| Content | Behringer MX-882 8-Channel Splitter-Mixer - Level Conditioner-Converter
Our compact signal distribution wizard has helped countless musicians and engineers solve diverse problems, whether as a splitter, line mixer or level conditioner. Regardless of your application, the MX882 keeps your signal paths short and clean. And its multiple matching amplifiers allow you to convert home-recording level to professional level and vice versa. | Overview
More sound to your amps and speakers
The secret to making speakers sound great lies with the crossover you use. With the dbx® 223xs Crossover you\'ll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world\'s finest processors. The 223xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.
The dbx 223xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs
Features
- XLR balanced ins and outs
- Mode switch for stereo 2-way or mono 3-way operation
- Low frequency summed (subwoofer) output
- x10 range switch on both channels
- 40Hz high pass (low cut) filter both channels
- Phase reverse switch on all outputs
- Individual level controls on all outputs
- 24dB per octave Linkwitz-Riley filters (the professional standard)
- Stereo/Mono status LEDs indicate the selected mode
- dbx® 2 year parts and labor as standard
- CSA NRTL/C approved
- CE compliant
Specifications
| Input Connectors |
XLR (pin 2 hot) |
| Input Type |
Electronically balanced/unbalanced, RF filtered |
| Input Impedance |
Balanced >50k ohm, unbalanced >25k ohm |
| Max Input |
>+22dBu balanced or unbalanced |
| CMRR |
>40dB, typically >55dB at 1kHz |
| Output Connectors |
XLR |
| Output Type |
Impedance-balanaced/unbalanced, RF filtered |
| Output Impedance |
Balanced 200 ohm, unbalanced 100 ohm |
| Max Output |
>+21dBu balanced/unbalanced into 2k ohms or greater |
| Bandwidth |
20Hz to 20kHz, +/-0.5dB |
| Frequency Response |
90 kHz, +0/-3 dB |
| Signal to Noise Ratio |
Ref: +4 dBu, 22 kHz measurement bandwidth |
| Signal-to-Noise (Stereo Mode) |
>94dB (Low Output), >91dB (High Output) |
| Signal-to-Noise (Mono Mode) |
>94dB (Low Output), >93dB (Mid Output), >91dB (High Output) |
| Dynamic Range |
> 106 dB, unweighted, any output |
| THD+Noise |
< 0.004% at +4 dBu, 1 kHz; < 0.04% at +20 dBu, 1 kHz |
| Interchannel Crosstalk |
< -80 dB, 20 Hz to 20 kHz |
| Crossover Frequencies (Stereo Mode) |
Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting) |
| Crossover Frequencies (Mono Mode) |
Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting) |
| Crossover Filter Type |
Linkwitz-Riley, 24 dB/octave, state-variable |
| Low cut Switch |
Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel. |
| Phase Invert Switch |
Inverts the phase at the output, one switch per output. |
| x1 / x10 Switch |
Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel. |
| Mode Switch |
Selects stereo/mono and 2/3-way operation |
| LF Sum Switch |
Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode. |
| Indicators |
Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output) |
| Operating Voltage |
100 VAC 50/60 Hz; 120 VAC 60 Hz 230 VAC50 HZ |
| Operating Temperature |
32°F to 113°F (0°C to 45°C) |
| Power Consumption |
15W |
| Power Connector |
IEC receptacle |
| Dimensions |
1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm) |
| Unit Weight |
3.7 lbs. (1.7 kg) |
| Shipping Weight |
5.4 lbs. (2.5 kg) |
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A passive dual channel line splitter that is mainly used to feed the left and right master outputs of a mixer into several inputs such as power amplifiers, recording machines etc. A specially designed audio frequency transformer maintains signal integrity and prevents ground loop hum. This unit also converts unbalanced signals into balanced signals and vice versa. Rugged diecast aluminium box.
Technical specifications:
2 channel micro splitter "1 into 3“, each channel with:
- Input: female XLR type with parallel male XLR Type
- Output 2 transformer isolated male XLR type outputs
- Transformer ratio 1 : 1 Nominal level: 0 dB, max. level +20 dB
- Nominal impedance input and output: 600 ohms
- Ground lift switch
| Bring a more professional sound to your mix
Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.
dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Features
- Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mono operation
- Balanced inputs and outputs on 1/4" TRS and XLR connectors
- Side Chain insert
- Classic dbx® "Auto" mode
Specifications
| Input Connectors |
1/4" TRS and female XLR (pin 2 hot) |
| Input Type |
Electronically balanced/unbalanced, RF filtered |
| Input Impedance |
40kΩ balanced/unbalanced |
| Max Input |
>+22dBu Balanced or Unbalanced |
| Output Connectors |
1/4" TRS, female XLR (pin 2 hot) |
| Output Type |
Impedance-balanced/unbalanced, RF filtered |
| Output Impedance |
+4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced |
| Max Output |
>+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω) |
| Sidechain |
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) |
| Sidechain Impedance |
Tip = >10kΩ (Input), Ring = 2kΩ (Output) |
| Sidechain Max Input Level |
Tip = >+22dBu (Input) |
| Sidechain Max Output Level |
Ring = >+20dBu (Output) |
| Compressor Threshold Range |
-40dBu to +20dBu |
| Compressor Threshold Characteristic |
Selectable OverEasy® or hard knee |
| Compressor Ratio |
1:1 to Infinity:1 |
| Compressor Attack Time |
Scalable Program-Dependent AutoDynamic™ |
| Compressor Release Time |
Scalable Program-Dependent AutoDynamic™ |
| Expander/Gate Threshold Range |
-60dBu to +15dBu |
| Expander/Gate Ratio |
1:1 to 4:1 |
| Expander/Gate Attack Time |
|
|
iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?
With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.
The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.
? Advanced Feedback Suppression (AFS?)
? Type V? Noise Reduction
? PeakStopPlus? Limiting
? 2/3-octave Constant Q frequency bands
? Switchable boost/cut ranges of ±6 or ±15dB
? 18 dB per octave 40Hz low-cut filter
? ±12dB input gain range
? XLR, TRS and Euroblock Inputs and Outputs
? Internal Toroidal Transformer
? Frequency Response of 10Hz to 22kHz
? Dynamic range of greater than 113dB
? User Power Up Features
? Relay Bypass for Power Failure System Protection
|
- Connect 2 TVs or projectors and switch between 4 connected HDMI devices.
- HDMI matrix switch allows you to watch other HDMI devices on 2 screens independently.
- Use the built-in 1080p downscaler in case 1 or more screens do not support 4K resolution.
- Suitable for the latest Ultra HD 4K60 resolution (3840 x 2160/60 Hz), High Dynamic Range (HDR), Deep Color and 4:4:4 chroma colours.
- Supports Dolby Atmos and DTS:X and all other common audio formats.
- With additional digital audio output to also connect your AV receiver using a single cable.
- Supports Audio Return Channel (ARC) to avoid lip-sync problems.
- Switches automatically and/or with remote control.
Connections
|
|
| AV input |
4 x HDMI |
| AV output |
2 x HDMI |
| Digital audio output |
1x Toslink (optical) |
Video
|
|
| Video resolution |
Max. 4K60 (3840 x 2160@60 Hz) |
| PC resolution |
Max. 2560 x 2048 Hz |
| Video bandwidth |
18 Gbps |
| Clock frequency |
Max. 600 MHz |
| HDMI standard |
HDMI, EDID, DVI, Deep Color 36 bit, x.v. Colour and 3D formats |
| HDCP standard |
HDCP 2.2 |
| Colour formats |
RGB and YCbCr 4:4:4, 4:2:0 or 4:2:2 |
| Colour depth |
Max. 36 bit |
Audio
|
|
| HDMI audio |
DTS-HD Master Audio, Dolby TrueHD, Dolby Atmos, DTS:X, Dolby Digital/AC3, DTS 5.1 and PCM stereo |
| Optical Audio |
Dolby Digital/AC3, DTS 5.1 and PCM stereo |
General
|
|
| Dimensions (h x w x d) |
18 x 242 x 104 mm |
| Weight |
620grams |
| Power |
100-240 VAC 50/60 Hz, 12 VDC adapter |
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