| Content |
Creating a quality podcast just got a lot easier with the RODECaster Pro from Rode, a revolutionary podcast studio that incorporates all the professional tools of the trade in a compact all-in-one unit. It is well suited for professionals or for those who are just starting out and in need of a straightforward solution. The unit simplifies the technical aspects of podcast production so you can focus on making great content using the company's world-renowned broadcast-quality audio.
The RODECaster Pro integrates a mixer, sound effects player, phone tap for taking phone calls, recorder, and more, all in one box—saving you the time and hassle of setting up the components by yourself and at a cost significantly lower than buying them separately. It offers a powerful platform to get up and running right away, recording sophisticated podcasts in the studio or on the move.
Offering an internal recorder and a host of podcast-friendly features, the RODECaster Pro lets you produce and mix podcasts on the fly with up to four microphones, music, prerecorded segments, and remote guests on calls all going on at once. The unit offers mix-minus functions over the TRRS, Bluetooth, and USB connections facilitating echo-free interviews via phone or app calls. With smartly designed features like main host channel controls, programmable sound pads for launching jingles and FX, and APHEX processing that gives your voice the rich and warm sound of a professional broadcaster, this console is destined to become a standard in the field of podcast production.
The RODECaster Pro goes beyond what a traditional mixing console does. It is equipped with four high-quality XLR mic inputs, four discrete headphone outputs, eight faders to control audio levels, and Bluetooth, USB, and TRRS connectivity. The unit captures audio internally to a microSD card or to your computer via USB, and its flexible workflow lets you record a mixed-down stereo file for fast uploading to your hosting service while also recording each of the sources to its own track for later post-production.
Easy to operate with ergonomically located controls and a large full-color touchscreen, the RODECaster Pro is ready to use within minutes of opening the box. Just add mics (such as the perfectly matched Rode PodMic), broadcast boom arms, headphones, and a microSD card, and you're ready to start recording your podcast or to begin streaming it live via your smartphone or computer.
Start a 4-Person Podcast in Minutes
- Quickly connect microphones for you and your guests—up to four people. The four, high-quality microphone XLR inputs, each with 48V phantom power, are capable of powering studio condenser microphones as well as conventional dynamic microphones.
- With automatic level setting and one-touch recording to the onboard microSD card, you can start recording your first podcasts within minutes of taking the RODECaster Pro out of the box. Onboard presets for a variety of microphones deliver broadcast-quality sound with a single touch.
8 Sound Pads with FX Save You Time in Post-Production
- Sound effects are perfect for giving your podcast a polished feel and the eight sound pads allow you to instantly launch effects, music, jingles, applause, prerecorded interviews, ads—saving you the time and hassle of adding them later in post-production.
- You can record audio directly to the pads from any of the audio inputs, or simply drag and drop files from your computer using the RODECaster Pro app (free download).
- You can even select the color of your choice for the pad illumination, a convenient way to remember which effect is on which pad.
Interview a Guest Remotely via Phone Call
- Interview a guest for your podcast remotely, via a phone call or apps like Skype, FaceTime, and more.
- Prevent echoes: simply connect your smartphone to the RODECaster Pro via Bluetooth or TRRS cable, or to your computer via USB, and the unit automatically provides a mix-minus, preventing the person on the other end of the call from hearing a distracting echo.
- Achieve clear-sounding podcasts without the need to purchase additional hardware or setup complex signal routings with cables.
RODE Renowned Broadcast-Quality Audio
- The four pristine mic preamps feature servo-biased Class-A circuitry, which provides a clean gain structure with low levels of distortion, for a low-noise signal that rivals the best broadcast consoles.
- Each preamp provides +48V phantom power on rugged Neutrik XLR connectors, giving you the option to use condenser microphones for a bright and transparent voice.
APHEX Processing for Rich and Warm Voice
- The sound of your microphones can be quickly enhanced with the onboard APHEX Exciter and Big Bottom processors.
- Found in most broadcast studios, the Exciter elevates speech clarity, while the Big Bottom adds that warm and deep voice-of-God low-frequency punch to your voice.
- These effects are also available to bring out the details of the music or speech audio from your Bluetooth, USB, or TRRS connections.
Shape Your Sound with Intuitive Audio Processing
- The RODECaster Pro is equipped with advanced audio processing options for each channel. From a list of mic profiles, choose the one that is most similar to the actual mic you are using on your voice, and the software will automatically match the digital signal processing to that microphone.
- Voice settings are also available to compensate for the strength and tone of the participant's voices. You can select either the Deep, Medium, or High voice preset; the Soft preset for soft-spoken speakers; or the Strong preset for those with louder voices.
- The levels can also be programmed to dynamically change the loudness of the voice of the person speaking, making it easy for users without any audio experience to perfectly set the gain on their microphone. Also included is a set of multistage dynamics effects, such as compression, limiting, de-essing, and noise-gating.
Stay in Control of Your Podcast
- The Main Host channel (Mic Channel 1) features Ducking, which turns down all audio sources every single time the host speaks. This allows the host to always be heard even when multiple people are speaking over one another.
- The host has exclusive access to advanced functions to control the flow of the podcast during the recording, such as muting and soloing channels using buttons located along the front of the unit.
Capture Your Podcast Without a Separate Recorder
- The RODECaster Pro features an internal microSD card recorder capable of recording a stereo “live mix” of your podcast along with 12 additional tracks for each of the sources—one mono track per microphone and a stereo track for each of the following: the USB source, the 3.5mm TRRS input, the Bluetooth stream, and the summed output of the sound pads.
- Simply insert the card in the slot on the back of the unit, and hit the record button.
- A timer on the touchscreen lets you know how long you have been broadcasting.
- You can also add markers to your podcast on the fly, to mark significant passages while recording.
- To prevent you from accidentally ruining your podcast, you cannot access any advanced settings while in record mode.
Stream, Record, and Playback on Your Computer
- The RODECaster Pro is a class-compliant USB audio interface.
- This means you can connect the unit to your computer via USB and record 12 tracks of individual sources along with a stereo mix of your podcast to your favorite DAW or recording software. You can also bring in audio from your computer to the dedicated USB channel on the RODECaster Pro.
Clear Headphone Monitoring for Host and Guests
- The RODECaster Pro comes equipped with four, high-powered headphone outputs using discrete circuitry for clarity and presence.
- Each person has an individual volume control so that they can monitor comfortably while recording the podcast.
- For convenience, the host channel has the option to plug a set of headphone with a 3.5mm plug directly into the front of the unit.
- A switchable headphone limiter protects you from deafening spikes.
Plugs Easily into a Live PA System
- If you're hosting your podcast at live events with an audience, a set of speaker outputs with a dedicated volume control allows you to connect the RODECaster Pro to a PA system.
- You can amplify the podcast for your live audience, while streaming to your audiences all around the world via USB connectivity.
| Form Factor |
Tabletop |
| Display |
1 x Touchscreen |
| Channels of I/O |
USB:
14 Input / 2 Output |
| Max Sample Rate/Resolution |
48 kHz / 24-Bit |
| Number of Mic Preamps |
4 |
| Input Level Adjustment |
8 x Fader |
| Number of Headphone Mixes |
4 x Guest with Mix-Minus |
| Solo/Mute |
Mute per Input Channel |
| Sample Pads |
8 x Assignable |
Connectivity
| Analog Audio I/O |
4 x XLR 3-Pin Balanced Mic Input
1 x 1/8" / 3.5 mm TRRS Unbalanced Line Input
4 x 1/4" TRS Unbalanced Headphone Output
2 x 1/4" TRS Balanced Monitor Output
1 x 1/8" / 3.5 mm TRS Unbalanced Headphone Output |
| Phantom Power |
+48 V (Selectable on Individual Inputs) |
| Digital Audio I/O |
None |
| Host Connection / USB |
1 x USB Type-C |
| Wireless Connectivity |
Bluetooth |
| Memory Card Slot |
1 x microSD (Unspecified Type) |
Performance
| Frequency Response |
Mic Inputs:
20 Hz to 20 kHz ±3 dB
Monitor Outputs:
20 Hz to 20 kHz ±0.5 dB |
| Gain/Trim Range |
Mic Inputs:
0 dB Up to +50 dB |
| Max Output Level |
Monitor Outputs:
+3 dBu |
| Headphone Output Power |
220 mW into 32 Ohms
31 mW into 300 Ohms |
| Impedance |
Mic Inputs:
600 Kilohms (Balanced) |
| Dynamic Range |
Mic Inputs:
100 dB |
| EIN |
-125 dBA |
Digital Audio
| Sample Rates |
48 kHz (AD/DA Conversion) |
| Bit Depths |
24-Bit (AD/DA Conversion) |
Compatibility
| OS Compatibility |
macOS 10.11
Windows 10 |
Power
| Power Requirements |
AC/DC Power Adapter (Included) |
| AC Input Power |
100 to 240 VAC, 50 / 60 Hz |
| AC/DC Power Adapter |
12 V at 5000 mA, Center-Positive (Included) |
Physical
| Anti-Theft Features |
None |
| Dimensions |
13.8 x 10.8 x 3.2" / 350 x 275 x 82 mm |
| Weight |
4.2 lb / 1.9 kg |
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Drawing on more than a decade of experience in the field of digital audio mixing, the Soundcraft® Si Expression exploits some of the newest DSP, component technology and manufacturing techniques to deliver our most powerful cost effective digital console ever! Each console in the range is identical in its feature set so your only choice is how many faders and local mic amps you want. With a range covering the super portable 19" rack mount Expression 1 to the mighty Si Expression 3 with its 30+2 faders and 32 mic/line inputs there is a model to meet all needs.
Taking the Si Expression 2 as a typical example, it features 24 recallable mic pre amps (32 on Si Expression 3 and 16 on Si Expression 1) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow™ to light the way so you are never lost.
All Si Expression consoles have busses, output processing and connectivity to match the versatility of the inputs; the 14 aux/group mixes can be configured as 14 mono mixes, 8 mono plus 6 stereo mixes or almost anything in between, whilst the 4 matrix mixes can be mono or stereo as needed. The bus and matrix mixes are complemented with four more mix busses dedicated to the internal Lexicon FX processors all in addition to the left, right and centre busses. Each bus mix features a compressor, 4 band EQ, BSS graphic EQ and delay always available all of the time. Output connectivity is comprehensive with all models featuring 16 balanced line outputs, headphone monitor out, AES out and of course the 64x64 option slot.
To complement the channel and bus processing all Si Expression consoles integrate four stereo Lexicon FX processors based on the MX400 providing a wealth of sounds, user adjustable parameters and dedicated tap-tempo keys. As the FX are hardware based, use of all the effects, even on the most demanding programmes does not affect other processing in any way and all dynamics, EQs, filters, delays, and GEQs remain available regardless what you are doing.
Flexible onboard and expansion I/O options ensure your Si Expression integrates effortlessly with other system components utilising any of the Si series option cards including AES, Firewire/USB/ADAT*1, AVIOM™, CobraNet™, BSS Digital Audio Bus (BLU Link)*1, Dante™*1 CAT5 or optical MADI. The MADI card, as well as being an interface to multi-track recording systems or plug-in systems like Waves, enables linking the Si Expression to any of the Soundcraft or Studer stageboxes to extend the I/O power and flexibility. Adding a stagebox to an Si Expression actually increases the number of channels you can mix at once not just how many inputs you have available to choose from! It is said ʽPower is nothing without controlʼ and here the Si Expression excels with a comprehensive but 'simple to use' control surface incorporating a dedicated control for every parameter, a row of global mode encoders and colour touch screen ensuring operation is quick and easy.
As you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of the latest generation EMMA™ DSP processor, the same DSP platform that has helped propel previous Soundcraft Si series consoles to fame. All this power united with reliability, flexibility and usability puts the Si Expression in a class of its own.
*1 Expected spring/summer 2013
Si Expression Highlights
• D.O.G.S. (Direct Out Gain Stabiliser) – Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
• Security Lockout – Lock the whole console or just selected elements, manage the security with the users and profile settings.
• Assignable Fader Layers – Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
• Copy & Paste – Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
• TOTEM™ – The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
• BSS® GEQ – With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
• 1 Control = 1 Function – With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Expression controls to be labelled on the surface just as they would have been on an analogue mixer.
• Global Mode Controls – A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
• Soundcraft FaderGlow® – Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
• Instant Access Keys – Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-4, TAP TEMPO and more negate the need to dive into screen & context menus.
• Function Focus – Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc...
• Everything Everywhere – All channels and busses have a full complement of processing, nothing to assign or configure.
Key Features
24 (32 - Si Expression 3, 16 – Si Expression 1) mono mic inputs
4 line inputs
Colour touch screen interface
66 channels to mix possible
Pre/Post selection per input per bus
AES in and out
Global mode encoders
Soundcraft FaderGlow™
GEQ on every bus
20 sub-group / aux busses
4 FX busses
8 Matrix busses
LR and C Mix busses
4 Stereo Lexicon Effects engines
Delay on inputs and outputs
4 Mute Groups
Freely assignable insert loops
Harman HiQnet integration
64x64 channel option card slot
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Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.
- Input channels: 48 mono, 8 stereo.
- Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section .
- Meter bridge optional.
General specifications
| Sampling frequency rate | Internal | 44.1kHz / 48kHz | | External | 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) | | Signal delay | Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz | | Total harmonic distortion | Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min. | | Frequency response | +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT | | Dynamic range | 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min. | | Crosstalk | -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min. | | Power requirements | US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz | | Power consumption | 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W | | Dimensions | W | 648mm (25 5/8in) | | H | 299mm (11 3/4in) | | D | 667mm (26 1/4in) | | Net weight | 24kg (52.9lb) | | Others | Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃ |
| Drawing on more than a decade of experience in the field of digital audio mixing, the Soundcraft® Si Expression exploits some of the newest DSP, component technology and manufacturing techniques to deliver our most powerful cost effective digital console ever! Each console in the range is identical in its feature set so your only choice is how many faders and local mic amps you want. With a range covering the super portable 19" rack mount Expression 1 to the mighty Si Expression 3 with its 30+2 faders and 32 mic/line inputs there is a model to meet all needs.
Taking the Si Expression 2 as a typical example, it features 24 recallable mic pre amps (32 on Si Expression 3 and 16 on Si Expression 1) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow™ to light the way so you are never lost.
All Si Expression consoles have busses, output processing and connectivity to match the versatility of the inputs; the 14 aux/group mixes can be configured as 14 mono mixes, 8 mono plus 6 stereo mixes or almost anything in between, whilst the 4 matrix mixes can be mono or stereo as needed. The bus and matrix mixes are complemented with four more mix busses dedicated to the internal Lexicon FX processors all in addition to the left, right and centre busses. Each bus mix features a compressor, 4 band EQ, BSS graphic EQ and delay always available all of the time. Output connectivity is comprehensive with all models featuring 16 balanced line outputs, headphone monitor out, AES out and of course the 64x64 option slot.
To complement the channel and bus processing all Si Expression consoles integrate four stereo Lexicon FX processors based on the MX400 providing a wealth of sounds, user adjustable parameters and dedicated tap-tempo keys. As the FX are hardware based, use of all the effects, even on the most demanding programmes does not affect other processing in any way and all dynamics, EQs, filters, delays, and GEQs remain available regardless what you are doing.
Flexible onboard and expansion I/O options ensure your Si Expression integrates effortlessly with other system components utilising any of the Si series option cards including AES, Firewire/USB/ADAT*1, AVIOM™, CobraNet™, BSS Digital Audio Bus (BLU Link)*1, Dante™*1 CAT5 or optical MADI. The MADI card, as well as being an interface to multi-track recording systems or plug-in systems like Waves, enables linking the Si Expression to any of the Soundcraft or Studer stageboxes to extend the I/O power and flexibility. Adding a stagebox to an Si Expression actually increases the number of channels you can mix at once not just how many inputs you have available to choose from! It is said ʽPower is nothing without controlʼ and here the Si Expression excels with a comprehensive but 'simple to use' control surface incorporating a dedicated control for every parameter, a row of global mode encoders and colour touch screen ensuring operation is quick and easy.
As you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of the latest generation EMMA™ DSP processor, the same DSP platform that has helped propel previous Soundcraft Si series consoles to fame. All this power united with reliability, flexibility and usability puts the Si Expression in a class of its own.
*1 Expected spring/summer 2013
Si Expression Highlights
• D.O.G.S. (Direct Out Gain Stabiliser) – Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
• Security Lockout – Lock the whole console or just selected elements, manage the security with the users and profile settings.
• Assignable Fader Layers – Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
• Copy & Paste – Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
• TOTEM™ – The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
• BSS® GEQ – With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
• 1 Control = 1 Function – With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Expression controls to be labelled on the surface just as they would have been on an analogue mixer.
• Global Mode Controls – A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
• Soundcraft FaderGlow® – Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
• Instant Access Keys – Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-4, TAP TEMPO and more negate the need to dive into screen & context menus.
• Function Focus – Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc...
• Everything Everywhere – All channels and busses have a full complement of processing, nothing to assign or configure.
Key Features
24 (32 - Si Expression 3, 16 – Si Expression 1) mono mic inputs
4 line inputs
Colour touch screen interface
66 channels to mix possible
Pre/Post selection per input per bus
AES in and out
Global mode encoders
Soundcraft FaderGlow™
GEQ on every bus
20 sub-group / aux busses
4 FX busses
8 Matrix busses
LR and C Mix busses
4 Stereo Lexicon Effects engines
Delay on inputs and outputs
4 Mute Groups
Freely assignable insert loops
Harman HiQnet integration
64x64 channel option card slot
|
12 total inputs: 8 mic, (four with XLR/TRS combo connector) and two stereo line
Stereo Main L/R outputs (XLR)
Four mono auxiliary mixes (XLR).
Mono auxiliaries may be linked for stereo use.
Auxes 3/4 can also drive wired in-ear monitors (IEM) directly.
Superb sound quality
Class-A microphone pre-amps
32-bit floating point processing
24-bit AD & DA convertors
Input channels are fully-featured:
Four-band full parametric EQ
Variable high-cut and low-cut filters
Gate
Compressor (with de-esser)
Main and auxiliary outputs feature:
1/3-octave graphic EQ
Limiter
Delay
Notch filters
Four professional quality stereo DSP effects. Choose from:
Two types of reverb
Mono delay
Stereo delay
Chorus
Pitch-change
A pitch correct processor is assignable to any input channel.
Eight DCA and eight mute groups.
Color, capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation.
Great results and easy to use
Input channel preset library features over 100 presets developed by experienced concert engineers specifically for live sound applications.
Wizards assist with input gain adjustment and effects selection and routing.
On board Info system gives you instant access to the user manual.
Save your own channel presets and complete mixer scenes to internal memory or USB device.
Capturing live performance to multi-track has never been easier. Record 14 tracks (all inputs plus a stereo mix) directly to USB hard-drive. Mix down on TouchMix or import into your favorite DAW.
Complete mixer remote control via free iPad® App.
Monitor control via iPhone/iPod Touch App.
Multiple Wi-Fi Connectivity options
Security Lockout Modes
USB Wi-Fi interface and carrying case are included. |
GLD-112 is a larger version of the popular GLD-80 mixer, with an extra bank of 8 control strips, increasing the channel count to 28 fader strips in 4 layers.
GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard 32 input GLD system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).
GLD-112 provides 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.
GLD-112 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag ʽn drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 28 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixerʽs local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.
GLD-112 connects to a range of plug ʽn play I/O racks to ʽbuildʼ 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m CAT5 runs using A&Hʼs dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems.
GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heathʼs ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLDʼs extensive soft-patching.
The GLD Remote app provides wireless control for GLD-112, giving the engineer the freedom to walk the room or stage and control the sound right where it is needed. GLD-112 and GLD Remote can work together to provide simultaneous control of independent functions, for example one engineer using the console to mix FoH sound and another using the iPad to mix monitors on stage.
- Compact digital mixer with scalable, remote I/O
- Systems from 4 to 44 mics
- Easy to use, quick to access, analogue style interface
- dSNAKE Cat5 digital snake—up to 120m cable length
- 8.4 inch colour touchscreen for graphical view and setup
- 28 faders, 4 layers, 112 channel strips in a freely customizable layout
- 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
- 8 stereo RackFX engines* with dedicated ʽshortʼ returns with 4-band PEQ
- Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
- Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
- LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
- 16 DCAs / mute groups
- Built-in Talkback, RTA and Signal Generator
- I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
- MIDI In/Out and Ethernet Network port
- AviomTM Pro16 compatible Monitor port on main AudioRack
- High end 1dB step recallable mic/line preamps
- User definable channel names and colours
- Engineerʼs mono Wedge and stereo IEM strips
- Input, output and insert soft patchbays
- Quick copy, paste and reset of mixes and parameters
- Libraries, Scenes and Show memories with USB transfer
- Get started quickly with Template Shows
- 14 assignable SoftKeys for scene recall, DCA mutes and more
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