STUDIO PROJECTS C4 CONDESER STEREO PAIR MICROPHONES

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Original price was: €396.80.Current price is: €369.01. incl. GR VAT

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The C4 is small diaphragm condenser microphone featuring interchangeable capsules, switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body. The microphone?s modularity makes it a useful multi-purpose tool intended for all-around use on stage, on location and in studios of all caliber.As a cardioid (pressure gradient) microphone, the C4 provides excellent […]

 

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The C4 is small diaphragm condenser microphone featuring interchangeable capsules,
switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body.
The microphone?s modularity makes it a useful multi-purpose tool intended for all-around
use on stage, on location and in studios of all caliber.
As a cardioid (pressure gradient) microphone, the C4 provides excellent pickup of on-axis
sources while attenuating extraneous sound occurring from around and behind the mic.
This makes it ideal for close miking of individual instruments where bleed from other nearby
instruments or sound is undesirable. The C4 cardioids also make excellent stereo pairs for
coincident and near-coincident miking techniques such as X-Y and ORTF. Additionally the
C4?s are quite useful on a drum kit as overheads and on toms.
Used as an omni-directional (pressure) microphone, the C4 offers a warm tonal response
and is recommended especially for close miking in favorable acoustical environments. There
is very little off axis coloration owing to the inherent physical properties of pressure capsules,
and it is this – combined with the low self-noise of the microphone amplifier that makes the
C4 omni an excellent ambience mic ?especially in pairs. In a good room, a pair of omni?s
can provide a vibrant and live feel to recordings, which is not achievable through the use of
directional microphones.
Recommended uses are, spaced pair omni, Jecklin disc (OSS), piano, guitar, drum overheads
and room miking. The C4 is available in pairs with shockmounts, windscreens and case.

Features:
Studio Quality Stereo Pair Microphone System
Modular Design
Interchangeable Capsules (Omni, Cardioid)
Switchable -10dB pad/ High Pass Filter
Transformerless Output
Rugged Construction

Applications:
Coincident, Near Coincident Pair
Spaced Pair Omnis
Location Use
Spot Miking For Instruments
Ambient Recording
Drum Overheads

Included Accessories:
Shock Mount Adapter
Foam Windscreen
Pair of Cardioid Heads
Pair of Omni Heads
Case

Technical Description
Type: Single diaphragm modular FET condenser microphone
Polar Pattern: Cardioid (CC1) Omni-directional (OC1)
Frequency Response: 40Hz.~20kHz
Sensitivity: 12m V/Pa. where 1 pa = 94dB SPL
Output Impedance: 1200 Ohm
Max SPL: 150 dB SPL with -10dB pad
Equivalent Noise: 16 DB SPL, (A-weighted per IEC268-15)
S/N Ratio: 78 dB
Power Requirement: P48 +/-4V
Current Consumption:

Weight 3.17 kg

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Quick Comparison

STUDIO PROJECTS C4 CONDESER STEREO PAIR MICROPHONES removeNEUMANN TLM-103 Condenser studio microphone removeRODE K2 VARIABLE PATTERN CONDENSER VALVE MICROPHONE removeBEHRINGER C1 Studio Condenser Microphone removeNEUMANN TLM-193 Cardioid Condenser Microphone removeAKG PERCEPTION 220 CONDENSER MICROPHONE remove
NameSTUDIO PROJECTS C4 CONDESER STEREO PAIR MICROPHONES removeNEUMANN TLM-103 Condenser studio microphone removeRODE K2 VARIABLE PATTERN CONDENSER VALVE MICROPHONE removeBEHRINGER C1 Studio Condenser Microphone removeNEUMANN TLM-193 Cardioid Condenser Microphone removeAKG PERCEPTION 220 CONDENSER MICROPHONE remove
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SKUC4PAIRH11NE00039H11RD00006E005249H11NE00001PERCEPTION 220
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Price Original price was: €396.80.Current price is: €369.01. incl. GR VAT Original price was: €1,328.00.Current price is: €1,169.00. incl. GR VAT Original price was: €788.00.Current price is: €749.00. incl. GR VAT Original price was: €59.28.Current price is: €57.00. incl. GR VAT Original price was: €1,590.00.Current price is: €1,399.00. incl. GR VAT Original price was: €223.31.Current price is: €180.00. incl. GR VAT
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Description
Content

The C4 is small diaphragm condenser microphone featuring interchangeable capsules,
switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body.
The microphone?s modularity makes it a useful multi-purpose tool intended for all-around
use on stage, on location and in studios of all caliber.
As a cardioid (pressure gradient) microphone, the C4 provides excellent pickup of on-axis
sources while attenuating extraneous sound occurring from around and behind the mic.
This makes it ideal for close miking of individual instruments where bleed from other nearby
instruments or sound is undesirable. The C4 cardioids also make excellent stereo pairs for
coincident and near-coincident miking techniques such as X-Y and ORTF. Additionally the
C4?s are quite useful on a drum kit as overheads and on toms.
Used as an omni-directional (pressure) microphone, the C4 offers a warm tonal response
and is recommended especially for close miking in favorable acoustical environments. There
is very little off axis coloration owing to the inherent physical properties of pressure capsules,
and it is this - combined with the low self-noise of the microphone amplifier that makes the
C4 omni an excellent ambience mic ?especially in pairs. In a good room, a pair of omni?s
can provide a vibrant and live feel to recordings, which is not achievable through the use of
directional microphones.
Recommended uses are, spaced pair omni, Jecklin disc (OSS), piano, guitar, drum overheads
and room miking. The C4 is available in pairs with shockmounts, windscreens and case.

Features:
Studio Quality Stereo Pair Microphone System
Modular Design
Interchangeable Capsules (Omni, Cardioid)
Switchable -10dB pad/ High Pass Filter
Transformerless Output
Rugged Construction

Applications:
Coincident, Near Coincident Pair
Spaced Pair Omnis
Location Use
Spot Miking For Instruments
Ambient Recording
Drum Overheads

Included Accessories:
Shock Mount Adapter
Foam Windscreen
Pair of Cardioid Heads
Pair of Omni Heads
Case

Technical Description
Type: Single diaphragm modular FET condenser microphone
Polar Pattern: Cardioid (CC1) Omni-directional (OC1)
Frequency Response: 40Hz.~20kHz
Sensitivity: 12m V/Pa. where 1 pa = 94dB SPL
Output Impedance: 1200 Ohm
Max SPL: 150 dB SPL with -10dB pad
Equivalent Noise: 16 DB SPL, (A-weighted per IEC268-15)
S/N Ratio: 78 dB
Power Requirement: P48 +/-4V
Current Consumption:

Large diaphragm cardioid microphone
Pressure gradient transducer with with one-diaphragm capsule
Transformerless circuitry
Extremely low noise: 7 dB-A
Includes swivel mount
Straightforward handling for homerecording and professional studios

High-quality professional equipment for limited budgets

Acoustical operating principle Pressure gradient transducer
Directional pattern Cardioid
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm 23 mV/Pa
Rated impedance 50 ohms
Rated load impedance 1 kohms
Equivalent noise level, CCIR1) 17.5 dB
Equivalent noise level, A-weighted1) 7 dB-A
Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) 76.5 dB
Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) 87 dB
Maximum SPL for THD 0.5%2) 138 dB
Maximum output voltage 13 dBu
Dynamic range of the microphone amplifier (A-weighted) 131 dB
Supply voltage (P48, IEC 61938) 48 V ± 4 V
Current consumption (P48, IEC 61938) 3 mA
Matching connector XLR3F
Weight approx. 450 g
Diameter 60 mm
Length 132 mm

 

K2 - ?It cant be done?? Precision Variable Pattern Dual 1? Condenser Valve Microphone.
 
The R?DE K2 is the result of designing and building 1000?s of valve microphones. The
K2?s HF-1 capsule is the pinnacle of transducer technology. The sound quality combines
modern high-end specifications with the character and subtleties of the legendary 50?s mics.
Infinitely variable control of the K2?s polar patterns provides the freedom and flexibility to
excel in any recording situation. The K2 is another example of R?DE?s commitment to
building quality studio microphones to meet the exacting standards demanded by today?s
professionals.At the 2004 Frankfurt Music Messa, 56 of the most prestgious music industry
magazines voted the K2 the ?Best Studio Microphone of 2004?.

SPECIFICATIONS:
Features:
? New large capsule with gold sputtered diaphragm. ? Ultra low noise.
? Wide dynamic range. ? Class ?A? valve circuitry. ? Hand-selected and
graded 6922 twin-triode valve. ? Dedicated Power Supply. ? High strength
welded and heat-treated steel mesh head. ? Durable satin nickel finish.
? Internal capsule shock mounting. ? High level of RF rejection. ? Supplied
complete with SM2 Shock Mount and RC2 Custom Carry Case.
? Continuously variable polar patterns. From omni, through cardiod to
figure 8, controlled at the power supply.
Operation power:
The K2 is designed to operate from a dedicated power supply (110 - 120 V/220 - 240 V, 50/60 Hz)
Acoustic principle: Externally polarized 25 mm(1?) condenser.
Directional pattern:
Continuously variable multi pattern -Omni, through Cardioid to figure 8.
Frequency range:  20 Hz - 20 kHz
Output impedance:
Valve impedence converter with bipolar output buffer.
Signal noise ratio din iec 651:
 > 81 dB (1kHz relative to 1 Pa; per IEC651,IEC268-15).
Equvalent noise:  10 dBA SPL (per IEC651, IEC268-15).
Maximum spl: 162 dB (@ 1% THD into 1k).
Sensitivity:
 -36 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB.
Power supply voltage:
Dedicated Power Supply(110 - 120 V/220 - 240 V, 50/60 Hz).
Weight:  815 gms
Dimensions width:  208.5 mm
Dimensions depth:  55 mm
Dimensions height:  55 mm
Maximum output voltage:  > +30 dBu (@ 1% THD into 1 k).

Behringer C-1 Studio Condenser Microphone   Behringer C-1 Studio Condenser Microphone The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.
  • Professional large-diaphragm condenser microphone for unsurpassed audio quality
  • Ideal as main and support microphone for studio and live applications
  • Exceptionally flat frequency response and ultra-high sound resolution
  • Cardioid pickup pattern for outstanding sound source separation and feedback rejection
  • Ultra low-noise transformerless FET input circuitry
  • LED indicates phantom power operation
  • Gold-plated 3-pin XLR output connector for perfect signal transmission
  • Ultra-rugged construction with die-cast body
  • Swivel stand mount and carrying case included
Operating Principle Pressure Gradient
Capsule Condenser
Diaphragm 0.63" / 16.0 mm
Polar Pattern Cardioid
Performance
Frequency Range 40 Hz to 20 kHz
Maximum SPL 136 dB SPL
Impedance 100 Ohms
Load Impedance 1000 Ohms
Sensitivity -33 dB
THD 1%
Connectivity
Output Connectors (Analog) 1 x XLR 3-Pin
Power
Operating Voltage 36 to 52 V
Operating Current Consumption 2.5 µA
Physical 0.93 lb / 0.42 kg
Dimensions ø: 2.13 x L: 7.09" / ø: 54 x L: 180 mm
Weight
 
Acoustical operating principlePressure gradient transducer
Directional patternCardioid
Frequency range20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohms18 mV/Pa
Rated impedance50 ohms
Rated load impedance1000 ohms
Equivalent SPL CCIR 468-321 dB
Equivalent SPL DIN/IEC 65110 dB-A
S/N ratio CCIR 468-373 dB
S/N ratio DIN/IEC 65184 dB
Maximum SPL for THD 0.5%140 dB
Maximum output voltage13 dBu
Dynamic range of the microphone amplifier DIN/IEC 651130 dB
Supply voltage48 V ± 4 V
Current consumption3 mA
Matching connectorsXLR 3F
Weight480 g
Diameter49 mm
Length175 mm
  • One-inch large-diaphragm, true condenser cardioid transducer
  • Rugged all-metal body
  • Roadworthy construction
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Legendary AKG sound quality
  • Designed and engineered by AKG in Vienna, Austria
  • Comes with spider-type shock mount and aluminium carrying case
The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG΄s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day. Its 1-inch large-diaphragm true condenser transducer brings AKG studio quality to the project studio as well as all other areas of recording and live sound applications. A switchable bass cut filter and preattenuation pad make it perfectly suited even for use on loud sound sources producing sound pressure levels up to 155 dB SPL. The rugged and roadworthy design makes it also a perfect choice for on-stage applications. The Perception 220 comes with a spider-type shock mount and a rugged metal case.
Type 1" Large Diaphragm True Condenser
Polar pattern cardioid
Frequency range 20 to 20,000 Hz
Sensitivity 18 mV/Pa (-35 dBV)
Max. SPL 135 dB/155 dB (0/-20 dB) for 0.5% THD
Equivalent noise level 16 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted) 78 dB
Preattenuation pad 0 dB, -20 dB
Bass filter 12 dB/octave at 300 Hz
Impedance =1000 ohms
Current consumption
Weight3.17 kg3.00 kg2.00 kg0.50 kg0.48 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3.17 kg
Weight 3.00 kg
Weight 2.00 kg
Weight 0.50 kg
Weight 0.48 kg
Weight 1.00 kg

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