| Content | VoiceTone E1 offers singers the signature echo and slapback effects that evoke classic songs while putting effects control at their feet. Now, high quality, immersive echo effects for the stage are no longer just for guitarists.
Adds a wide range of echo effects for more depth in your vocals
Footswitch tapping can set echo times to song tempo
High quality signal path and tough enclosure
Can be chained to additional VoiceTone Singles
Mic-Control offers remote on/off via TC-Helicon MP-75 microphone
12 Flavors of Echo & Delay types:
Slap echo 1 & 2
Tap – 1/4, 1/8, Triplet 1/8th, Dotted 1/8th, Triplet 1/4, Dotted 1/4 notes
Echo FX 1 & 2
Filter control (smart EQ band limiting)
Powerfully easy
From Rockabilly-style "tape slap” echo to trance-inducing long echo trails timed to your songʼs tempo, VoiceTone E1 can excite your vocals and your audience more than ever before. And itʼs so easy to use; leave it on one setting throughout your performance or change it up for different songs. When itʼs time to talk to your audience, clear, dry banter is just a footswitch tap away.
As simple as plugging in your mic
Gaining access to the studio quality sounds and intelligent processing of VoiceTone singles is as simple as plugging in your mic and turning the effect on. Of course, you can always change the style or the amount of effect, but you shouldnʼt need to unfold the manual unless youʼre making a fire.
Strong family genes
Each VoiceTone single shares the same genes: a clean, quiet mic preamp that rivals high-end touring mixers, a die-cast metal case, rubberized no-slip base, studio quality analog to digital conversion, and the same quality processing youʼd expect from our flagship vocal processors like VoiceLive 2.
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Inputs / Outputs
| USB I/O |
1 x USB-C Female Input |
| Audio I/O |
2 x 1/4" TS Hi-Z/Instrument Input (Use both for Stereo)
2 x 1/4" TS Hi-Z/Instrument Output (Use both for Stereo) |
Power
| Power Source |
AC Adapter with Power Brick (Not Included) |
| DC Input Power |
9 VDC at 0.4 A |
Physical
| Color |
Black |
| Dimensions |
5.55 x 3.62 x 2.56" / 14.1 x 9.19 x 6.5 cm (With Knobs and Protrusions) |
| Weight |
1.24 lb / 0.56 kg |
Packaging Info
| Package Weight |
1.73 lb |
| Box Dimensions (LxWxH) |
7.8 x 5.3 x 3.1" |
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DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction
It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.
But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.
20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!
SPECIFICATIONS:
|
INPUT
| |
Connectors:
|
1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip
| |
Type:
|
Electronically balanced/unbalanced, RF filtered
| |
Impedance:
|
Balanced 40k ohm, unbalanced 20k ohm
| |
Max Input Level:
|
>+21dBu balanced or unbalanced
| |
CMRR:
|
>40dB, typically >55dB at 1kHz
| |
OUTPUTS
| |
Connectors:
|
1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip
| |
Type:
|
Impedance-balanaced/unbalanced, RF filtered
| |
Impedance:
|
Balanced 200 ohm, unbalanced 100 ohm
| |
Max Output Level:
|
>+21dBu balanced/unbalanced into 2k or greater
>+18dBm balanced/unbalanced (into 600)
| |
SYSTEM PERFORMANCE
| |
Bandwidth:
|
20Hz to 20kHz, +/-0.5dB
| |
Frequency Response:
|
50kHz, +0.5/-3dB
| |
Noise Reduction In:
|
(+/-6 and +/-15dB range):
| |
Signal-to-Noise:
|
>102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
| |
Dynamic Range:
|
>120dB, unweighted
| |
Noise Reduction Out:
|
(+/-6dB range):
| |
Signal-to-Noise:
|
>94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth
| |
Dynamic Range:
|
>112dB, unweighted
| |
Noise Reduction Out:
|
(+/-15dB range):
| |
Signal-to-Noise:
|
>90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
| |
Dynamic Range:
|
>108dB, unweighted
| |
THD + Noise:
|
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1215 Dual 15-Band Graphic Equalizer
The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.
- Switchable boost/cut ranges of ±6 or ±15 dB
- Electronically balanced/unbalanced inputs
- Servo balanced/unbalanced inputs
- RF filtered inputs and outputs
- XLR, Barrier Strip, and 1/4" TRS connectors
- -12dB/+12dB input gain range
- 18dB/octave 40Hz Bessel low-cut filter
- Chassis/signal ground lift capability
- Internal power supply transformer
- Power-off hardwire relay bypass with 2-second power-up delay
| 1231 Dual 31-Band Graphic Equalizer
The dbx? 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other insightful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application. The magnetically isolated transformer, electronically balanced/unbalanced inputs and servo balanced/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations. Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 3U steel/aluminum chassis.
SPECIFICATIONS:
| INPUT |
| Connectors: |
1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip |
| Type: |
Electronically balanced/unbalanced, RF filtered |
| Impedance: |
Balanced 40 kOhm, unbalanced 20 kOhm |
| Max Input Level: |
>+21dBu balanced or unbalanced |
| CMRR: |
>40dB, typically >55dB at 1kHz |
| OUTPUTS |
| Connectors: |
1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip |
| Type: |
Impedance-balanaced/unbalanced, RF filtered |
| Impedance: |
Balanced 200 ohm, unbalanced 100 ohm |
| Max Output Level: |
>+21dBu balanced/unbalanced into 2 kOhm or greater
>+18dBm balanced/unbalanced (into 600 ohm) |
| SYSTEM PERFORMANCE |
| Bandwidth: |
20Hz to 20kHz, +0.5/-1dB |
| Frequency Response: |
50kHz, +0.5/-3dB |
|
+/-15dB range |
+/-6dB range |
| Dynamic Range: |
109dB |
115dB |
| Signal-to-Noise: |
90dB |
97dB |
| THD + Noise: |
|
|
The Ruby '63 features dual-engine processing combined with UAD audio-modeling expertise for an extremely authentic emulation of the classic '60s British tube amp sound. Cabinet/mic emulations can be bypassed for simply adding overdrive or tonal flavor to your sounds. With treble booster, preamp boost, and speaker swaps, the Ruby '63 is equipped to produce album-ready tones with the flip of a switch.
Drawing from the custom mic and speaker pairings of UAD's award-winning OX Amp Top Box, the Ruby '63 provides immediate access to inspiring studio tones. Six unique modeled speaker/mic combos are available to either take on the go or spice up your DAW recording, providing a huge range of sounds.
The Ruby '63 features three different types of modeled boost circuits arranged as channels, each with their own distinct voice. The Brilliant channel, based on a '63 top-boost amplifier, adds extra tube for more gain and treble. The Normal channel, based on a '61 non-top-boost amplifier, features more headroom and lower overall gain than Brilliant and works well with other pedals. The Vibrato channel is based on a '63 top-boost amplifier and features its own unique sound and set of inputs. Vibrato can produce tremolo-type tones and attain even slower rates than the original amp.
The Ruby '63 features two classic boosts, right onboard. This includes the '60's Dallas Rangemaster germanium treble preamp booster (linked to the Brilliant channel), and the preamp section of a '70s Maestro EP-3 tape delay (linked to the Normal channel). Just flip the Boost switch to achieve searing guitar tones.
Want to just control all of the Ruby '63 features without having to bend over and adjust knobs? UAD has you covered with a handy Bluetooth pairing function that allows you to alter any available parameter directly from your favorite mobile device through the UAFX Mobile app. Customize features, explore presets, or even download new tones, models, and artist presets all with a few taps. You can even get deep and customize your footswitches for a wide array of functions.
With two footswitches, six knobs, and three flip switches, the Ruby '63 contains a bevy of control for those who want maximum sonic flexibility. Input gain, output gain, high-frequency cut, bass response, treble response, and boost amount all get dedicated rotary knobs, so any amp sound can be quickly dialed in. Speaker type, amp storage, and channel type all get three-position switches for extra flexibility. The dual footswitches default to on/off and preset switching, while further footswitch modes are available with the UAFX Control app.
The Ruby '63 provides users with an elegant and efficient I/O arrangement to enable plenty of options right out of the box. One mono input and one mono output are provided for basic use, while a secondary input and output are also provided for stereo linking. A multitude of connection combinations are possible, from sending stereo outs to an interface or stage PA, to sending separate outs to different amps and effects loops—even more options are unlocked when using multiple Ruby '63 pedals in tandem. The 4-Cable mode, compatible only with UAFX amp pedals, allows the addition of another switchable channel to any real guitar amplifier with an effects loop, allowing you to switch between your guitar amp's built-in preamp section and the sounds in your pedals.
Featuring the timeless design and rugged craftmanship that UA has become known for, the Ruby '63 pedal is built to last decades. Whether taken on the road or used in the studio, this pedal can be relied upon to deliver quality sound on demand.
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