Behringer BA 19A Condenser boundary microphone

80.59 incl. GR VAT

Only 1 left in stock (can be backordered)

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Availability: Available in 4-10 d. Available in 4-10 d. SKU: E015448 Category:
The Behringer BA 19A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule and XLR connection, BA 19A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BA 19A combines superior attack and punch for studio-quality sound, even […]

 

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The Behringer BA 19A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule and XLR connection, BA 19A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BA 19A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure level.
Switch the Presence Filter and Change the Sound

The BA 19A features a switchable presence filter which allows you to tailor the sound characteristics to different sound requirements and styles. The filter is adjusted via a slide switch on the microphone with different positions to boosts the presence and to boost the joy.
Place It and You Won’t Ever Replace It

Place your Behringer BA 19A inside the kick drum and point towards the beater and you will capture the attack as you want it. You also can position the mic just inside the drum at the air hole, you will capture more weight and less attack. This is how you capture the best of both worlds.
Features:

Condenser boundary microphone for acoustic instruments
Frequency response for kick drums, piano and bass-heavy instruments
Integrated preamplifier for outstanding signal integrity
Half-cardioid polar pattern minimizes background noise and feedback
Switchable filters for stronger lows and high-frequency attack
Extremely high signal output which lets the sound cut through
Requires no external mounting
Impact-resistant carrying case included
Rugged, reliable metal construction
3-Year Warranty Program
Designed and engineered in Germany

Behringer BA 19A; Condenser boundary microphone for acoustic instruments; Frequency response for kick drums, piano and bass-heavy instruments; Integrated preamplifier for outstanding signal integrity; Half-cardioid polar pattern minimizes background noise and feedback; Switchable filters for stronger lows and high-frequency attack; Requires no external mounting; impact-resistant carrying case included; Frequency response 50 Hz to 18 kHz; Impedance 250 Ohms; Phantom Power 48V; Sensitivity -53 dB ±3 dB @ 1 kHz (1 V / Pa); weight 493 g

Weight 0.50 kg

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Quick Comparison

Behringer BA 19A Condenser boundary microphone removeAKG C 547 BL HYPERCARDIOID CONDENSER BOUNDARY LAYER MICROPHONE removeAUDIO TECHNICA PRO42 Boundary Microphone removeSENNHEISER E-901 Condenser Microphone removeAudio Technica U891Rx Cardioid condenser boundary microphone with switch removeElectro voice PolarChoice Boyndary Microphone (cardioid, hyper-cardioid, figure-8, omni) remove
NameBehringer BA 19A Condenser boundary microphone removeAKG C 547 BL HYPERCARDIOID CONDENSER BOUNDARY LAYER MICROPHONE removeAUDIO TECHNICA PRO42 Boundary Microphone removeSENNHEISER E-901 Condenser Microphone removeAudio Technica U891Rx Cardioid condenser boundary microphone with switch removeElectro voice PolarChoice Boyndary Microphone (cardioid, hyper-cardioid, figure-8, omni) remove
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SKUE015448C 547BLPRO42H10SE00101U891Rx001816
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Description
ContentThe Behringer BA 19A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule and XLR connection, BA 19A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BA 19A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure level. Switch the Presence Filter and Change the Sound The BA 19A features a switchable presence filter which allows you to tailor the sound characteristics to different sound requirements and styles. The filter is adjusted via a slide switch on the microphone with different positions to boosts the presence and to boost the joy. Place It and You Won’t Ever Replace It Place your Behringer BA 19A inside the kick drum and point towards the beater and you will capture the attack as you want it. You also can position the mic just inside the drum at the air hole, you will capture more weight and less attack. This is how you capture the best of both worlds. Features: Condenser boundary microphone for acoustic instruments Frequency response for kick drums, piano and bass-heavy instruments Integrated preamplifier for outstanding signal integrity Half-cardioid polar pattern minimizes background noise and feedback Switchable filters for stronger lows and high-frequency attack Extremely high signal output which lets the sound cut through Requires no external mounting Impact-resistant carrying case included Rugged, reliable metal construction 3-Year Warranty Program Designed and engineered in Germany Behringer BA 19A; Condenser boundary microphone for acoustic instruments; Frequency response for kick drums, piano and bass-heavy instruments; Integrated preamplifier for outstanding signal integrity; Half-cardioid polar pattern minimizes background noise and feedback; Switchable filters for stronger lows and high-frequency attack; Requires no external mounting; impact-resistant carrying case included; Frequency response 50 Hz to 18 kHz; Impedance 250 Ohms; Phantom Power 48V; Sensitivity -53 dB ±3 dB @ 1 kHz (1 V / Pa); weight 493 g

C 547 BL 

"Non-crush" case
Inconspicuous
Hypercardioid polar pattern
Easy to repaint
 
Hypercardioid, studio-quality boundary microphone with rugged, "non-crush" case and
switchable bass-cut filter for reducing footfall noise, ideal for tough on-stage assignments.
Other benefits include optimum acoustic properties, high directivity, and neutral sound.
Having the same frequency response, the C 547 BL can be combined with the CK 47 with
excellent results.
Primarily designed for use in places of worship, theaters, and conferencing, the C 547 BL
is also a good choice for miking kick drums and other instruments.

SPECIFICATIONS:
Polar pattern hypercardioid
Frequency range 30 to 18,000 Hz
Sensitivity 8.5 mV/Pa (-42 dBV)
Max. SPL 133 dB (for 1% THD)
Equivalent noise level 22 dB-A
Signal/noise ratio (A-weighted) 72 dB
Bass filter 12 dB/octave at 150 Hz
Impedance 400 ohms
Recommended load impedance >1000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption

The PRO42\'s low-profile design assures inconspicuous appearance for surface-mount use in boardroom, school, government, house of worship and other installed applications. Designed for sound reinforcement, broadcasting and recording applications, the PRO42 brings crisp, intelligible audio reproduction to the podium, stage, conference table and beyond. With a wide-range condenser element and low-mass diaphragm for superior performance, the microphone is equipped with self-contained electronics, eliminating the need for external power modules. Very low-profile design for minimum visibility Wide-range condenser element with low-mass diaphragm for superior performance Uniform polar pattern for maximum rejection of unwanted sounds Rugged design and construction 25\' (7.6 m) cable permanently attached between microphone and XLRM-type connector Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Half-cardioid (cardioid in hemisphere above mounting surface) Frequency Response: 70-14,000 Hz Open Circuit Sensitivity: -38 dB (12.5 mV) re 1V at 1 Pa Impedance: 100 ohms Maximum Input Sound Level: 134 dB SPL, 1 kHz at 1% T.H.D. Dynamic Range: 105 dB, 1 kHz at Max SPL Signal to Noise Ratio: 65 dB, 1 kHz at 1 Pa Phantom Power Requiremens: 9-52V DC, 2 mA typical Weight: 1.2 oz (35 g) Dimensions: 1.44" (36.6 mm) maximum width, 2.14" (54.3 mm) maximum length, 0.61" (15.5 mm) height Output Connector: 3-pin XLRM-type on cable Cable: 25\' (7.6 m) long, permanently attached

The half-cardioid e 901 is the perfect condenser microphone for kick drum. It is highly robust and step-resistant. It benefits from an integrated preamp.

Pick-up pattern : half-cardioid
Frequency response : 20...20 000 Hz
Sensitivity in free field, no load : (1kHz) 0,5 mV/Pa
Max. Sound pressure level (aktiv) : 154 dB / SPL
Phantom powering : 48 V / 1,1 mA
Nominal impedance : Min. terminating impedance : 1000 Ohm
Dimensions : 126,5 x 105 x 26,5 mm
Weight : ca. 550 g

Designed to deliver easy, flexible control in conference and boardroom installations, the versatile U891Rx cardioid condenser boundary microphone features a touch-sensitive on-off switch that can be set to three modes: press-on/press-off, press to talk, and press to mute. The phantom-powered microphone is equipped with a unique PivotPoint® rotating output connector and an LED status indicator. UniGuard® innovations offer unsurpassed immunity from radio frequency interference; interchangeable elements are available in cardioid, hypercardioid and omnidirectional polar patterns; an 80 Hz low-cut UniSteep® filter reduces pickup of low-frequency ambient noise. The microphone's heavy die-cast case and silicon foam bottom pads minimize coupling of surface vibration to the microphone. The unit's self-contained electronics eliminate the need for an external power module.

  • Designed for surface-mount applications such as high-quality sound reinforcement, professional recording, television, conferencing and other demanding sound pickup situations
  • Ultra-quiet electronic switch can be set to any of three operating modes: "touch-on/ touch-off," "touch-to-talk" and "touch-to-mute“
  • PivotPoint® rotating output connector allows cable to exit from either the rear or the bottom of the microphone
  • Superior off-axis rejection for maximum gain before feedback
  • UniGuard® RFI-shielding technology offers outstanding rejection of radio frequency interference (RFI)
  • Small-diameter UniPoint® capsule near boundary eliminates phase distortion and delivers clear, high-output performance
  • Heavy die-cast case and non-slip silicon foam bottom pads minimize coupling of surface vibration to the microphone
  • Low-profile design with low-reflectance finish for minimum visibility
  • Available in two colors: black (U891Rx) and white (U891RWx)

 

  • Element: Fixed-charge back plate, permanently polarized condenser
  • Polar Pattern: Half-cardioid (cardioid in hemisphere above mounting surface)
  • Frequency Response: 30-20,000 Hz
  • Low Frequency Roll Off: 80 Hz, 18 dB/octave
  • Open Circuit Sensitivity: 34 dB (19.9 mV) re 1V at 1 Pa
  • Impedance: 200 ohms
  • Maximum Input Sound Level: 130 dB SPL, 1 kHz at 1% T.H.D.
  • Dynamic Range: 104 dB, 1 kHz at Max SPL
  • Signal to Noise Ratio: 68 dB, 1 kHz at 1 Pa
  • Phantom Power Requirements: 11-52V DC, 4 mA typical
  • Weight: 264 g
  • Dimensions: 108.0 mm long, 84.0 mm maximum width, 23.0 mm height
  • Output Connector: TB3M-type
  • Cable: 7.6 m long, 3.2 mm diameter, 2-conductor, shielded cable with TA3F and XLRM-type connectors

 

Electro-Voice PolarChoice Boundary Satellite Microphone Specifications: Generation Element: Dual condenser,back electret Frequency Response: 50 Hz to 20,000 Hz Polar Patterns: Omnidirectional,Cardioid,Supercardioid,Hypercardioid Sensitivity: Open Circuit Voltage,1 kHz:5.6mV/Pascal Clipping Level (1% THD): >135 dB SPL Equivalent Noise:     Dynamic Range: >109 dB Output Impedance,1 kHz: 200 ohms Power Requirements: Phantom,12 - 52 VDC Current Consumption: < 8 mA with P12 supp Polarity: Pin 2 positive,referenced to pin 3,with positive pressure on the diaphragm Accessories Furnished: All versions of PolarChoice ship with the Shock Mount Kits and EV\'s Multiport™ windscreen.
Weight0.50 kg0.42 kg0.25 kg1.00 kg0.10 kg0.30 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.42 kg
Weight 0.25 kg
Weight 1.00 kg
Weight 0.10 kg
Weight 0.30 kg