| Content | The StudioLive® 16 digital console/recorder is by far the most powerful mixer in its class. This third-generation StudioLive mixer is fully recallable, with 17 touch-sensitive, motorized faders and 17 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 16 actually improves upon PreSonus®' legendary ease of use while letting you customize its workflow and operations. The StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture™ recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that's equally formidable in live and studio applications. | 18-Channel Digital Mixer
- Remote controlled via built-in router with Wi-Fi, Ethernet and multi-channel USB audio interface
- 16 Mic/Line XLR/Combo jack inputs
- Inputs: 2 x Line - 6.3 mm jack
- Outputs: Main XLR
- 6 AUX / Monitor sends
- 4 Integrated effects processors
- 100 Band Analyser
- Stereo headphone output
- Ultranet monitor connection
- MIDI in-/output
- iOS, Android and other software apps available free of charge
- 3 U
- Installation depth: 114 mm
- Dimensions with rack ears and protection bumpers (W x H x D): 333 x 140 x 150 mm
- Dimensions without rack ears and protection bumpers (B x H x T): 311 x 132 x 150 mm
- Weight: 3.2 kg
- Includes a rackmount chassis
Further Information
| Buses |
6 |
| Inputs |
18 |
| Channels (max. amount) |
18 |
| DCA (Digitally Contr. Amp.) |
Yes |
| Card Slot (external) |
No |
| Touchscreen |
No |
| Offline Editing |
Yes |
| Demountable Stagebox |
No |
| External Power Supply |
No |
| Port For Ext. Power Supply |
No |
| 19" Rack Unit |
Yes |
| Built in Audio player |
No |
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16 + 2 fader configuration in a compact, rack mountable unit.
- Mix channels: 32 mono, 8 stereo.
- Busses: 16 mix, 8 matrix (Input to Matrix supported).
- Local I/O: 16 in, 8 out.
- Fader configuration: 16 + 2 (Master).
- Rack mountable with optional RK1 Rack Mount Kit.
| General specifications | QL1 |
|---|
| Sampling frequency rate | Internal | 44.1kHz / 48kHz | | External | 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) | | Signal delay | Less than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz | | Fader | 100mm motorized, Resolution=1024steps, +10dB to -138dB, -∞dB all faders | | Total harmonic distortion | Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min. | | Frequency response | +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT | | Dynamic range | 112dB typ.: DA Converter / 108dB typ.: INPUT to OMNI OUT, Input Gain = Min. | | Hum & noise level | Equivalent input noise | -128dBu typ., Equivalent Input Noise, Input Gain=Max | | Residual output noise | -88dBu, Residual output noise, ST master off | | Crosstalk | -100dB*1, adjacent INPUT/OMNI OUT channels, Input Gain = Min. | | Power requirements | 100-240V 50/60Hz | | Power consumption | 135W | | Dimensions | W | 468mm(18.4in ) | | H | 272mm(10.7in) | | D | 562mm(22.1in) | | Net weight | 14.7kg(32.4lb) | | Accessories | Owner's Manual, power cord, DVS license sheet | | Options | Rackmount kit RK1, Mini-YGDAI cards *2 , Gooseneck Lamp LA1L, Nuendo Live | | Others | Operating temperature range: 0 - 40°C, Storage temperature range: -20 - 60°C |
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Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.
- Input channels: 48 mono, 8 stereo.
- Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section .
- Meter bridge optional.
General specifications
| Sampling frequency rate | Internal | 44.1kHz / 48kHz | | External | 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) | | Signal delay | Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz | | Total harmonic distortion | Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min. | | Frequency response | +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT | | Dynamic range | 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. | | Crosstalk | -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. | | Power requirements | US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz | | Power consumption | 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W | | Dimensions | W | 648mm (25 5/8in) | | H | 299mm (11 3/4in) | | D | 667mm (26 1/4in) | | Net weight | 24kg (52.9lb) | | Others | Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃ |
| With a three-section fader layout for efficient hands-on control, the CL5 is the ideal choice for a diverse spectrum of live sound systems.
- Input channels: 72 mono, 8 stereo.
- Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
- Stainless steel stay for iPad support.
- Built-in meter bridge.
General specifications
| Sampling frequency rate |
Internal |
44.1kHz / 48kHz |
| External |
44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) |
| Signal delay |
Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz |
| Total harmonic distortion |
Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min. |
| Frequency response |
+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT |
| Dynamic range |
112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. |
| Crosstalk |
-100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. |
| Power requirements |
US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz |
| Power consumption |
170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W |
| Dimensions |
W |
1053mm (41 1/2in) |
| H |
299mm (11 3/4in) |
| D |
667mm (26 1/4in) |
| Net weight |
36kg (79.4lb) |
| Others |
Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃ |
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GLD-112 is a larger version of the popular GLD-80 mixer, with an extra bank of 8 control strips, increasing the channel count to 28 fader strips in 4 layers.
GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard 32 input GLD system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).
GLD-112 provides 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.
GLD-112 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag ʽn drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 28 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixerʽs local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.
GLD-112 connects to a range of plug ʽn play I/O racks to ʽbuildʼ 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m CAT5 runs using A&Hʼs dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems.
GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heathʼs ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLDʼs extensive soft-patching.
The GLD Remote app provides wireless control for GLD-112, giving the engineer the freedom to walk the room or stage and control the sound right where it is needed. GLD-112 and GLD Remote can work together to provide simultaneous control of independent functions, for example one engineer using the console to mix FoH sound and another using the iPad to mix monitors on stage.
- Compact digital mixer with scalable, remote I/O
- Systems from 4 to 44 mics
- Easy to use, quick to access, analogue style interface
- dSNAKE Cat5 digital snake—up to 120m cable length
- 8.4 inch colour touchscreen for graphical view and setup
- 28 faders, 4 layers, 112 channel strips in a freely customizable layout
- 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
- 8 stereo RackFX engines* with dedicated ʽshortʼ returns with 4-band PEQ
- Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
- Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
- LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
- 16 DCAs / mute groups
- Built-in Talkback, RTA and Signal Generator
- I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
- MIDI In/Out and Ethernet Network port
- AviomTM Pro16 compatible Monitor port on main AudioRack
- High end 1dB step recallable mic/line preamps
- User definable channel names and colours
- Engineerʼs mono Wedge and stereo IEM strips
- Input, output and insert soft patchbays
- Quick copy, paste and reset of mixes and parameters
- Libraries, Scenes and Show memories with USB transfer
- Get started quickly with Template Shows
- 14 assignable SoftKeys for scene recall, DCA mutes and more
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