and no flab. Eris E7 XT studio monitors sport a ported enclosure that is designed to maximize bass in a compact cabinet, allowing them to reach down to an astonishing 42 Hz—with no subwoofer!
Set up your studio monitors for your room.
Modern recording studios can be anywhere from a spare bedroom to a multi-million dollar facility. That's why every studio monitor we make is equipped with controls that ensure the flattest response in your mix environment. Acoustic tuning controls allow you to configure the Eris E7 XT perfectly for your room: You get Low-cut, Mid, and High controls, as well as 3-way Acoustic Space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner.
Studio monitor connections.
It’s easy to feed audio to your Eris E7 XT studio monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E7 XT monitors provide balanced XLR, balanced ¼-inch TRS, and unbalanced RCA line-level inputs. You’ll have no problem hooking your Eris speakers up to virtually anything.
Accuracy defined.
Suitable for both home recording studios and professional mix engineering, Eris XT studio monitors combine sterling audio quality with the flexible tuning and connectivity you've come to expect from PreSonus®. It’s Eris remastered.
Active Studio Monitor
- Equipped with a 6.5" woofer and a 1.25" silk-dome tweeter
- Frequency response: 42 - 22,000 Hz
- Crossover frequency: 2.5 kHz
- Gain control
- MF Control - Bell EQ, 1 kHz, +/- 6 dB
- HF Control: Shelving filter, 10 kHz, +/- 6 dB
- Low cut switchable at 80 or 100 Hz
- Acoustic space switch: -2 dB, -4 dB
- LF Amplifier power: 70 W
- HF Amplifier power: 60 W
- Max. SPL (sound pressure level): 104 dB (continuous operation)
- Input: XLR and jack (balanced), and RCA (unbalanced)
- 100° (H) x 60° (V) EBM Waveguide
- Turn-on delay
- Output current limiting
- Overheating-, transient-, and subsonic protection circuits
- Dimensions: (W x D x H) 240 x 242 x 365 mm
- Weight: 8.4 kg
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Features
Ruler-Flat Response 52Hz to 20kHz, + 1.5 dB
Benefit: Sound true to actual recording
Benefit: Any pair of speakers is a matched pair
Active Technology
2 FR (Fast Recovery) Series Amplifiers; HF 40W; LF 100W
Benefit: Precise dividing slope, correct phase, and low distortion
Benefit: Minimal chance of speaker damage due to overdriving
Servo Loop Woofer Technology
Electronic control and dampening
Benefit: Speaker output is as true to incoming signal as possible
Frequency Response Controls
80Hz low-cut switch; 3-position live/dead switch (-2bdB, Normal and +2dB)
Benefit: Excellent response in a variety of acoustic environments
Wide Sweet Spot
Custom-designed die-cast wave guide
Benefit: User hears the same thing across a wider range of motion
3-Position Acoustic Space Switch
Compensation in bass response for half-space (-2dB) and quarter-space (-4dB) placement
Benefit: As close-to-flat performance as possible regardless of placement in room
Applications
Professional Recording Studios
Home and Project Studios
Film (THX) and Post Production Studios
Home Theater Installations
Acoustic Performance
Free Field Frequency Response: 52Hz - 20Hz
| Behringer MS-16 2x8W 2-Way Active Personal Monitor System
The Behringer MS16 Studio Monitors feature an active 2-way design with powerful 4'' woofers and 1.5'' tweeters, powered by two 8 watt amplifiers. Offering two line inputs and a microphone input, the Behringer MS16 monitors are perfect for both home studios and general multimedia applications.
Full Description
Compact and Ideal For Home Studio
The Behringer MS16 Studio Monitors, Pair are the ideal studio monitor for your home studio project. Whether that be mixing, producing, or even listening the MS16 Studio Monitors turn your computer into a personal home studio. Its powerful 4" woofers provide thumping bass, whilst the high resolution tweeters provide clean high frequencies. Also featured are dedicated volume, bass and treble controls for extra flexibility. They also make excellent add-on speakers for electronic keyboards and playing a live performance.
Input Connections
The MS16 Studio Monitors feature multiple input options featuring a 1/8" stereo input for connecting up CD, MD and MP3 players. The dual RCA jacks allow for stereo keyboard modules and tape decks. Furthermore there is a 1/4" inch to allow connections for a dynamic microphone or electric guitar enabling you to sign or play along with prerecorded tracks.
Features
- Compact stereo speaker system ideally suited for home studios, multimedia applications, keyboard and vocal monitoring, etc.
- Powerful 4'' woofers and high-resolution tweeters powered by two 8 watt amplifiers
- Dedicated Volume, Bass and Treble controls for more flexibility
- Stereo RCA inputs for sound cards, keyboards, etc. that can be used simultaneously with a second stereo source (e. g. CD/MD player) through 1/8'' TRS stereo input
- Separately adjustable 1/4'' TRS microphone input mixable with stereo inputs for playback and vocal monitoring applications
- 1/8'' TRS headphone connector with auto-mute loudspeaker function
- Magnetically shielded for placement near computer monitors
- Designed and engineered in Germany
Specifications
- Woofer: 4''
- Tweeter: 1.5''
- Output Power: 2 x 8 Watts
- Frequency Response: 80Hz - 20kHz
- Speaker Impedance: 4?
- Input 1:
- Connector: 1/8'' TRS Stereo
- Input Level: -10dBm, 10k?
- Input 2:
- Connector: RCA Stereo
- Input Level: -10dBm, 10k?
- Mic Input:
- Connector: 1/4'' TRS
- Input Level: -50dBm, 50?
- Dimensions: 9.5'' x 5.5'' x 6'' / 241mm x 140mm x 150mm (H x W x D)
- Weight: 4kg
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PRICE PER UNIT
S2X
The S2X brings together the virtues of the ʽclassicalʼ 7” woofer and tweeter combination by using ADAM innovative technologies and top-class materials.
The HexaCone 7” woofer is driven by a sophisticated magnet system with a 2” voice coil creating a greater linear excursion. This produces more dynamics than one would assume in a monitor of such small proportions. As a result, in addition to the unsurpassed audio quality of the X-ART and A/B amplifier combination, this monitor surprises the listener with a very powerful, deep, but always tight and precise low end.
Review at a glance: "Sonic sensation“
“The ADAM Audio S2X can convince in all areas, concerning the sound as well as the workmanship, and are worth every Euro. […] a no-compromise tool for all who mean serious business, whether in music or postproductions.” (www.96kHz.de, 03/2010)
“We started off with a classical string quartet recording and let´s just say right away that the S2Xs floored us. Several adjectives spring to mind [...] - wide open, transparent, effortless, breathtaking realistic, loud, dynamic, involving... [...] If you close your eyes and continue listening, the S2Xs seem to ‚disappearʽ almost entirely. [...] you gradually become less aware that you´re listening to speakers because they´re like an open window on the music itself. [...] Result: These monitors are up there with the best we´ve tried so far.” (MusicTech, 01/2010)
| Woofer |
| | Number | 1 | | Basket Ø | 7.5" (186 mm) | | Voice coil Ø | 2" (50 mm) | | Cone material | HexaCone | | Tweeter |
| | Number | 1 | | Type | X-ART | | Diaphragm area | 4 inch² (2420 mm²) | | Equiv. Diaphragm Ø | 2" (56 mm) | | Velocity transform ratio | 4:1 | | Diaphragm weight | 0.17 g | | Built-in Amplifiers |
| | Woofer | 1 | | Type | PWM | | Amp. power RMS / music | 250 W / 350 W | | Tweeter | 1 | | Type | A/B | | Amp. power RMS / music | 50 W / 100 W | | Control panel |
| | Input Sensitivity (coarse) | -20 to +8 dB (4 dB steps) | | Input Sensitivity (fine) | -1.5 to +2 dB (0.5 dB steps) | | EQ 80 Hz | 0 to +6 dB (1 dB steps) | | High Shelf EQ > 6 kHz | ±4 dB (1 dB steps) | | Low Shelf EQ | ±4 dB (1 dB steps) | | Tweeter gain | ±2 dB (0.5 dB steps) | | Input connectors |
| | Analog | XLR | | Digital (optional) | AES/EBU / SPDIF / word clock | | General data |
| | Panel | Front | | Frequency response | 35 Hz - 50 kHz | | THD > 80 Hz | ≤0.8 % | | Long term output | ≥110 dB | | Max. peak | ≥120 dB | | Crossover frequencies | 2200 Hz | | Input impedance | 10 KOhm | | Weight | 23.8 lb (10,8 kg) | | Magnetically shielded | Optional | | Height x Width x Depth | 14.5" (370 mm) x 8.5" (220 mm) x 12.5" (320 mm) | | Warranty | 5 Years |
| Delivery contents | |
Power cord, Manual
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The compact LSR6325P-1 provides exceptional performance for use in applications
where accuracy is a must, but space is limited. With a 5.25 in. high-excursion woofer,
a damped titanium composite tweeter, and 150 Watts of amplification, it outperforms
many larger systems. When used with the LSR6312SP Subwoofer, the LSR6325P-1
is the heart of an exceptionally accurate yet space efficient full-range system.
Features:
High-performance bi-amplified design with patented JBL transducer technology.
Front panel volume and power controls.
Integrated mounting points for horizontal and vertical suspension.
Titanium composite high frequency device with elliptical oblate spheroidal waveguide.
Shielded for use next to video monitors.
Built in high-pass filtering for use with optional subwoofer.
User selectable workstation boundary compensation.
Powered monitors with 5.25" woofers and 1" titanium composite dome tweeters
100 watts power for low frequencies, 50 watts for highs
Cast aluminum enclosure for structural rigidity and light weight
Magnetically shielded for interference-free use near CRTs and other electronic gear
Linear Spatial Reference technology ensures even frequency response at the mix position
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The Genelec 8130A Digital Monitoring System has a 192 kHz/24 bit digital audio interface.
Due to its compact size, integrated construction, excellent dispersion and precise stereo
imaging, the 8130A is ideal for near field monitoring, mobile vans, digital audio workstations,
broadcast and TV control rooms, surround sound systems, home studios, multimedia
applications and also for use with computer soundcards. The Directivity Control Waveguide?
(DCW?) technology provides excellent frequency balance even in difficult acoustic
environments.
The integrated design allows the amplifiers and the drivers to be calibrated as a single unit,
eliminating the effects of component tolerances and ensuring consistent quality.
The all-aluminium Minimum Diffraction Enclosure? (MDE?) and advanced Directivity Control
Waveguide? (DCW?) technologies are carefully matched with advanced amplifier and electronics
circuitry. The low frequency response extends down to 55 Hz (-3 dB) while distortion is extremely
low due to a uniquely new rear reflex port design.
The 8130A has been specially designed to have a sufficient LF extension for most situations.
However if greater SPL's and a lower cutoff frequency are required, it can be complemented
with Genelec 7050B subwoofer.
The 8130A is very easy to set up and use, the only connections required are the mains supply
and the input signal. The female XLR input connector can be fed with either AES/EBU formatted
digital signal or analog line level audio signal. The Genelec 8130A automatically detects analog or
digital signals and directs them to the correct signal paths.
Technical Specifications
Input word length 16 - 24 bits
Input format AES/EBU
Digital input XLR female
Connector type
Input Sampling rate
No de-emphasis 29 - 200 kHz
Input Sampling rate
Using de-emphasis
Peak per pair with music material 108 dB SPL @ 1m
Drivers
Bass 5" magnetically shielded
Midrange -
Treble 3/4" metal dome, magnetically shielded
Crossover frequencies 3 kHz
Free field frequency
response 58 Hz - 20 kHz (± 2 dB)
Amplifier power /ch
Bass 40 W
Midrange -
Treble 40 W
Speaker dimensions (H x W x D)
mm 285 x 189 x 178 mm (Height with Iso-Pod? 299 mm)
inches 11 1/4 x 7 7/16 x 7 1/16" (Height with Iso-Pod? 11 13/16“)
Amplifier dimensions* (H x W x D)
mm Integrated in the speaker cabinet
inches
Speaker weight 5.6 kg (12.3 lb)
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