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The basic concept of the THUNDER series was just to strip the handling to the bone but deliver convincing sounds.There you go, these handy little workhorses will do any gig.Preamp:3 channels (3 ECC 83 preamp tubes), Clean, Crunch, Lead, single 3 band EQ, Crunch/Lead, Clean/Lead switches. Master section:Master volume, 50 watts (1 x EC83, 2 x 5881 power amp tubes. Outputs: Speaker outs (2 x 8, 2 x 16 Ohms), fx loop (parallel to serial adjustable), dual footswitch jacks (Z-3/Z -4). |
- Extremely small all-tube guitar amplifier head
- NORMAL/TOP BOOST channel select
- THIN/MELLOW tone control
- GAIN and VOLUME controls
- 8Ω/16Ω speaker out select
- Full metal construction
Power:
| 5W | | Channels: | 1 | | Equalizer: | - | | Inputs: | 1 | | Outputs: | 2 | | Effects: | - | | Valves: | Yes | | Foot-switch: | - | | Controls: | Thin, Mellow, Gain, Volume | | FX Loop: | - | | Dimensions ( W x H x D ): | -
120mm (d) x 193mm (w) x 105mm (h)
| | Weight: | -
2,55kg
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| The first high gain amp in the Terror series, the Dark Terror is a true master of saturated distortion, making it an ideal match for Hard Rock players looking for signature Orange ʽchugʼ in a portable package. Featuring the same 15/7 Watt output section as the Tiny Terror, plus the addition of our low impedance, valve buffered effects loop, the key to the amp its high gain preamp section and our exclusive Shape control.
The Shape, which first appeared on our Thunderverb Series, takes your sound from scooped, chunky modern rhythm tones in the fully clockwise position, to a more classic voicing (anticlockwise) with boosted mids and smooth highs, and everywhere in-between. This makes the amp much more versatile than its single channel, three knob layout (and black chassis!) might suggest. The preamp features four stages of gain, becoming increasingly aggressive as you turn the Gain control, reaching truly insane levels of drive. Ignore the clean and crunch tones at your peril, though. There are some tasty Blues tones to be had here! |
Info
Marshall 2555X Silver Jubilee, all-valve electric guitar head, 100W, 2 channels, preamp tubes: 3x ECC83, power amp tubes: 4x EL34, 1x input, controls: input gain (push/pull: rhythm clip), lead master, output master, treble, middle, bass, presence, pentode/triode switching, FX loop, DI out, incl. footswitch (channel change), speaker outputs: 1x 16 ohms, 1x 8 ohms (or 2x 16 ohms) & 1x 4 ohms (or 2x 8 ohms), dimensions: 750 x 230 x 310mm, weight: 22,1kg
| The JVM Series from Marshall is the most comprehensive range of professional, all-valve amplifiers ever offered. No other multi-channel, multi-mode amplifier delivers the amazing all-valve tone offered by the JVM at any price. Multiple, all-valve voicings provide an amazing array of tones which are accessible from the front-panel switches, MIDI or via the revolutionary technology of the supplied footswitch. Hailed as a breakthrough in amplification by the worldʼs guitar press, the JVM Series offers a powerstage built on the peerless EL34 designs responsible for the legendary Marshall roar.
Outstanding Tone
The JVM Series uses a carefully designed, 4 x ECC83 pre-amp stage to generate the desired amount of gain, from the cleanest, yet complex, clean imaginable to a vast palette of overdrives that range from sophisticated and subtle to explosive and extreme. Boasting a truly amazing array of instantly switchable sounds, overflowing with harmonically rich tones and responsive fluidity, every JVM mode exudes that unmistakable Marshall sound and expands on it, effectively offering multiple Marshalls in one easy-to-use package.
Ultimate Flexibility
Each totally independent JVM channel offers three footswitchable modes which progressively add gain while offering a complimentary tonal topology, making the JVM the perfect amplifier for any situation.
Seamless, Silent Switching
Ultimate Control and Connectivity
Every JVM is supplied with a fully programmable footswitch. This revolutionary, patent-pending technology allows single front panel switching (SWITCH STORE) or entire set-ups (PRESET STORE – Channel/Mode, Reverb, FX Loop, Master Volume) to be simply assigned to any footswitch . . . or, even cooler, a mix ʽnʼ match of both modes. Housed in a rugged metal casing with blank panels on its surface which allow the user to label the pedal exactly as they want, the JVM pedal has no restrictive factory set-ups or functionality barriers, plus itʼs a breeze to program. The multi-coloured LEDs reflect every front panel switch status so you know exactly where you are, in the heat of a performance, without the need to glance at the amplifier itself.
The JVMʼs MIDI In and Thru connection means it can easily be integrated in a MIDI switching set-up, allowing you to store and recall 128 amplifier set-ups and enabling your MIDI effects board to easily control the amp. With its built-in memory and switching options the possibilities are endless!
Studio-Quality Reverb
Effective Control
Each JVM boasts two FX Loops that live on its rear panel. A footswitchable Parallel/Series Loop with Level and Mix controls plus a Series Loop with a Bypass switch. Combine the JVM with a MIDI FX processor and a MIDI footswitch and the skyʼs the limit!
The Tone of the Cone
In the case of the 2x12 in. JVM combos, after exhaustive testing of every speaker available, all agreed that the pairing of a Marshall/Celestion ʽHeritageʼ with a Marshall/Celestion ʽVintageʼ was the only way to go as the combination produces a fantastic depth and breadth of sound while maintaining a tight, musical response and a solid low-end thump. In the case of the 50 Watt 1x12”combo, a Celestion G12B delivers a full, wide sound that is much "bigger” than the JVM215Cʼs compact size would suggest.
Every JVM is made at the Marshall factory in the heart of England. Time-tested craftsmanship and construction are combined with the latest advances in manufacturing technology, ensuring world-class build quality and roadworthiness.
Internally, the JVM circuitry and layout has been kept as simple and logical as possible, ensuring the integrity of the guitar tone and an incredibly low noise-floor for such a high gain beast. Four, double-sided PCBs are used and connections are kept to a minimum to ensure maximum reliability. Only the best components are used to ensure very high quality and all of the internal wiring and amplifier assembly is performed by hand. Strict quality controls ensure every unit made is worthy of the world-renowned and respected white script Marshall logo. Meticulous valve selection adds further to the all-important tone and reliability that are both synonymous with the Marshall legend.
Technical Info
Output (RMS): 100 Watts
Speakers: No
Pre-amp Valves: 4 x ECC83
Power Amp Valves: 1 x ECC83, 4 x EL34
Footswitch (Supplied): PEDL-00045
Dimensions (Millimeters): 750 x 310 x 215
Weight: 22 kg, 48.5 lbs |
Marshall 50 Watt and 100 Watt, EL34 driven, valve power stages are, in the minds of many, the 'industry standard'. As soon as you hear Marshalls 50 Watt + 50 Watt, EL34 50/50 and the 100 Watt + 100 Watt, EL34 100/100 valve power amps, you will immediately understand why. Both of these eye catching units are packed with Marshall valve tone. Just like expensive hi-fi amps, both the EL34 50/50 and EL34 100/100 are Dual MonoBloc amplifiers - meaning that each side (channel) of the stereo amplifier operates as a completely independant unit. Each channel features its own Gain and Presence controls and our highly specialised 'True Differential Inverter' circuitry, ensures that the maximum integrity and pureness of their valve tone is maintained. Each channel also boasts a remotely switchable 'Voice' switch which takes you from 'traditional' (Voice A) to 'modern'(Voice B) and will allow you to cut through any mix, The Marshall EL34 50/50 and Marshall EL34 100/100 - professional, all-valve power amps that sound as good as they look!
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