RODE VIDEOMIC GO DVCAM DIRECTIONAL CONDESER MICROPHONE

Clear, directional audio on the GO!

Compact and light weight by design, the VideoMic GO delivers clear, crisp, directional audio with incredible ease of use. Its tight pickup area focuses directly in front of the microphone and reduces other surrounding sounds, ensuring that your subject is isolated from distracting background noise.

The integrated Rycote® Lyre® shock mount isolates your microphone from bumps and vibrations that could otherwise interfere with your sound.

Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.

The VideoMic GO has no complicated switches or settings and is powered by your camera's external microphone input, requiring no batteries to operate, ensuring you never miss a great shot.

he PRO24-CMF camcorder microphone is a lightweight, compact stereo condenser ideal for digital recording with high-fidelity stereo sound. Equipped with a windjammer, accessory shoe and permanently attached coiled cable, the microphone features a pair of cardioid elements in an X-Y configuration to provide the spatial impact and realism of a live sound field. The microphone is designed for either battery operation or battery-free operation when used with camcorders that provide plug-in power at the mic input. Like all Audio-Technica mics, the PRO24-CM is rugged; it's built to endure the rigors of field production.

• Stereo microphone designed to attach to a camcorder
• For camcorders with an accessory shoe and stereo microphone input
• Lightweight, portable design with rugged all-metal construction
• Pair of cardioid condenser elements provides spatial impact and high-fidelity stereo sound image
• Battery-free operation when used with recording devices that provide plug-in power at the mic input
• On/off switch for convenient operation
• Includes camera-mount, windscreen, windjammer, battery and protective pouch
• Permanently attached 6""-12“" coiled cable with right-angle molded 3.5 mm stereo mini plug at output end

The new RODE NTG-1 is a lightweight condenser shotgun microphone, specifically
designed for professional applications within the film, video, television, voice-over and
ENG industries.
The NTG-1 provides an electronically balanced output stage and operates on 48 V to
the P48 standard. The NTG-1 offers wide bandwidth and a controlled polar response
coupled with low noise SMT electronics. The NTG-1 is extremely lightweight making it
ideal for mounting directly to video cameras (with optional accessories) or a Boom pole.
The NTG-1 comes complete with mount and windshield. The supplied windscreen effectively
suppresses wind noise when recording outdoors in moderate conditions. Optional accessories
are available for more demanding applications.

SPECIFICATIONS:
Features:
Broadcast sound quality. Low noise circuitry. Condenser transducer. Rugged metal construction.
Low weight: 105 grams approx. . Low handling noise. Supplied with stand mount, zip pouch and
windshield. Designed & manufactured in Australia. Full 2 year guarantee.
Operation power:
The NTG-1 is designed to operate from standard P48 phantom power. The NTG-1 will
operate between 44 V to 52 V applied with positive polarity to pin 2 and pin 3 via the
output XLR connector.
Operation output impedance:
The NTG-1 will operate satisfactorily into a load impedance as low as 1 k§?. If a load below
this is used, the output signal level will be reduced. The NTG-1??s output is balanced between
pin 2 (hot), pin 3 (cold) and pin 1 is ground.
Acoustic principle: Line plus Gradient.
Directional pattern: Super-Cardioid.
Frequency range:
20 Hz ~ 20 kHz selectable HPF @ 80 Hz/12 dB octave
Output impedance:  50 ?
Signal noise ratio din iec 651:
76 dB (1 kHz rel. 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 18 dB SPL (per IEC651, IEC268-15)
Maximum spl: 139 dB (@ 1% THD into 1 k?)
Sensitivity:
-36 dB re 1 Volt/Pascal (15 mV @ 94 dB SPL) +/- 2 dB (at 1 kHz in free field into open circuit)
Dynamic range din iec 651: 121 dB (per IEC651, IEC268-15)
Power supply voltage:  P48 Phantom, 44 V to 52 V
Current consumption:  3.5 mA
Output connection:
3 pin XLR, balanced output between pin 2 (+), pin 3 (-) and pin 1 (ground)
Weight with battery:  105 g approx. 
Dimensions width:  217mm
Dimensions depth:  22mm
Dimensions height: 22mm

With an overall length of just 9.17" and weight of just 3.5 oz, this microphone adds virtually no heft to the end of a fish pole or the top of a minicam. Through the use of an innovative Audio-Technica design, the interference tube of the BP4073 provides a narrow acceptance angle, effective for long-distance pickup. The highly directional mics offer low self-noise and are fully RoHS-compliant - free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS).

Designed for use in broadcasting, film/TV production and theater sound reinforcement applications
Direct-coupled, balanced output ensures a clean signal even in high-output conditions
Innovative acoustic design provides same directivity as mics up to 50% longer
Switchable 80 Hz hi-pass filter & 10 dB pad
Rugged housing made of lightweight structural-grade aluminum alloy
RoHS-compliant - free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS)

Element: Externally polarized (DC bias) capacitor
Polar Pattern: Line + gradient
Frequency Response: 20-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: -29 dB (35.5 mV) re 1V at 1 Pa
Impedance: 50 ohms
Maximum Input Sound Level: 141 dB SPL, 1 kHz at 1% T.H.D.; 151 dB SPL, with 10 dB pad (nominal)
Dynamic Range: 128 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 81 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 48V DC, 4.8 mA typical
Weight: 99 g (3.5 oz)
Dimensions: 233.0 mm (9.17“) long, 21.0 mm (0.83“) maximum body diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; AT8144 windscreen; two O-Rings; protective carrying case 

Designed for video production and broadcast (ENG/EFP) audio acquisition, the AT8015 provides the narrow acceptance angle desirable for long-distance sound pickup, along with excellent sound rejection from the sides and rear of mic. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations.

Designed for video production and broadcast (ENG/EFP) audio acquisition
Provides the narrow acceptance angle desirable for long-distance sound pickup
Excellent sound rejection from the sides and rear of mic
Switchable low-frequency roll-off
Operates on battery or phantom power
RoHS compliant - free from all substances specified in the EU directive on hazardous substances

Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Line + gradient
Frequency Response: 40-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: Phantom: -38 dB (12.5 mV) re 1V at 1 Pa Battery: -39 dB (11.2 mV) re 1V at 1 Pa
Impedance: Phantom: 250 ohms Battery: 300 ohms
Maximum Input Sound Level: Phantom: 132 dB SPL, 1 kHz at 1% T.H.D. Battery: 120 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range: Phantom: 110 dB, 1 kHz at Max SPL Battery: 98 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 72 dB, 1 kHz at 1 Pa
Phantom Power Requiremens: 11-52V DC, 2 mA typical
Battery Type: 1.5V AA/UM3
Battery Current Life: 0.4 mA / 1200 hours typical (alkaline)
Switch: Flat, roll-off
Weight: 195 g (6.9 oz)
Dimensions: 460.0 mm (18.11“) long, 21.0 mm (0.83“) diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8405a stand clamp for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; AT8135 windscreen; battery; protective carrying case

The CS-50 is a compact, light-weight stereo condenser microphone designed for the R-4 and R-4 Pro, videographer, broadcaster, and sound designer. The CS-50 features bass roll-off capability as well as selectable wide stereo or narrow (focused) polar patterns.

From Edirol, the CS-50 Stereo Microphone is designed for use with the Edirol/Roland R4 portable digital field recorder. The microphone features wide stereo and narrow polar patterns. The wide stereo pattern reproduces audio with accurate stereo imaging while the mono pattern is focused and reduces signal at the sides of the capsule. The CS-50 features a low frequency roll-off switch for eliminating hum and low-frequency noise due to wind or proximity effect. A dual XLR output cable is supplied.

What's in the Box:

• Windscreen
• Desktop Prop
• Mic Stand Adapter
• L/R XLR Cable 6.56 feet (2m)
• Soft case
  
• 1 Year Warranty