| Content |
The PreSonus® Studio 192 Mobile USB 3.0 audio interface delivers exceptional sonic fidelity, flexible connectivity, and professional monitoring and mixing controls in a compact desktop design. Whether you’re a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 Mobile was built for you to create.
The Studio 192 Mobile provides an integrated, portable, hardware and software solution for recording in personal and professional studios wherever they may be. Switch between any two mixes using the Cue function and the onboard headphone amp. Software-controlled Dim and Mono options let you take control of your main mix. Use the six balanced outputs for monitor mixing or speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 Mobile fits into any recording and production environment.
Connect a Studio 192 Mobile and you’ll instantly hear details and an open high end you expect from a professional studio front end. The Studio 192 Mobile operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.
At PreSonus, we know that the microphone preamplifier is a key component in the sonic quality of a recording. The Studio 192 Mobile includes two custom-design, high-voltage, Class A XMAX preamps with discrete components for accuracy and transparency.
XMAX preamplifiers are built with three key elements:
Class A. Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are found in many preamps.
High Voltage. The XMAX preamplifier runs on power rails of 30V. Most off-the-shelf, op-amp-based designs run on power rails of 10V to 18V. Higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound.
Discrete components—not op-amps. We only use genuine transistors, resistors, and capacitors. Op-amps add noise, coloration, and harshness to a signal. Our discrete design delivers ultra-low noise and transparency.
The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and—most important—musicality and transparency.
The Studio 192 Mobile’s XMAX preamps offer another advantage: They are recallable. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our analog XMAX preamp design, providing the convenience of digital recall without sacrificing fidelity. The preamps can be controlled from the unit’s front panel, from UC Surface control software, from Studio One’s mixer, from Studio One Remote, and via MIDI in Pro Tools, Logic, or Live so you can save the settings with your recordings.
With the Studio 192 Mobile, your audio interface is an integrated extension of your recording environment. Launch Studio One® 3, and you’ll find full preamp control and monitor-mix functions integrated into your recording environment. Our hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad®.
The Studio 192 Mobile’s onboard features can also be controlled in PreSonus’ free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.
Managing both a monitor-mixing application and your DAW can be challenging if you don’t have multiple screens. Because UC Surface can be run wirelessly on a Windows touchscreen computer or iPad, you don’t have to share screen real estate with your DAW. This also allows your musicians to dial in their monitor mixes remotely without adding an expensive personal monitor system.
In addition to creating high-quality monitor mixes, UC Surface can also be used to turn your Studio 192 Mobile into a speaker-management system by providing speaker switching plus main-mix mono and dim functions. Listening to your mix on multiple pairs of reference monitors can reveal new insights. Enabling speaker-switching mode in UC Surface allows you to listen to your main mix through three different output pairs on your Studio 192 Mobile and switch between them.
Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician’s ability to experience their performance naturally. To that end, the Studio 192 Mobile includes Studio One Fat Channel plug-in processing on every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.
The Fat Channel suite of studio-grade signal processors evolved from our classic ACP88 compressor/gate and was first incorporated into our StudioLive mixers. The musical, natural sound of the combined signal path quickly made StudioLive mixers famous for their ability to help create great-sounding mixes.
The Fat Channel includes a highpass filter, noise gate with key listen, compressor, 4-band parametric equalizer, and limiter. Fifty factory presets, created by professionals, are included to help you quickly create the sound you want. Fat Channel presets can be created in UC Surface or in Studio One and can be shared between the two. You can also share settings with other Studio One, StudioLive, and Studio 192 users.
The Studio 192 Mobile has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 Mobile with eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 Mobile so that they naturally extend your analog inputs both sonically and functionally.
The Studio 192 Mobile gives you a powerful combination audio interface and studio command center. With pristine audio up to 192 kHz, Fat Channel DSP effects, remote-controllable preamps, monitor mixing, speaker switching, a headphone amp, and unprecedented Studio One integration, it gives you a portable recording solution like no other.
Χαρακτηριστικά:
- Compatible with most recording software for Mac and Windows
- Simultaneous I/O up to 22 inputs/26 outputs (8x14 at 192 kHz)
- Individual stereo main balanced outputs with mono, dim, mute, output metering and level control accessible from front-panel and UC Surface
- 2 front-panel combo microphone/instrument inputs
- 2 XMAX remote-controllable mic preamps with individually switched 48V phantom power
- 2 balanced, line level, direct-to-ADC inputs, available via dual-purpose rear-panel combo jacks
- 4 balanced ¼” TRS outputs for monitor mixing and speaker switching
- ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz
- Stereo S/PDIF coaxial input and output
- 1 high-volume headphone output with dedicated DAC
- BNC word clock input and output with low-jitter clocking
- USB 3.0 audio interface
- USB 2.0 compatible
- 24-bit resolution and up to 192 kHz sampling rate
- Top-quality 118 dB A/D/A converters
- Road-rugged construction with all-metal chassis and metal knobs
- 1U rack-mountable
- 18 VDC external power supply (included)
|
Features:
USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out
Technical Specifications
Microphone Inputs: Female XLR Pin 2 Hot
Input Impedance: 3kΩ balanced
Phantom Power: +48 Volts
Maximum gain: +58 dB
E.I.N. (at max gain): -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level: +21 dBu at minimum gain
Frequency Response: +0/-1 dB, 20Hz - 20kHz
THD+N: +18 dBu maximum
Impedance: 32Ω Balanced, 16Ω Unbalanced
Headphone Output: 1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface: 5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate: 44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range: A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements: 12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU
|
Turn your computer into a powerful digital audio workstation with eight mic inputs. Or add eight high-quality mic/instrument inputs to your current system.
The 8pre FireWire audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I/O. Expand your system by connecting additional 8pres or other MOTU FireWire audio interfaces.
The 8pre as your primary audio interface
Use the included CueMix™ software to mix all 16 inputs from your computer. Eight channels of ADAT optical I/O make the 8pre an ideal companion for a digital mixer. Two ADAT lightpipe connections work together to support a full 8 channels of optical digital I/O at any sample rate up to 96kHz.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Then monitor all of these live inputs via the 8preʼs main outs or headphone jack — with virtually no monitoring latency and no processor drain on your computer. You can even create separate monitor mixes for the main outs and headphones. Control everything, including talk-back and listen-back, from the included CueMix Console™ software, just like a large studio console.
The 8pre includes a 16-channel MIDI interface. Simply plug in your FireWire cable, and both MIDI and audio are ready to go. Connect any MIDI device, such as a controller keyboard, synth module, automated control surface or drum machine. Timing is sample-accurate with supporting software.
The 8pre provides cross-platform compatibility with Mac OS X 10.3 or higher, Windows XP and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac OS, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
The 8pre as a microphone preamp expansion interface
The 8pre is really two products in one. When it is not connected to a computer via FireWire, the 8pre functions as an eight-channel analog to digital (optical) converter. Connect the 8pre to your MOTU 828, 896, Traveler or even another 8pre via the optical "lightpipe” connection to add eight high-quality microphone pre-amps to your system. Since the connection is digital, 100% pristine sound is maintained, down to the very last sample.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
The 8pre is the perfect way to instantly add eight more mic inputs to any audio interface or digital mixer with optical I/O. If you have a MOTU interface with on-board CueMix DSP mixing, such as the 828mkII, 896HD or Traveler, the 8pre inputs appear directly in the host interface's CueMix mixer to becomes a transparent extension of your system, operating together with your primary interface as a single, integrated unit — even when the host interface is not connected to a computer and is instead operating as a stand-alone mixer.
If you have a 2408mk3, digital mixer or other audio device that supports 96kHz optical and also has two optical inputs, the 8pre connects to it via both optical ports to provide a full eight channels of analog to optical conversion at the 88.2 or 96kHz sample rates.
|
Equipped with the latest generation 24-bit, enhanced multi-bit 128x oversampling 192-kHz converters, the HD192 achieves a remarkable A-weighted signal-to-noise ratio of 120 dB with balanced XLR connectors throughout. Ideal for surround applications, the HD192's 12 inputs and 12 outputs can support two simultaneous 5.1 mixes. And the HD192 is full of advanced features, like AES/EBU I/O with sample rate conversion both in and out.
The PCI-424 card introduced with the 2408mk3 is 192-kHz ready. Just connect the HD192 expansion interface to record 192-kHz audio.
The HD192 can be purchased as an expander for an existing PCI-424-based MOTU Audio System, or as a core system which includes the PCI-424 card and Audiodesk workstation software.
|
The UA-1G is a compact 1 x 1 USB Audio Interface that offers excellent-quality sound via multiple connection options and a simple, user-friendly design.
- Stereo input and output at 24-bit/96kHz audio quality
- High-end A/D and D/A converters for accurate recording and playback
- Large Input Level knob for easy control while recording
- 1/4" jack with Hi-Z option for recording electric guitar or bass
- Electret condenser mic input
- RCA phono type and optical-digital audio I/O
- Headphone output
- USB powered – no AC adapter required
- SONAR LE for music recording, editing, and publishing on PC
- Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support
| Number of Audio Record/Playback Channels | Record: 1 pair of stereo
Play: 1 pair of stereo
REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting)
REC SOURCE switch = DIGITAL: Recording only |
|---|
| Signal Processing | PC interface: 24 bits
AD/DA Conversion: 24 bits (linear)
* ADVANCE DRIVER switch = OFF: 16 bits |
|---|
| Sampling Frequency | Digital output: 32/44.1/48/96 kHz
Digital input: 32/44.1/48/96 kHz
AD/DA Conversion: 32/44.1/48/96 kHz
* ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
|
|---|
| Nominal Input Level | Line input jacks: -10 to +4 dBu
Guiter input jakcs: -30 to -16dBu
Mic input jack: -40 to -26 dBu
|
|---|
| Nominal Output Level | Line output jacks: -10 dBu |
|---|
| Interface | USB Digital input (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector.
Digital output (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
* conforms to IEC60958 consumer format. |
|---|
| Controllers | ADVANCED DRIVER Switch
Guiter/Mic Switch
INPUT VOLUME knob
PHONES VOLUME Dial
SAMPLE RATE Switch
96kHz MODE Switch
INPUT MONITOR Switch
REC SOURCE Switch |
|---|
| Connectors | USB Connector (B type)
Line Input jacks (L, R) (RCA phono type)
Line Output jacks (L, R) (RCA phono type)
Guiter/Mic Input jack: （1/4 inch phone type)
Mic Input jack (Plug-in powered miniature phone type)
Digital Intput connector (Optical mini type)
* The same jack serves as both the headphones jack and digital output connector.
Headphones jack (Stereo miniature phone type)
Digital Output connector (Optical mini type)
* The same jack serves as both the Mic Input jack and digital input connector. |
|---|
| Power Supply | Supplied from the computer |
|---|
| Current Draw | 200 mA |
|---|
| Accessories | Ownerʼs Manual, UA-1G CD-ROM, SONAR LE CD-ROM |
|---|
| Size and Weight |
|---|
| Width | |
|---|
| Depth | |
|---|
| Height | |
|---|
| Weight | |
|---|
|
Behringer UFO202 USB Audio Interface
The Behringer U-Phono UFO202 is a high-quality USB audio interface with built-in phono preamp and massive software package for digitalizing your tapes and vinyl records.
Features
- High-quality USB audio interface connects your turntable, cassette player, etc. with your computer for recording and playback
- Transfer and restore your valuable vinyl records and tapes to your computer via a simple USB connection
- Massive software bundle includes Audacity vinyl restoration, noise-reduction, editing and recording software, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
- Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
- Phono input switchable to line input source
- Stereo output allows easy connection and playback of computer audio files over your home sound system
- High-resolution 48 kHz converters for high-end audio quality
- Stereo Headphone output with dedicated Level control lets you monitor your input source
- Works with your PC or Mac computer -- no setup or drivers required
- Powered via USB--no external power supply needed
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
Compact and Versatile
Equipped with RCA inputs and outputs, the U-Phono UFO202 can connect to a myriad of equipment such as tape decks, sound modules and active monitors, plus many more. Additionally, when you connect the UF202's outputs to your mixer's input channels, you have the ability to access EQ, Aux Sends and much more - allowing you to create extremely versatile mixes for your recording sessions.
48kHz Precision
The Behringer UFO202 provides pristine 48kHz resolution to ensure that your favourite vinyl records are recorded with the detail and quality your music deserves.
Audacity Audio Editor Software
The Behringer U-Phono UFO202 USB Audio Interface comes supplied with a free open source audio editor and multi-track recorder software - Audacity. Please visit the Behringer web page for download links here.
Specifications
- Input Connector: RCA, Unbalanced
- Input Impedance: Approx. 27kΩ
- Maximum Input Level: 2dBV
- Output Connector: RCA, Unbalanced
- Output Impedance: Approx. 400Ω
- Maximum Output Level: 2dBV
- Digital Output: Toslink, Optical
- Digital Output Format: S/PDIF
- USB: Type A
- Converter: 16-Bit
- Sample Rate: 32kHz, 44.1kHz, 48kHz
- Frequency Response: 10Hz - 20kHz ±1dB @ 44.1kHz Sample Rate
- 10Hz - 22kHz ±1dB @ 48kHz Sample Rate
- Crosstalk: -77dB @ 0dBV, 1kHz
- Power Supply: USB, 5V 100mA Maximum
- Dimensions: 0.87" x 3.46" x 2.36" / 22mm x 88mm x 60mm (H x W x D)
- Weight: 0.10kg
|
Reviews
There are no reviews yet.