Behringer BA 19A Condenser boundary microphone

80.59 incl. GR VAT

Only 1 left in stock (can be backordered)

EAN: N/A
Installments calculation
CompareAdd to wishlist Submit Better Price
Availability: Available in 4-10 d. Available in 4-10 d. SKU: E015448 Category:
The Behringer BA 19A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule and XLR connection, BA 19A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BA 19A combines superior attack and punch for studio-quality sound, even […]

 

Read more

The Behringer BA 19A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule and XLR connection, BA 19A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BA 19A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure level.
Switch the Presence Filter and Change the Sound

The BA 19A features a switchable presence filter which allows you to tailor the sound characteristics to different sound requirements and styles. The filter is adjusted via a slide switch on the microphone with different positions to boosts the presence and to boost the joy.
Place It and You Won’t Ever Replace It

Place your Behringer BA 19A inside the kick drum and point towards the beater and you will capture the attack as you want it. You also can position the mic just inside the drum at the air hole, you will capture more weight and less attack. This is how you capture the best of both worlds.
Features:

Condenser boundary microphone for acoustic instruments
Frequency response for kick drums, piano and bass-heavy instruments
Integrated preamplifier for outstanding signal integrity
Half-cardioid polar pattern minimizes background noise and feedback
Switchable filters for stronger lows and high-frequency attack
Extremely high signal output which lets the sound cut through
Requires no external mounting
Impact-resistant carrying case included
Rugged, reliable metal construction
3-Year Warranty Program
Designed and engineered in Germany

Behringer BA 19A; Condenser boundary microphone for acoustic instruments; Frequency response for kick drums, piano and bass-heavy instruments; Integrated preamplifier for outstanding signal integrity; Half-cardioid polar pattern minimizes background noise and feedback; Switchable filters for stronger lows and high-frequency attack; Requires no external mounting; impact-resistant carrying case included; Frequency response 50 Hz to 18 kHz; Impedance 250 Ohms; Phantom Power 48V; Sensitivity -53 dB ±3 dB @ 1 kHz (1 V / Pa); weight 493 g

Weight 0.50 kg

Reviews

There are no reviews yet.

Be the first to review “Behringer BA 19A Condenser boundary microphone”

Your email address will not be published. Required fields are marked *

Quick Comparison

Behringer BA 19A Condenser boundary microphone removeSENNHEISER E-912 HALF-CARDIOID CONDESER BOUNDARY MICROPHONE removeLD SYSTEMS LDBM1 CONDENSER BOUNDARY ELECTRET MICROPHONE removeAKG C 547 BL HYPERCARDIOID CONDENSER BOUNDARY LAYER MICROPHONE removeAudio Technica U851A Cardioid condenser boundary microphone removeShure MX396/C Dual Elements Microflex Boundary Microphone remove
NameBehringer BA 19A Condenser boundary microphone removeSENNHEISER E-912 HALF-CARDIOID CONDESER BOUNDARY MICROPHONE removeLD SYSTEMS LDBM1 CONDENSER BOUNDARY ELECTRET MICROPHONE removeAKG C 547 BL HYPERCARDIOID CONDENSER BOUNDARY LAYER MICROPHONE removeAudio Technica U851A Cardioid condenser boundary microphone removeShure MX396/C Dual Elements Microflex Boundary Microphone remove
Image
SKUE015448H10SE00115LDBM1C 547BLU851AMX396/C Dual Elements
Rating
Price 80.59 incl. GR VAT 199.00 incl. GR VAT 79.00 incl. GR VAT 580.00 incl. GR VAT 300.00 incl. GR VAT 525.00 incl. GR VAT
Stock

Only 1 left in stock (can be backordered)

In stock

In stock

Available on backorder

Available on backorder

Available on backorder

AvailabilityOnly 1 left in stock (can be backordered)In stockIn stockAvailable on backorderAvailable on backorderAvailable on backorder
Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
ContentThe Behringer BA 19A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule and XLR connection, BA 19A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BA 19A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure level. Switch the Presence Filter and Change the Sound The BA 19A features a switchable presence filter which allows you to tailor the sound characteristics to different sound requirements and styles. The filter is adjusted via a slide switch on the microphone with different positions to boosts the presence and to boost the joy. Place It and You Won’t Ever Replace It Place your Behringer BA 19A inside the kick drum and point towards the beater and you will capture the attack as you want it. You also can position the mic just inside the drum at the air hole, you will capture more weight and less attack. This is how you capture the best of both worlds. Features: Condenser boundary microphone for acoustic instruments Frequency response for kick drums, piano and bass-heavy instruments Integrated preamplifier for outstanding signal integrity Half-cardioid polar pattern minimizes background noise and feedback Switchable filters for stronger lows and high-frequency attack Extremely high signal output which lets the sound cut through Requires no external mounting Impact-resistant carrying case included Rugged, reliable metal construction 3-Year Warranty Program Designed and engineered in Germany Behringer BA 19A; Condenser boundary microphone for acoustic instruments; Frequency response for kick drums, piano and bass-heavy instruments; Integrated preamplifier for outstanding signal integrity; Half-cardioid polar pattern minimizes background noise and feedback; Switchable filters for stronger lows and high-frequency attack; Requires no external mounting; impact-resistant carrying case included; Frequency response 50 Hz to 18 kHz; Impedance 250 Ohms; Phantom Power 48V; Sensitivity -53 dB ±3 dB @ 1 kHz (1 V / Pa); weight 493 g

The e 912 is a pre-polarized condenser boundary microphone with
half-cardioid pick-up pattern. Its acoustic properties have been
optimized for instruments, vocals and speech. The e 912 is an ideal
choice for pianos, theatre and opera productions, conference applications,
altars and lecterns.To optimally match the installation environment,
the e 912 is available in black or creme white.

Features
Frequency response and sensitivity optimized for picking up instruments,
vocals and speech
Unobtrusive, flat housing
Extremely rugged and step-resistant
Shock-absorbing rubber base
Mounting slots for table installation
Gold-plated XLR connector
Integrated pre-amp 
Delivery Includes
e 912 Microphone
Pouch
User manual

Technical Data
Transducer principle (Microphone)  permanently polarized condenser 
Pick-up pattern  half-cardioid 
Sensitivity in free field, no load (1kHz)  10 mV/Pa 
Max. Sound pressure level (aktiv)  135,6 dB 
Equivalent noise level  26 dB(A) 
Phantom powering  48 V / 1,1 mA 
Nominal impedance  Min. terminating impedance  1000 Ohm 
Dimensions  126,5 x 105 x 26,5 mm 
Weight  ca. 550 g 
 

Boundary-layer Microphone The LD Systems BM1 is an electret condenser microphone with a hemispherical directional characteristic.

For micing upright and grand pianos on stage or in the studio. Additional applications in the area of conference technology, transmission of roundtable discussions and theatrical performances.

Product type Microphones
Type Installations
Frequency response 50 - 20000 Hz
Directivity half ball
Nominal impedance 250 Ohm(s)
Max. SPL (1% THD @ 1kHz) 135 dB
Phantom power requierements 48 V
Microphone input XLR (3-pin)
Width 27 mm
Height 74.5 mm
Diameter 93.5 mm
Accessories (included) cables (Mini-XLR / XLR, 6 m)
Weight 0,345 kg

C 547 BL 

"Non-crush" case
Inconspicuous
Hypercardioid polar pattern
Easy to repaint
 
Hypercardioid, studio-quality boundary microphone with rugged, "non-crush" case and
switchable bass-cut filter for reducing footfall noise, ideal for tough on-stage assignments.
Other benefits include optimum acoustic properties, high directivity, and neutral sound.
Having the same frequency response, the C 547 BL can be combined with the CK 47 with
excellent results.
Primarily designed for use in places of worship, theaters, and conferencing, the C 547 BL
is also a good choice for miking kick drums and other instruments.

SPECIFICATIONS:
Polar pattern hypercardioid
Frequency range 30 to 18,000 Hz
Sensitivity 8.5 mV/Pa (-42 dBV)
Max. SPL 133 dB (for 1% THD)
Equivalent noise level 22 dB-A
Signal/noise ratio (A-weighted) 72 dB
Bass filter 12 dB/octave at 150 Hz
Impedance 400 ohms
Recommended load impedance >1000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption

Offering outstanding Audio-Technica sound for surface-mount applications, the U851A features a PivotPoint® rotating output connector, UniSteep® filter and UniGuard® RFI-shielding technology. This battery- or phantom-powered condenser microphone accepts interchangeable condenser elements - available for boundary microphones in cardioid, hypercardioid and omnidirectional polar patterns. Its heavy die-cast case and silicon foam bottom pads minimize coupling of surface vibration to the microphone. With superior off-axis rejection and maximum gain-before-feedback, this professional microphone sets audio-quality standards in challenging acoustic environments.

  • Designed for surface-mount applications such as high-quality sound reinforcement, professional recording, television, conferencing and other demanding sound pickup situations
  • PivotPoint® rotating output connector allows cable to exit from either the rear or the bottom of the microphone
  • Superior off-axis rejection for maximum gain before feedback
  • UniGuard® RFI-shielding technology offers outstanding rejection of radio frequency interference (RFI)
  • UniSteep® filter provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality
  • Small-diameter UniPoint capsule near boundary eliminates phase distortion and delivers clear, high-output performance
  • Heavy die-cast case and non-slip silicon foam bottom pads minimize coupling of surface vibration to the microphone
  • Low-profile design with low-reflectance black finish for minimum visibility
  • Operates on battery or phantom power

 

  • Element: Fixed-charge back plate, permanently polarized condenser
  • Polar Pattern: Half-cardioid (cardioid in hemisphere above mounting surface)
  • Frequency Response: 30-20,000 Hz
  • Low Frequency Roll Off: 80 Hz, 18 dB/octave
  • Open Circuit Sensitivity: Phantom: -40 dB (10.0 mV) re 1V at 1 Pa Battery: -41 dB (8.9 mV) re 1V at 1 Pa
  • Impedance: Phantom: 200 ohms Battery: 270 ohms
  • Maximum Input Sound Level: Phantom: 133 dB SPL, 1 kHz at 1% T.H.D. Battery: 123 dB SPL, 1 kHz at 1% T.H.D.
  • Dynamic Range: Phantom: 111 dB,1 kHz at Max SPL Battery: 101 dB, 1 kHz at Max SPL
  • Signal to Noise Ratio: 72 dB, 1 kHz at 1 Pa
  • Phantom Power Requiremens: 11-52V DC, 2 mA typical
  • Battery Type: 1.5V AA/UM3
  • Battery Current Life: 0.4 mA / 1200 hours typical (alkaline)
  • Switch: Off, on-flat, on-roll-off
  • Cable: 25.0' (7.6 m) long (permanently attached to microphone), 0.13" (3.2 mm) diameter, 2-conductor, shielded cable with TA3F-type connector
  • Accessories: AT8531 power module; battery; soft protective pouch

 


Condenser
    Lightweight, sensitive diaphragm. Precisely and smoothly captures sound nuances. Powered by battery or phantom power supply.

Recommended Uses
    Conference/Installed

Available Options
    MX396C/DUAL     Dual-Element 0-180 Degrees, Cardioid, back or bottom exit cable, mute output, LED input
    MX396/TRI     Dual-Element 90-0-90 mic, adjustable to 120-120-120 degrees, Cardioid, back or bottom exit cable, mute output, LED input

The Microflex® Multi-Element Boundary microphone delivers a unique and versatile tool for conference room installations.

Clean and simple in appearance, Multi-Element Boundary mics come in two or three element configurations, combining the coverage of multiple microphones into one small, compact package.

Weight0.50 kg0.55 kg0.35 kg0.42 kg0.10 kg0.40 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.55 kg
Weight 0.35 kg
Weight 0.42 kg
Weight 0.10 kg
Weight 0.40 kg