The C4 is small diaphragm condenser microphone featuring interchangeable capsules, switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body. The microphone?s modularity makes it a useful multi-purpose tool intended for all-around use on stage, on location and in studios of all caliber.As a cardioid (pressure gradient) microphone, the C4 provides excellent […]
The C4 is small diaphragm condenser microphone featuring interchangeable capsules, switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body. The microphone?s modularity makes it a useful multi-purpose tool intended for all-around use on stage, on location and in studios of all caliber. As a cardioid (pressure gradient) microphone, the C4 provides excellent pickup of on-axis sources while attenuating extraneous sound occurring from around and behind the mic. This makes it ideal for close miking of individual instruments where bleed from other nearby instruments or sound is undesirable. The C4 cardioids also make excellent stereo pairs for coincident and near-coincident miking techniques such as X-Y and ORTF. Additionally the C4?s are quite useful on a drum kit as overheads and on toms. Used as an omni-directional (pressure) microphone, the C4 offers a warm tonal response and is recommended especially for close miking in favorable acoustical environments. There is very little off axis coloration owing to the inherent physical properties of pressure capsules, and it is this – combined with the low self-noise of the microphone amplifier that makes the C4 omni an excellent ambience mic ?especially in pairs. In a good room, a pair of omni?s can provide a vibrant and live feel to recordings, which is not achievable through the use of directional microphones. Recommended uses are, spaced pair omni, Jecklin disc (OSS), piano, guitar, drum overheads and room miking. The C4 is available in pairs with shockmounts, windscreens and case.
Features: Studio Quality Stereo Pair Microphone System Modular Design Interchangeable Capsules (Omni, Cardioid) Switchable -10dB pad/ High Pass Filter Transformerless Output Rugged Construction
Applications: Coincident, Near Coincident Pair Spaced Pair Omnis Location Use Spot Miking For Instruments Ambient Recording Drum Overheads
Included Accessories: Shock Mount Adapter Foam Windscreen Pair of Cardioid Heads Pair of Omni Heads Case
Technical Description Type: Single diaphragm modular FET condenser microphone Polar Pattern: Cardioid (CC1) Omni-directional (OC1) Frequency Response: 40Hz.~20kHz Sensitivity: 12m V/Pa. where 1 pa = 94dB SPL Output Impedance: 1200 Ohm Max SPL: 150 dB SPL with -10dB pad Equivalent Noise: 16 DB SPL, (A-weighted per IEC268-15) S/N Ratio: 78 dB Power Requirement: P48 +/-4V Current Consumption:
Weight
3.17 kg
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The C4 is small diaphragm condenser microphone featuring interchangeable capsules, switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body. The microphone?s modularity makes it a useful multi-purpose tool intended for all-around use on stage, on location and in studios of all caliber. As a cardioid (pressure gradient) microphone, the C4 provides excellent pickup of on-axis sources while attenuating extraneous sound occurring from around and behind the mic. This makes it ideal for close miking of individual instruments where bleed from other nearby instruments or sound is undesirable. The C4 cardioids also make excellent stereo pairs for coincident and near-coincident miking techniques such as X-Y and ORTF. Additionally the C4?s are quite useful on a drum kit as overheads and on toms. Used as an omni-directional (pressure) microphone, the C4 offers a warm tonal response and is recommended especially for close miking in favorable acoustical environments. There is very little off axis coloration owing to the inherent physical properties of pressure capsules, and it is this - combined with the low self-noise of the microphone amplifier that makes the C4 omni an excellent ambience mic ?especially in pairs. In a good room, a pair of omni?s can provide a vibrant and live feel to recordings, which is not achievable through the use of directional microphones. Recommended uses are, spaced pair omni, Jecklin disc (OSS), piano, guitar, drum overheads and room miking. The C4 is available in pairs with shockmounts, windscreens and case.
Features: Studio Quality Stereo Pair Microphone System Modular Design Interchangeable Capsules (Omni, Cardioid) Switchable -10dB pad/ High Pass Filter Transformerless Output Rugged Construction
Applications: Coincident, Near Coincident Pair Spaced Pair Omnis Location Use Spot Miking For Instruments Ambient Recording Drum Overheads
Included Accessories: Shock Mount Adapter Foam Windscreen Pair of Cardioid Heads Pair of Omni Heads Case
Technical Description Type: Single diaphragm modular FET condenser microphone Polar Pattern: Cardioid (CC1) Omni-directional (OC1) Frequency Response: 40Hz.~20kHz Sensitivity: 12m V/Pa. where 1 pa = 94dB SPL Output Impedance: 1200 Ohm Max SPL: 150 dB SPL with -10dB pad Equivalent Noise: 16 DB SPL, (A-weighted per IEC268-15) S/N Ratio: 78 dB Power Requirement: P48 +/-4V Current Consumption:
The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.
Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
Large 1" (25mm) capsule with gold plated diaphragm
Cardioid polar pattern
Self noise of only 5dB (A)
Ultra low noise, transformerless surface mount circuitry
Behringer C-3 Dual-Diaphragm Studio Condenser Microphone
Introducing the Professional Condenser Microphone C-3 from BEHRINGER
Our latest dual-diaphragm condenser microphone C-3 is ideal for high-quality studio recording and live applications.
The selectable omnidirectional, cardioid, and figure-eight pickup patterns offer ultimate versatility needed to professionally record vocals and acoustic instruments. The C-3 holds a pressure-gradient transducer with a shock-mounted dual-diaphragm capsule. Its ultra-high sound resolution and flat frequency response rival those of microphones with much higher price tags. It also includes an LED that indicates phantom power operation and a gold-plated XLR output connector to ensure highest signal integrity. The C-3 comes with extensive accessories such as swivel stand and transport case.
The C-3 represents state-of-the-art technology at a price that is simply unheard of.
Rode's new NTK has the quality and warmth demanded from a tube mic.
With the large 1 in. capsule gold-plated membrane and twin triode tubes
(hand graded and selected), Rode is again setting the standard for value.
This is a tube mic designed exclusively for recording professionals who
want what only the best can offer.
Features:
Dynamic range of 47dB
Ultra low noise of only 12dB
Internal capsule shock mounting
Cardioid polar pattern
20Hz - 20kHz frequency response
Includes a power supply, 30 ft. cable, and stand adapter
Technical Description:
Capsule: Externally polarised 1 in. pressure-gradient condenser
Active Electronics: Unity-gain closed-loop impedance converter;
vacuum-tube input with bipolar buffering
Pickup Pattern: Cardioid
Frequency Response: 20Hz - 20kHz (+/-6dB)
Output Impedance: 200 ohms (100 ohms per leg)
Sensitivity: -38dB re 1V/Pa (12mV @ 94dB SPL) +/-1dB
Equivalent Noise: 12dB SPL (A-weighted per IEC268-15) +/-2dB
Maximum Output: > +29dBu (@ 1kHz, 5% THD into 1k (load)
Dynamic Range: > 147dB (A-weighted, per IEC268-15)
Maximum SPL: > 158dB SPL (@ 1kHz, 5% THD into 1k (load)
Signal/Noise Ratio: > 82dB (A-weighted, per IEC268-15)
External power supply: 100-120V/200-240V AC (user selectable)
50Hz/60Hz, 25VA maximum
Packed Weight: 4.53 kg (Mic only 760 gm)
Accessories included:
Power Supply
30 ft (10 m) Multicore Cable
M2 Standmount plus 3/8-5/8 in. Thread Adapter
Optional Extras: SM2 Shockmount
Comes with spider-type shock mount and aluminium carrying case
The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG΄s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.
Its 1-inch large-diaphragm true condenser transducer brings AKG studio quality to the project studio as well as all other areas of recording and live sound applications. A switchable bass cut filter and preattenuation pad make it perfectly suited even for use on loud sound sources producing sound pressure levels up to 155 dB SPL. The rugged and roadworthy design makes it also a perfect choice for on-stage applications. The Perception 220 comes with a spider-type shock mount and a rugged metal case.
Type
1" Large Diaphragm True Condenser
Polar pattern
cardioid
Frequency range
20 to 20,000 Hz
Sensitivity
18 mV/Pa (-35 dBV)
Max. SPL
135 dB/155 dB (0/-20 dB) for 0.5% THD
Equivalent noise level
16 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted)
78 dB
Preattenuation pad
0 dB, -20 dB
Bass filter
12 dB/octave at 300 Hz
Impedance
=1000 ohms
Current consumption
Behringer B-5 Sputtered Diaphragm Studio Condenser Microphone
The B-5 is a professional gold-sputtered diaphragm condenser microphone featuring two interchangeable capsules for different pickup patterns (cardioid and omnidirectional). It is perfect for acoustic instruments, vocals and overhead miking. Its ultra low-noise transformerless FET input eliminates low frequency distortion. The -10 dB attenuator can be used with high volume signal sources, while the low-cut filter eliminates floor rumble. The microphone is delivered in a rugged hard case with stand adapter and windscreen.
Professional true condenser microphone for studio and live applications
2 interchangeable capsules with cardioid and omnidirectional pickup patterns
Low-mass gold sputtered diaphragm for ultimate sound reproduction
Perfect for acoustic instruments, voice and overhead etc.
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Smooth, super-wide frequency response and incredible musicality
Switchable low-frequency roll-off and -10 dB input attenuation
Gold-plated 3-pin XLR output connector
Rugged construction with satin nickel-plated brass body
Custom microphone stand adapter, windscreen and transport case included
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