SENNHEISER E-905 CARDIOID DYNAMIC MICROPHONE

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The cardioid e 905 can handle very high sound pressure levels and has an excellent transient response. It is suitable for a wide range of instruments and an perfect choice for snare drums. Features Impressive and full sound Very fast attack Short microphone body to facilitate optimal positioning by drums Integral stand mount Hum compensating […]

 

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The cardioid e 905 can handle very high sound pressure levels and has an
excellent transient response. It is suitable for a wide range of instruments
and an perfect choice for snare drums.

Features
Impressive and full sound
Very fast attack
Short microphone body to facilitate optimal positioning by drums
Integral stand mount
Hum compensating coil
Sturdy reinforced aluminium body
Delivery Includes
e 905 microphone
Pouch
User manual

Technical Data
Pick-up pattern  cardioid
Frequency response  40…18000 Hz
Sensitivity in free field, no load (1kHz)  2,6 mV/Pa
Nominal impedance  350 Ohm
Min. terminating impedance  1000 Ohm
Dimensions  116 x 41 mm
Weight  210 g

Weight 0.40 kg

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SENNHEISER E-905 CARDIOID DYNAMIC MICROPHONE removeSENNHEISER E-902 CARDOID DYNAMIC INSTRUMENT MICROPHONE removeSENNHEISER E-609 Dynamic Microphone for Strings removeSHURE Beta98HC - clip on condenser instrument mic removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k removeLD Systems LDWS1000MW Wind / Percussion Instrument Clip Microphone remove
NameSENNHEISER E-905 CARDIOID DYNAMIC MICROPHONE removeSENNHEISER E-902 CARDOID DYNAMIC INSTRUMENT MICROPHONE removeSENNHEISER E-609 Dynamic Microphone for Strings removeSHURE Beta98HC - clip on condenser instrument mic removeSHURE KSM-141SL - Dual Pattern Instrument Microphone 20Hz to 20k removeLD Systems LDWS1000MW Wind / Percussion Instrument Clip Microphone remove
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SKUH10SE00104H10SE00102H10SE00147BETA98H/CKSM141SLLDWS1000MW
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Description
ContentThe cardioid e 905 can handle very high sound pressure levels and has an excellent transient response. It is suitable for a wide range of instruments and an perfect choice for snare drums. Features Impressive and full sound Very fast attack Short microphone body to facilitate optimal positioning by drums Integral stand mount Hum compensating coil Sturdy reinforced aluminium body Delivery Includes e 905 microphone Pouch User manual Technical Data Pick-up pattern  cardioid Frequency response  40...18000 Hz Sensitivity in free field, no load (1kHz)  2,6 mV/Pa Nominal impedance  350 Ohm Min. terminating impedance  1000 Ohm Dimensions  116 x 41 mm Weight  210 g

The e 902 is a dynamic cardioid instrument microphone, which was designed
for lowest bass signals with very high sound pressure levels.It is suitable for
kick drums, bass guitar-amps, tuba, and other bass instruments.
 
Features
Frequency response optimized for kick drum
Very fast attack
Exceptionally clean and clear pick-up of the deepest bass signals
Integral stand mount
Hum compensating coil
Shock mounted capsule
Robust metal body
Delivery Includes
e 902 microphone
Pouch
User Manual

Technical Data
Pick-up pattern  cardioid 
Frequency response  20...18000 Hz 
Sensitivity in free field, no load (1kHz)  0,2 mV/Pa; (@ 60 Hz): 0,6 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  128,5 x 60 mm 
Weight  440 g 

The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.

Pick-up pattern : Super-cardioid
Frequency response : 40.....15000 Hz
Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
Nominal impedance : 350 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 55 x 34 x 134 mm
Weight : 140 g

A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.

Other features include:

  • Mew A98D flexible drum mount
  • SPL handling to 160dB
  • frequency response of 20 to 20,000Hz and included preamplifier
  • shock mount and windscreen
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Features
  • A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application. Suggested Applications Acoustic Guitar Acoustic Bass Cymbals Brass/Woodwinds Orchestra Ensemble Vocals Piano Strings Room Ambience Live Recording
LDWS1000MW User User's manual [7,20 MB]
LDWS1000MW Battery disposal informationLDWS1000MW Frequency listLDWS1000MW Frequency lists / Pin assignment Wireless SystemsLDWS1000MW Data sheet - Microphone for Brass/Wind/Percussioninstruments Wind / percussion instrument clip microphone

Linear frequency response, natural sound reproduction, lightweight, easy and stable positioning thanks to the gooseneck, very good impact sound isolation thanks to elastic capsule fastening, strong clamp providing good fastening without causing any damage to the instrument thanks to the soft rubber inner surface of the clips. Phantom Power Adapter LDPHA also available separately.

Specifications:
  • Converter Principle: Electret Condenser Microphone
  • Pick-up Pattern: Cardioid pattern
  • Frequency Response: 50 Hz – 18 kHz
  • SPL: 133 dB
  • Sensitivty: -45 dB +/- 3dB
  • Impedance: 250 Ohms +/- 30% @1kHz
  • Connections: Mini XLR – 3 pins
  • Gooseneck: 70 mm
  • Cable length: 1,5 m
  • Surface: Black matt
  • Weight: 56 g
  • Accessories: Wind protection, Phantom power adapter
Weight0.40 kg0.44 kg0.14 kg0.20 kg0.50 kg0.35 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.40 kg
Weight 0.44 kg
Weight 0.14 kg
Weight 0.20 kg
Weight 0.50 kg
Weight 0.35 kg