Behringer BA 19A Condenser boundary microphone

80.59 incl. GR VAT

Only 1 left in stock (can be backordered)

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Availability: Available in 4-10 d. Available in 4-10 d. SKU: E015448 Category:
The Behringer BA 19A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule and XLR connection, BA 19A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BA 19A combines superior attack and punch for studio-quality sound, even […]

 

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The Behringer BA 19A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule and XLR connection, BA 19A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BA 19A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure level.
Switch the Presence Filter and Change the Sound

The BA 19A features a switchable presence filter which allows you to tailor the sound characteristics to different sound requirements and styles. The filter is adjusted via a slide switch on the microphone with different positions to boosts the presence and to boost the joy.
Place It and You Won’t Ever Replace It

Place your Behringer BA 19A inside the kick drum and point towards the beater and you will capture the attack as you want it. You also can position the mic just inside the drum at the air hole, you will capture more weight and less attack. This is how you capture the best of both worlds.
Features:

Condenser boundary microphone for acoustic instruments
Frequency response for kick drums, piano and bass-heavy instruments
Integrated preamplifier for outstanding signal integrity
Half-cardioid polar pattern minimizes background noise and feedback
Switchable filters for stronger lows and high-frequency attack
Extremely high signal output which lets the sound cut through
Requires no external mounting
Impact-resistant carrying case included
Rugged, reliable metal construction
3-Year Warranty Program
Designed and engineered in Germany

Behringer BA 19A; Condenser boundary microphone for acoustic instruments; Frequency response for kick drums, piano and bass-heavy instruments; Integrated preamplifier for outstanding signal integrity; Half-cardioid polar pattern minimizes background noise and feedback; Switchable filters for stronger lows and high-frequency attack; Requires no external mounting; impact-resistant carrying case included; Frequency response 50 Hz to 18 kHz; Impedance 250 Ohms; Phantom Power 48V; Sensitivity -53 dB ±3 dB @ 1 kHz (1 V / Pa); weight 493 g

Weight 0.50 kg

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Quick Comparison

Behringer BA 19A Condenser boundary microphone removeAKG C 547 BL HYPERCARDIOID CONDENSER BOUNDARY LAYER MICROPHONE removeAKG C 562CM OMNIDIRECTIONAL-HEMISPHERICAL CONDENSER BOUNDARY MIC removeAudio Technica U891RCx Cardioid condenser boundary microphone with switch removeElectro voice RE90B Half-cardioid Pattern Boundary Layer Microphone removeAudio Technica U851R Cardioid condenser boundary microphone remove
NameBehringer BA 19A Condenser boundary microphone removeAKG C 547 BL HYPERCARDIOID CONDENSER BOUNDARY LAYER MICROPHONE removeAKG C 562CM OMNIDIRECTIONAL-HEMISPHERICAL CONDENSER BOUNDARY MIC removeAudio Technica U891RCx Cardioid condenser boundary microphone with switch removeElectro voice RE90B Half-cardioid Pattern Boundary Layer Microphone removeAudio Technica U851R Cardioid condenser boundary microphone remove
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SKUE015448C 547BLC 562CMU891RCxE003936U851R
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Description
ContentThe Behringer BA 19A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule and XLR connection, BA 19A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BA 19A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure level. Switch the Presence Filter and Change the Sound The BA 19A features a switchable presence filter which allows you to tailor the sound characteristics to different sound requirements and styles. The filter is adjusted via a slide switch on the microphone with different positions to boosts the presence and to boost the joy. Place It and You Won’t Ever Replace It Place your Behringer BA 19A inside the kick drum and point towards the beater and you will capture the attack as you want it. You also can position the mic just inside the drum at the air hole, you will capture more weight and less attack. This is how you capture the best of both worlds. Features: Condenser boundary microphone for acoustic instruments Frequency response for kick drums, piano and bass-heavy instruments Integrated preamplifier for outstanding signal integrity Half-cardioid polar pattern minimizes background noise and feedback Switchable filters for stronger lows and high-frequency attack Extremely high signal output which lets the sound cut through Requires no external mounting Impact-resistant carrying case included Rugged, reliable metal construction 3-Year Warranty Program Designed and engineered in Germany Behringer BA 19A; Condenser boundary microphone for acoustic instruments; Frequency response for kick drums, piano and bass-heavy instruments; Integrated preamplifier for outstanding signal integrity; Half-cardioid polar pattern minimizes background noise and feedback; Switchable filters for stronger lows and high-frequency attack; Requires no external mounting; impact-resistant carrying case included; Frequency response 50 Hz to 18 kHz; Impedance 250 Ohms; Phantom Power 48V; Sensitivity -53 dB ±3 dB @ 1 kHz (1 V / Pa); weight 493 g

C 547 BL 

"Non-crush" case
Inconspicuous
Hypercardioid polar pattern
Easy to repaint
 
Hypercardioid, studio-quality boundary microphone with rugged, "non-crush" case and
switchable bass-cut filter for reducing footfall noise, ideal for tough on-stage assignments.
Other benefits include optimum acoustic properties, high directivity, and neutral sound.
Having the same frequency response, the C 547 BL can be combined with the CK 47 with
excellent results.
Primarily designed for use in places of worship, theaters, and conferencing, the C 547 BL
is also a good choice for miking kick drums and other instruments.

SPECIFICATIONS:
Polar pattern hypercardioid
Frequency range 30 to 18,000 Hz
Sensitivity 8.5 mV/Pa (-42 dBV)
Max. SPL 133 dB (for 1% THD)
Equivalent noise level 22 dB-A
Signal/noise ratio (A-weighted) 72 dB
Bass filter 12 dB/octave at 150 Hz
Impedance 400 ohms
Recommended load impedance >1000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption

C 562 CM 

Small, low-profile boundary layer microphone
Wide frequency range
High sensitivity
Ideal for inconspicuous installation in a room
Suited for surveillance or recording
 
The C 562 CM flush-mount boundary microphone uses the same transducer as the C 562 BL.
The C 562 CM has been designed specifically for permanent, "invisible" mounting in ceilings,
walls, tables, stage props, etc.
Owing to its high sensitivity, the C 562 CM is a perfect tool for surveillance or live recording
since a single microphone can cover an entire room. The supplied XLR phantom power adapter
connects to the microphone cable through a miniature connector so installation holes can be
smaller than the diameter of the phantom power adapter.
 
SPECIFICATIONS:
Polar pattern omnidirectional (hemispherical)
Frequency range 20 to 20,000 Hz
Sensitivity 25 mV/Pa (-32 dBV)
Max. SPL 130 dB (k=1 %)
Equivalent noise level 16 dB-A
Signal/noise ratio (A-weighted) 78 dB
Impedance 600 ohms
Recommended load impedance >2000 ohms
Supply voltage 9 to 52 V phantom power to DIN/IEC
Current consumption Connector 3-pin XLR
Cable 0.5 m (20 in.)
Finish matte nickel plated
Dimensions 20 dia. x 28 mm (0.8 dia. x 1.1 in.)
Net weight 30 g (1.1 oz.)
Shipping weight 195 g (76.9 oz.)
 

A wide range condenser microphone with a cardioid polar pattern, the ultra-smart U891RCx is equipped with local or remote switching options. For flexible control in conference and boardroom installations, the unit's external contact closure ability allows a user to trigger an external device - a camera, for instance - from a switch on the microphone. Another ease-of-use feature: the microphone's electronic on-off switch can be set to three operating modes: touch-on/touch-off, press to talk, and press to mute. The mic is also equipped an 80 Hz low-cut UniSteep® filter to reduce pickup of low-frequency ambient noise. Its red LED status indicator can be controlled remotely. UniGuard® innovations offer unsurpassed immunity from radio frequency interference; interchangeable elements are available in cardioid, hypercardioid and omnidirectional polar patterns; a unique rotating PivotPoint® connector changes the cable exit point - no tools required. It requires 11 to 52V DC phantom power, which operates the microphone and switch circuitry.

  • Designed for surface-mount applications such as high-quality sound reinforcement, conferencing, distance learning and other demanding sound pickup situations
  • Ultra-quiet electronic switch can be set to any of three operating modes: "touch-on/touch-off," "touch-to-talk" and "touch-to-mute“
  • External contact closure capability permits control of remote devices from microphone switch
  • External LED control allows for accurate depiction of the live status of the microphone
  • PivotPoint® rotating output connector allows cable to exit from either the rear or the bottom of the microphone
  • Small-diameter UniPoint® capsule near boundary eliminates phase distortion and delivers clear, high-output performance
  • UniGuard® RFI-shielding technology offers outstanding rejection of radio frequency interference (RFI)
  • Heavy die-cast case and non-slip silicon foam bottom pads minimize coupling of surface vibration to the microphone
  • Low-profile design with low-reflectance black finish for minimum visibility

 

  • Element: Fixed-charge back plate, permanently polarized condenser
  • Polar Pattern: Half-cardioid (cardioid in hemisphere above mounting surface)
  • Frequency Response: 30-20,000 Hz
  • Low Frequency Roll Off: 80 Hz, 18 dB/octave
  • Open Circuit Sensitivity: 34 dB (19.9 mV) re 1V at 1 Pa
  • Impedance: 200 ohms
  • Maximum Input Sound Level: 130 dB SPL, 1 kHz at 1% T.H.D.
  • Dynamic Range: 104 dB, 1 kHz at Max SPL
  • Signal to Noise Ratio: 68 dB, 1 kHz at 1 Pa
  • Phantom Power Requirements: 11-52V DC, 4 mA typical
  • Weight: 266g
  • Dimensions: 108.0mm long, 84.0mm maximum width, 23.0mm height
  • Output Connector: TB5M-type
  • Cable: 7.6m long, 3.2mm diameter, 5-conductor shielded cable (2 conductors under shield; 3 control wires outside shield); TA5F-type connector at microphone end, output end stripped and tinned for connection to electronic device

 

    Designed for Broadcast, House of Worship, Pro Music, and other applications.
    Half-cardioid polar pattern
    Boundary layer
    Ultra-thin profile (16 mm) housing
    Rubber non-slip bottom pad and strong steel screen
    Integrated pop filter

Case Material    Die cast zinc
Connector Type    3-pin XLR
Element    Back Electret Condenser
Finish    Non-reflecting Black
Finish    White
Impedance, Low-Z balanced    200 Ω
Mic Type    Boundary
Open Circuit Voltage    25 mV/Pascal
Polar Pattern    Cardioid
Wired/Wireless    Wired
Height    16 mm (0.63“)
Width    94 mm (3.7“)
Depth    123 mm (4.84“)
Weight Net    12.63 oz (358 g)

Featuring breakthrough audio and mechanical design innovations, the phantom-powered U851R offers outstanding speech intelligibility and transparent sound quality for surface-mount applications. The microphone is equipped with a PivotPoint® rotating output connector, UniSteep® filter and UniGuard® RFI-shielding technology. It accepts interchangeable condenser elements - available for boundary microphones in cardioid, hypercardioid and omnidirectional polar patterns. With a heavy die-cast case and silicon foam bottom pads to minimize coupling of surface vibration to the microphone, the U851R is equipped with self-contained electronics, eliminating the need for an external power module.

  • Designed for surface-mount applications such as high-quality sound reinforcement, professional recording, television, conferencing and other demanding sound pickup situations
  • PivotPoint® rotating output connector allows cable to exit from either the rear or the bottom of the microphone
  • Superior off-axis rejection for maximum gain before feedback
  • UniGuard® RFI-shielding technology offers outstanding rejection of radio frequency interference (RFI)
  • Self-contained electronics eliminate need for external power module
  • Small-diameter UniPoint® capsule near boundary eliminates phase distortion and delivers clear, high-output performance
  • Heavy die-cast case and non-slip silicon foam bottom pads minimize coupling of surface vibration to the microphone
  • Low-profile design with low-reflectance finish for minimum visibility
  • Available in two colors: black (U851R) and white (U851RW)

 

  • Element: Fixed-charge back plate, permanently polarized condenser
  • Polar Pattern: Half-cardioid (cardioid in hemisphere above mounting surface)
  • Frequency Response: 30-20,000 Hz
  • Low Frequency Roll Off: 80 Hz, 18 dB/octave
  • Open Circuit Sensitivity: 34 dB (19.9 mV) re 1V at 1 Pa
  • Impedance: 200 ohms
  • Maximum Input Sound Level: 134 dB SPL, 1 kHz at 1% T.H.D.
  • Dynamic Range: 108 dB, 1 kHz at Max SPL
  • Signal to Noise Ratio: 68 dB, 1 kHz at 1 Pa
  • Phantom Power Requiremens: 11-52V DC, 4 mA typical
  • Switch: Flat, roll-off
  • Weight: 9.2 oz (262 g)
  • Dimensions: 4.25" (108.0 mm) long, 3.31" (84.0 mm) maximum width, 0.91" (23.0 mm) height
  • Output Connector: TB3M-type
  • Cable: 25.0' (7.6 m) long, 0.13" (3.2 mm) diameter, 2-conductor, shielded cable with TA3F and XLRM-type connectors

 

Weight0.50 kg0.42 kg0.19 kg0.10 kg0.36 kg0.12 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.42 kg
Weight 0.19 kg
Weight 0.10 kg
Weight 0.36 kg
Weight 0.12 kg