SHURE MX-412SE-C-12-inch -30 cm- Gooseneck Condenser Mic.

 Shure MX412SE/C 12-inch (30 cm) Gooseneck Condenser Microphone, Shock Mount, Flange Mount, 10-foot (3 m) Side-Exit Cable (or Bottom-Exit), Snap-Fit Foam Windscreen, In-Line Preamp, Cardioid.

Shure Microflex MX412SE/C microphones are miniature gooseneck-mounted electret condenser microphones designed for speech and vocal pickup. Their high sensitivity and broad frequency range make them suitable for recording, as well as sound reinforcement applications.

The MX412SE/C microphone can be screwed onto a mic stand or the supplied 5/8 inch 27-threaded flange. They can be easily changed from side-exit to bottom-exit to conceal the cable. All models include an in-line preamplifier and a 3 m (10 ft) cable. Each microphone is available with interchangeable cardioid, supercardioid, or omnidirectional cartridges.

The 98H/C is wireless version of Shure\'s Beta 98 clip-on instrument mic, and is designed to work with the Shure beltpack transmitters. With the ability to handle high SPL, the Beta 98H/C is ready for the demands of brass, woodwind, and percussion, and features a flexible integrated gooseneck with clip-on clamp for secure fit and precise positioning. No external mounting hardware required.

    

• Compatibility: All Shure w/TA4F (Tiny QG)
• Microphone Type: Condenser
• Polar Pattern: Cardioid
• Frequency Response: 20Hz-20kHz
• Max SPL: 143.5dB SPL
• Signal to Noise Ratio: 63dB
• Self Noise: 31dB (A weighted)
• Connector: TA4F (For Shure)
• Color: Black
• Cable Length: 10 ft.
• Weight: .1 lb.
• Manufacturer Part Number: WB98H/C

• PA microphone with rugged, all-metal body
• Frequency response optimized for intelligibility
• Long useful life even in tough day-to-day usage
• Frequency response tailored to speech use

The DGN 99 E features a built-in XLR connector for quick connection, while the DGN 99 has been designed for permanent (single-hole or screw-on) installation and comes with a 6-ft. 4-in. (2-m) fixed, unterminated cable.

Ticket window, bank counter
Reception desk, restaurant
Houses of worship

Features:

• Miniature cardioid condenser clamp-on microphone with shock mounted capsule
• Ideal for miking drums and percussions
• Including wireless direct adapter for easy use with AKG pocket transmitters
• Detachable microphone cable
• Integrated gooseneck
• Continuously adjustable vise type clamp

Recommended For:

• Drums
• Brass
• Recording
• Percussions

Standard Accessories:

• A400 adapter
• H518 Drum bracket
• Microphone bag
• W44 Windscreen

Specs:

• Polar pattern cardioid
• Frequency range 60 Hz to 20 kHz
• Sensitivity 5 mV/Pa (-46 dBV)
• Max. SPL 130/132 dB SPL (for 1%/3% THD)
• Equivalent noise level 31 dB(A)
• Signal/noise ratio (A-weighted) 63 dB
• Impedance = 2000 ohms
• Current consumption

The evolution e 908 instrument microphone is available in four variants:
as e 908 D for drums and percussion
as e 908 B for wind instruments, congas, and drums with free-floating suspension system
as e 908 B ew for the wireless miking of saxophones using an evolution wireless instrument transmitter
as e 908 T ew for the wireless miking of trumpets using an evolution wireless instrument transmitter

Pick-up pattern : cardioid
Frequency response : 40 ... 20 000 Hz
Sensitivity in free field, no load : (1kHz) 4 mV/Pa, 0,56mV/Pa (e 908T-ew)
Equivalent noise level : e908B-ew = 30 dB(A); e908B & e908D = 35 dB(A), e908T-ew = 39 dB (A)
Max. Sound pressure level (aktiv) : 147 dB
Nominal impedance : 100 Ohm (e908B & e908D)
Min. terminating impedance : 2000 Ohm (e908B & e908D)
Phantom powering : 12 - 48 V / 3 mA (e908B & e908D)
Weight : ca. 140 g
Dimensions : Ø 47 x 193 mm

• Immune to RF interference
• Speech optimized frequency range
• Enhanced hypercardioid polar pattern
• High SPL capability
• Premium microphone for ubiquitous application

A History of Sound: The C 747, the so called „pencil microphone“, was first built in 1987. Due to its excellent technical specifications, especially the wide and flat frequency range, it was used for the recording of all kinds of musical instruments, even those with very low frequencies. Because of its brilliant sound reproduction and its inconspicuous optical appearance, it was quickly known as an ideal overhead microphone.
Thank to the narrow polar pattern it solved the crosstalk problem (when recording multiple instruments at once) and the problem of picking up sounds from distant spots in a room. But for all that, due to the help of the acoustically well balanced, short interference tube, it didnʼt face one of the biggest problems of most shotgun microphones – the change of the polar pattern over the frequency. This is one of many reasons why this microphone found its way into a great number of Broadcast Stations, Recording Studios, Theatres, Opera Houses, Churches, Conference Rooms and Lecture Halls.

Another big advantage of the C 747 is that the microphone will not change the sound or level too much even when the person speaking is moving a lot. So it came that the C 747 finally found its way into installed sound systems as a perfect speech and lectern microphone. The C 747 is now one of the most versatile microphones in the AKG product range and over the years it has been available in various versions and model types such as hanging module, capsule for modular gooseneck microphones and in a boundary layer microphone.

Whatʼs New in V11: As it is more and more used in conference applications, we carefully redesigned the C 747 to better cope with some specific installed sound issues.
The new C 747 V11 will have an integrated RFi shield to block out unwanted interference by mobile phones, wireless mics and the like. Also we have fine tuned the frequency response to give especially the spoken word an outstanding presence, without changing the flavour of the classic C 747 sound.

An enhanced polar pattern provides consistent off-axis rejection to control ambient noise and feedback in acoustically difficult environments. This makes the C 747 V11 an excellent choice for noisy discussion groups or reverberant pulpits while it is forgiving enough to clearly pick up talkers moving around in front of the microphone. A switchable LF roll-off filter suppresses mechanical noise. The low-impedance transformerless preamp operates on 9 to 52 V phantom power.
The C 747 V11 ships with an extensive accessory set including a shock mount/adapter, mini gooseneck, stand adapter, mounting clamp, thread link, and windscreen.

SPECIFICATIONS: