| Content | VoiceTone E1 offers singers the signature echo and slapback effects that evoke classic songs while putting effects control at their feet. Now, high quality, immersive echo effects for the stage are no longer just for guitarists.
Adds a wide range of echo effects for more depth in your vocals
Footswitch tapping can set echo times to song tempo
High quality signal path and tough enclosure
Can be chained to additional VoiceTone Singles
Mic-Control offers remote on/off via TC-Helicon MP-75 microphone
12 Flavors of Echo & Delay types:
Slap echo 1 & 2
Tap – 1/4, 1/8, Triplet 1/8th, Dotted 1/8th, Triplet 1/4, Dotted 1/4 notes
Echo FX 1 & 2
Filter control (smart EQ band limiting)
Powerfully easy
From Rockabilly-style "tape slap” echo to trance-inducing long echo trails timed to your songʼs tempo, VoiceTone E1 can excite your vocals and your audience more than ever before. And itʼs so easy to use; leave it on one setting throughout your performance or change it up for different songs. When itʼs time to talk to your audience, clear, dry banter is just a footswitch tap away.
As simple as plugging in your mic
Gaining access to the studio quality sounds and intelligent processing of VoiceTone singles is as simple as plugging in your mic and turning the effect on. Of course, you can always change the style or the amount of effect, but you shouldnʼt need to unfold the manual unless youʼre making a fire.
Strong family genes
Each VoiceTone single shares the same genes: a clean, quiet mic preamp that rivals high-end touring mixers, a die-cast metal case, rubberized no-slip base, studio quality analog to digital conversion, and the same quality processing youʼd expect from our flagship vocal processors like VoiceLive 2.
- See more at: http://www.nakas.gr/ecomnakas/nakas2006/default.asp?static=421&product=133028#sthash.cRLFG5bn.dpuf |
There’s nothing like having a large and enthusiastic audience singing along with you. Critical Mass puts that magic right at your feet in an easy to use stompbox. Whether you’re pounding out arena rock-style anthems or leading worship at your church, having group vocals on demand allows you to set the mood and engage your entire audience. Choose from "melodic” or "gang” style vocals that suit any style of music with no key or scale input required.
FEATURES
- A simple-to-use vocal stompbox lets you easily create stunning group-sound vocal effects
- Powerful melodic and gang styles give you large group vocals using your voice alone
- No key or scale to set – just sing
- Simple three-knob control gets you up and running in seconds
- High-quality, low-noise mic preamp for pristine vocals
- On/off foot switch for quick performance control
- Rugged, road-worthy construction for years of dependable use
- 3-year warranty program
- Designed and engineered in Canada
| 1231 Dual 31-Band Graphic Equalizer
The dbx? 12 Series were designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The 1231 provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other insightful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier.
The dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application. The magnetically isolated transformer, electronically balanced/unbalanced inputs and servo balanced/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations. Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 3U steel/aluminum chassis.
SPECIFICATIONS:
| INPUT |
| Connectors: |
1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip |
| Type: |
Electronically balanced/unbalanced, RF filtered |
| Impedance: |
Balanced 40 kOhm, unbalanced 20 kOhm |
| Max Input Level: |
>+21dBu balanced or unbalanced |
| CMRR: |
>40dB, typically >55dB at 1kHz |
| OUTPUTS |
| Connectors: |
1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip |
| Type: |
Impedance-balanaced/unbalanced, RF filtered |
| Impedance: |
Balanced 200 ohm, unbalanced 100 ohm |
| Max Output Level: |
>+21dBu balanced/unbalanced into 2 kOhm or greater
>+18dBm balanced/unbalanced (into 600 ohm) |
| SYSTEM PERFORMANCE |
| Bandwidth: |
20Hz to 20kHz, +0.5/-1dB |
| Frequency Response: |
50kHz, +0.5/-3dB |
|
+/-15dB range |
+/-6dB range |
| Dynamic Range: |
109dB |
115dB |
| Signal-to-Noise: |
90dB |
97dB |
| THD + Noise: |
|
|
Voice Τone Τ1
Εξαιρετική ποιότητα ήχου χωρίς παραμορφώσεις
Υψηλής ποιότητας multi-band EQ
Compressor & de-esser
Δυνατότητα σύνδεσης με άλλα μοντέλα Voice Tone
Xαρακτηριστικά:
Αναλογικές εισόδους:
Connectors, balanced: Mic.: XLR
Mic Input Level @ 0 dBFS: -42dBu to +1dBu
EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
Mic input SNR: >104 dB
Αντίσταση εισόδου κιθάρας : 1 MOhm
Επίπεδο εισόδου κιθάρας @ 0 dBFS: -7 dBU to 17 dBu
Είσοδος κιθάρας SNR: >115dB
Αναλογικές εξόδους:
Αντίσταση εξόδου Bal./Unbal.: 200/100 Ohm
Output Full Scale: +1 dBu
Δυναμικό εύρος : >104 dB, 20 Hz to 20 kHz
Απόκριση συχνότητας: +0/-0.3 dB, 20 Hz to 20 kHz
Control
USB for firmware and control
Mic Control using TC-Helicon
Μέγεθος
Ύψος: 5.4 inches (140 mm)
Πλάτος : 3.5 inches (90 mm)
Βάθος: 2.3 inches (60 mm)
Βάρος
Βαρος : 0.92 lb. (0.42 kg)
|
Plug your guitar into the Woodrow '55 and choose from numerous legendary mic/speaker pairings, boosts, and amp models, including popular hot-rod options, with more available for download. Featuring built-in mic and speaker pairings derived from the OX Amp Top Box, everything from pristine cleans, to rich overdrive, to lo-fi grunge can be easily attained, while classic boost circuits and controllable room ambience can unleash a universe of possibilities. Whether you are looking to get out in front of your amp or simply add some American tweed tube growl to your guitar sound, the Woodrow '55 amplifier pedal delivers expressive, album-ready studio tones at the flip of a switch.
Woodrow '55 Specifications
| Power requirements (power supply sold separately) |
Isolated 9VDC, center-negative, 400mA minimum |
| Inputs |
2 x ¼” unbalanced TS (input 2 for stereo connections and 4-cable mode) |
| Outputs |
2 x ¼” unbalanced TS (output 2 for stereo connections and 4-cable mode) |
| Input impedance |
500 Kilohms (Mono In)
1 Megohms (Stereo In) |
| Output impedance |
500 Ohms |
| Maximum input level |
12.2 dBu |
| Maximum output level |
12.1 dBu |
| Frequency response |
20 Hz to 20 kHz, ±1 dB |
| USB Type-C |
For registration and firmware updates via computer |
| Wireless technology
Transmitted Frequency Range
Maximum Output Power |
Bluetooth v5
2.400 GHz – 2.4835 GHz
+4.35 dBm |
| Dimensions (with knobs and protrusions) |
Height: 2.56 inches, 6.5 cm
Width: 3.62 inches, 9.2 cm
Depth: 5.55 inches, 14.1 cm |
| Weight (unboxed) |
1.24 lbs
0.567 kg |
| Built upon award-winning UAFX dual-engine processing and three legendary limiters plus an iconic tube preamp, the Max Preamp and Dual Compressor Pedal from Universal Audio provides the classic compression colors of the Teletronix LA-2A opto-compressor, the UA 1176 FET compressor, and the Dyna Comp as well as the all the grit and character of UA's classic 610 tube microphone preamp. With the powerful dual-FX engine found on all UAFX pedals, you can stack and mix compressors for a wider array of tones and textures, and each stack gets its own dedicated footswitch.
Six knobs give you control over attack, ratio (a pedal exclusive parameter), release, preamp gain, compression level, and output volume, and three switches let you select between compressor models for each stack and the stack you are editing. Stereo 1/4" I/O permits either classic mono or immersive stereo processing, including support for the classic 4-cable method. And with the UAFX Control app, you can tweak EQ settings, unlock serial or parallel operation, and add a sidechain bass filter, all over wireless Bluetooth.Universal Audio Max Preamp and Dual Compressor Pedal |
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