Content | The VSS3-reverb technology inherent in the M3000 is an industry standard. The M3000 has
some of the best sounding, most versatile and easy-to-use professional reverbs for music and
film/post applications. Combining ultimate control of directivity in the early reflections with a
transparent and harmonically magnificent diffused field, the art of reverberation is brought to a
new and higher level.
The M3000 enables you to add the softest and cleanest ambience to your work that you have
ever heard. Furthermore the processor boasts a wide range of tools and presets to give you the
exact vintage or post production reverb you are looking for.
With Dual-engine structure enabling two simultaneous reverbs or effects, award winning intuitive
user-interface, 600 factory presets and multiple I/O formats, the M3000 is one of the best reverb
choices for high-end music- and film/post-production.
Technical Specification
Digital Inputs and Outputs
Connectors XLR (AES/EBU)
RCA Phono (S/PDIF)
Optical (Toslink, ADAT)
Formats AES/EBU (24 bit), S/PDIF (24 bit), EIAJ CP-340, IEC 958,
EIAJ Optical (Toslink), ADAT Lite pipe
Output Dither HPF TPDF dither 8-24 bit
Word Clock Input RCA Phono, 75 ohm, 0.6 to 10 Vpp
Sample Rates 44.1 kHz, 48 kHz
Processing Delay 0.2 ms @ 48 kHz
Frequency Response DIO 20 Hz to 23,9 kHz +0,01/-0,1 dB @ 48 kHz
Analog Inputs
Connectors XLR balanced (pin 2 hot)
Impedance 20 kohm
Max. Input Level +22 dBu (balanced)
Min. Input Level (for 0 dBFS) -10 dBu
Sensitivity @ 12 dB headroom: -22 dBu to +10 dBu
A to D Conversion 24 bit (1 bit, 128 times oversampling
A to D Delay 0.8 ms @ 48 kHz
Dynamic Range >103 dB (Unweighted), >106 dB (A)
THD -95 dB (0,0018 %) @ 1kHz
-6 dBFS (FS @ +16 dBu)
Frequency Response 10 Hz to 20 kHz: +0/-0.2 dB
Crosstalk 100 dB (unweighted), >104 dB(A)
THD -86 dB (0.005%) @ 1 kHz
-6 dBFS (FS @ +16 dBu)
Frequency Response 10 Hz to 20 kHz: +0/-0.5 dB
Crosstalk |
The S com 4 is a compact and versatile single-rack space device that provides
four channels of high quality dynamics processing with an Expander/Gate and
Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED
metering displays input/output level as well as gain reduction. The Expander/Gate
section features a continuously variable Threshold control as well as a switch for
fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels.
S com 4's Enhancer switch restores high frequencies that are sometimes diminished
by heavy compression. This wide-ranging combination of features makes the S com
4 an efficient and versatile audio tool for a wide variety of applications. Its clean and
quiet audio characteristics make it ideal where high sonic integrity is imperative.
FEATURES:
4 Channel Compressor/Limiter, Expander/Gate with Enhancer
Linkable in two Stereo pairs
Expander/Gate with variable Trigger control and switchable Fast/Slow Release
5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
Advanced circuit design utilizing Low Noise Operational
Amplifiers and High Quality VCA's
Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee
based on the level of Input signal applied
Individual Threshold and Ratio controls on each channel
Three-year extended warranty
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The ARX EC-2 is a flexible yet affordable 24 dB per octave Phase Correct active crossovers. It has 2 modes of operation; as either Stereo 2 way or a Mono 3 way units, with a switch on the back panel selecting either mode.
Features Ultra low noise circuitry Totally phase aligned at crossover point Switchable Dual Channel 2 way or Single Channel 3 way Unique 'semi-fixed' crossover point 24dB per octave (Fourth Order) Linkwitz-Riley filters Separate Summed Mono Output Balanced Inputs and Outputs Built in High Pass filters Intuitive, 'user friendly' layout Flawless performance in any audio environment
Tamper-Proof Crossover Points The crossover points are determined internally by the value of 4 resistors per channel; changing the resistor value changes the crossover point. This 'semi fixed' method avoids the pitfalls of externally adjusted crossover points, making the crossover points tamper-proof once they are set. Idle fingers can't fiddle with the crossover points and create havoc with the system! As a handy guide, a list of common crossover points and their corresponding resistor values are printed inside the unit's lid, and also set out in the Owner's Manual. On the front panel are level controls for Low and High in dual channel 2 way mode, and Low, Mid and High in single channel 3 way mode, with corresponding Outputs on the rear panel.
Balanced Inputs and Outputs EC-2 has Balanced Inputs and Outputs, on XLR connectors. The EC-2 also has an additional summed Mono Low output, for applications that need a Mono Low feed (e.g. Left and Right full-range plus a single Sub Bass speaker). High Pass Filter There is also a preset 30 Hz HighPass filter to remove unwanted subsonics which can damage speakers and waste amplifier power. In addition, each output has up to +6 dB of gain available, to compensate for amplifiers and speakers of differing sensitivities. Universal AC Power AC power range is a universal 100 to 120V or 220 to 240VAC, and is connected to the unit via a standard IEC connector, with built-in fuse and voltage change switch. Uncompromising Audio Quality Innovative circuit design is pointless unless it delivers stunning sound quality, and here the EC-2 excels. It has been designed for uncompromising audio quality, and to achieve this, Linkwitz Riley 24dB (Fourth Order) state variable filters are used throughout, ensuring a smooth Phase Correct transition through the crossover region. From Stage Monitors to Studio Monitors, from Front of House to the Front room of your House, the ARX EC-2 is a crossover that is suited to any application that requires flawless, transparent sound. You'll never compromise on Quality when you choose ARX
T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms Input Headroom + 21 dB CMRR >45 dB, 20 Hz-20 KHz Output Impedance Balanced 300 ohms, Unbalanced 150 ohms Output Level (Max) + 21dB Frequency Response 30Hz-20KHz +or- 0.5dB Note: 30 Hz is a function of the High Pass filter Signal to Noise ratio (Controls at Unity) -90 dB Unweighted, -93 dB 'A' weighted Distortion 004% THD,0dB,1KHz Dynamic Range 111 dB Power Requirements 100/120 V AC, 220/240 V AC Weight 5 lbs/2.2 Kg Dimensions 19“W x 13/4“H x 6“D, 482 x 44 x 155mm Input Connector type XLR Output Connector type XLR Crossover point frequencies are changed internally by varying the value of 4 resistors per channel.
Front Panel Controls Low and High Output controls for 2 way mode Low, Mid and High Output controls for 3 way mode Marker panels for labelling crossover assigns 2 way/ 3 way status LEDs Rear Panel Balanced XLR Inputs and Outputs Additional summed mono Low output 2 way / 3 way mode switch | Overview
More sound to your amps and speakers
The secret to making speakers sound great lies with the crossover you use. With the dbx® 223xs Crossover you\'ll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world\'s finest processors. The 223xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.
The dbx 223xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs
Features
- XLR balanced ins and outs
- Mode switch for stereo 2-way or mono 3-way operation
- Low frequency summed (subwoofer) output
- x10 range switch on both channels
- 40Hz high pass (low cut) filter both channels
- Phase reverse switch on all outputs
- Individual level controls on all outputs
- 24dB per octave Linkwitz-Riley filters (the professional standard)
- Stereo/Mono status LEDs indicate the selected mode
- dbx® 2 year parts and labor as standard
- CSA NRTL/C approved
- CE compliant
Specifications
Input Connectors |
XLR (pin 2 hot) |
Input Type |
Electronically balanced/unbalanced, RF filtered |
Input Impedance |
Balanced >50k ohm, unbalanced >25k ohm |
Max Input |
>+22dBu balanced or unbalanced |
CMRR |
>40dB, typically >55dB at 1kHz |
Output Connectors |
XLR |
Output Type |
Impedance-balanaced/unbalanced, RF filtered |
Output Impedance |
Balanced 200 ohm, unbalanced 100 ohm |
Max Output |
>+21dBu balanced/unbalanced into 2k ohms or greater |
Bandwidth |
20Hz to 20kHz, +/-0.5dB |
Frequency Response |
90 kHz, +0/-3 dB |
Signal to Noise Ratio |
Ref: +4 dBu, 22 kHz measurement bandwidth |
Signal-to-Noise (Stereo Mode) |
>94dB (Low Output), >91dB (High Output) |
Signal-to-Noise (Mono Mode) |
>94dB (Low Output), >93dB (Mid Output), >91dB (High Output) |
Dynamic Range |
> 106 dB, unweighted, any output |
THD+Noise |
< 0.004% at +4 dBu, 1 kHz; < 0.04% at +20 dBu, 1 kHz |
Interchannel Crosstalk |
< -80 dB, 20 Hz to 20 kHz |
Crossover Frequencies (Stereo Mode) |
Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting) |
Crossover Frequencies (Mono Mode) |
Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting) |
Crossover Filter Type |
Linkwitz-Riley, 24 dB/octave, state-variable |
Low cut Switch |
Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel. |
Phase Invert Switch |
Inverts the phase at the output, one switch per output. |
x1 / x10 Switch |
Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel. |
Mode Switch |
Selects stereo/mono and 2/3-way operation |
LF Sum Switch |
Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode. |
Indicators |
Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output) |
Operating Voltage |
100 VAC 50/60 Hz; 120 VAC 60 Hz 230 VAC50 HZ |
Operating Temperature |
32°F to 113°F (0°C to 45°C) |
Power Consumption |
15W |
Power Connector |
IEC receptacle |
Dimensions |
1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm) |
Unit Weight |
3.7 lbs. (1.7 kg) |
Shipping Weight |
5.4 lbs. (2.5 kg) |
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About the DI6s It's a fact of audio life that a lot of equipment that has to be connected to professional audio systems isn't impedance or level compatible. Interfaces Unlimited Tape/cassette/DVD/CD decks, audio for video, drum machines, synthesizers, bass guitars, computers; at some stage all these need linking up to Balanced inputs, whether the application is Live sound, Studio or Broadcast. To solve these problems, we've developed the DI-6s:
Six active D.I. (Direct Injection) boxes, plus a 6 into 1 Line Mixer, plus a 1 to 6 Splitter, All of this in a compact, all steel 1 RU package.
A Pro Audio Toolbox This unique and flexible audio toolbox allows Six independent unbalanced audio sources to easily and quietly interface with Balanced pro audio systems, either to individual channels or summed down to one Master output. But that's not all. By pressing a single switch on the rear panel the DI6s will change from being Direct Boxes and a Mixer to being a 6 way Splitter (line distribution amplifier). Now it will split an incoming signal to 6 individual outputs or zones. On the front panel, each channel has 2 IN/OUT jacks, a level control from infinity (off) through 0dB to +15dB gain, and a Clip indicator LED.The Master section has a Master volume control and status LEDs indicating whether the unit is in DI or Splitter mode. In addition, as on all ARX single rack unit equipment, each channel has a numbered marker panel ('scribble strip') you can write on for easy confirmation of channel assigns. Balanced Outputs On the rear, each channel has an XLR Balanced output, with associated Ground lift switch and status LED, to isolate the chassis and electronic grounds. The Master section has both Balanced XLR and Unbalanced Jack outputs. In addition there is a Balanced XLR input with a switch to put the unit in either DI or Splitter mode. Universal AC Power AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to the unit via a removable power lead and standard 3 pin IEC connector, with built-in fuse and voltage change switch. With so many handy functions, plus a true 'user friendly' layout, it's no wonder people call the DI-6s 'A total Audio Patching System in 1 RU!' You'll never compromise on Quality when you choose ARX
Features Unique Pro Audio problem solver Six Direct boxes, Splitter and Line Mixer in one unit Multi mode unit: Six in, Six out; Six in, One out; One in, Six out Individual Output Ground lift switches Up to +15dB Gain available per channel Balanced XLR Outputs; High Impedance Jack Ins and Outs Flawless performance in any audio environment
T E C H N I C A L S P E C I F I C A T I O N S
Channels 1 - 6 High Z Input Impedance 2.2 Meg Ohm Max Channel Gain 15dB Clip LED Illuminates 1dB prior to clip Direct Output Impedance 300 ohms Balanced Max Input Level +20dB Max Output Level +21dB Signal to Noise -96dB(unity gain) Frequency Response 20Hz to 20KHz, ±0.5dB Distortion < 0.004%, 1KHz, +4dB Output Connector 3 pin XLR Master Section Output Impedance 300 Ohms Balanced Max Output Level +21dB Signal to Noise -90dB (unity gain) Frequency Response 10Hz to 20KHz, ±0.5dB Distortion < 0.004%, 1KHz, +4dB Output Connector 3 pin XLR Splitter Section Maximum Level + 20dB Input Impedance 20 KOhms, Balanced Input Connector XLR Frequency Response 10Hz?20KHz ±0.5dB AC Power 100-120, 220-240 V AC, 8 VA Size 19?W x 6?D x 1??H, 482 x 155 x 44mm Weight 2.2 Kg (5 lbs)
Front Panel Controls Hi Impedance (Hi Z) insulated jack Input and Output connectors Level control with up to +15dB of Gain available Clip LED indicator Marker panels for labelling DI assigns Master Level controls Rear Panel Balanced XLR Outputs Individual Audio Ground Lift switches and status LEDs XLR and jack Master Outputs XLR Input for splitter Splitter/DI + Mixer mode switch AC input connector, with voltage switch and fuse. |
iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?
With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.
The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.
? Advanced Feedback Suppression (AFS?)
? Type V? Noise Reduction
? PeakStopPlus? Limiting
? 2/3-octave Constant Q frequency bands
? Switchable boost/cut ranges of ±6 or ±15dB
? 18 dB per octave 40Hz low-cut filter
? ±12dB input gain range
? XLR, TRS and Euroblock Inputs and Outputs
? Internal Toroidal Transformer
? Frequency Response of 10Hz to 22kHz
? Dynamic range of greater than 113dB
? User Power Up Features
? Relay Bypass for Power Failure System Protection
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