The cardioid e 905 can handle very high sound pressure levels and has an excellent transient response. It is suitable for a wide range of instruments and an perfect choice for snare drums. Features Impressive and full sound Very fast attack Short microphone body to facilitate optimal positioning by drums Integral stand mount Hum compensating […]
The cardioid e 905 can handle very high sound pressure levels and has an
excellent transient response. It is suitable for a wide range of instruments
and an perfect choice for snare drums.
Features
Impressive and full sound
Very fast attack
Short microphone body to facilitate optimal positioning by drums
Integral stand mount
Hum compensating coil
Sturdy reinforced aluminium body
Delivery Includes
e 905 microphone
Pouch
User manual
Technical Data
Pick-up pattern cardioid
Frequency response 40…18000 Hz
Sensitivity in free field, no load (1kHz) 2,6 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 116 x 41 mm
Weight 210 g
Weight
0.40 kg
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The cardioid e 905 can handle very high sound pressure levels and has an
excellent transient response. It is suitable for a wide range of instruments
and an perfect choice for snare drums.
Features
Impressive and full sound
Very fast attack
Short microphone body to facilitate optimal positioning by drums
Integral stand mount
Hum compensating coil
Sturdy reinforced aluminium body
Delivery Includes
e 905 microphone
Pouch
User manual
Technical Data
Pick-up pattern cardioid
Frequency response 40...18000 Hz
Sensitivity in free field, no load (1kHz) 2,6 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 116 x 41 mm
Weight 210 g
The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual
Technical Data
Pick-up pattern cardioid
Frequency response 20...18000 Hz
Sensitivity in free field, no load (1kHz) 0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 128,5 x 60 mm
Weight 440 g
The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.
Pick-up pattern : Super-cardioid
Frequency response : 40.....15000 Hz
Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
Nominal impedance : 350 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 55 x 34 x 134 mm
Weight : 140 g
A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.
Other features include:
Mew A98D flexible drum mount
SPL handling to 160dB
frequency response of 20 to 20,000Hz and included preamplifier
shock mount and windscreen
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
Extended frequency response
Low self noise
Exceptional reproduction of low-frequency sounds
Can withstand high sound pressure levels (SPL)
High output level
No crossover distortion
Uniform polar response
Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
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