| Content |
Features:
Two channel / four way split
Channels linkable for 1 in, 8 out
Ultra low noise design
?SilentSwitch? Phantom Power switch
?20 dB pad switch
0 to +40 dB Gain available via rear switches
Electronically Balanced Inputs and Outputs (standard)
Transformer Balanced Outputs option
12 VDC supply connector for remote or mobile applications
Intuitive, 'user friendly' layout
Flawless performance in any audio environment
Today?s venues face a growing need to provide a multiplicity of audio feeds
from presentations, conferences, orchestral performances and lectures. The
advent of digital broadcasting, the growth of webcasts and direct-to-CD
archiving highlight the deficiencies in audio splitting systems more than ever
before. Whether the final product is a broadcast feed or CD sales of an unrepeatable
lecture, performance or event, end-users? expectations of audio quality are
higher than ever.With these requirements in mind, ARX has developed the
MSX 8 Active Microphone/Line Splitter to deliver the performance required by
today?s standards of audio production. Active microphone and line splitting has
a number of benefits over passive splitters: primarily these are improved sound
quality, noise figures comparable to the best microphone inputs, and increased
resistance to RFI. All of which translate into superb audio quality for your clients.
About the MSX 8
The MSX 8 consists of two channels of actively buffered ultra low noise Microphone/
Line Splitter. Each of these channels has four electronically Balanced splits ? two
on the rear panel, plus two more on the front panel. All four output splits have the
option of transformer balancing if so specified.Each channel has a ?20 dB pad switch
plus silently switchable 48V Phantom power with indicator LED.Gain through the MSX 8
can be set individually by the small DIP switches on the rear of each channel, from 0dB
through to +40 dB in 10 dB stepsA ?Link? switch links Channel 1 to Channel 2, providing
an ultimate maximum of 8 Outputs from a single input. An indicator LED shows when this
is active. A Clip LED indicates imminent signal overload through the channel, and a
numbered marker panel on the front provides a space where individual channel connections
can be noted.For remote or mobile applications a 5 pin DIN connector on the rear panel
provides an access point to connect a 12V DC power supply
Inside Information
Internally, powerful RF input filtering removes both common mode and differential interference
at ultrasonic frequencies and above. High CMRR is achieved by the use of precision components
throughout.Advanced user options include internally jumper linking Inputs to Main outputs, and
Ground lifting Output Pins 1as required.
Internal Power Supply
The MSX 8 has a low noise transformer based power supply to obtain the maximum benefit from
the ultra low noise design of the splitter circuitry.
Summing up, the feature packed MSX 8 is the answer wherever transparent signal buffering and
routing is required.
T E C H N I C A L S P E C I F I C A T I O N S
Signal / Noise Ratio -94dB
Distortion .008% 20Hz - 20KHz
Gain through unit Switchable 0, +10, +20, +30, +40 dB
Maximum Output +24dB
Pad Switch ?20dB attenuation
Gain Switch +20dB gain
Phantom Power +48VDC slow turn on/turn off
Output Impedance 100 Ohms Electronically Balanced
(Optional Transformer balancing available)
Clip LED 1dB before clipping
12 Volt Connector 5 pin DIN
AC Mains Input Fused IEC socket
AC Power 100-120VAC 2 amp, 220-240VAC 1 amp
Transformer Type Low noise toroidal
Size 19?W x 1??H x 6?D, 482 x 44 x 125 mm
Weight 5 lbs (2.2 Kg)
Front Panel
A and B balanced XLR Output splits Channels 1 and 2.
Pin 3?-, Pin 2 +, Pin 1 Ground
48V Phantom Power switch and LED
Channel link switch and LED switch
?20dB pad switch
Numbered marker panel for labelling individual channel
assigns
AC power LED
Rear Panel
Channel Gain DIP switches: 0, +10, +20, +30, +40dB
Balanced XLR Input Channels 1 and 2. Pin 3 ?, Pin 2 +,
Pin 1 Ground
Balanced XLR Main (FOH) Output (same wiring as Input)
Channels 1 and 2
Balanced XLR Monitor Output (same wiring as Input) Channels
1 and 2
12 Volt DC power supply input for remote or mobile applications
IEC 3 pin AC connector and integral fuseholder. Replace fuse with
correct value only: 100?120 V AC 2 amp, 220?240 V AC 1 amp | Bring a more professional sound to your mix
Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.
dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Features
- Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mono operation
- Balanced inputs and outputs on 1/4" TRS and XLR connectors
- Side Chain insert
- Classic dbx® "Auto" mode
Specifications
| Input Connectors |
1/4" TRS and female XLR (pin 2 hot) |
| Input Type |
Electronically balanced/unbalanced, RF filtered |
| Input Impedance |
40kΩ balanced/unbalanced |
| Max Input |
>+22dBu Balanced or Unbalanced |
| Output Connectors |
1/4" TRS, female XLR (pin 2 hot) |
| Output Type |
Impedance-balanced/unbalanced, RF filtered |
| Output Impedance |
+4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced |
| Max Output |
>+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω) |
| Sidechain |
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) |
| Sidechain Impedance |
Tip = >10kΩ (Input), Ring = 2kΩ (Output) |
| Sidechain Max Input Level |
Tip = >+22dBu (Input) |
| Sidechain Max Output Level |
Ring = >+20dBu (Output) |
| Compressor Threshold Range |
-40dBu to +20dBu |
| Compressor Threshold Characteristic |
Selectable OverEasy® or hard knee |
| Compressor Ratio |
1:1 to Infinity:1 |
| Compressor Attack Time |
Scalable Program-Dependent AutoDynamic™ |
| Compressor Release Time |
Scalable Program-Dependent AutoDynamic™ |
| Expander/Gate Threshold Range |
-60dBu to +15dBu |
| Expander/Gate Ratio |
1:1 to 4:1 |
| Expander/Gate Attack Time |
|
| Compressos Expander Gate Kimiter DBX 166XS Stereo
Overview Bring a more professional sound to your mix
Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.
dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Specifications
| Input Connectors |
1/4" TRS, female XLR (pin 2 hot) |
| Input Impedance |
>50kΩ balanced, >25kΩ unbalanced |
| Max Input |
>+24dBu, Balanced or Unbalanced |
| Input Type |
Electronically balanced/unbalanced, RF filtered |
| Sidechain |
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) |
| Sidechain Impedance |
Tip = >10kΩ (Input), Ring = 2kΩ (Output) |
| Sidechain Max Input Level |
>+20dBu (tip/input); >+20dBu (ring/output) |
| Output Connectors |
1/4" TRS, female XLR (pin 2 hot) |
| Output Impedance |
120Ω balanced, >60Ω unbalanced |
| Max Output |
+21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω) |
| Frequency Response |
20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain |
| Noise |
|
|
Features:
Eight channel / four way split per channel
Channels linkable up to 1 in, 32 out
Ultra low noise design
'SilentSwitch' Phantom Power switching
?20 dB pad switch
0 to +40 dB Gain available via rear switches
Headphone monitoring and PFL metering
Electronically Balanced Inputs and Outputs (standard)
Transformer balanced Outputs option
Intuitive, 'user friendly' layout
Flawless audio performance
EC-2
Superb Audio Quality
Active microphone and line signal splitting has a number of benefits over
using passive splitters: primarily these are improved sound quality, noise
figures comparable to the best microphone inputs, and increased resistance
to RFI.
About the MSX 32
With these benefits in mind, the ARX MSX 32 Active Microphone/Line Splitter
has been developed to deliver the performance required by the increasing
complexity of today?s standards of audio production.
The MSX 32 consists of eight channels of actively buffered ultra low noise
Microphone/Line Splitter. Each of these channels has four electronically Balanced
splits ? two outputs on the rear panel for Main and Monitor, plus two more output
splits on the front panel. All splits have the option of transformer balancing if so
specified.Each channel has a ?20 dB pad switch plus silently switchable 48V
Phantom power with indicator LED. A PFL switch and 6 LED metering enables
each channel to be easily checked with headphones for signal monitoring, and
also for line tracing when troubleshooting. Gain through the MSX 32 can be set
individually by the small DIP switches on the rear of each channel, from 0dB
through to +40 dB in 10 dB stepsA ?Link? switch links each channel to the previous
one, providing an ultimate maximum of 32 Outputs from a single input. An indicator
LED shows when this is active. A Clip LED indicates imminent signal overload
through the channel, and a numbered marker panel on the front provides a space
where individual channel connections can be noted.
Number stickers are provided to give each channel an individual number for up to
40 channels when multiple MSX32s are being used.Internally, powerful RF input
filtering removes both common mode and differential interference at ultrasonic frequencies
and above. High CMRR is achieved by the use of precision components throughout.
Advanced user options include internally jumper linking Inputs to Main outputs, and
Ground lifting Output Pins 1 as required.
Internal Power Supply
The MSX 32?s internal toroidal transformer based power supply is triple shielded to
get the maximum benefit from the ultra low noise design of the splitter circuitry.
An illuminated power switch on the front panel provides visual confirmation of AC
power connection to the unit.The headphone output and the 6 LED PFL metering
are both mounted on the right hand side of the front panel. Rear panel connectors
enable this function to be linked when using multiple MSX 32 units.
To sum up, this feature packed two RU device is the answer wherever transparent
signal buffering and routing is required.
T E C H N I C A L S P E C I F I C A T I O N S
Signal / Noise Ratio -94dB
Distortion .008% 20Hz - 20KHz
Gain through unit Switchable 0, +10, +20, +30, +40 dB
Maximum Output +24dB
Pad Switch ?20dB attenuation
Phantom Power +48VDC slow turn on/turn off
Output Impedance 100 Ohms Electronically Balanced
(Optional Transformer balancing available)
Clip LED 1dB before clipping
Headphone Output 2 watts/8 ohms
AC Mains Input Fused IEC socket
AC Power 100-120V AC 2 amp 220-240V AC 1 amp
Transformer Type Low noise shielded toroidal
Size 2 RU - 19?W x 3½?H x 8?D, 482 x 89 x 200 mm
Weight E model - 15 lbs (7 Kg)
| The PRMMS8 is an ultra low noise 8-channel microphone splitter providing a direct output and a transformer isolated output for each balanced XLR input. For extra flexibility, four front panel switches enable channel linking which permits routing a single input signal to multiple outputs feeding FOH, monitor, recording and broadcast mixing consoles, or merging two input signals into a single output. For use with condenser microphones, the direct outputs serve as a path for phantom power. Each channel includes a ground lift switch to eliminate hum and interference caused by ground loops between electronic equipment connected to the PRMMS8.332.
Number of split-outputs per canal
1
Transformer isolated outputs
Yes
Cabinet material
sheet steel
Cabinet surface
Powder coated
Guarantee : 60 Months |
About the DI6s
It's a fact of audio life that a lot of equipment that has to be connected to
professional audio systems isn't impedance or level compatible.
Interfaces Unlimited
Tape/cassette/DVD/CD decks, audio for video, drum machines, synthesizers,
bass guitars, computers; at some stage all these need linking up to Balanced
inputs, whether the application is Live sound, Studio or Broadcast.
To solve these problems, we've developed the DI-6s:
Six active D.I. (Direct Injection) boxes,
plus a 6 into 1 Line Mixer,
plus a 1 to 6 Splitter,
All of this in a compact, all steel 1 RU package.
A Pro Audio Toolbox
This unique and flexible audio toolbox allows Six independent unbalanced
audio sources to easily and quietly interface with Balanced pro audio systems,
either to individual channels or summed down to one Master output.
But that's not all. By pressing a single switch on the rear panel the DI6s will
change from being Direct Boxes and a Mixer to being a 6 way Splitter (line
distribution amplifier). Now it will split an incoming signal to 6 individual outputs
or zones.
On the front panel, each channel has 2 IN/OUT jacks, a level control from infinity
(off) through 0dB to +15dB gain, and a Clip indicator LED.The Master section has
a Master volume control and status LEDs indicating whether the unit is in DI or
Splitter mode. In addition, as on all ARX single rack unit equipment, each channel
has a numbered marker panel ('scribble strip') you can write on for easy confirmation
of channel assigns.
Balanced Outputs
On the rear, each channel has an XLR Balanced output, with associated Ground lift
switch and status LED, to isolate the chassis and electronic grounds.
The Master section has both Balanced XLR and Unbalanced Jack outputs. In addition
there is a Balanced XLR input with a switch to put the unit in either DI or Splitter mode.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to the
unit via a removable power lead and standard 3 pin IEC connector, with built-in fuse and
voltage change switch.
With so many handy functions, plus a true 'user friendly' layout, it's no wonder people call
the DI-6s 'A total Audio Patching System in 1 RU!'
You'll never compromise on Quality when you choose ARX
Features
Unique Pro Audio problem solver
Six Direct boxes, Splitter and Line Mixer in one unit
Multi mode unit: Six in, Six out; Six in, One out; One in, Six out
Individual Output Ground lift switches
Up to +15dB Gain available per channel
Balanced XLR Outputs; High Impedance Jack Ins and Outs
Flawless performance in any audio environment
T E C H N I C A L S P E C I F I C A T I O N S
Channels 1 - 6
High Z Input Impedance 2.2 Meg Ohm
Max Channel Gain 15dB
Clip LED Illuminates 1dB prior to clip
Direct Output Impedance 300 ohms Balanced
Max Input Level +20dB
Max Output Level +21dB
Signal to Noise -96dB(unity gain)
Frequency Response 20Hz to 20KHz, ±0.5dB
Distortion < 0.004%, 1KHz, +4dB
Output Connector 3 pin XLR
Master Section
Output Impedance 300 Ohms Balanced
Max Output Level +21dB
Signal to Noise -90dB (unity gain)
Frequency Response 10Hz to 20KHz, ±0.5dB
Distortion < 0.004%, 1KHz, +4dB
Output Connector 3 pin XLR
Splitter Section
Maximum Level + 20dB
Input Impedance 20 KOhms, Balanced
Input Connector XLR
Frequency Response 10Hz?20KHz ±0.5dB
AC Power 100-120, 220-240 V AC, 8 VA
Size 19?W x 6?D x 1??H, 482 x 155 x 44mm
Weight 2.2 Kg (5 lbs)
Front Panel Controls
Hi Impedance (Hi Z) insulated jack Input and Output
connectors
Level control with up to +15dB of Gain available
Clip LED indicator
Marker panels for labelling DI assigns
Master Level controls
Rear Panel
Balanced XLR Outputs
Individual Audio Ground Lift switches and status LEDs
XLR and jack Master Outputs
XLR Input for splitter
Splitter/DI + Mixer mode switch
AC input connector, with voltage switch and fuse. |
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